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Downhill Racer
By David Yarrow
Located in Chicago, IL
Downhill Racer Val Gardena, Italy - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Last Supper in Chicago
By David Yarrow
Located in Chicago, IL
The Last Supper in Chicago Chicago, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available image sizes: 45 x 52 inches 52 x 61 inches 71 x 85 inches "In November 2022, at the United Center in Chicago, legendary Slovakian hockey player - Marián Hossa - had his shirt retired in front of 24,000 adoring and thankful Blackhawks fans. It was an emotional evening and one that I felt privileged to watch, alongside Marián’s friends and family. 48 hours previously, Marián was joined by two other Chicago “Hall of Famers”, Chris Chelios and Denis Savard, and nine other Blackhawks stars to collaborate with me on an idea that had been marinating in my mind for some time. My concept was to merge in unity, two of Chicago’s most precious possessions, its architecture and its beloved Blackhawks. This is a proud city...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Last Supper in Chicago
By David Yarrow
Located in Chicago, IL
The Last Supper in Chicago Chicago, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available image sizes: 45 x 52 inches 52 x 61 inches 71 x 85 inches "In November 2022, at the United Center in Chicago, legendary Slovakian hockey player - Marián Hossa - had his shirt retired in front of 24,000 adoring and thankful Blackhawks fans. It was an emotional evening and one that I felt privileged to watch, alongside Marián’s friends and family. 48 hours previously, Marián was joined by two other Chicago “Hall of Famers”, Chris Chelios and Denis Savard, and nine other Blackhawks stars to collaborate with me on an idea that had been marinating in my mind for some time. My concept was to merge in unity, two of Chicago’s most precious possessions, its architecture and its beloved Blackhawks. This is a proud city...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Hot Legs II
By David Yarrow
Located in Chicago, IL
Namibia, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 39 x 37 inches 59 x 56 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "My predilection when photographing wildlife...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Last Supper in Chicago
By David Yarrow
Located in Chicago, IL
The Last Supper in Chicago Chicago, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 50 Available image sizes: 45 x 52 inches 52 x 61 inches 71 x 85 inches "In November 2022, at the United Center in Chicago, legendary Slovakian hockey player - Marián Hossa - had his shirt retired in front of 24,000 adoring and thankful Blackhawks fans. It was an emotional evening and one that I felt privileged to watch, alongside Marián’s friends and family. 48 hours previously, Marián was joined by two other Chicago “Hall of Famers”, Chris Chelios and Denis Savard, and nine other Blackhawks stars to collaborate with me on an idea that had been marinating in my mind for some time. My concept was to merge in unity, two of Chicago’s most precious possessions, its architecture and its beloved Blackhawks. This is a proud city...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Alone Together
By Cristina Mittermeier
Located in Chicago, IL
Alone Together French Polynesia, 2019 Available sizes: 20 x 30 in / Edition of 6 32 x 48 in / Edition of 6 50 x 75 in / Edition of 6 Archival Pigment Print printed on Hahnemühle...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Ocean Dance
By Cristina Mittermeier
Located in Chicago, IL
Ocean Dance Galapagos Islands, 2019 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Big Shot
By Cristina Mittermeier
Located in Chicago, IL
Big Shot Greenland Available sizes: 20 x 30 in / Edition of 6 - $7,500 32 x 48 in / Edition of 6 - $17,500 40 x 60 in / Edition of 6 - $18,500 50 x 75 in ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Traveler, Bahamas by Cristina Mittermeier
By Cristina Mittermeier
Located in Chicago, IL
The Traveler Bahamas 20 x 30 in / Edition of 3 - $9,500 Also available: 32 x 48 in / Edition of 3 - $17,500 Archival Pigment Print printed on Hahnem...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Secrets, Bahamas by Cristina Mittermeier
By Cristina Mittermeier
Located in Chicago, IL
Secrets Bahamas, 2021 20 x 30 in / Edition of 3 - $8,500 Also available: 32 x 48 in / Edition of 3 - $15,500 Archival Pigment Print printed on Hahnemühle Photo Rag Paper Price...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Unbreakable Bond, Dominica by Cristina Mittermeier
By Cristina Mittermeier
Located in Chicago, IL
Unbreakable Bond Dominica, 2019 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Little Shadow
By Cristina Mittermeier
Located in Chicago, IL
Little Shadow Norway, 2018 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6 - $...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Silent Sentinels, Madagascar by Cristina Mittermeier
By Cristina Mittermeier
Located in Chicago, IL
