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Salvador Dali Paris France original French travel poster SNCF Railway
By (after) Salvador Dali
Located in London, GB
To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or sen...
Category
1960s Surrealist Landscape Prints
Materials
Lithograph
Julian Trevelyan Gravesend Etching Modern British Art London Print UK Thames
By Julian Trevelyan
Located in London, GB
We have seven of Julian Trevelyan's 'Thames Suite' of prints, plus other prints and oil paintings by him - and other Modern British Artists. To see the others, scroll down to "More f...
Category
1960s Modern Figurative Prints
Materials
Etching, Aquatint
John Piper, Exeter College, Oxford (1977) Screenprint Modern British Art
By John Piper
Located in London, GB
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John Piper (1903-1992)
Exeter College, Oxford
Screenprint, signed in pencil
81.9 x 61.0 cm
Including hand-finished, black-painted frame.
One of Piper’s largest and most impressive prints, here featuring Gilbert Scott’s chapel at Exeter. It is often claimed that he based it on Paris’s Sainte Chapelle...
Category
1970s Modern Landscape Prints
Materials
Screen
Hugh Casson Pembroke College Oxford signed limited edition print c. 1980
By Hugh Casson
Located in London, GB
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Sir Hugh Casson (1910-1999)
Pembroke College Oxford...
Category
1980s Impressionist Landscape Prints
Materials
Color
Walter Hoyle Queens' College Cambridge linocut print Modern British Art
By Walter Hoyle
Located in London, GB
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Category
1960s Modern Landscape Prints
Materials
Linocut
Edwin La Dell St John's College Cambridge Signed Lithograph Modern British Art
By Edwin La Dell
Located in London, GB
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Category
1950s Impressionist Landscape Prints
Materials
Lithograph
Walter Hoyle Gate of Honour Caius linocut print
By Walter Hoyle
Located in London, GB
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Walter Hoyle (1922 – 2000)
Gate of Honour, Caius College Cambridge (1965-6)
Linocut
56x43cm
Full sheet size 96x68cm
Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists of whom in the post war era probably Bawden and Kenneth Rowntree are the most famous. Diverse in style, they created figurative work – in stark contrast to the abstract work of the St Ives artists at the opposite end of the country. (If he had not died whilst on active service as a war artist, off Iceland in an air-sea rescue, Eric Ravilious would have had this accolade.) The Fry Art Gallery in Saffron Walden was established to celebrate the works of the Great Bardfield group.
Hoyle taught at St Martin’s School of Art from 1951-60, Central School of Arts and Crafts from 1960-64, and Cambridge School of Art from 1964...
Category
1960s Modern Landscape Prints
Materials
Linocut
Sidney Sussex College, Cambridge engraving by John Le Keux after Mackenzie
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
1840s Landscape Prints
Materials
Engraving
Newcastle Station original vintage poster by Brendan Neiland
By Brendan Neiland
Located in London, GB
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Category
1990s Modern Landscape Prints
Materials
Screen
Christ's College, Cambridge 1690 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Christ's College, Cambridge (1690)
Engraving
39 x 48 cm
Loggan's view of College, Cambridge from the 'Cantabrigia Illustrate', with later hand colouring.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman...
Category
1670s Realist Landscape Prints
Materials
Engraving
Exeter College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Exeter College...
Category
1670s Realist Landscape Prints
Materials
Engraving
Brasenose College, Oxford etching by Andrew Ingamells
By Andrew Ingamells
Located in London, GB
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Category
21st Century and Contemporary Landscape Prints
Materials
Etching
Mathematical Bridge Queen's College, Cambridge etching by Mabel Oliver Rae
Located in London, GB
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Mabel Oliver Rae (1868 - 1956)
Queens' Bridge, Cambridge
Etching
13 x 9 cm
Titled lower left and signed lower right in plate, and again in pencil outside plate.
The college's famed Mathematical Bridge, which reflects in the ruffled waters of the River Cam.
