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Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Landscape Prints
Materials
Engraving
Cambridgeshire map 17th century engraving by John Speed
By John Speed
Located in London, GB
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John Speed (1551 or 1552 - 1629)
Map of Cambridgeshire
Engraving with later hand colouring
39 x 53 cm
A beautifully coloured map of Cambridgeshire, with an antique description...
Category
1610s Landscape Prints
Materials
Engraving
Christ Church Meadows, Oxford lithograph by Edwin La Dell
By Edwin La Dell
Located in London, GB
To see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...
Category
1950s Impressionist Landscape Prints
Materials
Lithograph
Venice, Italy A Venetian Canal screenprint by Graham Bannister
Located in London, GB
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Graham Bannister (born 1954)
A Venetian Canal
Screenprint
76 x 50 cm
A screen...
Category
Late 20th Century Landscape Prints
Materials
Screen
Taos New Mexico USA Vintage Ski Poster 1974 Victor Frohlich and Tom Carrera
Located in London, GB
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Taos New Mexico Vintage...
Category
1970s Modern Landscape Prints
Materials
Lithograph
Johannes Kip, The North Prospect of Gloster Cathedral (c.1716) Copper Engraving
By Johannes Kip
Located in London, GB
To see our other architectural drawings and engravings, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot ...
Category
1710s Realist Landscape Prints
Materials
Engraving
Map of Northumberland by Joan Blaeu
By Joan (Johannes) Blaeu
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
Category
1660s Landscape Prints
Materials
Engraving
University of Oxford Oxonia Illustrata 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Old Masters Prints and Multiples
Materials
Engraving
'Oh to be in England' signed horse racing print by Snaffles
Located in London, GB
To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Charles "Snaffles" Johnson Payne (1884 - 1967)
"Oh! To Be In England Now That April's There"
Lithograph
51 x 67 cm
Signed in pencil lower left.
Snaffles was one of the foremost sporting artists of his era, publishing many popular prints such as these: hunting pictures...
Category
1930s Impressionist Animal Prints
Materials
Lithograph
Davos, Parsenn Region, Switzerland Vintage Ski Poster (1968)
Located in London, GB
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Davos, Parsenne, Switzerland Vintage Ski Poster
1968
67 x 53 cm
Printed by LooArt Press, Colorado Springs, Colorado
1960s poster for Davos ski resort in Parsenn, Switzerland, featuring a photograph of a skiier jumping off the slope into powder snow...
Category
1960s Modern Landscape Prints
Materials
Lithograph
The High Street, Oxford with Queen's College lithograph by Edwin La Dell
By Edwin La Dell
Located in London, GB
To see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...
Category
1950s Impressionist Landscape Prints
Materials
Lithograph
Emmanuel College, Cambridge Chapel linocut print by Walter Hoyle
By Walter Hoyle
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Walter Hoyle (1922 - 2000)
Emmanuel College, Cambridge Chapel (Cambridge Series 1956 - 66)
Linocut
55 x 43 cm
Signed and inscribed A/P in pencil.
Hoyle's view of Emmanuel's Front Court bleaches the gold of the chapel's Ketton Stone into an icy blue, and situates it beneath a tempestuous yellow sky.
Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country.
Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...
Category
1960s Modern Landscape Prints
Materials
Linocut
Barmouth, Wales British Railways poster by Harry Riley
Located in London, GB
To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find th...
Category
20th Century Landscape Prints
Materials
Lithograph
Adrian Collaert Martin de Vos 17th Century Engraving Miraculous Draught of Fish
By Adriaen Collaert
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
17th Century Realist Figurative Prints
Materials
Engraving
Theodoor Galle Martin de Vos Engraving The Suffering Servant
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle...
Category
17th Century Realist Figurative Prints
Materials
Engraving
Theodoor Galle Martin de Vos 17th Century Engraving Jesus' Tomb Easter
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle...
Category
17th Century Realist Figurative Prints
Materials
Engraving
Theodoor Galle Martin de Vos Engraving Jesus Taken Before Pilate and Herod
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle...
Category
17th Century Realist Figurative Prints
Materials
Engraving
Innsbruck: Tyrol, Austria Original Vintage Travel Poster - Skiing resort
Located in London, GB
To see our other original vintage travel posters, many of which have skiing and Austrian subjects, scroll down to "More from this Seller" and below it click on "See all from this sel...
