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188 Rue de Marcine
By Liudmila Kondakova
Located in Greenwich, CT
188 Rue de Marcine is a lithograph on paper with an image size of 2.5 x 1.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Café Salon de Thé
By Liudmila Kondakova
Located in Greenwich, CT
Café Salon de Thé is a lithograph on paper with an image size of 4.25 x 2.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Café Thé
By Liudmila Kondakova
Located in Greenwich, CT
Café Thé is a lithograph on paper with an image size of 3.75 x 4 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon' mouldin...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Chrysler Building
By Liudmila Kondakova
Located in Greenwich, CT
Chrysler Building is a lithograph on paper with an image size of 3.75 x 2.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Eiffel Tower at Midnight
By Liudmila Kondakova
Located in Greenwich, CT
Eiffel Tower at Midnight is a lithograph on paper with an image size of 2.75 x 2 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Empire State Building
By Liudmila Kondakova
Located in Greenwich, CT
Empire State Building is a lithograph on paper with an image size of 3 x 1.5 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Fleurs de Lavande
By Liudmila Kondakova
Located in Greenwich, CT
Fleurs de Lavande is a lithograph on paper with an image size of 3.25 x 4.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Island Morning
By Liudmila Kondakova
Located in Greenwich, CT
Island Morning is a lithograph on paper with an image size of 3.5 x 4.25 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon'...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Joyeux Noel
By Liudmila Kondakova
Located in Greenwich, CT
Joyeux Noel is a lithograph on paper with an image size of 3.5 x 2.5 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon' mou...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
L'Automne à Paris
By Liudmila Kondakova
Located in Greenwich, CT
L'Automne à Paris is a lithograph on paper with an image size of 2.75 x 3.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Argo Navis, 2015-2016
By Kour Pour
Located in Greenwich, CT
Argo Narvis is an acrylic on canvas over panel work measuring 96 x 72 inches, not framed (as the artist intended), signed on the overlap 'KOUR POUR 2015 - 2016.'
EXHIBITED
Tokyo, ...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic
Couple in the Fields, with a Cherub Crowned with Flowers (347 Series, B.1697)
By Pablo Picasso
Located in Greenwich, CT
"Couple in the Fields, with a Cherub Crowned with Flowers" is an etching from Picasso's 347 Series, with an image size of 12.75 x 12.25 inches, signed 'Picasso' lower right and frame...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Etching
At the Circus with Dancing Odalisque, 1968 (347 Series, B.1696)
By Pablo Picasso
Located in Greenwich, CT
"At the Circus with Dancing Odalisque" is an etching from Picasso's 347 Series, image size 6.5 x 8.75 inches, signed 'Picasso' lower right and annotated lower left and framed in a Sp...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Etching
Man Unveiling a Woman, 1931 (Vollard Suite, B.138)
By Pablo Picasso
Located in Greenwich, CT
"Man Unveiling a Woman" is a drypoint from Picasso's Vollard Suite, image size 14.5 x 11.5 inches, signed 'Picasso' lower right and framed in a Spanish-style, closed-corner, black an...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Drypoint
The Lizard, 1942 (Histoire Naturelle - Textes de Buffon, B.355)
By Pablo Picasso
Located in Greenwich, CT
The Lizard is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inch...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
By Pablo Picasso
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Wasp, 1942 (Histoire Naturelle - Textes de Buffon, B.351)
By Pablo Picasso
Located in Greenwich, CT
The Wasp is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, u...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Spider, 1942 (Histoire Naturelle - Textes de Buffon, B.353)
By Pablo Picasso
Located in Greenwich, CT
The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
By Pablo Picasso
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Vulture. 1942 (Histoire Naturelle - Textes de Buffon, B.341)
By Pablo Picasso
Located in Greenwich, CT
The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Donkey, 1942 (Histoire Naturelle - Textes de Buffon, B.329)
By Pablo Picasso
Located in Greenwich, CT
The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The White Eagle, 1942 (Histoire Naturelle - Textes de Buffon, B.340)
By Pablo Picasso
Located in Greenwich, CT
The White Eagle is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Rooster, 1942 (Histoire Naturelle - Textes de Buffon, B.344)
By Pablo Picasso
Located in Greenwich, CT
The Rooster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8.15 inc...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
By Pablo Picasso
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
By Pablo Picasso
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
By Pablo Picasso
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
By Pablo Picasso
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
By Pablo Picasso
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Polychrome Gel #15
By Ben Weiner
Located in Greenwich, CT
Polychrome Gel #15 is an oil painting on canvas with a canvas size of 24 x 18 inches, signed, titled and dated on the overlap verso, 'Ben Weiner Polychrome Gel #15 2020'' and framed in a contemporary white frame.
Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs.
"The Gel Series presents a virtual environment that is in flux. Based on hair gel, a material that is physically malleable and visually enticing, it has the ability to change one’s physical appearance. In an abstract manner, the painting reflects our current global environment, subject to constant, dramatic change and rapid development- on the one hand through humanity’s ability to alter the face of the earth according to its ideas; on the other through changing environmental conditions and natural disasters". - Ben Weiner
Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...
Category
21st Century and Contemporary Photorealist Paintings
Materials
Canvas, Oil
Polychrome Gel #11
By Ben Weiner
Located in Greenwich, CT
Polychrome Gel #11 is an oil painting on canvas with a canvas size of 18 x 24 inches, signed, titled and dated on the overlap verso, 'Ben Weiner Polychrome Gel #11 2019'' and framed in a contemporary white frame.
Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs.
"The Gel Series presents a virtual environment that is in flux. Based on hair gel, a material that is physically malleable and visually enticing, it has the ability to change one’s physical appearance. In an abstract manner, the painting reflects our current global environment, subject to constant, dramatic change and rapid development- on the one hand through humanity’s ability to alter the face of the earth according to its ideas; on the other through changing environmental conditions and natural disasters". - Ben Weiner
Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...
Category
21st Century and Contemporary Photorealist Paintings
Materials
Canvas, Oil
Polychrome Gel #7
By Ben Weiner
Located in Greenwich, CT
Polychrome Gel #7 is an oil painting on canvas with a canvas size of 12 x 24 inches, signed, titled and dated on the overlap verso, 'Ben Weiner Polychrome Gel #7 2019'' and framed in a contemporary white frame.
Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs.
"The Gel Series presents a virtual environment that is in flux. Based on hair gel, a material that is physically malleable and visually enticing, it has the ability to change one’s physical appearance. In an abstract manner, the painting reflects our current global environment, subject to constant, dramatic change and rapid development- on the one hand through humanity’s ability to alter the face of the earth according to its ideas; on the other through changing environmental conditions and natural disasters". - Ben Weiner
Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...
Category
21st Century and Contemporary Photorealist Paintings
Materials
Canvas, Oil
Gel Monochrome #6
By Ben Weiner
Located in Greenwich, CT
Gel Monochrome #6 is an oil painting on prepared paper, sheet size 22 x 14.75 inches, signed, titled and dated verso, 'Ben Weiner Gel Monochrome #6 2019' and framed in a contemporary white frame.
Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs.
"The Gel Series presents a virtual environment that is in flux. Based on hair gel, a material that is physically malleable and visually enticing, it has the ability to change one’s physical appearance. In an abstract manner, the painting reflects our current global environment, subject to constant, dramatic change and rapid development- on the one hand through humanity’s ability to alter the face of the earth according to its ideas; on the other through changing environmental conditions and natural disasters". - Ben Weiner
Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...
Category
21st Century and Contemporary Photorealist Paintings
Materials
Paper, Oil
Mirror Pearls
By Ben Weiner
Located in Greenwich, CT
Mirror Pearls is an oil painting on prepared paper, sheet size 12.25 x 16.25 inches, signed, titled and dated verso, 'Ben Weiner Mirror Pearls 2019' and framed in a contemporary white frame.
Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs.
"My paintings of pearls and hair gel merge varied notions of art as creation with biological and mythological concepts of creation. Visually, the pearls seem to emerge from the hair gel, suggesting biological processes such as cellular division, or the primordial soup that preceded life on earth. The all-over, abstract qualities of the hair gel recall the abstract expressionists’ concepts of the sublime art object and art as a transcendent act of creation. Additionally, the pearl itself is a naturally produced object of profound beauty. I use it to symbolize my understanding of creation as a feminine power, intrinsically linked to beauty (as in Boticelli’s The Birth of Venus). Finally, the pearls are an ode to Audrey Flack, one of my early artistic influences." - Ben Weiner
Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...
Category
21st Century and Contemporary Photorealist Paintings
Materials
Paper, Oil
Oceanic Pearls
By Ben Weiner
Located in Greenwich, CT
Oceanic Pearls is an oil painting on prepared paper, sheet size 15.75 x 22 inches, signed, titled and dated verso, 'Ben Weiner Oceanic Pearls 2019' and framed in a contemporary white frame.
Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs.
