Madelyn Jordon Fine Art Paintings

'Je T'aime 9' by Linda Touby, 2018. Oil on canvas, 48 x 48 inches. This painting features textural, cumulative layers of brushstrokes on a flat field of color. The floating zones of luminous pigments are in colors of red and yellow. The swaths of color reach out to the very edge of the canvas meeting the yellow horizontal striped bands on the top and bottom of the painting. The drama and intensity of the "Je T’aime" series flow from Touby’s intense love for long time husband and renowned 'monster' artist, Basil Gogos...

'Je T'aime 11' by Linda Touby, 2018. Oil on canvas, 36 x 36 inches. This painting features textural, cumulative layers of brushstrokes on a flat field of color. The floating zones of luminous pigments are in colors of light and dark blue, purple, green, and grey. The swaths of color reach out to the very edge of the canvas meeting the blue vertical and horizontal striped bands that border the painting. The drama and intensity of the "Je T’aime" series flow from Touby’s intense love for long time husband and renowned 'monster' artist, Basil Gogos...

“Je T'aime 12” by Linda Touby, 2018. Oil on canvas, 36 x 32 inches. This painting features textural, cumulative layers of brushstrokes on a flat field of color. The floating zones of luminous pigments are in colors of light and dark blue, grey, mint green, beige, and white. The swaths of color reach out to the very edge of the canvas meeting the white horizontal striped bands on the top and bottom of the painting. The drama and intensity of the "Je T’aime" series flow from Touby’s intense love for long time husband and renowned 'monster' artist, Basil Gogos...

“Je T'aime 14” by Linda Touby, 2018. Oil on canvas, 24 x 20 inches. This painting features textural, cumulative layers of brushstrokes on a flat field of color. The floating zones of luminous pigments are in colors of blue, green, beige, red, orange, and brown. The swaths of color reach out to the very edge of the canvas meeting the grey vertical and horizontal striped band that borders the painting. The drama and intensity of the "Je T’aime" series flow from Touby’s intense love for long time husband and renowned 'monster' artist, Basil Gogos...

“Je T'aime 15” by Linda Touby, 2018. Oil on canvas, 24 x 20 inches. This painting features textural, cumulative layers of brushstrokes on a flat field of color. The floating zones of luminous pigments are in colors of blue, green, red, and orange. The swaths of color reach out to the very edge of the canvas meeting the blue/green vertical and horizontal striped bands that borders the painting. The drama and intensity of the "Je T’aime" series flow from Touby’s intense love for long time husband and renowned 'monster' artist, Basil Gogos...

“Je T'aime 16” by Linda Touby, 2018. Oil on canvas, 24 x 20 inches. This painting features textural, cumulative layers of brushstrokes on a flat field of color. The floating zones of luminous pigments are in soft and dark pinks, light blue, and yellow. The swaths of color reach out to the very edge of the canvas meeting the black vertical and horizontal striped bands that borders the painting. The drama and intensity of the "Je T’aime" series flow from Touby’s intense love for long time husband and renowned 'monster' artist, Basil Gogos...

“Sidney’s Door (diptych)” by Linda Touby, 2014. Oil and wax on canvas. 11 x 14 inches each. Touby’s series of white monochrome paintings are...

Oil and wax on canvas painting from the BLUE series. Linda Touby pairs intuitive brushstrokes with bold, horizontal bands of vibrant blue, black, red, and yellow, offering a sense of...

'Boy' 2003 by American artist, Kim McCarty. Watercolor on paper, 29.75 x 22.25 in. (framed). This work on paper expresses the fragile vulnerability of adolescence. By using a “wet into wet” watercolor medium, the artist conveys the transitory and emergent state. The figures heads become too large for their small, narrow bodies, their hands too large for their arms. The translucent watercolor expresses both the flaws and perfection. Kim McCarty is known for her nubile and waif-like figurative watercolors in muted hues, which she likens to “blurry afterimages drifting past closed eyelids.” McCarty began working with the medium in 1993, after a fire destroyed her studio and she could no longer find a space with proper ventilation for working with oil paint and became quickly intrigued with watercolor’s transparency, immediacy, and “unforgiving qualities.” She works in a wet-on-wet technique, in which watercolor is applied to a moistened sheet of paper—a technique that allows for very little control over the final image because of the pigment’s tendency to spread. For McCarty, this style corresponds to the longing, loss, and vulnerability embodied in her subjects. A graduate of UCLA (MFA) and the Art Center College of Design, Pasadena (BFA), McCarty has had many solo exhibitions include Morgan Lehman Gallery, New York and David Klein Gallery...

