JOSEPH GROSSMAN FINE ART Figurative Prints

This artwork titled "Kabalat Shabbat" c.1990 is an original color serigraph by Israeli artist Zamy Steynovitz, 1951-200. It is hand signed and numbered 170/300 in pencil by the artist. The image size is 27.5 x 19.5 inches, framed size is 43.5 x 34 inches. Custom framed in a wooden gold frame, with gold color bevel and black fabric matting. It is in excellent condition. About the artist: Zamy Steynovitz was born in Liegnitz, Poland in 1951 and at a very early age he aspired to be a painter. He won first prize in an art competition for children before immigrating to Israel in 1957. Formally educated at the Art School in Tel-Aviv and the Royal Academy in London, he completed his studies and began artistic pursuits in earnest. Zamy established his place in the art world after displaying his work in one-man exhibitions around the world. His art subjects has been strongly influenced by Jewish tradition and folklore. Additionally, his work presents general themes such as Paris cafes, still lives, flowers, circuses and landscapes. In the early stages of his work, he used rich pastels and light brush strokes. When he visited South America in the early 1980’s, his work reflected his new surroundings and were further enhanced by local brightness and colorfulness. His paintings are a reflection of his Eastern-European Jewish heritage, and they are enhanced by a rich choice of warm tones and colors He became known in the circles of the Nobel Institute for Peace in Norway, and consequently was acquainted with many Nobel prize winners, such as Anwar Sadat, Menahem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmond Tutu, Oscar Arias Sanchez, as well as many of the world’s greatest leaders and artists. He tragically passed away in September of 2000. The work of Zamy Steynovitz is held in numerous collections worldwide. Selected exhibitions 1970 – Museum – Ramat – Gan 1973 – Brussels – gallery L’Angle Aigu 1974 – London – International Gallery 1974 – Paris – Grand Palais Gallery 1975 – Milan – Brera Gallery 1976 – N.Y. Valentino Gallery – N.Y. Hilton 1977 – N.Y. Valentino Gallery – N.Y. Hilton 1978 – Basel - Aactual Gallery 1978 – Geneva – Bohren Gallery 1978 – Oslo – Nobel Peace Prize Exhibit 1979 – London – Hamilton Gallery 1979 – N.Y. – Canty Art Gallery 1979 – Amsterdam – Schipper Gallery 1979 – Washington – International Art Fair 1980 – Cleveland – Jewish Museum 1980 – Tel-Aviv – Habima National Art Fair 1981 – Abraham – Goodman House N.Y. 1981 – San Lucas Gallery – Bogotá 1981 – Petach-Tikva – Israel – Shelanu Gallery 1982 – Pedro Gerson Gallery – Mexico City 1983 – Simon Bolivar...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered ...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered ...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist. With the blind stamp of the publisher, Western Wedge, Oakland California at the lower left corner. The sheet size is 18 x 24 inches. It is in excellent condition, has never been framed. An example of this particular artwork is in the permanent collection of the Museum Of Modern Art in San Francisco...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist. With the blind stamp of the publisher, Western Wedge, Oakland California at the lower left corner. The sheet size is 18 x 24 inches. It is in excellent condition, has never been framed. An example of this particular artwork is in the permanent collection of the Museum Of Modern Art in San Francisco...

About the artist: Bay Area artist, Carson Gladon's "transparent collages" combine the elements of nature with a mix of computer graphics and traditional painting using vivid and pastel colors. Seeming, "to infuse the techniques of the European impressionists with a hint of the delicacy of a Chinese or Japanese silk screen...

This artwork titled "Versando Traco E embaraco Sobre O Papel" 1995 is an original color woodcut on Wove paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed, titled and numbered I/L in pencil by the artist. The image (block mark) size is 9 x 11.75 inches, sheet size is 16.5 x 19.5 inches. It is in excellent condition, it has 4 very small 1/4 inches mark in each corner on the back due to hanging tape removal, not visible from the front About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

This artwork titled "Ouvidos de Conchas, em Mangas de Jaqueta" 1995 is an original color woodcut on watermarked Fabriano paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed, titled and numbered 1/15 in pencil by the artist. The image (block mark) size is 10.65 x 7 inches, sheet size is 16.25 x 14 inches. It is in excellent condition, has never been framed. About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