Category
Late 20th Century Modern Landscape Prints
Materials
Lithograph
Folly Bridge and Friar Bacon's Study, Oxford engraving from the Oxford Almanack
Located in London, GB
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Category
1780s Landscape Prints
Materials
Engraving
The Flight into Egypt 17th century engraving after Rubens by Lucas Vorsterman
By Peter Paul Rubens
Located in London, GB
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Lucas Vorsterman (1595 - 1675) after Peter Paul Rubens (1577 - 1640)
The Fligh...
Category
1620s Realist Landscape Prints
Materials
Engraving
King's College, Cambridge linocut print by Walter Hoyle
By Walter Hoyle
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Walter Hoyle (1922 - 2000)
King's College, Cambridge (Cambridge Series 1956 - 66)
Linocut
56 x 43 cm
Signed and inscribed A/P in pencil. Possibly unique.
Hoyle's view of King's College, Cambridge, with a slice of blue sky behind.
Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country.
Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...
Category
1960s Modern Landscape Prints
Materials
Linocut
Senate House, Cambridge University linocut print by Walter Hoyle
By Walter Hoyle
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Walter Hoyle (1922 - 2000)
Senate House, Cambridge (Cambridge Series 1956 - 66)
Linocut
46 x 70 cm
Signed and inscribed A/P in pencil. Trial print aside from the series, with different colourway.
Senate House, under a lively blue sky.
Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country.
Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...
Category
1960s Modern Landscape Prints
Materials
Linocut
King's College, Chapel Cambridge linocut print by Walter Hoyle
By Walter Hoyle
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Walter Hoyle (1922 - 2000)
King's College Chapel, Cambridge (Cambridge Series 1956 - 66)
Linocut
72 x 41 cm
Signed and inscribed A/P in pencil.
Hoyle depicts King's College Chapel as both indomitable and delicate. The bold composition sees the chapel's spires surrounded by a fiery orange light against the black night of the background; at the same time, the western facade looks like it could have been cut from paper, or crafted from lace.
Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country.
Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...
Category
1960s Modern Landscape Prints
Materials
Linocut
Trinity College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Trinity College, Cambridge (1690)
Engraving
80 x 50 cm
Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1690s Realist Landscape Prints
Materials
Engraving
Breckenridge, Colorado Vintage Ski Poster USA (1967)
Located in London, GB
To see our other original vintage posters, scroll down to "More from Seller" and below it click on "See all from this Seller."
Breckenridge, Colorado Vintage Ski Poster...
Category
1960s Modern Landscape Prints
Materials
Lithograph
David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
Wadham College Oxford
Engraving
1675
34x42cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Prints and Multiples
Materials
Engraving
The Divinity School, University of Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
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Category
1670s Realist Landscape Prints
Materials
Engraving
Jesus College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1690s Realist Landscape Prints
Materials
Engraving
Fox hunting print by Lionel Edwards
By Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Lionel Ed...
Category
1960s Landscape Prints
Materials
Lithograph
1937 Coronation Map for London Transport
Located in London, GB
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Coronation Arrangements – Map of London (1...
Category
1950s Landscape Prints
Materials
Lithograph
1953 Coronation Map for London Transport
Located in London, GB
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Coronation Arrangements – Map of London (1...
Category
1950s Landscape Prints
Materials
Lithograph
Espagne Spain original vintage travel poster by José Ortega "Don Quixote"
By José Ortega
Located in London, GB
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José Ortega (1921 - 1990)
Espagne "Don Quixote" (1960s)
Original vintage poster
99 x 65 cm
Printed in Barcelona for the Publications de la Direccion General del Turismo.
Ortega's poster is an abstract depiction of Don Quixote (the Spanish hero written by Miguel de Cervantes), complete with his distinctive hat and spear. Ortega designed the poster for the Spanish tourist board, using an illustrious figure from Spain's literary heritage to encourage people to visit Spain.
José García Ortega...
