JOSEPH GROSSMAN FINE ART Abstract Prints

This artwork titled ' Allied Chemical Tower, Packed, Project for Number 1 Time Square, New York" 1971, in an original color lithograph on Arjomari paper by renown Bulgarian/American ...

This artwork titled "Wrapped Statues, Aegina Temple, Project for the Munich Glyptotek" from the "Official Arts Portfolio of the XXIV Olympic" 1988, is ...

This artwork titled "Tapestry" c.1990, is an original colors etching on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered 8/15 in penci...

This artwork titled "SWing Screen" 1979 is an original colors etching with aquatint on Pescia Italia paper by renown American artist James Rosenquist, 1933-2017. It is hand signed, d...

This artwork titled "Tide" 1979 is an original colors etching with aquatint on Pescia Italia paper by renown American artist James Rosenquist, 1933-2017. It is hand signed, dated, ti...

This artwork titled "Centre Noeuds" plate #3 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...

This artwork titled "Centre Noeuds" plate #6 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...

This artwork titled "Centre Noeuds" plate #8 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...

This artwork titled "Centre Noeuds" plate #1, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Centre Noeuds" plate #5, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Centre Noeuds" plate #9, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Centre Noeuds" plate #7, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Centre Noeuds" plate #10, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It i...

This artwork titled "Centre Noeuds" plate #2, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork titled "Centre Noeuds" plate #4, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Artist: Rafael Bogarin – Venezuelan (1946- ) Title: Jupiter 4 Year: 1980 Medium: Screen Print Sight size: 19.5 x 25.5 inches. Sheet size: 22.5 x 28.5 inches. Signature: Signed lower right Edition: 295 This one: 116/295 Condition: Excellent Unframed This exceptional geometric abstract serigraph is by the noted Venezuelan artist Rafael Bogarin (1946- ). This is Jupiter 4. I have others from the series, also for sale. The print has never been framed and is in excellent condition. It measures 22.5" x 28.5". Rafael Bogarin is an established contemporary Venezuelan artist known for his abstract serigraphs. Bogarin was born in 1946, in El Tigre, where he grew up making his own toys and learning to draw. He studied in Caracas at the Cristobal Rojas School of Fine Arts, specializing in lithography and etching. From 1970 to 1992, Bogarin, like so many artists, lived in New York. As he explored various techniques, he became an expert in serigraphs, earning himself acclaim in Latin America as a pioneer. In South America he traveled the continent giving classes and learning about native cultures. When he returned to the land of his youth, he was inspired to create the concept of the entire world in the Museo Vial in El Tigre in 1982. Later he made others along the route between Colombia and Venezuela. Recently he has been creating and realizing ideas like the Museo de Murales a Cielo Abierto (Museum of Murals to the Open Sky). Detailed biographical information (source: artist's website): Rafael Bogarín was born in El Tigre, Anzoátegui state, Venezuela, on January 20, 1946. He studied at the Cristóbal Rojas School, which he finished in 1966; Among his teachers are Luis Guevara Moreno, Pedro León Zapata, Luisa Palacios and Luis Chacón. Upon returning from school he founded the Zapato Roto group with other artists, with the aim of taking art to the streets. In 1966 he directed the outdoor exhibitions of the Venezuelan American Center, and two years later he participated in the XXVIII Official Salon, where he received the Rome Prize. During that time he ordered elements such as nuts and serrated blades in relation to discs engraved with burin and other techniques, and made the final impression in planes of one color. In 1970 he received a scholarship and traveled to New York; He studies at the Pratt Graphic Center and the Blackburn Printmaking Workshop. In 1973 he founded, together with Manuel Kohn, the Bogarín Printmaking Workshop, a workplace for Venezuelan artists living in the United States; This workshop, of which he has been master printer, allowed continuity to his artistic work. Bogarín investigates the possibilities of super eight cinema and makes films with quality similar to commercial formats; From these experiences emerge The Lonely World (1975) and New World Symphony (1976). In 1977 he deepened his study of color with The New Color, a portfolio where he produced superimposed colors through transparencies and glazes. His teaching experience includes courses at the Rafael Monasterios School of Plastic Arts in Maracay (1969-1970), Ceagraf (1979), as well as workshops in various cities around the world. In 1980 he made an exhibition of silkscreen prints in cities in Italy, El Salvador, Colombia, Mexico and the United States. That year he resumed his interest in outdoor exhibitions with a museum project with murals by 30 artists for El Tigre (Venezuela); The Rafael Bogarín Road Museum was inaugurated in 1982 and brought together 30 murals on 2 x 4 meter fences, by artists such as Mario Toral, Édgar Sánchez and Paul Davis. He carried out the project to recover the architectural spaces of El Tigre (Venezuela), through murals, sculptures, plazas and humanized spaces. In 2006 he painted the largest painted flag in the world in El Tigre, Venezuela. Bogarín has exhibited his work on all 5 continents and currently lives and works in Panama City in his private workshop and in the Articruz workshop. Individual exhibitions Ø 1966. Gallery of the Medical College. Caracas Venezuela. Ø 1966. Venezuelan American Center. Caracas Venezuela. Ø 1970. Protobello Gallery. Caracas Venezuela. Ø 1977. First National Bank of Louisville. Luosville, Kentucky, USA. Ø 1978. Venezuela Gallery. New York City, USA. Ø 1979. Julián Marchena Room, Museum of Costa Rica. San Jose Costa Rica. Ø 1979. La Otra Banda Gallery. Merida, Venezuela. Ø 1980. Galeter Center. Adro, Italy. Ø 1980. Gallery of Modern Art. Santo Domingo Dominican Republic. Ø 1980. Jewish Community Center. Monmouth, New Jersey, USA. Ø 1980. Frank Fedele Fine Arts. New York City, USA. Ø 1980. El Túnel Gallery. Guatemala, Guatemala. Ø 1981. Garcés – Velásquez Gallery. Bogota Colombia. Ø 1982. Siete Siete Gallery. Caracas Venezuela. Ø 1984. Acquavella Gallery. Caracas Venezuela. Ø 1985. Cultural Center. Santa Cruz, Bolivia. Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela. Ø 2017. Arteconsult Gallery. Panama City, Panama. Awards Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela. Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela. Ø 1984. First prize, Salón Aragua. Maracay, Venezuela. Murals Ø 1974. Venezuelan Consulate. New York City, USA. Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela. Ø 1983. Road Museum. Roldanillo, Colombia. Ø 1984. Bicentennial Road Museum. Cucuta, Colombia. Ø 2000. Ceramic mural. Dairy, Venezuela. Group exhibitions Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela. Ø 1966. El Pez Dorado Gallery. Caracas Venezuela. Ø 1966. “Zapato Roto” Festival. Caracas Venezuela. Ø 1967. D´Empaire Hall. Maracaibo Venezuela. Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela. Ø 1966 and 1971. Arturo Michelena Hall. Valencia, Venezuela. Ø 1966 to 1968. Annual Venezuelan Art Salon. Museum of Fine Arts. Caracas Venezuela. Ø 1968. Luis Ángel Arango Library. Bogota Colombia. Ø 1969. Tertulia Room. Cali, Colombia. Ø 1969. Lunn Gallery. Washington, DC, USA. Ø 1969. Gallery of Visual Arts. Maracay, Venezuela. Ø 1970. Venezuelan Cultural Week. Miami and Jamaica. Ø 1972. Two Rivers Gallery. Binghampton, New York City, USA. Ø 1972. Moos Gallery. Montreal, Canada. Ø 1973. Spoleto Festival. Italy. Ø 1974. Young Artists, Union Carbide Building. New York City, USA. Ø 1975. Government of Caracas. Caracas Venezuela. Ø 1975. Graphic VII, Mendoza Gallery. Caracas Venezuela. Ø 1976. Brooke Alexander Gallery. New York City, USA. Ø 1977. Denise Rene Gallery. New York City, USA. Ø 1978. Sam Flax...