This artwork titled "Untitled II" 1996 is an original woodcut on thin Japan paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed and numbered 12/30 in pencil by the artist. The image (block mark) size is 13 x 7.25 inches, sheet size is 25 x 18.75 inches. It is in excellent condition, has never been framed. About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

This artwork titled "Untitled I" 1995 is an original woodcut on thin Japan paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed and numbered 1/30 in pencil by the artist. The image (block mark) size is 13.85 x 8.75 inches, sheet size is 20.5 x 16.25 inches. It is in excellent condition, has never been framed. About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

This artwork titled "A Escolha Da Camisa Do Dia" 1996 is an original woodcut on thin Japan paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed, titled and inscribed PE II in pencil by the artist. The image (block mark) size is 11.5 x 17.25 inches, sheet size is 18.5 x 25 inches. It is in excellent condition, has never been framed. About the artist: Education: Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985). Professor at Centro Universitário Belas Artes de São Paulo Main Exhibitions: 2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP) Graphias quinze anos, São Paulo(SP) 2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...

Artist: Harold Altman– American (1924-2003) Title: Market with Oranges Year: 1980 Medium: Etching Sight size: 17.75 x 23.75 inches. Sheet size: 22.5 x 28 inches Publisher: Lemont E...

Artist: Alan Feltus– American (1943- ) Title: Dancer at Rest Year: 1981 Medium: Color Lithograph Sight size: 30 x 22 inches. Sheet size: 30 x 22 inches Framed size: 37 x 29 inches Publisher: Editions Press. Blindstamp lower right Printer: Editions Press. Printed on Arches paper Signature: Signed lower right Edition: 30 plus proofs. This one numbered 7/30 Condition: Good This contemporary realist lithograph is by Alan Evan Feltus (1943-). The lithograph was printed and published in 1981 by Editions press in an edition of 30. It is printed on Arches paper. It is signed and dated in the lower right and numbered 7/30 in the lower left, both in pencil. It is in a very nice modern wood frame, fully floating on a linen mat and covered with and Plexiglas. The print and mat are in good condition. The frame is in fair to good condition with normal wear. The Plexiglas has some faint scratches. About the artist: Alan Feltus was born in Washington, D.C. in 1943 and grew up in Manhattan. He studied for one year at the Tyler School of Fine Arts in Philadelphia, and then Cooper Union in New York (B.F.A. 1966), and Yale University (M.F.A. 1968). He has received many awards for his work that include the Rome Prize Fellowship, a National Endowment for the Arts Individual Grant in Painting, a Louis Comfort Tiffany Foundation Grant in Painting, two Pollock Krasner Foundation Grants in Painting, the Augustus Saint-Gaudens Award from Cooper Union, and the Raymond P...

This artwork "The Couple" 1981 is an original color etching with aquatint on Wove paper by noted American artist Alan Feltus, b.1943. It is hand signed and numbered 40/60 in pencil by the artist. With the blind stamp of the publisher, Editions Press, San Francisco. The image size is 17 x 23 inches, sheet size is 20.5 x 26 inches. It is in excellent condition, has never been framed. it has a small light skinned area on the back due to a sticker removal, absolutely not visible from the front. About the artist: Alan Feltus was born in Washington, D.C. in 1943 and grew up in Manhattan. He studied for one year at the Tyler School of Fine Arts in Philadelphia, and then Cooper Union in New York (B.F.A. 1966), and Yale University (M.F.A. 1968). He has received many awards for his work that include the Rome Prize Fellowship, a National Endowment for the Arts Individual Grant in Painting, a Louis Comfort Tiffany Foundation Grant in Painting, two Pollock Krasner Foundation Grants in Painting, the Augustus Saint-Gaudens Award from Cooper Union, and the Raymond P...

This artwork "Deux Filles (Two Girls) c.1940 is an etching on Wove paper after French artist Marie Laurencin, 1883-1956. It is unsigned as issue. This is a posthumous impression from the canceled plate. The image size is 4.75 x 5.5 inches, plate mark size is 9 x 5.5 inches, sheet size is 12.85 x 9.65 inches. It is in excellent condition. About the artist: Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools. She was prim, conservative and always wore a kitchen apron...

