Valerie Huhn

3D works on found book pages: ''Telstar'

2022

The words used in the artworks come from the indo-european root √Ker, which contains a bunch of auspicious meanings, which can be associated with vibration and rhythm and, together, with the flesh as well as with the head and the heart, developing a semantic collaboration that becomes a story. The heart and, on the other side, the brain, by vibrating, make the energy they generate flow in the flesh and animate it. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.

Quotation from Infinite Jest by David Foster Wallace. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.

Fingerprints were once used as a symbolic action of pride, but in our society they have become a passive action—we are fingerprinted. We can use our fingerprints to unlock the data ...

The choice of fabrics in shades of black and gray, associated with the hot stamping of the pages, creates a graphite effect, combining the indelibility of the print with the delicacy and precariousness of a pencil line. The brief text talks about memory starting from 4 books e mixing 4 different languages: Italian, French, Greek and Sanskrit. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown...

The words used in the artworks come from the indo-european root √Ker, which contains a bunch of auspicious meanings, which can be associated with vibration and rhythm and, together, with the flesh as well as with the head and the heart, developing a semantic collaboration that becomes a story. The heart and, on the other side, the brain, by vibrating, make the energy they generate flow in the flesh and animate it. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.

The artwork is an excursus between different languages, beyond the historical, cultural and geographical boundaries, starting from the Indo-European root √AR, from which it takes its name. This root can be associated with words such as arena, artillery that refer to a military and warlike environment, but also it has in itself the idea of unity, explored in the artwork, and with it that of cohesion, of right direction; the idea of integrity and of moral rightness. Coexisting languages in AR: Hittite, Sanskrit, ancient Greek, Latin, runic Proto-Germanic and Italian. The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles. The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge. Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.

Pradosh Swain - Longing Past III - 24 x 60 inches (unframed size) Acrylic on canvas Inclusive of shipment in a roll form. "Pradosh’s paintings have a surrealistic quality, the imagery is dreamy and mystical and rendering is such as if there is some kind of romance and magic happening amongst the colours in his palette. His paintings are the result of brilliant culminations of feelings and things that are between imagination and reality." Style : Pradosh’s works can be described as psychic automatism in its pure state. His works are expressive and his palette vibrant and gorgeous. Nature is the frequent imagery that we see in his paintings. Sometimes his imagery is outlandish, perplexing and uncanny as it is meant to shake the viewer and make them to think beyond the theories which they have guarded themselves with. Lot of elements that we see in pradosh’s paintings also come from his childhood days in Odisha. His paintings often take us on a nostalgic ride where we see elements which we were so used to and have now learnt to live without. He uses common elements that we see in our day to day life to convey his feelings and thought which makes his works all the more interesting. His paintings leave the viewer perplexed at the first glance but a deeper look gives the insight into his thoughts that instigate him to create. Pradosh’s paintings have a surrealistic quality, the imagery is dreamy and mystical and rendering is such as if there is some kind of romance and magic happening amongst the colours in his palette. His paintings are the result of brilliant culminations of feelings and things that are between imagination and reality. They reflect his genuine concern about issues he feels for. He emphasizes on the power of imagination and believes that revelation could be found anywhere….on the streets and in everyday life. Through his paintings artist depicts the notion that how our high pace life is making all of us loose that contact from the nature or even with ourselves. About the Artist and his work : Born : 1972 , Orissa. Education : 1994 : Bachelor in Fine Arts from Utkal University. 1989 : Diploma in Photographic from College of Education and Technology, Bubaneswar 2005 : Certificate Course on Reprography from National archives of India, New Delhi. 2007 : Conservation of Art Objects from National Research Laboratory for Conservation of Cultural Property, Lucknow. Solo Exhibition : Inter National Group Show by Ashok Art Gallery, New Delhi. Look Now, Lucknow Rastriya Lalit Kala Kendra, Lucknow – 2007 Kalingana, Birla Academy, Kolkata – 2006 FIFA world Cup – 2006, Orissa State Museum, Bhubaneswar – 2006 Yatra, Venkatapa Art Gallery, Bangalore – 2006 Towards Horizon, Jayadev Bhawan, Bhubaneswar – 2006 Jagannatayan, Rabindra Mandap, Bhubaneswar – 2005 Sand Watch...

"Wine and Fish" is a framed mixed media on panel work by Dennis Campay, depicting a skillet with fish and vibrant sides alongside a glass of wine. Campay's painterly brushstrokes abs...

Ms. Wen resides in New York City as a full-time artist. She has exhibited nationally and internationally since the early 1980s. She was born in Taipei, Taiwan. She received her BFA f...