Artist: Keith Boyle – American (1930 - 2023) Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on ivory wove paper Image size: 18.5 x 18.5 inches Sheet size: 23.25 x 22.25 inches. Publisher: Collector’s Press, San Francisco Edition: 75. Signature: Signed lower right in pencil Numbered: 39/75 lower right in pencil Condition: Good This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert...

Artist: Jim Melchert – American (1930 - 2023) Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithogra...

Artist: Sidney Gordin – American (1918 - 1996) Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on Arches paper Size: 22.5 x 30 inches. Publisher: Collector’s Press, San Francisco Printed by: Ernest de Soto, Michael Knigin, and Gordon Kluge Edition: 75. Signature: Signed lower left in pencil Embossed publisher’s chop lower left of the Collector’s Press, San Francisco; Numbered : 39/75 lower left in pencil Condition: Excellent This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert...

Artist: Felix Ruvolo – American (1912 - 1992) Title: “Samson and Delila” aka “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on Arches paper Size: 30 x 22.5 inches. Publisher: Collector’s Press, San Francisco Edition: 75. Signature: Signed lower right in pencil Embossed publisher’s chop lower left of the Collector’s Press, San Francisco; Embossed printer’s chop lower left of Ernest De Soto Numbered: 39/75 lower right in pencil Condition: Excellent This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert, Manuel Neri, Frank Ruvolo, Peter Voulkos are in the portfolio. The print has no margins – it is full bleed. The print is in excellent condition. Felix Ruvolo was born in New York City in 1912, but raised in the home of his grandparents in Sicily where he first studied with an Italian artist. At age 12, he returned to the home of his parents, who soon moved to Chicago. They were aware of his intense interest in art and had him continue studies with a local artist and then at the Chicago Art Institute. By 1938 he was exhibiting regularly and was accorded his first invitation to participate in an American Federation of Arts traveling exhibition. Invitations to exhibitions at other major institutions followed--the Whitney Museum of American Art, the Metropolitan Museum of Art, the Brooklyn Museum, the Corcoran Gallery of Art, the Carnegie Institute, the Phillips Gallery Museum, the Pennsylvania Academy, the Walker Art Center, the “Contemporary American Painting” surveys at the Krannert Museum from 1948 to 1961, the Sao Paulo Biennials in Brazil, the Galerie Creuse in Paris. He was represented in the ground-breaking exhibition at the Museum of Modern Art in New York in 1951, “Abstract Painting and Sculpture in America.” His many one-man shows included those at the Durand Ruel Gallery, the Catherine Viviano Gallery, the Grand Central, the Poindexter Gallery in New York and the University of Southern California. His works entered public and private collections such as the Chicago Art Institute, the Krannert Museum, the Walker Art Center, the Oakland Museum of Art, and the Aukland City Museum in New Zealand. His work was reproduced in national magazines and in anthologies published by the Museum of Modern Art, the Whitney Museum, and Albright Museum in New York, the Los Angeles County Museum, the American Encyclopedia, the Dictionaire de la Peinture Abstraite, and Il Giornale D'Italia. His teaching career began at the Art Institute of Chicago in 1945 and continued until 1948 when he moved with his wife Mardi to New York. Mills College in Oakland had established a program of bringing distinguished artists, such as Fernand Leger, to the campus as guest instructors. Felix was invited for the summer session of 1948; during that sojourn, he had solo exhibitions in the Mills College Art Gallery and at the De Young Museum in San Francisco. At that time, he met many Bay Area artists who were to become life-long friends of the Ruvolos. His national reputation had been firmly established, when in 1949 Felix was extended the invitation for appointment to the faculty on the Berkeley campus. His earlier works were referential, often on fantasy themes. These new paintings were non-objective in idiom, rich in color, line and texture. They were marvelous, they were beautiful, they bespoke his creative genius. Critics came, collectors came, colleagues came, students came, friends from the East came. Artists were invited to serve as visiting faculty. George McNeil, then Director of the Pratt Institute, said that he accepted an invitation to come to Berkeley because Felix was there. Among his students who have achieved distinction in the profession are: Wayne Anderson, Walter de Maria, Mark di Suvero, William Brown, Mary Snowden...

This artwork titled "Color and Black #3" 1991 is a colors etching with spit bit aquatint on Somerset textured white paper by renown artist Sol (Solomon) Le Witt, 1928-2007. It is and signed and numbered 11/15 in pencil by the artist. Whit the blind stamp of the publisher/printer at the lower right corner. The image size is 22.75 x 22.75 inches, paper sheet is 40.75 x 39.75 inches, Framed size is 43.25 x 42,5 inches. Published by Crown Point Press, San Francisco. Printed by Lawrence Hamin, Lothar Osterburg, Paul Mullowney and Pamela Paulson at Crown Point Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne #1991.07, plate #03. Custom Framed in a wooden black frame, floated on a white backing, with white spacer. It is in excellent condition. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

Artist: Marcel Mouly – French (1918 - 2008) Title: Petit Luberon II (Little Luberon II) Year: 2003 Medium: Lithograph Image Size: 27.5 x 19.25 inches Sheet Size: 30.5 x 22.25 inches ...

Artist: Theo Tobiasse (French/Israeli, 1927-2012) Title: Je Sens monter en moi des chants de plaisir (I Feel Songs of Pleasure Rise in Me) Year: Circa 1980 Medium: Color lithograp...

This artwork titled "Abstract I" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 30/150 in pencil by the artist...

This artwork titled "Abstract II" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 11/150 in pencil by the artis...