This artwork "Deux Filles (Two Girls) c.1940 is an etching on Wove paper after French artist Marie Laurencin, 1883-1956. It is unsigned as issue. This is a posthumous impression from the canceled plate. The image size is 4.5 x 5.5 inches, plate mark size is 9 x 5.5 inches, sheet size is 12.35 x 9.85 inches. It is in excellent condition. About the artist: Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools. She was prim, conservative and always wore a kitchen apron...

This artwork "Trois Danseuses" (Three Dancers) c.1940 is an etching in sepia on Wove paper after French artist Marie Laurencin, 1883-1956. It his signed in the plate as issue. This is a posthumous impression from the canceled plate. The image (plate mark) is 14.60 x 10.75 inches, sheet size is 16.5 x 12.85 inches. It is in excellent condition, hanging tape mark, small piece of tape and 3 small skinned area are visible on the back only. About the artist: Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools. She was prim, conservative and always wore a kitchen apron...

This artwork titled "Sea Spirit" 1965 is an original stonecut on thin paper by Eskimo artist Egevadluq (Eegyvudluk) Ragee, 1920-1983. It is hand signed, titled, dated, described and numbered 20/50 in pencil by the artist. With the blind stamp of the artist at the lower right corner. It is in excellent condition. it has a minor thin crease at the middle center, at the edge of the sheet, barely visible, see picture #4 About the artist: Eegyvudluk Ragee was the oldest child born to Pamiaktok and Sorisolutu at the small campsite of Ikarasak, on the southern tip of Baffin Island in 1920. When Egevadluq travelled to Cape Dorset (Kinngait) to trade for supplies, she would buy graphite pencil and paper from the West Baffin Eskimo Co-operative. Her early works filled entire sheets of paper, mythical creatures, bird-animal-human transformations, and images from reality - all randomly intermingled . By the mid-1960s, Eegyvudluk was using wax crayons, or coloured felt pens on paper. In 1967, improved housing in Cape Dorset resulted in the Inuit abandoning most of the campsites. Eegyvudluk moved into the settlement, and by the early 1970s, explored the use of arcrylic washes, on which she drew her well-known figures and birds. "I started drawing because I was 'tususkuk' (when I saw other people doing it, I wanted to do the same things)...When I start to make a drawing, I have a picture in my mind, but when I try to put that picture on paper, my hands won't do what my mind wants. When I have the picture in my head, I can't get it out by my hands. Sometimes I find it hard to draw when my children are in the house; I find it hard to think with so much noise around me. I make the kids go outside." Eegyvudluk, Cape Dorset Print Catalogue, 1978. Exhibitions Alaska Eskimo Dolls/Inuit Prints, Provincial Museum of Alberta, sponsored by the Alaska State Council on the Arts ART ESKIMO, Galerie de France Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Galerie Akenaton Art Inuit: Autour de la Collection de Cape Dorset 1991, Presented by l'Iglou Art Esquimau, Douai at Le Colombier Art/Facts, McMaster Art Gallery Art/Facts, McMaster Art Gallery Canadian Eskimo Art...

This artwork titled "The Bridge" c.1980 is an original color lithograph by noted Spanish surrealist artist Arnau Alemany Batalla, 1948-2020. It is hand s...

This artwork titled "Les Fondations" c.1980 is an original color lithograph by noted Spanish surrealist artist Arnau Alemany Batalla, 1948-2020. It is ha...

This artwork titled "Iris at Dusk" 1980 is an original color woodblock print with embossing by American artist Daniel Joshua Goldstein, b.1950....

Artist: Hans Figura (Austrian, 1898-1978) Title: Rothenburg, Germany Year: Circa 1950 Medium: Color etching with aquatint Edition: Unknown Paper: Printed on silk Plate mark ...