Ms. Wen resides in New York City as a full-time artist. She has exhibited nationally and internationally since the early 1980s. She was born in Taipei, Taiwan. She received her BFA from Washington State University, MA, and MFA from the State University of New York at Albany. In 1979, she won the First Prize in Painting in the Ten Outstanding Young Talents Competition in Taiwan. In 1980, she was awarded Outstanding Merit in the Young Artists in Asia Now competition in Hong Kong. In 1995 and 1996, her work was selected in many national and international jury shows, including the ninth and tenth Parkside National Small Print Exhibition. Large Small Work '95' International, Small Works International, First Annual National Juried Small Work Exhibition in New York, NY. These shows are highly competitive and are chosen from thousands of submissions. Leigh won the SUNY Albany Purchase Award in 1995 and the University of Wisconsin Purchase Award in the 1995 Parkside National Small Print Exhibition. She was also awarded an Artist Grant by the National Taiwan Art...

Ms. Wen resides in New York City as a full-time artist. She has exhibited nationally and internationally since the early 1980s. She was born in Taipei, Taiwan. She received her BFA from Washington State University, MA, and MFA from the State University of New York at Albany. In 1979, she won the First Prize in Painting in the Ten Outstanding Young Talents Competition in Taiwan. In 1980, she was awarded Outstanding Merit in the Young Artists in Asia Now competition in Hong Kong. In 1995 and 1996, her work was selected in many national and international jury shows, including the ninth and tenth Parkside National Small Print Exhibition. Large Small Work '95' International, Small Works International, First Annual National Juried Small Work Exhibition in New York, NY. These shows are highly competitive and are chosen from thousands of submissions. Leigh won the SUNY Albany Purchase Award in 1995 and the University of Wisconsin Purchase Award in the 1995 Parkside National Small Print Exhibition. She was also awarded an Artist Grant by the National Taiwan Art...

Ms. Wen resides in New York City as a full-time artist. She has exhibited nationally and internationally since the early 1980s. She was born in Taipei, Taiwan. She received her BFA from Washington State University, MA, and MFA from the State University of New York at Albany. In 1979, she won the First Prize in Painting in the Ten Outstanding Young Talents Competition in Taiwan. In 1980, she was awarded Outstanding Merit in the Young Artists in Asia Now competition in Hong Kong. In 1995 and 1996, her work was selected in many national and international jury shows, including the ninth and tenth Parkside National Small Print Exhibition. Large Small Work '95' International, Small Works International, First Annual National Juried Small Work Exhibition in New York, NY. These shows are highly competitive and are chosen from thousands of submissions. Leigh won the SUNY Albany Purchase Award in 1995 and the University of Wisconsin Purchase Award in the 1995 Parkside National Small Print Exhibition. She was also awarded an Artist Grant by the National Taiwan Art and Humanity Foundation in support of her solo exhibitions in the Taipei Fine Arts Museum. A catalog entitled The Harbour and the Open Sea was published by the Taipei Fine Arts Museum. Leigh was awarded a 1997 New York Foundation for the Arts Fellowship. In 1997 she was honored "the Artist Award of 1997" by New York State Assembly. In 1998, Leigh's work was selected by juror Linda Weintraub to be included in The New York State Biennale Exhibition at The New York State Museum. Also, Juror Lela Hersh, Director of Exhibitions and Collections at the Chicago Contemporary Museum of Art, selected Leigh's work for inclusion in the annual Mohawk Hudson Region Juried Exhibition. Leigh received First Prize. Her painting, Untitled #6, was purchased by the Albany Institute of History & Art for the permanent collection. In 1999 and 2005, she was awarded Artist Grants by the Pollock-Krasner Foundation. Since 1999, her paintings have been selected to be part of the Art in Embassies Program of the United States Department of State and have been exhibited in the U.S. Embassies in Jordan, Singapore, Philippines, Malaysia, Botswana, Barbados, Hong Kong, Taiwan, Namibia, Denmark, and Poland. Over 15 American Embassies around the world. In mid-2019, her works were inquired about by US Embassy in Botswana for exhibition, and a cultural exchange program with Botswana Culture Bureau is scheduled. In 2005, the Art in Embassies Program purchased the three paintings that were exhibited in Barbados Embassy for their permanent collections. Leigh was awarded a 1997 New York Foundation for the Arts Fellowship. And in 2000, she was honored by both New York Foundation for the Arts Fellowship and The Helena Rubinstein Fellowship. In 2013, she won the National Yu-Shang Competition. Recently in 2014 and 2016, her works were included in The National Fine Art Museum Collections in Taiwan. Hundreds of her works were included in both private and public collections. Her paintings have been featured in many major magazines, including Art in America, New American Paintings, Art in Asia, Sotheby's Auction Magazine, Christy's Auction Magazine, Better Home and Gardens...