"My paintings of pearls and hair gel merge varied notions of art as creation with biological and mythological concepts of creation. Visually, the pearls seem to emerge from the hair gel, suggesting biological processes such as cellular division, or the primordial soup that preceded life on earth. The all-over, abstract qualities of the hair gel recall the abstract expressionists’ concepts of the sublime art object and art as a transcendent act of creation. Additionally, the pearl itself is a naturally produced object of profound beauty. I use it to symbolize my understanding of creation as a feminine power, intrinsically linked to beauty (as in Boticelli’s The Birth of Venus). Finally, the pearls are an ode to Audrey Flack, one of my early artistic influences." - Ben Weiner
Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...
Category
21st Century and Contemporary Photorealist Paintings
Materials
Paper, Oil
Reflection Pearls II
By Ben Weiner
Located in Greenwich, CT
Reflection Pearls II is an oil painting on prepared paper, sheet size 29.75 x 41.25 inches, signed, titled and dated verso, 'Ben Weiner Reflection Pearls II 2019' and framed in a contemporary white frame.
Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs.
"My paintings of pearls and hair gel merge varied notions of art as creation with biological and mythological concepts of creation. Visually, the pearls seem to emerge from the hair gel, suggesting biological processes such as cellular division, or the primordial soup that preceded life on earth. The all-over, abstract qualities of the hair gel recall the abstract expressionists’ concepts of the sublime art object and art as a transcendent act of creation. Additionally, the pearl itself is a naturally produced object of profound beauty. I use it to symbolize my understanding of creation as a feminine power, intrinsically linked to beauty (as in Boticelli’s The Birth of Venus). Finally, the pearls are an ode to Audrey Flack, one of my early artistic influences." - Ben Weiner
Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...
Category
21st Century and Contemporary Photorealist Paintings
Materials
Paper, Oil
Untitled (paint) #14, 2018
By Ben Weiner
Located in Greenwich, CT
Untitled (Paint) #14 is an oil painting on canvas with a canvas size of 16 x 24 inches, signed, titled and dated on the overlap verso, 'Ben Weiner Untitled (Paint) #14 2018'' and framed in a contemporary white frame.
Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. In Weiner's Paint series (depicting oil paint on a palette) he explores the upended relationship between process and product.
Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...
Category
21st Century and Contemporary Photorealist Paintings
Materials
Linen, Oil
Strange Botanica
By Anne Faith Nicholls
Located in Greenwich, CT
Strange Botanica is an acrylic on canvas painting, with an image size of 30 x 24 inches, signed 'afn' lower right and framed in a contemporary black moulding.
Anne Faith...
Category
21st Century and Contemporary Surrealist Figurative Paintings
Materials
Canvas, Acrylic
Glass Houses (Right)
By Anne Faith Nicholls
Located in Greenwich, CT
Glass Houses (Right) is an acrylic on canvas painting, with a canvas size of 30 x 48 inches, signed 'afn' lower right and framed in a contemporary black moulding.
Anne Faith...
Category
21st Century and Contemporary Surrealist Figurative Paintings
Materials
Canvas, Acrylic
Glass Houses (Left)
By Anne Faith Nicholls
Located in Greenwich, CT
Glass Houses (Left) is an acrylic on canvas painting, with a canvas size of 30 x 48 inches, signed 'afn' lower right and framed in a contemporary black moulding.
Anne Faith...
Category
21st Century and Contemporary Surrealist Figurative Paintings
Materials
Canvas, Acrylic
The Crying Seer
By Anne Faith Nicholls
Located in Greenwich, CT
The Crying Seer is an acrylic on canvas painting with a canvas size of 60 x 48 inches, signed 'afn' lower center and framed in a contemporary black moulding.
Anne Faith...
Category
21st Century and Contemporary Surrealist Figurative Paintings
Materials
Canvas, Acrylic
Bon Voyage (Paper Planes)
By Anne Faith Nicholls
Located in Greenwich, CT
Bon Voyage (Paper Planes) is a mixed media painting (acrylic, gold enamel, charcoal, pencil and ink on archival cotton paper, signed 'afn' lower right and framed in a contemporary black moulding.
Anne...
Category
21st Century and Contemporary Surrealist Mixed Media
Materials
Enamel
Bon Voyage
By Anne Faith Nicholls
Located in Greenwich, CT
Bon Voyage is a mixed media painting (acrylic, gold enamel, charcoal, pencil and ink on archival cotton paper), with an image size of 14 x 10.5 inches, signed 'afn' lower right and framed in a contemporary black moulding.
Anne Faith...
Category
21st Century and Contemporary Surrealist Mixed Media
Materials
Enamel
Looking Out From Within: Buffalo
By Anne Faith Nicholls
Located in Greenwich, CT
Looking Out from Within: Buffalo is a mixed media painting (acrylic and gold enamel on canvas) with a canvas size of 60 x 48 inches, signed 'afn' lower right, and framed in a contemporary white moulding.