This artwork titled "J.B" c.1970 is a lithograph on paper by noted American artist Charles Bragg, 1931-2017. It is signed and titled in the plate as issue. The image (Stone mark) size is 5 x 8 inches, framed is 15.35 x 12 inches. It is custom framed in a wooden brown frame, with off white matting. It is in very good condition, paper is slightly toned by age. About the artist. Charles Bragg was born in St. Louis, Missouri to two Vaudeville performing parents that he traveled with throughout his childhood. He attended New York’s High School of Music and Art in Harlem and ran away with his sweetheart when he turned 18. He studied at the Art Students League in New York and later resided in Los Angeles. Before he decided to truly pursue painting, Bragg was a cab driver, a truck driver, a stand-up comedian, and a factory worker. When he arrived in California, he began painting for the wealthy and even gave lessons. It was during this time that he began to develop satirical feelings for the upper-class he was painting. Considered the foremost social satire artist in America, Charles Bragg is highly acclaimed for his cryptic and humorous portraits. Bragg is a spiritual descendent of Bosch, Brueghel and Daumier His work is found in the collections of at least 20 international museums, including thePushkin Museum, Moscow, USSR - Galleria d' Arte, Moderna de Milano Stedelijk Museum, Amsterdam, Holland - Dayton Art Museum, Ohio - DowneyMuseum of Art, California - Long Beach Museum of Art, California - Wichita State University Collection - Roswell Museum Collection, New Mexico - Canton Art Institute, Ohio - Loch Haven Art Center, Orlando Florida - University of Wyoming Museum of Art - The Albrecht Museum of Art, St Joseph, Mo - St Lawrence University, Canton, NY - Gibbes Art Center, Charleston, SC - Kalamazoo Institute of Arts, Michigan ¬University of Judaism, Los Angeles, Ca - Joslyn Art Museum, Omaha, Nebraska - Tyler Museum of Art, Tyler, Texas - Joseph Hirshhorn Collection, National Gallery of Design...

This artwork titled "Conversation" 1988 is a color lithograph on Arches paper by noted Italian/Argentinian artist Aldo Luongo, b.1941. It is hand signed and numbered 103/275 in pencil by the artist. The image size is 20 x 25 inches, sheet size is 25 x 29 inches. It is in excellent condition. About the artist: Aldo Luongo was born in Buenos Aires, Argentina, of Italian heritage. Since as far back as he can remember, Luongo had two great passions: art and soccer. Shortly after his graduation from the Academy of Fine Arts in Buenos Aires, Luongo came to the U.S. to play professional soccer for the New York Generals. After his athletic career was cut short due to an injury, he arrived in New York City with a dream to pursue his artwork full time. In the 70’s, he had his first major success with multiple reproductions of his black & white drawings. Not only were these prints released to great critical acclaim, they were a huge commercial success as well (hundreds of thousands of pieces sold within several years). Aldo had put himself on the map as a major international artist. Aldo Luongo has continued his reign at the top of the contemporary art world for almost four decades – a distinction that puts him in a class of his own. He has received numerous awards and honors, including being named a 3-time official Olympic Artist (Summer 1988, Summer 1996, and Winter 2002); an official World Cup Artist (1998); an official U.S. Women’s World Cup Artist (1999); and the 1999 Sports Artist of the Year (U.S. Sports Museum). He also has twice been chosen to paint eggs for the White House Easter Egg Hunt which now reside in the Smithsonian Institute. SELECTED PUBLIC EXHIBITIONS & COLLECTIONS 2018 Chloe Gallery Summer Art and Winemakers’ Dinner Exhibition Chloe Gallery, San Francisco, California The Smithsonian Institute, Washington, D.C. The Museum of Science and Industry, Los Angeles, California The Juarez Museum, Juarez, Chihuahua, Mexico The John F. Kennedy Museum, Boston, Massachusetts The Olympic Museum, Lausanne, Switzerland The Olympic Village Collection, Colorado Springs, Colorado The Sports Museum, Daphne, Alabama PRIZES, HONORS, & AWARDS International Olympics, “Official Olympic Artist,” (Summer 1988, Summer 1996, Winter 2002, Winter 2010) World Cup of Soccer, “Official World Cup Artist” (1998) U.S. Women's Soccer World Cup, “Official Artist” (1999) 1999 “Sports Artist of the Year,” U.S. Sports Museum White House “Easter Egg Hunt,” commissioned painting Smithsonian Institute, Washington, D.C. FAMOUS COLLECTORS: Giada De Laurentiis Mary Kate & Ashley Olsen Matt Leinert Bob Arum Geena Davis Kevin Costner Placido Domingo Argentine President Menem Luciano Pavarotti Jose Carreras...