This artwork titled "Bell Towr, Lecce" 1999, is an original archival pigment print by noted American photographer and artist Jenny Okun, b.1953. It is hand signed, dated and numbered 2/10 in pencil by the artist. The image size is 20 x 40 inches, the paper size is 26 x 46 inches, framed size is 28.25 x 48.25 inches. Custom framed in a metal silver frame, with white backing. It is in excellent condition, the frame have some very minor rubs, barely visible. About the artist: Jenny Okun is an American artist and filmmaker who travels the world in search of unusual beauty. Her artworks have been shown in more than sixty international exhibitions and in numerous private and public collections. Commissions have included the J. Paul Getty Museum, the Tate Modern, and the Whitney Museum of American Art. Craig Krull describes her artwork as “large-scale color photographic abstractions. Okun distills the essential qualities of form, texture, color, and detail into one layered vision.” Her earlier two books, Dreamscapes and Variations, show artworks of architecture, landscape, nudes, and art. SOLO EXHIBITIONS 2012 Craig Krull, Santa Monica, USA Museo Storico della Citta di Lecce (MUST), Lecce, Italy 2009 Treasure Island Music Festival in San Francisco, USA 2008 Art First, London, UK Building 98 : Grubb & Ellis, Marfa, Texas, USA Hennessey + Ingalls : Art and Architecture Bookstore, Santa Monica, USA 2007 Craig Krull "Studio Walls" and Book Signing, Santa Monica, USA The Colburn School, Los Angeles, USA 2006 Don Giovanni, El Portal Theatre, North Hollywood, USA the architectural photography of Jenny Okun on the sets by Yael Pardess, El Dorado Opera, Los Angeles, USA 2005 Craig Krull, Santa Monica, USA Art First, London, UK 2004...

This artwork titled "Drypoint Lambda I" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist....

This artwork titled "Drypoint Lambda II" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist...

This artwork titled, El Ultimo Viaje Del Buque Fantasma, 1976, created to honor Gabriel Garcia Marquez writing of the same title, is an original color l...

This artwork titled "Pixel Slab" 1982 is an original 8 colors screenprint by noted American artist Ronald Davis, b.1937. It is hand signed and inscribed/numbered AP XII in pencil by ...

This artwork titled "Bilbao Guggenheim Silver" 1999, is an original archival pigment print by noted photographer and artist Jenny Okun, b.1953. It is hand ...

Artist: Antoni Tapies – Spanish (1923- 2012) Title: Untitled, from Paroles Peintes IV, published by O. Lazar-Vernet, Paris Date: 1970 Medium: Etching and aquatint in colors on BFK Ri...

Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Planetary and Scatologic Vision Year: 1974 Medium: Engraving with embossing and color lithograph Edition: Numbered...

This artwork titled "Tuxedo Black" is an original color serigraph on black paper by American artist Fermin Landin Hernandez, 1949-2015. It is hand signed, titled and numbered 1/65 in...

Artist: Jonathan Lasker– American (1948- ) Title: Ball Figures I Date: 2003 Medium: Three Color lithograph on BFK Rives paper Publisher: Tamarind Institute. Tamarind number: 03-304 ...

This artwork titled "Poetes, Sculpteurs, Peintres" 1960, is an original color lithograph on Rives paper by renown artist Joan Miro 1893-1983. It is hand signed (monogramed) and numbered II/XV in pencil by the artist. The artwork (sheet) size is 26 x 20 inches, framed size is 39.25 x 32.5 inches. Published by Maeght Editeur, Paris, printed by Fernand Mourlot., Paris. Referenced and pictured in the artist's catalogue raisonne by Mourlot plate #260. Custom framed in a wooden black frame, with black color bevel and fabric matting. It is in excellent condition. About the artist: Joan Miró Ferra was born April 20, 1893, in Barcelona Spain, the son of a goldsmith and watchmaker. At the age of 14, he went to business school in Barcelona and also attended La Lonja's Escuela Superior de Artes Industriales in the same city. Upon completing three years of art studies, and under pressure from his parents, he took a position as an accounting clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Galí's Escola d'Art in Barcelona from 1912 to 1915. Miró's work before 1920 showed the latest artistic influences, including the bright colors of the Fauves* and the geometric forms of Cubism*. It was in Paris through the 1920s-1930s where, under the influence of Surrealist* poets and writers, Miró evolved his mature style. His latest works drew on the Surrealist principles of memory, fantasy, and the irrational to create visual art. Miró's works were also shaped by the flat, two-dimensionality of his native Catalan folk art, Spanish Romanesque...

This artwork titled "Lettera Amorosa" 1963, is an original color lithograph on Japan nacre paper by renown French artist Georges Braque, 1882-1963. It is hand signed and numbered 42/...