Silent Sentinels Madagascar, 2009 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition o...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Los Delfines, Mexico by Cristina Mittermeier
By Cristina Mittermeier
Located in Chicago, IL
Los Delfines Mexico, 2022 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6 - $1...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Rush Hour, Mexico by Cristina Mittermeier
By Cristina Mittermeier
Located in Chicago, IL
Rush Hour Mexico, 2022 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Diva, Mexico by Cristina Mittermeier
By Cristina Mittermeier
Located in Chicago, IL
Diva Mexico, 2022 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6 - $15,500 Archival Pigment Print printed on Hahnemühle Photo Rag Paper Prices listed do not include framing. Please contact gallery for framed pricing. While swimming off the coast of Baja California Sur, this playful California Sea Lion kept approaching me. She would rise to the surface then slowly descend to the sea floor...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Shipwreck Dreams, Bahamas by Cristina Mittermeier
By Cristina Mittermeier
Located in Chicago, IL
Shipwreck Dreams The Bahamas, 2021 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Guardian of the Watchhouse
By Cristina Mittermeier
Located in Chicago, IL
Guardians of the Watchhouse Canada, 2017 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Ed...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Polar Master, Russia by Cristina Mittermeier
By Cristina Mittermeier
Located in Chicago, IL
Polar Master Russia, 2017 30 x 30 in / Edition of 6 - $7,500 Also available: 48 x 48 in / Edition of 6 - $12,500 Archival Pigment Print printed on Hahnemühle Photo Rag Paper Prices listed do not include framing. Please contact gallery for framed pricing. While travelling aboard an old Russian nuclear ice breaker on an expedition to the Arctic, from the icy distance we spotted this lone figure. He came across the sea ice to intercept our ship, stopping us in our tracks. He laid down in front of the vessel and refused to move, as if determining our worth before entering his domain. Cristina Mittermeier Biography: A virtuous mind and voice in conservation photography and one of the most influential female photographers in the world, Cristina Mittermeier began her career as a Marine Biologist working in her native Mexico. For the past twenty-five years, she has dedicated herself to inspiring a global audience to care about the delicate balance between human well-being and healthy ecosystems. Cristina's work has exhibited at the Oceanographic Museum of Monaco, The Miller Gallery in Cincinnati, The Paul Nicklen Gallery in New York, Xposure in the UAE , Art Basel Miami, Terras de Salitre/Mar de Mares Festival in Santiago, The Museum of Plastic Pop-Up in New York, The United Nations Headquarters in association with Disney and Girl Up, and at Fotografiska in Stockholm, Sweden. Cristina is the co-founder of SeaLegacy, the founder and former president of the International League of Conservation Photographers, a board member for the WILD Foundation, an advisor on two major Conservation International programs, an esteemed public speaker, and a recipient of multiple internationally recognized awards for her photography. In 2016, Cristina received the Imaging Award for Photographers who Give Back and in 2018 was acknowledged as a National Geographic Adventurer of the Year. She is the editor of 26 conservation photography books and her Fine Art Coffee Table book...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Arterial Shadows, Mexico by Paul Nicklen - Contemporary Landscape Photography
By Paul Nicklen
Located in Chicago, IL
Arterial Shadows Mexico, 2022 24" x 36" / Edition of 20 - $3,500 Also available: 31" x 46.5" / Edition of 15 - $7,500 40" x 60" / Edition of 10 - $12,500 60" x 90" / Edition of 7...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Arterial Poetry, Mexico by Paul Nicklen - Contemporary Landscape Photography
By Paul Nicklen
Located in Chicago, IL
Arterial Poetry Mexico, 2022 24" x 36" / Edition of 20 - $3,500 Also available" 31" x 46.5" / Edition of 15 - $7,500 40" x 60" / Edition of 10 - $12,500 60" x 90" / Edition of 7 ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Flight
By David Yarrow
Located in Chicago, IL
Flight Los Angeles, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 61 inches 56 x 92 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Private jets are mainstream in 2022. In celebrated American resort destinations such as Aspen, they can outnumber grounded commercial aircrafts 20 to 1. Flying privately makes travel comfortable and appeals to those long of cash and short of time, but to film in a private jet and merely tell a story of luxury, has always struck me as banal and creatively stiff. Instead, I wanted to use the tube of a private jet to tell a story of excess and bad behaviour; if jets are private, then by definition anything is permissible and the word PJ can elicit imagery of sex, drugs and rock and roll. It is not, of course, a linear relationship and most passengers on private jets are model citizens simply travelling in the most perfunctory of ways from A to B. But in the art world, I feel no need to play to percentages. I would rather have some fun and tell some stories. My focus was the PJ journeys that get out of hand. The real ‘Wolf of Wall Street...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Norse
