Lynx Hollow Antiques Commodes and Chests of Drawers

A fine quality Louis XV - XVI Transition style breakfront chest of drawers Exquisitely hand-crafted in Genova, Italy in the mid-20th century, the important Mediterranean port city ...

A fine quality chest of drawers by famed architect and designer Carlo de Carli (Milan, Italy; 1910-1999) for Sormani, model D154, circa 1963, executed in visually striking lacquered ...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A stunning French Provincial crème painted chest of drawers commode with beautifully aged original patina and interesting provenance! Exquisitely hand-crafted in France in the late 18th / early 19th century, exceptionally executed in elegant, sophisticated and luxurious King Louis 15th taste, topped with the original rouge red Pyrenees marble top with striking white veining, serpentine-shaped front and molded edge, over a conforming solid wood case fitted with a secret hidden storage compartment and four dovetailed drawers, each with ornate gilt-bronze handles and escutcheons. When you remove the top left drawer, the center panel with faux escutcheon can slide over and reveal a concealed wooden drawer for valuables. Elegantly decorated, the drawer fronts and rounded corner posts adorned with subtle carvings, paneled sides, scalloped apron with hand carved Rocaille shell and scroll motif, rising on short cabriole legs. In the original cream paint finish with distressed chippy paint patina perfection! PROVENANCE / ACQUISITION: Private collection of Floyd and Beverly Sherman (1939-2024) who purchased it for $35,519 in 2001 (paperwork included) Beverly was an iconic owner, exhibitor and breeder of the Tennessee Walking Horse...

A handsome rustic antique Italian walnut chest of drawers commode. circa 1780 Hand-made in Italy in the second half of the 18th century, styled in Neoclassical inspired Louis XVI pe...

A handsome period George IV (1820-1830) mahogany bow front chest of drawers dresser - commode. Hand-crafted in the United Kingdom in the early 19th century, luxurious and refined E...

Elegant and sophisticated antique French Louis XV style kingwood parquetry marble-top commode sauteuse. Born in France in the 19th century, exquisitely hand-crafted in luxurious 18...

A stunning period Louis XVI (1774-1793) French commode in the original paint finish. Hand-crafted in France in the 18th century, exceptionally executed in refined luxurious Neocl...

Add sophisticated antique character, elegant warmth, and rich historical depth to any space with this scarce period Louis Philippe (1830-1848) wash stand in stunning exotic burled am...

A shabby chic vintage country French Provincial Louis XV style distressed painted bombe chest of drawers commode, 20th century, having a serpentine shaped faux marble top, curvacious...

A stunning fine quality antique, circa 1860s/1870s Italian chest of drawers commode. Hand-crafted in Italy in the third quarter of the 19th century, influenced by Napoleon III Se...

A scarce example of early Biedermeier Period (1815-1848) chest of drawers commode. circa 1820 Finely hand-crafted in the Baltic Region of Northern Europe in the early 19th century...

A vintage French Provincial walnut and oak semainier chest of drawers. Handcrafted in France in the Mid-20th Century, high quality solid wood construction, finished in elegantly s...

A fine French antique, circa 1900, Transitional Louis XV - XVI style marble-top chest of drawers commode. Hand-crafted in France in the early 20th century, exceptionally executed in 18th century Regence taste, of excellent quality, craftsmanship and solid wood construction, featuring stunning matched veneer and banded serpentine shaped case, fitted with three graduated dovetailed drawers. Each drawer affixed with original patinated gilt brass Rocaille pulls flanking ornate complimentary escutcheons, over chiseled gilt bronze mounted scalloped apron, rising on tapered French transition legs, ending in sabots. Topped with the original rouge red marble...

A scarce American Classical cherrywood Jackson Press with beautifully aged mellow patina, dating to the first half of the 19th century. Born in Tennes...

A fine French Provincial Louis XV style chest of drawers commode, early 20th century, having a serpentine shaped wooden top with molded edge, over conforming high quality solid wood case fitted with three drawers, each with dovetail joinery, ornate scrolling brass pulls, and floral carvings, flanked rounded corners and paneled sides, scalloped apron with foliate shell reliefs, rising on acanthus leaf carved knee low cabriole legs ending in whorl feet. As warm and attractive as it is useful, having the ideal size and proportions for a variety of different uses, including bedroom dresser, dining sideboard server, credenza, or oversized console...