This artwork titled "Spectral Vision" 1970, is an original color lithograph by renown Chinese/American artist Zao Woo Ki, 1921-2013. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 17.25 x 24.5 inches, framed size is 32.65 x 39 inches. Custom framed in a wooden silver frame, with silver color spacer and fabric matting. It is in excellent condition. About the artist: Zao Woo Ki was born in Beijing with family roots in Dantu, Zhenjiang, Jiangsu province. In his childhood he was brought back to his hometown Dantu where he studied calligraphy. From 1935 to 1941, he studied painting at the China Academy of Art in Hangzhou, Zhejiang province, where he was taught by Lin Fengmian, Fang Ganmin and Wu Dayu. In 1948, he went with his wife Lan-lan, a composer, to Paris to live on the same block in Montparnasse where the classes of Émile Othon Friesz took place. His earliest exhibitions in France were met with praise from Joan Miró and Picasso. In 1957, Zao decided to visit the United States where his younger brother Chao Wu-Wai was living in Montclair, New Jersey, close to the art scene of New York City. He wanted to learn more about "pop art". While in the US, he painted seven canvases at his brother's house. There are relatively few items dating from that year (1957). Years later, the largest canvas was given by his brother, Chao Wu-Wai, to the Detroit Institute of Arts. He left the U.S. after a six-week stay, traveling to Tokyo and then to Hong Kong, where he met his second wife Chan May-Kan Zao's works, influenced by Paul Klee, are orientated to abstraction. He names them with the date in which he finishes them, and in them, masses of colours appear to materialise a creating world, like a Big Bang, where light structures the canvas. He worked formats in triptychs and diptychs. While his work was stylistically similar to the Abstract Expressionists whom he met while travelling in New York, he was influenced by Impressionism. Zao Wou-Ki stated that he had been influenced by the works of Matisse, Picasso and Cézanne.[ His meetings with Henri Michaux pushed him to review his Indian ink techniques, always based in Chinese traditional drawings. Zao was a member of the Académie des beaux-arts, and was considered to have been one of the most successful Chinese painters during his lifetime. In 1982, he was invited to paint for the Fragrant Hills Hotel in Beijing, designed by I. M. Pei. In 1983, he returned to his alma mater, the China Academy of Art in Hangzhou to give lectures. Former French President Jacques Chirac was offered a painting by Zao Wou-Ki by his ministers during their last meeting. His auction record of HKD 510 million was set at Sotheby's, Hong Kong, on 1 September 2018. Zao's work 'Juin-Octobre 1985' is now the most expensive painting ever to go under the hammer at auction in Hong Kong. By the end of his life Zao had stopped producing new paintings due to health problems. He died on 9 April 2013 at his home in Switzerland. Selected public collections and museums: Vienna, Albertina Museum, Graphische Sammlung Brussels, Museum of Modern Art Brussels, Royal Museums of Fine Arts of Belgium Rio de Janeiro, Museum of Modern Art Montreal, Museum of Contemporary Art of Montreal (Quebec) Montréal, Museum of Fine Art (Quebec) Quebec City, National Museum of Fine Arts of Quebec (Quebec) Toronto, Art Gallery of Ontario (Ontario) Hangzhou, China Academy of Art Hong Kong, Hong Kong Museum of Art Beijing, China Central Academy of Fine Arts Suzhou, Suzhou Museum Helsinki, Ateneum Museum Tempere, Sara Hildén Art Museum Châteauroux, Bertrand Museum Colmar, Unterlinden Museum Dunkirk, LAAC Évreux, Museum of Art, History and Archeology Gravelines, Musée du Dessin et de l’Estampe Originale Issoudun, Musée de l’Hospice Saint-Roch Le Havre, Malraux Museum Lyons, École normale supérieure Metz, Museum of Art and History Montauban, Ingres Museum Montpellier, Fabre Museum Nantes, Museum of Fine Art Orléans, Museum of Fine Art Paris, L’Adresse – Musée de La Poste Paris, Bibliothèque nationale de France Paris, Bibliothèque de l’Institut de France Paris, Centre Pompidou, National Museum of Modern Art / Industrial Design Center Paris, Cercle de l’Union Interalliée Paris, Fonds National d’Art Contemporain Paris, Institut national d’histoire de l’art Paris, Manufacture Nationale des Gobelins Paris, Manufacture Nationale de la Savonnerie Paris, Manufacture Nationale de Sèvres Paris, Mobilier National Paris, Museum of Modern Art of Paris Paris, Cernuschi Museum Paris, Musée du Louvre (at Musée Fabre in Montpellier) Paris, Schlumberger Ltd. Paris-La Défense, Société Générale Paris-La Défense, TOTAL France Rennes, Museum of Fine Art Saint-Dié-des-Vosges, Musée Pierre-Noël Sceaux, Musée de l’Ile-de-France, Château de Sceaux Tournus, Musée Greuze Tours, Museum of Fine Art Tours, Conseil général d’Indre-et-Loire, fourteen windows for La Demeure de Ronsard, La Riche Valence, Museum of Fine Art and Natural History Essen, Folkwang Museum Liverpool, The Tate Gallery London, The Tate Gallery London, Victoria and Albert Museum Jakarta, Jakarta Museum Tel Aviv, Tel Aviv Museum Genova, Gallery of Modern Art Milan, Museum of MOdern Art of Milan Fukuoka, Fukuoka Art Museum Fukushima, Iwaki City Art Museum Hakone-Machi, The Hakone Open-Air Museum Kyoto, Kyoto National Museum of Modern Art Nagaoka, Nagaoka Contemporary Art Museum Osaka, National Museum of Art Tokyo, Bridgestone Museum of Art, Ishibashi Foundation Luxembourg City, Grand Ducal Collections of the State of Luxembourg Luxembourg City, National Museum of History and Art Skopje, Museum of Contemporary Art Mexico, Centro Cultural/Arte Contemporáneo Mexico, Museum of Modern Art Mexico, Tamayo Museum of Contemporary Art Castelo Branco...

Artist: Stanley William Hayter (1901-1988 ) Title: Volubilis Date: 1969 Medium: Lithograph Image Size: 25.75 x 19.75 inches Sheet size: 25.75 x 19.75 inches – BFK Rives paper Signature: signed, dated lower right Publisher: Desjoberts, Paris Catalogue Raisonne: B&M 331 Edition: 50 plus 10 proofs. This one: 19/50 This exceptional color lithograph is an excellent example of Stanley William Hayter’s iconic printmaking. He is the founder of Atelier 17, and as such, one of the most influential printmakers of the 20th century. Volubilis was published in 1969, and is B&M 331 in the catalog raisonne. The print is in good condition aside from soft handling creases, stray printing ink in the lower right corner, 6 in. surface rub upper left corner which is barely visible upon very close inspection. Please see photographs. Stanley William Hayter CBE (27 December 1901 – 4 May 1988) was an English painter and printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez...

Artist: Stanley William Hayter (1901-1988 ) Title: Calculus Date: 1971 Medium: Etching and soft-ground etching Image Size: 23.5 x 19 inches Sheet size: 30 x 22 inches – BFK Rives paper Signature: signed, dated lower right Publisher: La Tortue Gallery, Santa Monica, CA Printer: Hector Saunier Catalogue Raisonne: B&M 353 Edition: 100 plus 5 artist’s proofs. This one: 57/100 This exceptional color viscosity etching is an excellent example of Stanley William Hayter’s iconic printmaking. He is the founder of Atelier 17, and as such, one of the most influential printmakers of the 20th century. Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter. This is an absolutely beautiful print; it is an exceptional composition with rich, saturated colors. The print is titled “Calculus”. It was published in 1971, and is B&M 353 in the catalog raisonne. The print has full margins and is in very good condition, never framed. There is a bit of slight rippling on the upper and lower edges, barely visible. Please see photographs. Stanley William Hayter CBE (27 December 1901 – 4 May 1988) was an English painter and printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez...

Artist: Robert Kushner - American (1949- ) Title: Trellis Date: 1981 Media: Lithograph Dimensions: Diptych – Each sheet and image: 28 x 20 inches (56 x 20 inches total) Publisher: Barbara Gladstone...