By David Yarrow
Located in Chicago, IL
Norse Skogafoss, Iceland – 2022 - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 40 x 37 inches 61 x 56 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. “Skogafoss in southern Iceland is a familiar destination for us, we have filmed there a few times over the years and know its potential and also its challenges. The waterfall is aesthetically without equal in Europe and the backdrop offers the chance of an arresting photograph, especially as the foreground gives a platform on which to add narrative. The waterfall itself is of little interest to me; it is photographed thousands of times a day by good photographers with good cameras. It must be used as part of the story, not the whole event. The riddle is how to manage the distance between the camera and the point of impact of the huge volumes of water that smash onto the ground. To work too close risks not just losing perspective, but having spray, quickly rendering the camera inoperable. To work further away is more practical, but then the distance compression can dumb things down and lose the sense of immersion and importantly the scale. We now know our spot and our lens choice, but this was the first time we had put it to the test in the snow, when Skogafoss becomes a three-sided winter vortex; a bit like a deep freeze...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

I'm Not Fxxing Leaving!
By David Yarrow
Located in Chicago, IL
I'm Not Fxxing Leaving! Los Angeles, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 35 x 77 inches 47 x 102 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. Over the last three years, we have undertaken two different homages to Martin Scorsese’s wonderful black comedy - The Wolf of Wall Street and on both occasions worked with the real wolf, Jordan Belfort. Pleasingly they have been hugely popular pieces. In 2022, we returned to a dealing room to film the most challenging of the ideas; the “I am Not Fxxxking Leaving” scene. The concept was clear in my head, but I was wrestling with the execution, as, in a still image, it is impossible to have both the speaker and the crowd facing the camera. The idea of the back of Jordan’s head being at the front of the frame had no appeal, meanwhile excluding him from the picture altogether would weaken the narrative. But the crowd was simple to preconceive; an energy charged orgy of 1994 brokers celebrating the defiance of their leader. I wanted explicit references to the excesses of the era and the film and this demanded a testosterone jammed dealing floor hosting flying dollars, ticker tape, rubber dolls, call girls and marching bands. I always think that it is counter intuitive to downplay parody. We even managed to sneak in a Steve Madden...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Home of Golf
By David Yarrow
Located in Chicago, IL
The Home of Golf St. Andrews, Scotland – 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The King's Speech
By David Yarrow
Located in Chicago, IL
The King's Speech South Africa - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. E...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

T'Challa
By David Yarrow
Located in Chicago, IL
T'Challa South Africa - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes:...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Lion's Den
By David Yarrow
Located in Chicago, IL
The Lion's Den South Africa- 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available s...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Cheetahs
By David Yarrow
Located in Chicago, IL
Cheetahs Namibia - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 34 ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Mohan
By David Yarrow
Located in Chicago, IL
Mohan South East Asia - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 49 inches 56 x 74 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. Due to a mutant gene, white tigers lack pheomelanin; the pigment that turns fur orange...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Book of Daniel
By David Yarrow
Located in Chicago, IL
The Book of Daniel Available in both Colour and Monochrome South Africa- 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 37 x 65 inches 56 x 98 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. Good creative ideas are only as good as the execution and when I conceived the idea of a literal photographic depiction of Daniel in a cave with wild lions, I recognised that pulling it off in the field would be as examining a production challenge as anything we had undertaken. The fact that we ended up with this image - a career highlight - is testimony to the skills of many South Africans with whom we collaborated on this project, none more so than Kevin Richardson, The Lion Whisperer. It was his behavioural understanding of specific lions within his famous sanctuary