'Girl' 2003 by American artist, Kim McCarty. Watercolor on paper, 29.875 x 22 in. (framed). This work on paper expresses the fragile vulnerability of adolescence. By using a “wet into wet” watercolor medium the artist conveys the transitory and emergent state. The figures heads become too large for their small, narrow bodies, their hands too large for their arms. The translucent watercolor expresses both the flaws and perfection. Kim McCarty is known for her nubile and waif-like figurative watercolors in muted hues, which she likens to “blurry afterimages drifting past closed eyelids.” McCarty began working with the medium in 1993, after a fire destroyed her studio and she could no longer find a space with proper ventilation for working with oil paint and became quickly intrigued with watercolor’s transparency, immediacy, and “unforgiving qualities.” She works in a wet-on-wet technique, in which watercolor is applied to a moistened sheet of paper—a technique that allows for very little control over the final image because of the pigment’s tendency to spread. For McCarty, this style corresponds to the longing, loss, and vulnerability embodied in her subjects. A graduate of UCLA (MFA) and the Art Center College of Design, Pasadena (BFA), McCarty has had many solo exhibitions include Morgan Lehman Gallery, New York and David Klein Gallery...

'Dissent' 2005 by American artist, Chester Arnold. Oil on canvas, 46 x 54 in. This painting presents a richly painted, aerial view of protesters circa 2005, in the midst of the Iraq ...

'Sugar Smacks and The Smackin' Brothers' by Leslie Lew is a sculpted oil on canvas painting with saturated colors of yellow, blue, red, purple, orange, white and black. Born in Ne...

'Flare' by Antonio Carreno, 2017. Oil on canvas, 36 x 52 inches. This dynamic abstract painting is part of the artist's new series of action paintings, entitled 'Instinct' which feat...

Sunday Morning by Larry Horowitz, 2010, Oil on canvas, 44 x 70 in. in Green, white, brown, and blue. American landscape painter, Larry Horowitz, is wid...

'Downtown Skyline and Tug' 2012 by NY contemporary artist Lawrence Kelsey. Oil on canvas, 42 x 34 in. A painting of downtown New York City in late afternoon in atmospheric hues of or...

'Summer Midnight, Stockholm Sweden' 2016 by American artist, Lawrence Kelsey. Oil on panel, 13.5 x 19.5 in. / Handmade gold frame: 18 x 24 in. Depicti...

'Blue Barn' 2004 by American artist, Ted Larsen. Pastel on paper, 28.75 x 41 in. (paper) 42 x 53.5 in. (frame). This pastel work on paper features a forest o...

'Tulip' by Catherine Howe, 2015. Acrylic and interference mica pigment and resin on canvas, 40 x 30 inches. In gold, silver and white. Howe's abstracted still life florals are painte...

'Together', 2017 by Contemporary Norwegian artist, Marit Geraldine Bostad. Acrylic on canvas, 61 x 41.5 inches. This brightly neon colored abstract painting features a central, curve...

'One but Two II' from the Made In New York series, 2018 by Norwegian artist, Marit Geraldine Bostad. Acrylic on canvas, 12 x 12 in. This painting was ...

'One but Two I ' from the Made In New York series, 2018 by Norwegian artist, Marit Geraldine Bostad. Acrylic on canvas, 12 x 12 in. This painting was ...

'Campbell's Soup Favorites - Tomato' by Leslie Lew is a sculpted oil on canvas painting with saturated colors of yellow, blue, red, purple, orange, white and black. Leslie Lew reinte...

Available at Madelyn Jordon Fine Art. 'Still Life with Figs and Flowers' 1989 by Peter Nadin. Oil on canvas, 51 x 48 in. Geometric, still life painting with sculptural elements in po...

"Hidden Words in a Beautiful Heart" by Antonio Carreno oil on canvas 56x228 inches triptych. A large and dramatic black and white oil painting. Heavily-layered painting and gestural ...