Artist: Joe Zucker - American (1941- ) Title: Ponce de Leon’s Flagship Year: 1984 Medium: Lithograph with acrylic and collage Size: 36 x 48 inches Signature: Signed, dated lower right Condition: Very good Edition: 18. This one: 10/18 Series: From a series of 5 lithographs on Ponce de Leon and his discovery of Florida Publisher: Solo Press This very fine print with acrylic and collage the collage elements are foil) is by the noted American artist Joe Zucker (1941-). It is in very good condition. I have included below Zucker’s biography and very extensive CV from his website. Biography 1941 Born in Chicago, Illinois Lives and Works in East Hampton, New York Education 1966 MFA, School of the Art Institute of Chicago 1964 BFA, School of the Art Institute of Chicago Selected Solo Exhibitions 2022 Detritus 2020, The Madoo Conservancy, New York 2019 100-Foot-Long Piece, Marlborough, New York Forbidden Motion – Surface, Image and Metaphor, Thomas Brambilla Gallery, Bergamo, Italy 2017 1000 Brushstrokes, Maccarone, Los Angeles Armada, National Arts Club, New York 2015 Life & Times of an Orb Weaver, Parrish Art Museum, Water Mill, NY 2013 Empire Descending a Staircase, Mary Boone Gallery, New York 2011 A Unified Theory, Mary Boone Gallery, New York The Grid Paintings, Corbett vs...

Artist: John Hoyland – British (1934-2011) Title: Red Block on Pink Series: New York Suite Year: 1971 Medium: serigraph Image size: 36 x 26 inches Shee...

Artist: John Hoyland – British (1934-2011) Title: Brown Block on Pink Series: New York Suite Year: 1971 Medium: serigraph Image size: 36 x 26 inches Sh...

This artwork "Untitled #2" is a colors monotype on Arches paper by Dutch artist Frans Horbach. It is hand signed and dated in pencil by the artist. The image (plate mark) is 19.5 x 15.5 inches, sheet size is 30 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Holland, Dutch artist Frans Horbach first visited New York when he was 17 years old, traveling on a cargo ship from Rotterdam, just as his fellow country man Willem de Kooning had done years before. Two years later he left Holland and emigrated to California. During the years that he lived and worked as a professional artist in America, one of the main sources of artistic influence came from artists belonging to what is now known as the New York school of American lyrical abstract expressionist art - Rothko, Pollock, De Kooning... He was attracted by their ideas, style of work, and more importantly, by their vital energy and uninhibited self-confidence. Horbach's work also was influenced, more subtely perhaps, by his contact with indigeneous Indian people during his journeys in the American South-West and Mexico. These encounters were a rich source of inspiration - they became integral to a philosophical framework which involved the appreciation of physical space in a poetic and artistic sense. In later years, as the result of his long-time interest in oriental art and philosophy, some of his work show a distinct affinity with the aesthetic sensibilities of traditional Japanse...

This artwork "Untitled #1" is a colors monotype on Arches paper by Dutch artist Frans Horbach. It is hand signed and dated in pencil by the artist. The image (plate mark) is 19.65 x 19.65 inches, sheet size is 35.5 x 24.75 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Holland, Dutch artist Frans Horbach first visited New York when he was 17 years old, traveling on a cargo ship from Rotterdam, just as his fellow country man Willem de Kooning had done years before. Two years later he left Holland and emigrated to California. During the years that he lived and worked as a professional artist in America, one of the main sources of artistic influence came from artists belonging to what is now known as the New York school of American lyrical abstract expressionist art - Rothko, Pollock, De Kooning... He was attracted by their ideas, style of work, and more importantly, by their vital energy and uninhibited self-confidence. Horbach's work also was influenced, more subtely perhaps, by his contact with indigeneous Indian people during his journeys in the American South-West and Mexico. These encounters were a rich source of inspiration - they became integral to a philosophical framework which involved the appreciation of physical space in a poetic and artistic sense. In later years, as the result of his long-time interest in oriental art and philosophy, some of his work show a distinct affinity with the aesthetic sensibilities of traditional Japanse...

This artwork "Utitled" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed and numbered 1/1 in pencil...

This artwork titled "One Night Horse Hawaii" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed, titl...

This artwork titled "The Three of Us, Hawaii" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed, tit...

This artwork titled "Island Jewels Hawaii" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed, titled...

This artwork titled "Midnight Reach" c.1990 is in an original color monoprint on Wove paper by noted American artist Pia Stern, b. 1953. It is hand signed, t...

This artwork titled "Gon No Nami IV" 1983 is an original intaglio (unique work) on rag paper laid down to B.F.K Rives paper, by noted Japanese/Americ...

This artwork titled "Laudis End" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 90/99 in pencil...

Artist: George Chemeche – Iraqi/American (1934-2022) Title: Dancing Ducks in Magenta, Forest Green, Brown, Slate Gray Year: circa 1980 Medium: Screen Print Image size: 19 x 27 inches. Sheet size: 22 x 29 inches. Signature: Signed lower right Edition: 260 This one: 109/260 Condition: Very good Unframed This exceptional geometric abstract serigraph is by the noted Iraqi/American artist George Chemeche (1934-2022 ). He is a master of serigraph printing, but this print has more than technical excellence. It is a wonderful, rhythmic abstract composition. I believe Chemeche might have been a proponent of and/or influenced by the Pattern and Decoration Movement which was happening in New York in the 1970s and 1980s. The print has never been framed and is in very good condition. I will ship the print rolled in a heavyweight tube. George Chemeche was born in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. The style with which he is intimately associated, pattern painting, The most serviceable definition is that pattern is the systematic repetition of a motif or motifs used to cover a surface uniformly. The spaces between motifs are either other motifs or are an integral part of the repeat. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful. George Chemeche’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years. Please search online for more biographical information by this fine artist. Selected Biography 1934 Born in Basra, Iraq 1947 Fled Iraq with his family 1947-49 Lives and attends school in Tehran 1949 Immigrates to Israel 1956-59 Studies art in Avni Art School, Tel-Aviv 1959 Gets American-Israeli Culture Foundation grant to study art in Paris 1959-1962 Studies at Ecole Supérieure des Beaux Arts, Paris 1961- Gets two years grant from Lady Francis Fergusson, Scotland 1962 Gets one year grant from Alex de Rothschild, Paris First man show at Gallery Transposition, Paris 1965-72 Exhibits his work in numerous art galleries in Israel including one man show at Haifa Museum 1972 Travels to New York, checks in the Hotel Chelsea 1977-- First one-man show in USA at Louis K. Meisel Gallery, New York, followed by other shows around the country and Europe. 1995 Travels to Iceland to publish the Aya Series book. Text by Donald Kuspit; Art Resourses & Technologies, New York, NY 2002 Publishes, Ibejis: “The Cult of Yoruba Twins” 5 Continents Edition, Milan, Italy 2003 Curates a show at Museum of African Art, NYC Ibejis: The Doubly Blessed Twins 2005 Reads his poems at the Bowery Poetry Club, New York 2010 Lectures about Ibeji art and cult at Iowa University 2011 Lectures about Ibeji Art and cult at Neuberger Museum 2011 Publishes, The Horse Rider in African Art” ACC, UK INDIVIDUAL EXHIBITIONS 1978 Goldman Art Gallery, Haifa, Israel 1977 Louis K. Meisel Gallery, New York 1977 Alexandra Monett Gallery, Brussels 1977 Givon Art GaJIery, Tel Aviv 1974 South Houston Gallery, New York 1974 Ray Landis Gallery, East Brunswick, New Jersey 1973 Gala Gallery, Key Biscayne, Florida 1973 Art Asia Gallery...