A rare and magnificently decorative antique Spanish Fernandino style mahogany chest of drawers commode and mirror. Hand-crafted in Spain in the late 19th century, surmounted by the monumental dresser mirror with finely hand carved giltwood bird crest, atop flat mirror plates, framed by ornate scrolling foliates. Mounted over a mahogany bombe shaped chest accented with contrasting string banded inlay, gilded birds perched on stylized scrolled foliate, flanking four drawers. The solid wooden case fitted with a projecting frieze drawer, over three larger drawers, rising on sculptural patinated gilt wood ancient Egyptian Sphinx form front feet. Bold, dramatic and luxurious yet with an elegant warmth, and visually striking sophistication, the two piece set can be used a variety of different ways, including in the bedroom as a dresser / commode, in the dining room as a sideboard server, credenza console, or placed in the foyer as a stunning entry statement piece! Dimensions: (approx) Overall: 86.25" High, 43" Wide, 22" Deep Commode: 32.25" High, 43" Wide, 21.25" Deep Mirror: 54" High, 36.5" Wide History: Fernandino style is called the one developed in the decorative arts - especially furniture - in Spain during the reign of Fernando VII...

A 19th century Victorian burled walnut marble topped chest of drawers with warm, rich patina. The beautifully aged antique commo...

A monumental Danish chest of drawers commode from the 19th century. The magnificent, handcrafted Scandinavian antique having molded cornice, over case fitted with five drawers, all w...

A stunning, very fine quality, fruitwood chest of drawers, featuring superior craftsmanship, superb detailing and elegant decorative accents, this vintage French chest of drawers...

Add a touch of refined elegance, understated sophistication, subtle luxury and cozy romantic warmth with this 200+ year old petite Italian commode, elevated by authentic beautifully ...

A gorgeous, exquisitely crafted antique Louis XV style mahogany inlaid commode ornamented with chiseled and gilded bronze throughout. Hand crafted in France during the early 20th cen...

A stunning, finely detailed transitional Louis XV - Louis XVI style, mahogany inlaid chest of drawers commode. Born in France durning the second half of the 19th century, the wonderf...

A smaller sized Georgian style yew wood chest, fitted with three dovetailed drawers, rising on bracket feet. Ideal proportions for use as a small dresser/chest of drawers placed ...

An antique American Chippendale style curly maple (also called tiger or figured maple) chest on stand from the 19th century. This curly ma...

A handsome pair of Italian bedside chests, born in the mid 20th century, in a distressed rustic finish, fitted with one open shelf, over two dra...

A unique signed original Baroque Sauteuse commode from the 18th century. Exceptionally executed, this elegant German mid-sized walnut cabinet presents with absolutely beautiful inlay works, including patchwork marquetry, scrolled inlay and fine inlayed thread work that provide this unique period commode a fine touch of luxury. Finished in Rococo Louis XV taste, the artisans carefully selected highest quality, warm, rich woods, including burled walnut, fruitwood, olive wood, burl maple and various other exotic woods. Having a serpentine shaped top and case fitted with two gorgeous curved drawers, each with parcel-gilt brass pulls and interior paper lining marked Fabrication Allemande. Both the case and drawers have been joined by hand carved dovetail joinery. Resting over a wonderfully shaped and hand carved solid walnut base, accented by simple scroll running ornamentation carvings along the apron, gracefully rising on high cabriole legs, terminating on hoof feet. Signed/Stamped, interior, legible. It is one of the pieces of our extensive collection richer in inlays, very warm and complex, a feature that made us literally fall in love at first sight of this beautiful antique dresser...

A stunning antique Dutch mahogany and burled walnut bombe chest of drawers petite commode low boy from the early 20th century. Hand-crafted fine quality craftsmanship, detailing, a...

A stunning French Louis XV bombe marble-top chest of drawers commode from the 19th century, styled in the manner of Charles Cressent (France, 1685–1768), finished in luxurious Rocco ...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...

We present a rare and elegantly sophisticated Louis XV - Louis XVI Transition style chinoiserie black and gold lacquered and gilt bronze mounted breakfront chest of drawers. Born in France in the 19th century, the fine quality mahogany inlaid Parisian work inlaid in stunning exotic wood reserves, decorated panels of hand painted polychrome idealized Chinese scene, featuring ancient richly stylized landscape, home, and pair of figures, flanked by exceptional parquetry-work, geometric matched veneers, ebony string banding, center drawer inlaid with precious woods sycamore ground scroll motif reserve, flanked by neoclassical inspired chiseled and gilded bronze ornamentation. The chest retaining the original substantial sized dramatically veined shaped fior di pesco rouge marble slab top with molded edge, over case fitted with five drawers on three rows, the front and sides fully worked to lightly curved design, having three frieze drawers over two large drawers, all with quality dovetail joinery, atop a gently curving shaped apron, rising on outswept transitional cabriole legs, terminating on gilded bronze sabots. Ideal proportions for use as a commode, dining room sideboard server, credenza media stand, office hutch...