that gave me the confidence to even consider emotionally and financially investing in my mad idea. We have worked with each other for over eight years now and have developed a mutual trust. To build a cave and work from within that cave with wild lions is not a brief for a nascent relationship between artist and lion whisperer. We both agreed that pivotal to the success of the final image was that the lions we worked with should be interacting with each other and not me. If they were looking at me in the front of my heavy-duty cage, it would suggest encroachment and the involvement of another party. There were no third party witnesses to Daniel in the cave, other than spiritual ones. The lighting was also key and we needed time to look at various options to create the shaft of light. Without a light shaft, the sense of being in a cave would be diminished as opposed to amplified. It was this feature that would also add to the biblical vibe of the photograph which was essential; after all, we were working from the Bible. The low trajectory of the winter sun in Kevin’s conservation was in our favour and suggested that between 9 am and 10 am the light shaft could have the right angle so long as the hole in the cave’s ceiling was accurately positioned. The plan was that Daniel was the final piece in the jigsaw and we would only bring him in when all else was done, albeit I had a precise position for him in my mind. Kevin’s lions would not show any mercy to our modern-day Daniel and we would never suggest that this image was anything less than two pictures combined. Good things take time and I always knew this would be a three-day project for me on location. The predictability of the winter weather in the region was a key asset; the cloudless skies gave us identical light day after day and that then gave us optionality and time. But for others the project was a month, not three days, and I am full of gratitude for the artistic skills of those that made the cave and the attention to detail of the production team led by Theuns De Wet in Johannesburg and Tom Williams...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Route 66
By David Yarrow
Located in Chicago, IL
Route 66 Holbook, Arizona, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Ed...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Raising Arizona
By David Yarrow
Located in Chicago, IL
Raising Arizona Monument Valley, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 77 inches 46 x 103 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. When filming in Monument Valley in the spring of 2022, I asked our Navajo Guide whether there was a possibility to shoot from the rock structures to the south that stand high above the ampitheatre of mesas and monoliths. It struck me that this position of height could offer an extraordinary back drop of what is the beating heart of Southwest America. He said it was possible, but that we would need permits and we would also need to camp up the mountains if we wanted to shoot in low light - the 15-mile journey by powerful 4-wheel drive from Kayenta is a challenge and can take up to 3 hours. There are no roads and the vehicles must face terrain that makes most off-road Land Rover car adverts look lame. My plan was to film cowboys at the top of the escarpment and offer a layered photograph featuring one of America’s great vistas. I have seen many pictures of Monument Valley, but never this composition. That excited me, after all, originality in a place as well documented as this, is critical. John Ford got here long before me. We chose the most experienced West Texan cowboys we knew and they travelled west to Arizona with their lead horses...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Empty Pocket Saloon
By David Yarrow
Located in Chicago, IL
Empty Pocket Saloon Arizona, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the fr...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

WELL, I’M A-STANDIN’ ON A CORNER IN WINSLOW, ARIZONA
By David Yarrow
Located in Chicago, IL
Well, I'm Standin' On A Corner In Wislow, Arizona Arizona, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Hustlers
By David Yarrow
Located in Chicago, IL
Hustlers Arizona, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 61 inches 56 x 93 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. The 1961 movie The Hustler won two Oscars and, along with The Color of Money, is probably the most famous Hollywood pool film. Based on the novel with the same name by Walter Tevis (1959), it tells the story full of ups and downs of the talented “Fast” Eddie Felson (Paul Newman) and his encounters with the legendary Minnesota Fats (Jackie Gleason). In the movie, players were always heavy gamblers, smokers and drinkers which contributed to the “bad boy” image of pool. There is nothing that can be sugar coated about pool; it is not an activity for the earnest or the clean living. It is a game for drinkers and hustlers. I felt no need to earmark a Fast Eddie or Minnesota Fats in this pool game...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Mud Man
By Cristina Mittermeier
Located in Chicago, IL