This artwork "Lily" C.1975 is an original colors serigraph by noted American artist Lowell Nesbitt, 1933-1993. It is hand signed, dated and numbered A.P. 6/30 in pencil by the artist. The image size is 23.75 x 26 inches, sheet size is 29.35 x 31.25 inches. It is in excellent condition, it has a very light printing ink soiling at the left margin, see picture #6 and a light crease at the lower center margin. About the artist: Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9 and Apollo 13. SELECTED CORPORATE COLLECTIONS -Amerada Hess Corporation, New York, New York -AT&T, New York, New York -Atlantic Richfield, Los Angeles, California -Bank of New York, New York, New York -Biblioteque Nationale, Paris, France -Celenese Corporation, New York, New York -Chase Manhattan Bank, New York, New York -Citicorp, New York, New York -Florists Trans World Delivery Collection of Contemporary Art, Detroit, Michigan -Ford Motor Company, Dearborn, Michigan -General Mills, Minneapolis, Minnesota -Hess Shoe Corporation, Baltimore, Maryland -Lehman Brothers Kuhn Loeb, Chicago, Illinois, New York, New York -Maryland National Bank, Baltimore -Mutual of Omaha, Washington D.C. -Neiman-Marcus, Atlanta, Georgia -Northern Trust Company, Chicago, Illinois -J.C. Penny Corporation, New York, New York -Prudential Insurance Company, Newark, New Jersey -Schroeder Bank and Trust Company, New York, New York SELECTED MUSEUM AND GOVERNMENT COLLECTIONS. -American Embassies: Monrovia, Dar es Salaam, Tel Aviv, Sao Paulo -The Art Institute of Chicago, Illinois -Baltimore Museum of Art, Maryland -Castel Gandolfo, Rome, Collection of Pope Paul II -Corcoran Gallery of Art, Washington D.C. -Dallas Museum of Fine Arts, Dallas, Texas -Detroit Institute of Art, Detroit, Michigan -Edwin A. Ulrich Museum of Art, Wichita State University, Kansas -Enviromental Protection Agency, Washington D.C. -Federal Reserve Bank, Baltimore, Maryland -Fogg Art Museum, Cambridge, Mass. -Fort Worth Art Center, Texas -The High Museum of Art, Atlanta, Georgia -Hirshhorn Museum and Sculpture Garden, Washington D.C. -International Monetary Fund, Washington D.C. -Israel Museum, Jerusalem -John and Mable Ringling Museum of Art, Sarasota, Florida -Library of Congress, Washington D.C. -Loch Haven Art Center, Florida -Massachusetts Institute of Technology, Boston SELECTED SOLO EXHIBITIONS 1958: Baltimore Museum of Art, Baltimore, MD 1971: -Gimpel Fils, London, England -Gimpel and Weitzenhoffer, New York, NY 1972: -Kunstverein, Frieburg, Germany -Galerie Arneson, Copenhagen, Denmark -Gerlerie Aronovitsch, Stockholm, Sweden 1973: The Corcoran Gallery of Art, Washington D.C. 1974: Gimpel Fils, London, England 1975: The Corcoran Gallery of Art, Washington D.C. 1976: Hayden, Massachusetts Institute of Technology, Cambridge, MA 1977: Edwin A. Ulrich Museum of Art, Wichita KS 1978: Kent State University, Kent, OH 1979: Selby Botanical Gardens, Museum of Botany and the Art's, Sarasota, FL 1980: Marion Koogler Mcnay Art Institute, San Antonio, TX 1981: Editions Inc, Houston TX 1982: Butler Institute of American Art, Youngstown, OH 1983: Atlantic Center for the Art, New Smyrna Beach, FL 1984: Oklahoma Art Center, Oklahoma City, OK 1989: Tyler Gallery...

This artwork "Nymph" c.1975 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 22/100 in pencil by the artist. The imag...

