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Ivy Brown Mixed Media

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3D work on found book pages: 'Tarsus'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

3D Work on Book Pages: 'The Eye'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

Wall sculpture: 'Raven'
By Terri Fraser
Located in New York, NY
As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...
Category

2010s Contemporary Abstract Sculptures

Materials

Steel, Wire

Wall sculpture: 'Maurizia'
By Terri Fraser
Located in New York, NY
As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...
Category

2010s Contemporary Abstract Sculptures

Materials

Copper, Wire

Fiber painting: 'Here Lies a Promising Old Man'
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
Quotation from Infinite Jest by David Foster Wallace. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
Category

2010s Contemporary Still-life Paintings

Materials

Mixed Media

Fiber painting: 'AR'
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
The artwork is an excursus between different languages, beyond the historical, cultural and geographical boundaries, starting from the Indo-European root √AR, from which it takes its name. This root can be associated with words such as arena, artillery that refer to a military and warlike environment, but also it has in itself the idea of unity, explored in the artwork, and with it that of cohesion, of right direction; the idea of integrity and of moral rightness. Coexisting languages in AR: Hittite, Sanskrit, ancient Greek, Latin, runic Proto-Germanic and Italian. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
Category

2010s Contemporary Still-life Paintings

Materials

Mixed Media

Fiber painting: 'La ballerina'
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
Category

2010s Contemporary Paintings

Materials

Mixed Media, Acrylic

Fiber painting: 'Auto-disastro concettuale'
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery...
Category

2010s Contemporary Paintings

Materials

Mixed Media

Fiber painting: 'Nei torrenti di montagna'
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
The words used in the artworks come from the indo-european root √Ker, which contains a bunch of auspicious meanings, which can be associated with vibration and rhythm and, together, with the flesh as well as with the head and the heart, developing a semantic collaboration that becomes a story. The heart and, on the other side, the brain, by vibrating, make the energy they generate flow in the flesh and animate it. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
Category

2010s Contemporary Still-life Paintings

Materials

Mixed Media

Fiber painting: 'La mémoire ne se perd pas'
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
The brief text talks about memory, starting from 4 books e mixing 4 different languages: Italian, French, Greek and Sanskrit. The artwork’s material is a particular kind of recycled hard fabric that recalls paper. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
Category

2010s Contemporary Paintings

Materials

Foil

3D works on found book pages: 'Neural Networks 1'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

3D Work on found book pages: 'Nervous Tissue 1'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

3D work on paper: 'The Ear'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

3D works on found book pages: ''Hearken Hearse Heart"
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Still-life Paintings

Materials

Mixed Media

3D works on found book pages: ''Telstar'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Still-life Paintings

Materials

Mixed Media

3D works on found book pages: 'From Behind'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

3D works on found book pages: 'Do No Harm'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

Wall Sculpture: 'Ayden'
By Terri Fraser
Located in New York, NY
As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...
Category

2010s Contemporary Abstract Sculptures

Materials

Copper, Wire

Hanging wire sculpture: 'Willa'
By Terri Fraser
Located in New York, NY
As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...
Category

2010s Contemporary Abstract Sculptures

Materials

Wire

Wall sculpture: 'Selena'
By Terri Fraser
Located in New York, NY
As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...
Category

2010s Contemporary Abstract Sculptures

Materials

Copper, Wire

3D work on paper: 'The Human Skull, Right Side'
By Valerie Huhn
Located in New York, NY
People have used fingerprints for mark-making since the earliest recorded days of civilization. Yet fingerprints today are far more likely to be used for marking others than for sta...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

3D Work on paper: 'Neurons and Arteries of the Brain'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

Sculptural Wall Art: 'Woven #2'
By Megan Klim
Located in New York, NY
Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...
Category

2010s Contemporary Abstract Paintings

Materials

Wire

Wall sculpture: 'Larry's true love, Eyelashes'
By Terri Fraser
Located in New York, NY
As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...
Category

2010s Contemporary Abstract Sculptures

Materials

Wire

Finger Print Sculpture made from a book: 'HOW THE NORMAL EYE CAN BE DECEIVED'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Figurative Sculptures

Materials

Mixed Media

3D Work on paper: 'The Human Skull, Left Side'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

3D work on paper: 'The Tongue Outline'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

Wall Sculpture: 'Cerise'
By Terri Fraser
Located in New York, NY
As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...
Category

2010s Contemporary Abstract Sculptures

Materials

Steel, Wire

3D Work on paper: 'The Hand'
By Valerie Huhn
Located in New York, NY
Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...
Category

2010s Contemporary Figurative Paintings

Materials

Mixed Media

Wall sculpture: 'Morgan'
By Terri Fraser
Located in New York, NY
As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...
Category

2010s Contemporary Abstract Sculptures

Materials

Wire

Sculptural Wall Art: 'Trace #8'
By Megan Klim
Located in New York, NY
Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...
Category