"Mud Man" Papua New Guinea, 2006 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Ta'kaiya, Canada by Cristina Mittermeier
By Cristina Mittermeier
Located in Chicago, IL
"Ta'Kaiya" Canada, 2018 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6 - $15,...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

With Open Arms, Canada by Cristina Mittermeier
By Cristina Mittermeier
Located in Chicago, IL
"With Open Arms" Canada, 2018 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6 ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Lady Shepherd
By Cristina Mittermeier
Located in Chicago, IL
"Lady Shepherd" Ecuador, 2008 "While traveling in the highlands of Ecuador, this lonely shepherd caught my attention. In broken Spanish she explained that after school she had to watch the sheep, but what she really wanted to was play ball." - Cristina Mittermeier 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 / Edition of 6 - $10,500 50 x 75 / Edition of 6 - $15,500 Prices listed do not include framing. Please contact gallery for framed pricing. "While traveling in the highlands of Ecuador, this lonely shepherd caught my attention. In broken Spanish she explained that after school, she had to watch the sheep, but what she really wanted to do was play ball." - Cristina Mittermeier Cristina Mittermeier Biography: A virtuous mind and voice in conservation photography and one of the most influential female photographers in the world, Cristina Mittermeier began her career as a Marine Biologist working in her native Mexico. For the past twenty-five years, she has dedicated herself to inspiring a global audience to care about the delicate balance between human well-being and healthy ecosystems. Cristina's work has exhibited at the Oceanographic Museum of Monaco, The Miller Gallery in Cincinnati, The Paul Nicklen Gallery in New York, Xposure in the UAE , Art Basel Miami, Terras de Salitre/Mar de Mares Festival in Santiago, The Museum of Plastic Pop-Up in New York, The United Nations Headquarters in association with Disney and Girl Up, and at Fotografiska in Stockholm, Sweden. Cristina is the co-founder of SeaLegacy, the founder and former president of the International League of Conservation Photographers, a board member for the WILD Foundation, an advisor on two major Conservation International programs, an esteemed public speaker, and a recipient of multiple internationally recognized awards for her photography. In 2016, Cristina received the Imaging Award for Photographers who Give Back and in 2018 was acknowledged as a National Geographic Adventurer of the Year. She is the editor of 26 conservation photography books and her Fine Art Coffee Table book...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Genipapo
By Cristina Mittermeier
Located in Chicago, IL
"Genipapo" Brazil, 2012 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6 - $15,500 Prices listed do not include framing. Please contact gallery for framed pricing. The art of body painting is very important to Amazonian cultures. In most regions of the Brazilian Amazon, people use a wild fruit...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Lillies
By Cristina Mittermeier
Located in Chicago, IL
"Lillies" Madagascar, 2013 20 x 30 in - $4,500 Also available: 32 x 48 in - $7,500 40 x 60 in - $10,500 50 x 75 in - $15,500 Driving through the Alley of the Baobabs in Wester...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Husky Huddle, Greenland by Paul Nicklen
By Paul Nicklen
Located in Chicago, IL
Husky Huddle Qaanaaq, Greenland, 2015. 31 x 46.5 in / 78.7 x 118.1 cm / Edition of 15 Also Available: 24 x 36 in / 61 x 91.4 cm / Edition of 20 40 × 60 in / 101.6 x 152.4 cm / Edit...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Majesty Surfacing, Canada by Paul Nicklen - Contemporary Wildlife Photography
By Paul Nicklen
Located in Chicago, IL
Majesty Surfacing Yukon, Canada, 2012. 24 x 36 in / 61 x 91.4 cm / Edition of 20 - $9,500 31 x 46.5 in / 78.7 x 118.1 cm / Edition of 15 40 × 60 in / 101.6 x 152.4 cm / Edition of 3...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Last Supper In Texas
By David Yarrow
Located in Chicago, IL
The Last Supper In Texas Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 44 x...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Pebble Beach
By David Yarrow
Located in Chicago, IL
Pebble Beach Alaska, USA - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edi...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The American Idol II
By David Yarrow
Located in Chicago, IL
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 50 inches 67 x 71 inche...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Brutus
By David Yarrow
Located in Chicago, IL
Brutus Alaska, USA - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 5...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Superhero
By David Yarrow
Located in Chicago, IL
South Africa, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 49 ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

66 Degrees North
By David Yarrow
Located in Chicago, IL