Kate Hillman of the Cambridge University Engineering Department notes that: "One of the most recognisable structures on the Cam, Queens' College bridge was originally built in 1749 by James Essex the Younger. Since then it has been rebuilt twice to the original design of William Etheridge, once in 1866 and again in 1905. In 1866 the bridge deck...
Category
1920s Modern Landscape Prints
Materials
Etching
King's College, Cambridge etching by Andrew Ingamells
By Andrew Ingamells
Located in London, GB
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Category
21st Century and Contemporary Landscape Prints
Materials
Etching
Delineations of British Field Sports, lithograph series by Samuel Alken
By Samuel Alken Jnr.
Located in London, GB
Samuel Alken
Delineations of British Field Sports
Lithograph series
25 x 42 cm
Samuel Alken Jr. (1784–1825) was a British artist and engraver, part of the prominent Alken family ...
Category
Early 19th Century Realist Landscape Prints
Materials
Lithograph
Poachers ferretting rabbits, watercolour after Samuel Alken Jnr.
By Samuel Alken Jnr.
Located in London, GB
Samuel Alken
Coursing Scene
Watercolour on green-grey wove paper
Probably a contemporary copy of a rabbiting plate
Bears signature to bottom left
25 x 42 cm
Samuel Alken Jr. (178...
Category
Early 19th Century Realist Landscape Prints
Materials
Watercolor, Pencil
Coursing Scene, etching by Samuel Alken
By Samuel Alken Jnr.
Located in London, GB
Samuel Alken
Coursing Scene
Lithograph with hand colouring
25 x 42 cm
Samuel Alken Jr. (1784–1825) was a British artist and engraver, part of the prominent Alken family of painter...
Category
Early 19th Century Realist Landscape Prints
Materials
Etching
John Speede, Map of the County of Surrey, described and divided into hundreds
By John Speed
Located in London, GB
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John Speed/Speede (1551/2-1629)
The County of Surrey Described and Divided into Hundreds
Engraving with later hand colouring and text to the reverse.
Dated to c.1650
36 x 49 cm
Probably the most famous early English mapmaker, John Speed's early life is somewhat of an enigma. He is believed to have trained as a rolling-press printer, but he was at heart an historian granted a sinecure in the Customs House by Queen Elizabeth to indulge his passion, later becoming a Fellow of the Society of Antiquaries. His first maps were historical, of the Holy Land 'Canaan as it was Possessed both in Abraham and Israels Dayes' and of England and Ireland recording 'all their Civill Warres since the Conquest'.
In 1611 he published his 'Hostory of Great Britaine' which he regarded as his magnum opus, but it was the companion atlas 'Theatre of the Empire of Great Britaine' that - as the first printed atlas of Great Britain - sealed his reputation. William Rogers engraved the first map, 'the County Palatine of Chester' in about 1600, but following his untimely death the task of engraving was passed to Jodocus Hondius of Amsterdam.
By 1612 the atlas was complete, the maps famed for their decorative elements. Many have town plans - Britain's first series of such plans - and descriptive text was printed to the reverse until the 1676 edition. Later printings (up until 1770) were issued without this text. By 1627 it has become a part of a world atlas 'Prospect of the Most Famous Parts of the World'. During the 17th century the plates passed through the hands of a series of publishers, the 1676 edition of Thomas Bassett and Richard Chiswell being regarded as its high point with the inclusion for the first time of a series of important maps. For the first half of the eighteenth century they were firmly established in the hands of the Overton family.
This particular edition originally featured in The Theatre Of The Empire Of Great Britaine. It features attractive inset views of the long-since destroyed Richmond...
Category
17th Century Realist Landscape Prints
Materials
Engraving
Magdalen College, Oxford Tower etching by Richard H Tyrell
Located in London, GB
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Category
Late 19th Century Landscape Prints
Materials
Etching
Wadham College, Oxford lithograph by Hugh Casson
By Hugh Casson
Located in London, GB
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Hugh Casson (1910 - 1999)
Wadham College, Oxford - The Fellows' Garden
Lithograph
24 x 40 cm
Proof print aside from the numbered edition. Signed, titled and dated in plate.