Artist: George Chemeche – Iraqi/American (1934-2022) Title: Dancing Ducks in Red, Yellow, Green, Blue Year: circa 1980 Medium: Screen Print Image size: 19 x 27 inches. Sheet size: 22 x 29 inches. Signature: Signed lower right Edition: 260 This one: 87/260 Condition: Very good Unframed This exceptional geometric abstract serigraph is by the noted Iraqi/American artist George Chemeche (1934-2022 ). He is a master of serigraph printing, but this print has more than technical excellence. It is a wonderful, rhythmic abstract composition. I believe Chemeche might have been a proponent of and/or influenced by the Pattern and Decoration Movement which was happening in New York in the 1970s and 1980s. The print has never been framed and is in very good condition. I will ship the print rolled in a heavyweight tube. George Chemeche was born in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. The style with which he is intimately associated, pattern painting, The most serviceable definition is that pattern is the systematic repetition of a motif or motifs used to cover a surface uniformly. The spaces between motifs are either other motifs or are an integral part of the repeat. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful. George Chemeche’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years. Please search online for more biographical information by this fine artist. Selected Biography 1934 Born in Basra, Iraq 1947 Fled Iraq with his family 1947-49 Lives and attends school in Tehran 1949 Immigrates to Israel 1956-59 Studies art in Avni Art School, Tel-Aviv 1959 Gets American-Israeli Culture Foundation grant to study art in Paris 1959-1962 Studies at Ecole Supérieure des Beaux Arts, Paris 1961- Gets two years grant from Lady Francis Fergusson, Scotland 1962 Gets one year grant from Alex de Rothschild, Paris First man show at Gallery Transposition, Paris 1965-72 Exhibits his work in numerous art galleries in Israel including one man show at Haifa Museum 1972 Travels to New York, checks in the Hotel Chelsea 1977-- First one-man show in USA at Louis K. Meisel Gallery, New York, followed by other shows around the country and Europe. 1995 Travels to Iceland to publish the Aya Series book. Text by Donald Kuspit; Art Resourses & Technologies, New York, NY 2002 Publishes, Ibejis: “The Cult of Yoruba Twins” 5 Continents Edition, Milan, Italy 2003 Curates a show at Museum of African Art, NYC Ibejis: The Doubly Blessed Twins 2005 Reads his poems at the Bowery Poetry Club, New York 2010 Lectures about Ibeji art and cult at Iowa University 2011 Lectures about Ibeji Art and cult at Neuberger Museum 2011 Publishes, The Horse Rider in African Art” ACC, UK INDIVIDUAL EXHIBITIONS 1978 Goldman Art Gallery, Haifa, Israel 1977 Louis K. Meisel Gallery, New York 1977 Alexandra Monett Gallery, Brussels 1977 Givon Art GaJIery, Tel Aviv 1974 South Houston Gallery, New York 1974 Ray Landis Gallery, East Brunswick, New Jersey 1973 Gala Gallery, Key Biscayne, Florida 1973 Art Asia Gallery...

Artist: George Chemeche – Iraqi/American (1934-2022) Title: Dancing Ducks in Red, Green, Blue, Purple Year: circa 1980 Medium: Screen Print Image size: 19 x 27 inches. Sheet size: 22 x 29 inches. Signature: Signed lower right Edition: 260 This one: 77/260 Condition: Very good Unframed This exceptional geometric abstract serigraph is by the noted Iraqi/American artist George Chemeche (1934-2022 ). He is a master of serigraph printing, but this print has more than technical excellence. It is a wonderful, rhythmic abstract composition. I believe Chemeche might have been a proponent of and/or influenced by the Pattern and Decoration Movement which was happening in New York in the 1970s and 1980s. The print has never been framed and is in very good condition. I will ship the print rolled in a heavyweight tube. George Chemeche was born in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. The style with which he is intimately associated, pattern painting, The most serviceable definition is that pattern is the systematic repetition of a motif or motifs used to cover a surface uniformly. The spaces between motifs are either other motifs or are an integral part of the repeat. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful. George Chemeche’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years. Please search online for more biographical information by this fine artist. Selected Biography 1934 Born in Basra, Iraq 1947 Fled Iraq with his family 1947-49 Lives and attends school in Tehran 1949 Immigrates to Israel 1956-59 Studies art in Avni Art School, Tel-Aviv 1959 Gets American-Israeli Culture Foundation grant to study art in Paris 1959-1962 Studies at Ecole Supérieure des Beaux Arts, Paris 1961- Gets two years grant from Lady Francis Fergusson, Scotland 1962 Gets one year grant from Alex de Rothschild, Paris First man show at Gallery Transposition, Paris 1965-72 Exhibits his work in numerous art galleries in Israel including one man show at Haifa Museum 1972 Travels to New York, checks in the Hotel Chelsea 1977-- First one-man show in USA at Louis K. Meisel Gallery, New York, followed by other shows around the country and Europe. 1995 Travels to Iceland to publish the Aya Series book. Text by Donald Kuspit; Art Resourses & Technologies, New York, NY 2002 Publishes, Ibejis: “The Cult of Yoruba Twins” 5 Continents Edition, Milan, Italy 2003 Curates a show at Museum of African Art, NYC Ibejis: The Doubly Blessed Twins 2005 Reads his poems at the Bowery Poetry Club, New York 2010 Lectures about Ibeji art and cult at Iowa University 2011 Lectures about Ibeji Art and cult at Neuberger Museum 2011 Publishes, The Horse Rider in African Art” ACC, UK INDIVIDUAL EXHIBITIONS 1978 Goldman Art Gallery, Haifa, Israel 1977 Louis K. Meisel Gallery, New York 1977 Alexandra Monett Gallery, Brussels 1977 Givon Art GaJIery, Tel Aviv 1974 South Houston Gallery, New York 1974 Ray Landis Gallery, East Brunswick, New Jersey 1973 Gala Gallery, Key Biscayne, Florida 1973 Art Asia Gallery...