This artwork titled "Mock Battle" 1956 in an original color lithograph on paper by noted French/American artist Jean Charlot, 1898-1979. It is hand signed and dedicate in pencil by the artist. the image size is 17.75 x 12 inches, framed size is 28.75 x 22 inches. It is custom framed in a wooden gold frame, with off white matting and silver color spacer. It is in excellent condition. Examples of this particular work are held in the Smithsonian American Art Museum, Washington, The Metropolitan Museum of Art, New York, The De Young Museum, San Francisco, The Philadelphia Museum of Art, Philadelphia, and the Portland Art Museum, Portland. About the artist: Jean Charlot was an artist, teacher, scholar, critic, poet, and playwright. He studied at the École des Beaux Arts, and served in the French Army from 1918 to 1920. After the war he moved to Mexico, where he had relatives, and joined a group of other young artists in the Mexican Mural Renaissance of the 1920s. Charlot's fresco mural in the Preparatoria Nacional was the first of many he completed. While in Mexico, he wrote numerous articles on art, among them the first on the Mexican printmaker José Guadalupe Posada, and worked as an archeologist and illustrator with the Carnegie expedition to Chichen Itza...

Artist: Shigeki Kuroda (Japanese, b.1943) Title: Red Olent Red Year: circa 1990 Medium: Soft ground etching and aquatint Paper: Nippon watermarked pape...

Artist: Valerio Adami – Italian (1935- ) Title: Prelude Year: 1979 Medium: serigraph Sight size: 29.75 x39.5 inches. Sheet size: 29.75 x 39.5 inches Signature: Signed lower right Ed...

Artist: Valerio Adami – Italian (1935- ) Title: Homer Year: 1979 Medium: serigraph Sight size: 38 x 22 inches. Sheet size: 42 x 25 inches Signature: Signed lower right Edition size:...

This artwork titled "Quai aux Fleurs" 1922 in an original soft ground etching with aquatint on paper by noted Czech artist Tavik Frantisek Simon, 1877-...

This artwork Titled "Olympia" c.1970 is an original etching by New Orleans artist David L. Abel, b.1940. It is hand signed, titled and numbered 9/150 in pencil by the artist. The ima...

This artwork titled "Peasant Women" from the suite "Mexicana" c.1950 in an original woodcut with hand coloring on wove paper by noted American artist Prescott Chaplin...

This artwork titled "Black Geese" 1934 is an original color aquatint by noted British artist Winifred Marie Louise Austen, 1876-1964. It is hand signed and titled in pencil by the artist. The image (plate mark) is 9 x 13.75 inches, sheet size is 10.30 x 16.5 inches. Published by Arthur Greatorax LTD, Grafton street, London. It is in excellent condition. About the artist: Born at Ramsgate, Kent on 12 July 1876, Winifred Austen only daughter of Josiah Austin, a Cornish naval surgeon, and his wife Fanny, née Mann. She amended the spelling of her surname from Austin to Austen from the time that she began to exhibit. In 1892 the family moved to Hornsey, London from where Austin attended the London County Council School of Arts and Crafts, studying under Cuthbert Swan, an animal painter. I n 1899 Austen exhibited a picture of a lion at the Royal Academy and in all exhibited more than seventy pictures at the Academy, the last in 1961. She worked in both oils and watercolor but Austen is most highly regarded as an etcher. In all she made some two hundred etched plates, beginning in 1906 with a series entitled The White Heron. She had particular feeling for birds and small mammals, and the naturalist Sir Peter...

This artwork titled "Portrait of a Young Boy" 1949 is an original lithograph by Swiss artist Cuno Amiet, 1868-1961. It is hand signed and numbered 12/200 in...

This artwork titled "Pastourelle" c.1990 is a color etching and aquatint by French artist Charlotte Reine, b.1956. It is hand signed, titled and number...

This artwork titled "Waterloo Volunteers" from the suite "History of England" is an original color etching by British artist Graham Clarke, b.1941. ...

This artwork titled "Steam Bath, Aniak" 1995 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 38/950 in pencil by the artist. The image size is 6.75 x 10 inches, sheet size is 10.5 x 14 inches. It is in excellent condition.. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

This artwork titled "Portrat Der Bildhauerin Germaine Richier" 1950 is an original colors lithograph by Swiss artist Cuno Amiet, 1868-1961. It is hand signe...