Casson's peaceful, pastoral depiction of Wadham.
Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture...
Category
1980s Modern Landscape Prints
Materials
Lithograph
Pembroke College, Oxford engraving by Joseph Skelton after G Vertue
Located in London, GB
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Category
1810s Landscape Prints
Materials
Engraving
St John's College, Oxford lithograph by Hugh Casson
By Hugh Casson
Located in London, GB
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Hugh Casson (1910 - 1999)
St John's College, Oxford
Lithograph
30 x 24 cm
Casson's charming view of Canterbury Quad, St John's College, Oxford.
Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture...
Category
1980s Modern Landscape Prints
Materials
Lithograph
Brasenose College, Oxford lithograph by Hugh Casson
By Hugh Casson
Located in London, GB
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Hugh Casson (1910 - 1999)
Brasenose College, Oxford
Lithograph
30 x 24 cm
Casson's view of Brasenose, complete with many a bicycle.
Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture...
Category
1980s Modern Landscape Prints
Materials
Lithograph
Lincoln College, Oxford lithograph by Hugh Casson
By Hugh Casson
Located in London, GB
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Hugh Casson (1910 - 1999)
Lincoln College, Oxford
Lithograph
30 x 24 cm
Casson's view of Lincoln Library from a bustling Turl Street.
Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture...
Category
1980s Modern Landscape Prints
Materials
Lithograph
The Queen's College, Oxford lithograph by Hugh Casson
By Hugh Casson
Located in London, GB
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Hugh Casson (1910 - 1999)
The Queen's College, Oxford
Lithograph
30 x 24 cm
Casson's view of Queen's, with students heading out to the High Street.
Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture...
Category
1980s Modern Landscape Prints
Materials
Lithograph
Christ Church, Oxford lithograph by Hugh Casson
By Hugh Casson
Located in London, GB
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Hugh Casson (1910 - 1999)
Christ Church, Oxford
Lithograph
30 x 24 cm
Casson's view of a busy Christ Church.
Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture...
Category
1980s Modern Landscape Prints
Materials
Lithograph
Wadham College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Wadham College, Oxford (1675)
Engraving
32 x 41 cm
Loggan's view of Wadham from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman...
Category
1670s Realist Landscape Prints
Materials
Engraving
Trinity College and John's College, Cambridge engraving by P S Lamborn
Located in London, GB
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Category
18th Century Landscape Prints
Materials
Engraving
Corpus Christi College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist Landscape Prints
Materials
Engraving
New College Lane, Oxford lithograph by William Nicholson
Located in London, GB
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Category
Early 1900s Landscape Prints
Materials
Lithograph
Oxford 1675 engraving by David Loggan Prospectus Oxoniae Orientalis
By David Loggan
Located in London, GB
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Category
1670s Realist Prints and Multiples
Materials
Engraving
St John's College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist Landscape Prints
Materials
Engraving
University College, Oxford lithograph by William Nicholson
Located in London, GB
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Category
Early 1900s Landscape Prints
Materials
Lithograph
Oriel College, Oxford lithograph by William Nicholson
Located in London, GB
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Category
Early 1900s Landscape Prints
Materials
Lithograph
Clare College, Cambridge lithograph by Hugh Casson
By Hugh Casson
Located in London, GB
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Category
1980s Modern Landscape Prints
Materials
Lithograph
The Holy Sepulchre at Northwold in Norfolk (1795), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmel Schnebbelie
The Holy Sepulchre at Northwold in the county of Norfolk
Engraving
45 x 60 cm
This engraving was originally published by the Society of ...
Category
1790s Realist Landscape Prints
Materials
Engraving
Architectural view of Exeter Cathedral (1797), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural view of Exeter Cathedral
Engraving
61 x 95 cm
This engraving was originally published by the Society of Antiquaries of London, an organisa...