This artwork titled "Spring 69" 1969 is an original color lithograph by American artist Nancy Genn, b. 1929. It is hand signed, titled and inscribed Artist Proof in pencil by the artist. The size is 23.75 x 34.65 inches. It is in excellent condition, it has very small marks in the back due to tape removal from previous framing, not visible from the front. About the artist: Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. Her abstract expressionist paintings of this period, continuing through the mid-1970s, featured all-over compositions of colorful layers of gestural brushwork and calligraphic mark making resembling asemic writing. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture,[5] and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

This artwork titled "Alta Beach" c.1990 is an original lithograph with silver leaf addition on Arches paper, by Japanese artist Kenji Nanao, 1929-2013. It ...

Artist: Jean-Marie Haessle - French/American (1939-) Title: To and Fro Year: 1980 Medium: Screen Print Sight size: 20 x 26 inches. Sheet size: 23 x 29 inches. Signature: Signed lower right Edition: 295 This one: 82/295 Condition: Very good Unframed This bold abstract geometric print is by the well-known French/American artist, Jean-Marie Haessle (1939- ). It is in very good, never-framed condition with no flaws to note. Jean Marie Haessle was born in Buhl, Haut-Rhin, France. After living for a few years in Paris, he moved to New York City in 1967 where he still works and lives in his studio on Spring Street in Soho. Over the years, he had numerous shows in the US, New York, Miami, Texas and California, France and Italy (see the resume). In the mid-80’s he worked for a period in France (Paris, Lyon, and Cannes). In the late 90’s he worked in Mexico (San Miguel de Allende) where he had a one person show in 1997 in the Museo de Art in Queretaro. He had a survey exhibition of the last 30 years of his work at the Korean University Museum, Seoul, Korea in spring 2014 and a major one person show in the Namu Modern &Contemporary gallery in Seoul in September of the same year. In September 2016 he had a sold out show at the Wada Garou gallery in Tokyo, Japan. In recent years, he had numerous shows in Korea, Seoul and Busan as well as in Japan, Tokyo, Kyoto, and Osaka. One-Person Exhibitions 2021 Mizuma, Kips Gallery New York, USA 2020 Shijimi Gallery and Wada Garou, Tokyo, Japan Mizuma, Kips Gallery New York, USA Keumsan Gallery, Seoul, Korea 2019 Mizuma, Kips & Wada Art, New York, USA 2018 Wada Garou, Tokyo, Japan Superior Gallery, Gangnam Seoul Korea 2017 Foley Gallery, New York, USA KOUDOURAN, Kyoto, Japan 2016 Wada Garou Gallery, Tokyo, Japan 2015 Soohoh Gallery, Korea Kips Gallery New York, USA 2014 Paintings 1983 – 2013, Korea University Museum, Seoul, Korea NaMu Modern & Contemporary, Seoul, Korea 2013 Wada Garou Gallery Tokyo, Japan Keumsan Gallery, Seoul, Korea 2012 Hillwood Art Museum, LIU Post, NU USA Gallery Wooduk. Seoul Korea SOOHOH Gallery, Seoul, Korea bcs Gallery, Long Island City, NY, USA 2011 Chantal Bamberger Galerie, Strasbourg, France Whitelabs Gallery, Milan, Italy Kips Gallery New York, NY USA 2010 David Richard Contemporary, Santa Fe NM, USA Gallery AKA Space, Seoul Korea Gallery One Tokyo, Japan 2009 Kips Gallery New York, NY USA La Minoterie Penze, France 2008 Galerie Claire Gastaud, Clermont-Ferrand, France Kips Gallery, New York, NY USA 2007 Kips Gallery, New York, NY USA 2000 Gallery Yvonamor Palix, Mexico DF Mexico 1997 Galerie Gastaud & Caillard, Paris France Galerie Prebet, Roanne France Galerie de la Tour, Altkirch France Ecole des Beaux Arts de Metz, Metz France Kunsthous Santa Fe, San Miguel de Allende Mexico Museo de Art, Queretaro Mexico Museo Regional de Tlaxcala, Tlaxcala Mexico 1996 Kim Foster Gallery, New York NY USA Galerie Gastaud, Clermont-Ferrand France 1995 Kim Foster Gallery, New York NY USA Galerie Gastaud & Caillard, Paris France Center Europeen d'action Artistiques Contemporaines, Strasbourg France Galerie Athisma, Lyon France 1994 Chateau du Grand Jardin, Joinville France 1993 Galerie Catherine Fletcher, Paris France 1991 Galerie Gastaud, Clermont-Ferrand France Galerie Athisma, Lyon France 1989 FCI Institut, New York NY USA Galerie Jade, Colmar France Galerie Laurentienne, Bordeaux France 1988 Galerie Lucien Durand, Paris France 1987 Galerie Lucien Durand, Paris France Guggenheim Gallery, Miami Florida USA 1986 LittleJohn-Smith Gallery, New York NY USA 1985 Reynold Kerr Gallery, New York NY USA Taylor Hudson Gallery, Boca Raton Florida USA 1981 Gabrielle Bryers Gallery, New York NY USA 1980 RR Gallery, New York NY USA 1979 National Academy of Sciences, Washington DC USA The Atlantic Gallery, Washington DC USA 1973 Westbroadway Gallery, New York NY USA 1972 Westbeth Gallery, New York NY USA 1968 Panoras Gallery, New York NY USA Selected Group Exhibitions 2021 KIAF art fair Seoul, Korea Busan Art Fair, Kips gallery, Busan, Korea Miami art fair, Miami, USA 2019 Busan Art Fair, Kips gallery, Busan, Korea Kiaf Art Fair, Mizuma, Kips & Wada Art, Seoul, Korea Osaka art fair, Wada Garou, Tokyo, Japan 2018 Mizuma, Kips & Wada Art, New York, NY USA Busan Art Fair, Kips gallery, Busan, Korea Wada Garou, Tokyo, Japan 2017 Busan Art fair, Kips Gallery, Busan, Korea 2016 Busan Art fair, Kips Gallery, Busan, Korea Art Hamptons, Kips Gallery, NY USA Busan Museum of Art, Busan, Korea “Master Works” Galerie Claire Gastaud, Clermont-Ferrand France “Diaspora in Contemporary Art” Permanent Mission of the Republic of Korea to the United Nation , NY USA Corps Accords Pôle Culturel, Drusenheim, France Salon Zurcher, Zurcher Gallery, New York, NY USA 2015 Palm Springs Art Fair, Kips Gallery, CA USA Houston Art Fair, Kips Gallery, Houston TX, USA