Category
1960s Modern Landscape Prints
Materials
Lithograph
Magdalene College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Magdalene College, Cambridge (1690)
Engraving
38 x 43 cm
Loggan's view of Magdalene from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Landscape Prints
Materials
Engraving
Pembroke College, Oxford 1705 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Pembroke College, Oxford (1705)
Engraving
31 x 44 cm
Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Landscape Prints
Materials
Engraving
Wadham College, Oxford, Garden Front lithograph by Dennis Flanders
Located in London, GB
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Category
20th Century Landscape Prints
Materials
Lithograph
Christ Church, Oxford 18th century engraving by John Dadley after Edward Dayes
Located in London, GB
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Category
1790s Landscape Prints
Materials
Engraving
Magdalen College, Oxford Tower and Bridge 18th century engraving by James Basire
Located in London, GB
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Category
1790s Landscape Prints
Materials
Engraving
Waterloo Station 1993 poster by Brendan Neiland signed "to Bob Reid"
By Brendan Neiland
Located in London, GB
Brendan Neiland (born 1941) R.A. (Expelled)
Waterloo International (1993)
Lithographic poster
101 x 60 cm
Signed 'Brendan Neiland', numbered I/XII, and inscribed 'To Bob Reid' (Reid...
Category
1990s Modern Landscape Prints
Materials
Screen
Wadham College, Oxford by Emery Walker after Edmund Hort New
Located in London, GB
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Emery Walker (1851 – 1933) after Edmund Hort New (1871 – 1931)
Wadham College, Oxford
Photogravure
27 x 41 cm
New produced a series of pen-and-ink drawings of Oxford colleges, of which this is one. They paid homage to the artist David Loggan, often using the same aerial viewpoint as him, but showing the colleges two hundred years later. Emery Walker turned...
Category
Early 20th Century Realist Landscape Prints
Materials
Photogravure
Salvador Dali Auvergne French travel poster SNCF Railway 1969
By Salvador Dalí
Located in London, GB
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after Salvador Dali (1904-1989)
Auvergne
Poster for French Railways SNCF...
Category
1960s Surrealist Landscape Prints
Materials
Lithograph
Cambridge University 18th century engraving by Jan Kip after Whitehand
Located in London, GB
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Category
18th Century Realist Landscape Prints
Materials
Engraving
Oriel College, Oxford 18th century engraving from the Oxford Almanac
Located in London, GB
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Category
18th Century Landscape Prints
Materials
Engraving
Prospect of Oxford 18th century engraving by William Williams
By William Williams (painter)
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Early 18th Century Realist Landscape Prints
Materials
Engraving
Corpus Christi College, Cambridge Chapel print by Tony Broderick
By Tony Broderick
Located in London, GB
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Category
Late 20th Century Modern Landscape Prints
Materials
Offset
University College, Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
University College, Oxford (1675)
Engraving
29 x 40 cm
Loggan's view of Univ from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Landscape Prints
Materials
Engraving
St Catharine's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
St Catharine's College, Cambridge (1690)
Engraving
35 x 46 cm
Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Landscape Prints
Materials
Engraving
Trinity College, Oxford David Loggan 1705 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Trinity College, Oxford (1705)
Engraving
32 x 41 cm
Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Landscape Prints
Materials
Engraving
Botanic Garden, University of Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
The University of Oxford Botanic Garden (1675)
Engraving
40 x 50 cm
An eighteenth-century view of one of Oxford's dreamiest spaces: the Botanic Garden, engraved by David Loggan, the noted engraver, draughtsman, and painter. The University of Oxford Botanic Garden was founded in 1621 and is the oldest botanical garden in Great Britain. Loggan's engraving focuses on its architectural qualities, with four features of the garden highlighted for their beauty, symmetry, and prowess of design.
Of particular interest in this etching are the six trompe l'oeil pieces: four gently curling pieces of paper which frame the gates of the garden, and two heraldic banners borne by cherubs and sporting legends about the garden's foundation. The Danby Gate (bottom left) at the front entrance to the garden is one of the three entrances designed by Nicholas Stone...
Category
1670s Realist Landscape Prints
Materials
Engraving
Christ's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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Category
1670s Realist Landscape Prints
Materials
Engraving
Great St Mary's, University of Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
The Church of St Mary the Virgin, Cambridge (1690)
Engraving
38 x 47 cm
Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Landscape Prints
Materials
Engraving
Cambridge map 17th century engraving after John Speed
By John Speed
Located in London, GB
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Pieter van den Keere (1571 - circa 1646) after John Speed (1551 or 1552 - 1629)
Map of Cambridgeshire
Engraving
8 x 12 cm
A beautifully coloured map of Cambridgeshire, with an antique description of the county to the reverse. The map, along with many others, was published in Speed's atlas, 'The Theatre of the Empire of Great Britaine', first published in 1611. This particular miniature edition of the 'Theatre' was published in miniature by George Humble in 1627, entitled 'England Wales Scotland and Ireland Described and Abridged With ye Historic Relation of things worthy memory from a farr larger Voulume. Done by John Speed.’ Speed's original map was likely engraved for this edition by Peter van den Keere. van den Keere's maps soon came to be known as "Miniature Speeds".
