Jan's & Co Fine French Antiques Inc. Paintings

George Adolphus Storey (British, 1834-1919) a very fine and large oil on canvas titled "Love in a Maze". Signed and dated lower right "G. A. Storey 1873". The ...

Heinz Pinggera (Italian, b 1900) "A Recital for the Cardinal" oil on canvas within a gilt-wood and gesso frame. The interior 18th century rococo scene depicting a seated Cardinal or ...

Attributed to Charles Edward Hallé (British, 1846-1914) "Mother and Child" oil on canvas. The Victorian era artwork depicting a young mother holding her joyful infant child, within a carved gildwood and gesso frame. (Relined). Signed (l/r): C.E. Hallé, circa 1870. Charles Edward Hallé (British, 1846-1914) Born in Paris, the son of Sir Charles Hallé...

A very fine Italian 18th century oil on canvas "Madonna and Child" after Giovanni Lanfranco (Italian, 1582-1647). The young Virgin Mary attending to...

Felix Possart (German, 1837-1928) a large oil on canvas "A Spring Alpine Journey". The elongated painting depicting a mountain scene, possibly set in the Austrian or Swiss Alps, of a young man hiking in the Alps during springtime wearing Lederhosen and carrying a bucket and a water drum...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

Charles Edouard Edmond Delort (French, 1841-1895) oil on canvas "Game for the Cardinal", depicting a seated cardinal behind an ornate French Louis XV roll-top Bureau du Roi, after the model by Jean-François Oeben currently at Versailles, a young boy delivering a game bird as a gift, all inside an ornately paneled and upholstered wall room with parquet floors and centred with a white bear skin rug...

Francois-Alfred Delobbe "The Little Neighbour", French, 1835-1920. A fine and charming Oil on canvas depicting a young lady standing next to a sweet young girl sitting at a well-head. Signed at lower centre: A. Delobbe. Label on reverse has title and medals Hors Concours Paris, 1874 and 1876. Within an ornate gilt-wood and gesso frame, circa 1870. Measures: Canvas height: 26 inches (66 cm). Canvas width: 19 3/4 inches (50.2 cm). Frame height: 38 inches (96.5 cm). Frame width: 34 inches (86.4 cm). François-Alfred Delobbe, (1835, Paris-1920, Paris) was a French painter in the Naturalist style. He was a student of Thomas Couture and William Bouguereau at the École des Beaux-arts, where he had been admitted at the age of 16, and had his debut at the Salon in 1861 with a portrait of his mother. Mythological, Orientalist and genre scenes in the Academic style were his original specialities. His career was truly launched when he obtained a commission to decorate the Town Hall of the recently annexed 15th Arrondissement; one of only eight such commissions granted. From 1875 until his death, he and his family were regular visitors at the artists' colony in Concarneau, where he had been invited to come by its founder Alfred Guillou and in whose home they sometimes stayed. The soft light of the region inspired him to focus on painting children and young women, generally in peasant scenes. He would often sketch profusely during the summer, then finish the painting during the winter at his Paris Studio. Most of his models came from the Concarneau region. Museums: Musée de Brême: Baptéme à Venice. Musée de Breslau: Filles de l’Océan. Musée de Rochefort: Le retour des champs...

Henry John Yeend King R.B.A, R.I., R.O.I. (British, 1855-1924) "A Victorian Lady Standing by a Sundial in the Park" Oil on panel. Signed lower right: Yeend King. "YK" Sticker en ver...

An Hispano-Portuguese 19th century oil on board depiction of "The Crucifixion". The baroque icon style painting depicting the Crucifixion of Jesus Christ outside the city walls of Jerusalem, north of Mount Zion...

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...

Attributed to Federico Ballesio (Italian, 19th Century) a fine Italian watercolor and gouache on paper "The Courting". The finely painted watercolor ...

An Italian mid-19th century oil on board representing a "Mother and Child". The Renaissance revival style painting in the manner of a Raphaelite Madonna and Child, of a seated young ...

Francis De Erdely (Hungarian/American, 1904-1959) “Mexican Shark Fishermen” water color and Pencil on Paper within a pine frame and protective glass, circa 1930. Signed: ‘De Erdely’...

Italian 19th century oil on canvas titled "The Music Professor" depicting a mid-19th century music-room scene of an elder man, the music professor, holding his violin, hat and umbrel...

Attributed to August Stephan Sedlacek (Austrian/German, 1868-1936) "The Violin Presentation" Oil on Canvas depicting an interior 18th century scene of...

Francesco Peluso (Italian, 1836-1916) a fine Italian 19th-20th century oil on canvas "The Village Celebration" depicting a young couple of villagers dressed for Spring festivities and walking through a dirt road while playing musical instruments. The girl playing a tambourine and the boy a wooden noise maker...

Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Cossack Warriors on Horseback" within an ornate giltwood frame, circa 1890 Born in 1850 in Linz (Austria) Stoiloff died in Vienna in 1924. According to a research of Russian literature, he studied in the 1880s at St. Petersburg Imperial Academy of Fine Arts. He was very well known for his Russian horse...

W.S. Lacey (British, 19th-20th century) oil on canvas "Tall Ship at Sail" sailing by a lighthouse and next to two steam boats, within an ebonized fra...

A fine continental 19th century enameled decorated porcelain plaque depicting a garden courting scene of a gentleman reading to poems to two young ladies, within an ebonized wood fra...

Filippo Indoni (Italian, 1842-1908) "The Lover's Courtship" Watercolor on paper, depicting a young Italian couple seated and resting on a pile of rocks, the young man holding a trump...

Donna Schuster (1893-1953) “Nude Bathers” watercolor, pencil and gouache within a giltwood carved frame and protective glass. Signed ‘Donna Schuster’ (Lower Right), circa 1920-1930. ...

Donna schuster (1883-1953) “Mother and Child” watercolor, pencil and gouache within a giltwood carved frame and protective glass. Signed ‘Donna Schuster’ (Lower Right), circa 1920-19...

Francesco Ballesio (Italian, 1860-1923). A fine orientalist pencil and watercolor heightened with gum Arabic on paper figure of "A Middle-Eastern Beauty at Rest" depicting a young maiden resting on a Persian rug laid down as a bed while holding a tambourine and next to a Moroccan ivory-inlaid octagonal table with a tea pot on top. Signed and inscribed 'Ballesio Roma Tivoli' (upper right). All within an ornate rococo gilt wood and gesso carved frame with a protective glass, Rome, circa 1890-1900, Frame height: 23 inches (58.4 cm). Frame width: 30 1/2 inches (30.5 cm). Frame depth: 2 1/4 inches (5.7 cm). Paper height: 15 inches (38.1 cm). Paper width: 21 1/2 inches (54.7 cm). Literature: A similar subject matter watercolor is catalogued and illustrated in Caroline Juler, "Les Orientalistes...

Leon Berthaud (French, 19th century). Pair of French porcelain plaques of Musketeers, each depicting a standing Musketeer in his 18th century c...