2010s Contemporary Abstract Paintings

Materials

Steel

Miniature horse under glass dome: 'simple cyanotype horse- miniature'
By Gin Stone
Located in New York, NY
Environmental Advocacy "I will inhale smoke and exhale butterflies" This quote, gleaned from a dream, encapsulates my need to take man’s pollution of this world and transform it into...
Category

2010s Contemporary Figurative Sculptures

Materials

Mixed Media

Upcycled Grocery Basket Sculpture: 'Convenience Basket 2/6'
By Theda Sandiford
Located in New York, NY
“Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making techniques. Meticulously collected materials, transformed by their collective memory become “social fabric” weaving together contemporary issues and personal narratives. 100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles lures you into my hue-imbued, enmeshed installations symbolizing natural hair. These bold albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair. Community art making is also key to my process. Multi-disciplinary experiences pairing people, food, wine, music and art, create a safe space to explore themes such as equity & inclusion, sustainability and personal wellbeing.” -Theda Sandiford
Category

2010s Contemporary Still-life Sculptures

Materials

Mixed Media

Sculpture Zip Tie and Tie Dress on Form: 'Suit of Armor'
By Theda Sandiford
Located in New York, NY
Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a...
Category

2010s Contemporary Figurative Sculptures

Materials

Mixed Media

Upcycled Wall Sculpture: 'Floral Boeket'
By Theda Sandiford
Located in New York, NY
After taking a stroll through St. Georges Botanical Garden in St. Croix USVI this gold spray painted shopping cart part woven with webbed polyurethane ribbons, deconstructed Fresh Direct bags, bottle caps, vintage scarf, plastic grocery mesh and paracord came together. “Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making techniques. Meticulously collected materials, transformed by their collective memory become “social fabric” weaving together contemporary issues and personal narratives. 100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles lures you into my hue-imbued, enmeshed installations symbolizing natural hair. These bold albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair. Community art making is also key to my process. Multi-disciplinary experiences pairing people, food, wine, music and art, create a safe space to explore themes such as equity & inclusion, sustainability and personal wellbeing.” -Theda Sandiford
Category

2010s Contemporary Still-life Sculptures

Materials

Mixed Media

Shopping Cart: 'The Great Resignation Baggage Cart, Emotional Baggage Cart'
By Theda Sandiford
Located in New York, NY
'My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it.' Theda Sandiford...
Category

2010s Contemporary Still-life Sculptures

Materials

Mixed Media

Upcycle Wall Sculpture: 'Head full of Joyful Noise'
By Theda Sandiford
Located in New York, NY
Drawing inspiration from hair braiding and beading styles from my youth, different bottle caps have been strung together into colorful oversized beaded...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Upcycled Grocery Basket Sculpture: 'Convenience Basket 1/6'
By Theda Sandiford
Located in New York, NY
“Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making tech...
Category

2010s Contemporary Still-life Sculptures

Materials

Mixed Media

Upcycled Large Wall Sculpture: 'Double Dutch'
By Theda Sandiford
Located in New York, NY
Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Upcycled Wall Sculpture: 'Slow Man's Shield'
By Theda Sandiford
Located in New York, NY
Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Upcycled Wall Sculpture: 'Off Duty'
By Theda Sandiford
Located in New York, NY
Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors ...
Category

2010s Contemporary Sculptures

Materials

Mixed Media

Zip tie Chandelier: 'Mini Light Armor'
By Theda Sandiford
Located in New York, NY
“Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making techniques. Meticulously collected materials, transformed by their collective memory become “social fabric” weaving together contemporary issues and personal narratives. 100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles lures you into my hue-imbued, enmeshed installations symbolizing natural hair. These bold albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair. Community art making is also key to my process. Multi-disciplinary experiences pairing people, food, wine, music and art, create a safe space to explore themes such as equity & inclusion, sustainability and personal wellbeing.” -Theda Sandiford
Category

2010s Contemporary Still-life Sculptures

Materials

Mixed Media

Cutwork :Blue & White Circle - In
By Elizabeth Gregory-Gruen
Located in New York, NY
Cutwork is made of 2 ply museum board layered with acrylic ink silkscreen color blend. Though seemingly perfect and symmetrical at first glance, the original images are cut with no guide, defined by the authentic energy of the free hand cutting. The reverse-relief effect is achieved by first cutting what will become the top layer of paper, with each subsequent sheet layered and cut individually. About her process, Gregory-Gruen says, “It is visceral. A meditation. Imperfection is perfection.” CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper...
Category

2010s Contemporary Abstract Paintings

Materials

Glue, Acrylic, Board

Cutwork: 'Red & White Circle - In'
By Elizabeth Gregory-Gruen
Located in New York, NY
Cutwork is made of 2 ply museum board layered with acrylic ink silkscreen color blend. Though seemingly perfect and symmetrical at first glance, the original images are cut with no guide, defined by the authentic energy of the free hand cutting. The reverse-relief effect is achieved by first cutting what will become the top layer of paper, with each subsequent sheet layered and cut individually. About her process, Gregory-Gruen says, “It is visceral. A meditation. Imperfection is perfection.” CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper...
Category