66 Degrees North Námafjall Geothermal Area, Iceland - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 54 inches 67 x 76 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Developing a concept that ticks the boxes creatively and then executing that concept are emphatically two different jobs, which is why making a picture is a longer process than taking a picture. Many years ago, the exceptional work of British photographer Tim Flach, drew my attention to the hot springs of Myvatn in the north of Iceland. This remote area is geologically angry and in deep winter it is fairly inhospitable, but in the summer, it becomes something of a tourist resort for the local Icelandics and all too crowded for how we operate. We would always choose inhospitable over crowded. I have filmed here in the winter in the past, but struggled to do justice to the uniquely raw ecosystem. As always there is an element of knowing how to get it right by initially getting it hopelessly wrong. In particular, this is not a safe place without engaging locals, because the ground underneath, much like Yellowstone in Wyoming, is not to be taken for granted. To be brave and work close to the geysers needs permits and guides. But in 2022, we finally had our rewards. The weather plays such a big role in the field; no more so than up here at 66 degrees north where the Norse Gods granted my wish for strong winds and good light. It was the wind that amplified the trail of steam and allowed me to work a comfortable distance from the source without losing the effect. It was then up to me to work the strong late afternoon light to the best of my advantage. The end result is a strong image and certainly authentic. Its stripped back and visceral mood lives and breathes the wildest of Icelandic sagas. There are horse...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Wolves of Wall Street
By David Yarrow
Located in Chicago, IL
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 79 inches 56 x 94 inches 67 x 114 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. Narrative: "The concept of this photograph has been bouncing around in my head for over a year. We prepared for many months as it was clear to me that if we were to pay homage to The Wolf of Wall Street...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Catwalk
By David Yarrow
Located in Chicago, IL
Catwalk Dinokeng, South Africa - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Availabl...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

I am Black Panther
By David Yarrow
Located in Chicago, IL
I am Black Panther Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 74 in...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Untouchables II
By David Yarrow
Located in Chicago, IL
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 53 inches 67 x 74 inche...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

New Testament (B&W)
By David Yarrow
Located in Chicago, IL
NEW TESTAMENT South Sudan, 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 80 inches 49 x 114 inches "All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was. The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role. It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst. But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail. But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold. The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”. My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle. I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every week I see monochrome photographs of the big elephants...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

New Testament (Monochrome)
By David Yarrow
Located in Chicago, IL
NEW TESTAMENT South Sudan, 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 80 inches 49 x 114 inches "All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was. The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role. It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst. But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail. But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold. The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”. My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle. I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every week I see monochrome photographs of the big elephants...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Marvel
By David Yarrow
Located in Chicago, IL
Marvel South Africa- 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: ...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Cloud 9
By David Yarrow
Located in Chicago, IL
Cloud 9 Aspen, Colorado, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edi...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

The Shift
By David Yarrow
Located in Chicago, IL
The Shift Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 53 inches 67...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Who's Gonna Tell Him?
By David Yarrow
Located in Chicago, IL
Who's Gonna Tell Him? Antarctica - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Avail...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

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