Art Hamptons, Kips Gallery, NY USA KIAF Art Fair, Kips Gallery, Seoul, Korea Busan Art fair, Kips gallery, Busan Korea 2014 CIGEE China International Gallery Exposition, Kips Gallery, Beijing, China Palm Springs Art Fair, Kips gallery, CA USA Houston Art Fair, Kips Gallery, Houston TX, USA Art Hamptons, Kips Gallery, NY USA KIAF Art Fair, Kips Gallery, Seoul, Korea David Richard Contemporary, Santa Fe NM USA 2013 Art Hamptons, Kips gallery, NY USA Houston Art Fair, Kips gallery, Houston, TX USA KIAF Art Fair, Keumsan Gallery, Seoul, Korea 2012 Art Karlsruhe Germany, Galerie Chantal Bamberger Kips Gallery, New York, NY USA Lee C gallery, Seoul Korea 2011 KIAF Art Fair, Kips Gallery, Seoul Korea St-Art, Galerie Chantal Bamberger, Strasbourg France Houston Art Fair, DavidRichard Conremporary, TX, USA Red Dot Art Fair, Kips Gallery, New York, NY, USA Red Dot Art Fair, Miami, FL, USA Art Chicago, Kips Gallery, New York, NY, USA Wada Garou, Tokyo Japan San Francisco Art Fair, Kips Gallery NY, USA Dallas Art Fair, DavidRichard Contemporary Santa Fe, NM, USA 2010 David Richard Contemporary, Santa Fe, NM, USA Claire Gastaud Galerie, Clermont-Ferrand, France KIAF Art Fair, Kips Gallery, Seoul Korea Korean Art Fair, New York, NY Hong Kong Art Fair, Kips gallery Hamptons Art Fair, USA Kips gallery 2009 Kips Gallery, New York NY 10012 Scope Art Fair Miami, Kips Gallery NY, USA 2008 Bridge Art Fair Miami, Kips Gallery, Fl. USA 2007 Kips Gallery, New York NY, USA 2004 Mexico Arte Contemperano, Gallery Yvonamor Palix, Mexico DF 2003 Galerie Kahn, Strasbourg, France 2002 Art Chicago, Yvonamor Palix Gallery, Chicago USA St-Art, Galerie Khan, Strasbourg France Art Paris, Galerie Claire Gastaud, Paris France 2001 Art Chicago, Yvonamor Palix Gallery, Chicago USA 2000 Art Chicago, Yvonamor Palix Gallery, Chicago USA En construccion, Universidad de Guanajuato, Guanajuato, Gto Mexico Nomad Territories, DFN Gallery, New York NY USA 1999 Gallery Yvonamor Palix, Mexico DF Mexico 1998 Albright-Knox Galleries, Buffalo NY USA Galerie Gastaud, Clermont-Ferrand France 1997 Kim Foster Gallery, New York NY USA Galerie Gastaud, Clermont-Ferrand France Eric Linard Galerie, La Garde Adhemar France Museo de Arte, Queretaro Mexico 1996 Art Chicago, Kim Foster gallery, Chicago USA "Blue" Broadway Gallery, New York NY USA 1995 Galerie Cocotier, St Etienne France Centre Europeen d'Action Artistiques Contemp., Strasbourg France 1994 Kim Foster Gallery, New York NY USA Galerie Catherine Fletcher, Paris France Foster-Peet Gallery, New York NY USA 1993 Andover-White Gallery, New York NY USA Galerie Athisma, Lyon France Cavaliero/Navarra Fine Arts, New York NY USA 1992 Cavaliero/Navarra Fine Arts, New York NY USA "Contemporary Works on Paper" Gallery Standhal, New York NY USA Foster-Peet Gallery, New York NY USA 1991 Cavaliero Fine Arts, New York NY USA Salon de Montrouge, Paris France Galerie Lucien Durand, Paris France 1990 Galerie Lucien Durand, Paris France Galerie Jade Colmar, France, Chicago International Art Fair, Chicago, USA 1989 Galerie Lucien Durand, Paris France 1988 Salon de Montrouge, Paris France Galerie Lucien Durand, Paris France 1987 Art Barn Association, Washington DC USA LittleJohn-Smith Gallery, New York NY USA Galerie Jade Colmar France 1986 LittleJohn-Smith Gallery, New York USA 1985 Reynold Kerr Gallery, New York NY USA 1984 Reynold Kerr Gallery, New York NY USA 1983 Cavaliero Fine Arts, Kunstmess, Basel Switzerland Galerie Bertin, Lyon France 1982 Cavaliero Fine Arts, Kunstmess, Basel Switzerland 1981 Gabrielle Bryers Gallery, New York NY USA 1980 Gabrielle Bryers Gallery, New York NY USA 1979 Katheryn Markel Gallery, New York NY USA Haber-Theodore Gallery, New York NY USA 1977 The Aldrich Museum of Contemporary Art, Ridgefield, CT USA Contemporary Reflexions. Untitled, acrylic and pencil on wall. 1977 Robert Friedus Gallery, New York NY USA OIA, New York NY USA 1976 Fine Art Gallery, New York NY USA 1975 "Young Talent Festival" "75"Union Carbide, New York NY USA 1974 "Young Talent Festival" Pace Editions, New York NY USA "59th Annual Juried Exhibition" Hudson River Museum, Yonkers NY 1973 Springfield Art Association, Springfield CT USA Works on Paper, Triangle Church, New York NY USA "Young Artists 73" Union carbide, New York NY USA New York Contemporary Graphic Exhibition, Taiwan Museum, Taipei 1972 Palace of Fine Arts, Mexico DF Mexico Albright-Knox Gallery, Buffalo NY USA "9th Annual print Exhibition" Silvermine Guild, New Canaan, CT USA 1971 Martha Jackson Gallery, New York NY USA Cornell University, Ithaca NY USA Publications 1985 Renold Kerr Gallery, New York, NY USA Text by David Shaff 1989 Galerie Jade, Colmar France. The primary paintings of Haessle by Frederick Ted Castle. Introduction by Jean-Yves Bainier 1994 Chateau du Grand Jardin, Joinville France. In memory of the body Text by David Shapiro. Interview by Marc Vaudey. In French/English . ISBN 2-910695 -026 1994 Chateau du Grand Jardin, Joinville France. Edition of 200 exemplary 1995 Centre Europeen d’Action Artistiques Contemp., Strasbourg , France Text by Gilbert Lascault. Interview by Jean-Yves Bainier. ISBN -2-910036-12 X Hard cover. In French and English. 1995 HAESSLE 30 ans de peinture. Monograph 145 pages with 70 pages Full color reproductions. Editions Alternatives ISBN : 2 86227 095 4 Text by David Shaff, David Shapiro, Jean-Yves Bainier. Interview by Catherine Ulmer. 2008 Haessle, Selected works, M magazine, 15 pages all colors reproductions 2012 Haessle, paintings, Hillwood Art Museum, LIU Post NY. Text by Jonathan Goodman (English), Bernard Zurcher (French) 52 pages, 35, color reproductions 2014 Haessle Paintings, 1983-2013, Korea University Art Museum. Text by Jonathan Goodman (English, Korean) Robert Morgan...