2010s Contemporary Abstract Paintings

Materials

Acrylic, Board

Medium Abstract Sculpture: 'Accepting'
By Eileen Braun
Located in New York, NY
During the COVID-19 lockdown, many faced swirling negative thoughts….. Atlanta sculptor, Eileen Braun, worked through the lockdown challenge and re-channeled that negative energy into her hands. As her hands cradled and examined the materials, her mind welcomed being in the moment and being grateful for what was. Those positive thoughts became her mantra while creating. Accepting change without judgement. On occasion, accepting the days that didn’t change, while the materials spoke anew. She explains that “the resulting forms display my interwoven emotions: quiet, complex, absorbed, relaxed, serious, playful, flirtatious, mothering, smothering and ultimately, joyful.” Her installation, OPEN SPACES: Espaces Ouverts, is a profusion of forms suspended in our two front facing plaza windows. As they float, sight lines...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Surreal Collage: 'The Witness'
By David Barnett
Located in New York, NY
Combining found elements with those fashioned by my own hand, my work encompasses two- and three-dimensional collage as well as sculptural objects. Infused with a rich sense of histo...
Category

2010s Surrealist Figurative Paintings

Materials

Mixed Media

Wall Sculpture, Two Animal Heads: 'Gruff'
By Gin Stone
Located in New York, NY
Environmental Advocacy "I will inhale smoke and exhale butterflies" This quote, gleaned from a dream, encapsulates my need to take man’s pollution of this world and transform it into...
Category

2010s Contemporary Figurative Sculptures

Materials

Mixed Media

Surreal Collage: 'Watching'
By David Barnett
Located in New York, NY
Combining found elements with those fashioned by my own hand, my work encompasses two- and three-dimensional collage as well as sculptural objects. Infused with a rich sense of histo...
Category

2010s Surrealist Figurative Paintings

Materials

Mixed Media

Large Stag Head Sculpture: 'A Remembrance'
By Gin Stone
Located in New York, NY
Environmental Advocacy "I will inhale smoke and exhale butterflies" This quote, gleaned from a dream, encapsulates my need to take man’s pollution of this world and transform it into...
Category

2010s Contemporary Figurative Sculptures

Materials

Mixed Media

Encaustic Wax and Woven, Abstract Wall Sculpture: 'Mothering'
By Eileen Braun
Located in New York, NY
During the COVID-19 lockdown, many faced swirling negative thoughts….. Atlanta sculptor, Eileen Braun, worked through the lockdown challenge and re-channeled that negative energy into her hands. As her hands cradled and examined the materials, her mind welcomed being in the moment and being grateful for what was. Those positive thoughts became her mantra while creating. Accepting change without judgement. On occasion, accepting the days that didn’t change, while the materials spoke anew. She explains that “the resulting forms display my interwoven emotions: quiet, complex, absorbed, relaxed, serious, playful, flirtatious, mothering, smothering and ultimately, joyful.” Her installation, OPEN SPACES: Espaces Ouverts, is a profusion of forms suspended in our two front facing plaza windows. As they float, sight lines...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Surreal Collage: 'The Descendant'
By David Barnett
Located in New York, NY
Combining found elements with those fashioned by my own hand, my work encompasses two- and three-dimensional collage as well as sculptural objects. Infused with a rich sense of histo...
Category

2010s Surrealist Figurative Paintings

Materials

Mixed Media

Textile Wall Sculpture: 'THE BARRYMORE'
By Judy Rushin-Knopf
Located in New York, NY
This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations o...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Textile Wall Art: Waiting for Godol'
By Judy Rushin-Knopf
Located in New York, NY
This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Textile Wall Sculpture: 'GREENSLEEVES'
By Judy Rushin-Knopf
Located in New York, NY
This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Textile Wall Sculpture: 'GREENSLEEVE'
By Judy Rushin-Knopf
Located in New York, NY
This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Textile Wall Sculpture: 'AS SOON AS THEY PUT ME IN THAT HOSPITAL GOWN I KNEW MY
By Judy Rushin-Knopf
Located in New York, NY
This piece is from a body of work called 'Vital Signs’ which springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Textile wall sculpture: 'PONCHO DE SANCHO'
By Judy Rushin-Knopf
Located in New York, NY
This piece is from a body of work called 'Vital Signs’ which springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Textile Wall Sculture: 'THE FUGITIVE'
By Judy Rushin-Knopf
Located in New York, NY
This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Textile Wall Sculpture: 'SSSSLACKZZZZ'
By Judy Rushin-Knopf
Located in New York, NY
This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

Textile Wall Sculpture: 'TRAVEL PILLOW'
By Judy Rushin-Knopf
Located in New York, NY
This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations o...
Category

2010s Contemporary Abstract Sculptures

Materials

Mixed Media

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