Category
1810s Realist Landscape Prints
Materials
Engraving
Floor plan of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Floor plan of St Albans Cathedral
Engraving
61 x 95 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation ...
Category
1810s Realist Landscape Prints
Materials
Engraving
St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Floor plan of St Albans Cathedral
Engraving
61 x 95 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation ...
Category
1810s Realist Landscape Prints
Materials
Engraving
Chimney Piece in the Bishop Palace at Exeter (1797), engraving by James Basire
Located in London, GB
James Basire & William Turner Davey
A chimney piece in the Bishop's Palace at Exeter
Engraving
45 x 60 cm
This engraving was originally published by the Society of Antiquaries of...
Category
1790s Realist Landscape Prints
Materials
Engraving
Design Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
1810s Realist Landscape Prints
Materials
Engraving
Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
1810s Realist Landscape Prints
Materials
Engraving
Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
1810s Realist Landscape Prints
Materials
Engraving
Design Fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
60 x 44 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
1810s Realist Landscape Prints
Materials
Engraving
The Abbey Church of St Albans (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
The Abbey Church of St Albans
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation dedi...
Category
1810s Realist Landscape Prints
Materials
Engraving
Architectural Details of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural details of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an ...
Category
1810s Realist Landscape Prints
Materials
Engraving
St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
John Basire & John Carter
St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to st...
Category
1810s Realist Landscape Prints
Materials
Engraving
Architecture Fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
44 x 62 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
1810s Realist Landscape Prints
Materials
Engraving
Architectural Segments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Specimens of the Architecture and Ornaments of the Abbey Church at St Albans
Engraving
62 x 46 cm
This engraving was originally published by the Societ...
Category
1810s Realist Landscape Prints
Materials
Engraving
Plan of the Rood Loft in St George's Chapel (1790), engraving by James Basire
Located in London, GB
James Basire & Henry Emlyn
Plan and Elevation of the Rood Loft in St George's Chapel at Windsor
Engraving
47 x 55 cm
This engraving was originally published by the Society of Ant...
Category
1790s Realist Landscape Prints
Materials
Engraving
Architectural Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
1810s Realist Landscape Prints
Materials
Engraving
Architectural Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
1810s Realist Landscape Prints
Materials
Engraving
Tiltey Church, Essex & Rochester Cathedral (1790), engraving by James Basire
Located in London, GB
James Basire & John Carter
Stalls in Tiltey Church Essex & Stalls in the Choir of Rochester Cathedral
Engraving
50 x 32 cm
This engraving was originally published by the Society ...
Category
1790s Realist Landscape Prints
Materials
Engraving
Wainflete School, Lincolnshire (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
Wainflete School, Lincolnshire
Engraving
50 x 32 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
1790s Realist Landscape Prints
Materials
Engraving
Monument of King Edward IV, Windsor (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
Monument of King Edward IV in St George's Chapel at Windsor
Engraving
50 x 32 cm
This engraving was originally published by the Societ...
Category
1790s Realist Landscape Prints
Materials
Engraving
Fonts in Suffolk (1792), engraving by James Basire
Located in London, GB
James Basire, after James Johnson and John Carter
The Chancel of Chatham Church, Kent
Engraving
50 x 32 cm
This engraving was originally published by the Society of Antiquaries of...
Category
1790s Realist Landscape Prints
Materials
Engraving
The Chancel of Chatham Church, Kent (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
The Chancel of Chatham Church, Kent
Engraving
48 x 33 cm
This engraving was originally published by the Society of Antiquaries of Londo...
Category
1790s Realist Landscape Prints
Materials
Engraving
The Holy Sepulchre at Heckington in Lincoln (1795), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
The Holy Sepulchre at Heckington in Lincoln
Engraving
45 x 30 cm
This engraving was originally published by the Society of Antiquaries ...
Category
1790s Realist Landscape Prints
Materials
Engraving
Architectural Details of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural details of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an o...
Category
1810s Realist Landscape Prints
Materials
Engraving
St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to ...
Category
1810s Realist Landscape Prints
Materials
Engraving