This artwork titled "Cliff House, San Francisco" c.1980 is a original colors lithograph on paper by French artist (Fanch, Francois Ledan, born 1949) it is...

Artist: Harold Altman (American, 1924-2003) Title: Sunday, Central Park Year: c. 1985 Medium: Color lithograph Edition: Numbered 56/285 in pencil Paper: Wove Image size: 17.5...

This art work titled "La Douceur du Printemps" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribe...

This artwork titled "La Collana" is an original color lithograph on Wove paper by renown German/Italian artist Massimo Campigli, 1895-1971. It is hand signed and numbered 46/125 in p...

This artwork "two Native American Girls" c. 1990 is a color offset lithograph by noted artists Popo and Ruby Lee, b.1940. It is Hand signed and numbered 501/750 in pencil by the arti...

This artwork titled "Arnaud" is an original sepia etching on creme Arches paper by Maroccan artist Guillame Azoulay, born 1949. It is signed , titled and numbered 63/300 in pencil by...

This artwork titled "Cornucopia" 1987 is an original color lithograph on Aches paper by American artist Helen Rundell, b. 1935. It is hand signed and numbered 103/295 in pencil by th...

This artwork titled "Larry's Drums" c.2010 is an offset lithograph on paper by Japanese artist Kaoru Mansour, b.1956. It is hand signed and numbered 378/400 in pencil by the artist. ...

This artwork titled "Berries and Plums" c.2010 is an offset lithograph on paper by Japanese artist Kaoru Mansour, b.1956. It is hand signed and numbered 372/400 in pencil by the arti...

This artwork titled "Light and Two Branches" c.2010 is an offset lithograph on paper by Japanese artist Kaoru Mansour, b.1956. It is hand signed and numbe...

This artwork titled "Cafe Life" 1982 is a offset lithograph with a color crayon and oil pastel drawing on wove paper by American artist Michael Bowen, 1937-2009. It is hand signed and inscribed "Image" in color crayon. The image size is 27. 75 x 18 inches, the drawing is 9.25 x 7.25 inches, sheet size is 30.75 x 21.75 inches. It is in excellent condition, has never been fram...

This artwork titled "Crimson Dreams" c.2000 is an original color serigraph with gold addition by British artist Peter Nixon, b.1956. It is hand signed and ...

This artwork Titled "Happy Sisters" 1977 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 29 x 19 inches, sheet size is 36 x 25 inches, framed size is 42.25 x 31 inches. Custom framed in a wooden gold leaf rubbed, scratched style frame, with off white matting. It is in excellent condition, the colors are fresh and bright. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

Artist: Jean Jansem (French/Armenian, 1920-2013) Title: Street Vendor with Little Girl Year: c. 1960 Medium: Color lithograph Edition: Numbered 144/200 in pencil Paper: Arches p...

This artwork titled "When the Land was His" 1985, is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and...

This artwork titled "When Predators Meet" 1988 is an offset lithograph by renown Western artist Gary Carter, born 1938. It is hand signed and numbered 817/...

This art work titled "Les Fausses Confidences" 1988 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribe...

This artwork titled "Woman from Maui" 1983 Is an original color serigraph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand signed and inscribed E.P.I in pencil by the artist. With the blind stamp of the artist and the printer, Editions Press, San Francisco. The sheet size is 28.5 x 33.35 inches, framed size is 41.25 x 45.25 inches. Custom framed in a wooden off white frame, with off white matting and bevel. the artwork is in excellent condition, the frame is in very good condition, it has minor restorations, practically invisible About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...

This artwork, titled "Waiting Women", 1976 is an original color lithograph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand-signed, dated and numbered 63/120 in pencil by the artist, also dedicated "To Purificacion Ramirez" With the blindstamp of the artist and another blindstamp. The sheet size is 22 x 30 inches, framed size is 22.5 x 30.5 inches. Custom framed in a clear acrylic box. It is in excellent condition. The acrylic box is in good condition with a few very faint scratches. Artist: R.C. Gorman (1932-2005) Title: Waiting Women Medium: Lithograph on Paper Sheet Size: 22" x 30" Framed size: 22.5" x 30.5" Year Produced: 1976 Edition Size: 120 plus proofs (25 proofs) This one: 63/120 About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...