John Speed was an English cartographer, chronologer and historian. The son of a citizen and Merchant Taylor in London, he rose from his family occupation to accept the task of drawing together and revising the histories, topographies and maps of the Kingdoms of Great Britain as an exposition of the union of their monarchies in the person of King James I and VI. He accomplished this with remarkable success, with the support and assistance of the leading antiquarian scholars of his generation. He drew upon and improved the shire maps of Christopher Saxton, John Norden and others, being the first to incorporate the hundred-boundaries into them, and he was the surveyor and originator of many of the town or city plans inset within them. His work helped to define early modern concepts of British national identity. His Biblical genealogies were also formally associated with the first edition of the King James Bible...
Category
1620s Landscape Prints
Materials
Engraving
France - Cathedral of Albi, Toulouse original vintage poster
Located in London, GB
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Category
20th Century Landscape Prints
Materials
Lithograph
New College, View from the Master's Lodgings lithograph by John Malchair
Located in London, GB
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John Baptist Malchair (1730 – 1812)
View from the Master's Lodgings, New College, Oxford (1929)
Lithograph
33 x 46 cm
A 1929 lithograph from a 1767 watercolour of New College by John Malchair. The artist's composition highlights the pale stone of New College on a winter's day. The chapel's spires stretch upward into a cold, cloud-filled sky, as do the bare branches of the trees.
Malchair's watercolour (which is held by the Ashmolean museum) was reproduced as a lithograph in 1929, to be published in the "Oxford Almanack". The Oxford Almanack was an annual almanac published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanac traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanac artists have included James Basire, Michael Burghers, J. M. W. Turner, and John Piper.
Malchair was a German-born watercolourist, violinist, drawing master, and collector of traditional European music. He is described as “one of the most distinctive figures of eighteenth century Oxford”, and is recognised as having been an influence on later landscape artists, including John Constable. Malchair was a talented artist, producing hundreds of paintings of English landscapes...
Category
20th Century Landscape Prints
Materials
Lithograph
Lady Margaret Hall, Oxford screenprint by Brendan Neiland
By Brendan Neiland
Located in London, GB
Brendan Neiland (b. 1941) R.A. (Expelled)
Lady Margaret Hall
Screenprint
46 x 27 cm
Signed, titled, and numbered 42/175 in pencil.
A screenprint ...
Category
Late 20th Century Abstract Landscape Prints
Materials
Screen
Rycote House, Oxfordshire engraving by Henry Winstanley
Located in London, GB
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Henry Winstanley (1644 - 1703)
Rycote House, Oxfordshire
Engraving
19 x 44 cm
...
Category
Early 17th Century Landscape Prints
Materials
Engraving
Queens' College, Cambridge lithograph by Hugh Casson
By Hugh Casson
Located in London, GB
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Category
20th Century Modern Landscape Prints
Materials
Lithograph
Wadham College, Oxford lithograph by Hugh Casson
By Hugh Casson
Located in London, GB
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Category
1980s Modern Landscape Prints
Materials
Lithograph
Wytham, Oxfordshire Oxford Almanac 1975 lithograph after Peter Brooke
Located in London, GB
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Category
20th Century Landscape Prints
Materials
Lithograph
The River Cherwell, Oxford 1981 almanac lithograph after Michael Oelman
Located in London, GB
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Category
20th Century Landscape Prints
Materials
Lithograph
The Merry Beaglers engraving by John Harris after Harry Hall's 1845 painting
By John Harris the Younger
Located in London, GB
John Harris after Harry Hall
The Merry Beaglers
c. 1845
48x65cm
Aquatint with hand colouring
The most famous beagling print there is, after the 1845 pa...
Category
1840s Victorian Landscape Prints
Materials
Aquatint