Anne Faith...
Category
21st Century and Contemporary Surrealist Figurative Paintings
Materials
Enamel
The Order of the Heart in the Hand
By Anne Faith Nicholls
Located in Greenwich, CT
The Order of the Heart in the Hand is a mixed media painting (acrylic and gold enamel on hand-aged canvas) with a canvas size of 48 x 48 inches, signed 'afn' lower center and framed in a contemporary black moulding.
Anne Faith...
Category
21st Century and Contemporary Surrealist Figurative Paintings
Materials
Enamel
Skulls, 1976 (#157)
By Andy Warhol
Located in Greenwich, CT
Skulls (FS.II.157) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 36/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame.
Catalogue - Feldman Schellmann, #157 (II.157 Skulls 1976)
Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc.
Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...
Category
20th Century Pop Art Figurative Prints
Materials
Paper, Screen
Skulls, 1976 (FS.II.159)
By Andy Warhol
Located in Greenwich, CT
Skulls (FS.II.159) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 50/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame.
Catalogue - Feldman Schellmann, #159 (II.159 Skulls 1976)
Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc.
Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...
Category
20th Century Pop Art Prints and Multiples
Materials
Screen
Wishful Thinking
By René Lalonde
Located in Greenwich, CT
Wishful Thinking is an acrylic painting on 20 x 20" canvas, signed 'RENÉ LALONDE' lower left and framed in a contemporary black frame.
It is difficult to...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Canvas, Acrylic
Untitled, 1963 (SF63-039)
By Sam Francis
Located in Greenwich, CT
Untitled (SF63-039) is an acrylic painting on paper, with an image size of 41 x 27.5 inches, signed 'Sam Francis' verso, and framed in a contemporary light wood frame.
Untitled, 196...
Category
20th Century Abstract Paintings
Materials
Paper, Acrylic
Untitled, 1970 (SF68-44)
By Sam Francis
Located in Greenwich, CT
Untitled (SF68-44) from 1970 is an acrylic painting on paper with an image size of 41 x 27.5 inches, signed and dated 'Sam Francis 1970' verso, and framed in a custom, closed-corner,...
Category
20th Century Abstract Paintings
Materials
Paper, Acrylic
Mis Secretos
By Felix Mas
Located in Greenwich, CT
Mis Secretos is an oil on canvas painting, canvas size 25.5 x 32", signed 'felix mas' lower right and framed in a Spanish-style, closed-corner, black and gold frame.
Spanish artist ...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Canvas, Oil
$12,850
Mascara
By Felix Mas
Located in Greenwich, CT
Mascara is an oil painting on canvas with a canvas size of 25 x 35 inches, signed 'felix mas' lower left, and framed in a Spanish-style, closed-corner, black and gold frame.
Felix M...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Canvas, Oil
$12,850
Untitled
By Felix Mas
Located in Greenwich, CT
Untitled is an oil on canvas painting with a canvas size of 59 x 75.5 inches, signed 'felix mas' upper right, unframed.
Spanish artist Felix Mas has a rare gift for capturing his vi...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Canvas, Oil
$27,850
Plumas X
By Felix Mas
Located in Greenwich, CT
Plumas X is an oil on canvas painting with an image size of 45.5 x 34.5 inches, signed 'felix mas' lower left and framed in a Spanish-style, closed-corner, black and gold frame.
Fel...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Canvas, Oil
$12,850
¿Quien es la Mas Bella III?
By Felix Mas
Located in Greenwich, CT
¿Quien es la Mas Bella III? is an oil on canvas painting with a canvas size of 44.5 x 39.25 inches, signed 'felix mas' lower right and framed in a Spanish-style, closed-corner, gold ...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Canvas, Oil
Pour ce Jour, 1968 (Poèmes, #7)
By Marc Chagall
Located in Greenwich, CT
Pour ce jour (For this Day) is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-t...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Woodcut
Répit, 1968 (Poèmes, #9)
By Marc Chagall
Located in Greenwich, CT
Répit (Respite) is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-tone frame. U...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Woodcut
Où est le Jour (Poèmes, #13)
By Marc Chagall
Located in Greenwich, CT
Où est le Jour (Where is the Day) is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, ...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Woodcut
David (Poèmes, #18)
By Marc Chagall
Located in Greenwich, CT
David is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-tone frame. Unsigned as...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Woodcut
Float Like a Butterfly, Sting Like a Bee
By Robert Deyber
Located in Greenwich, CT
Float Like a Butterfly, Sting Like a Bee is lithograph on paper, 9.13 x 7.13" image size, paying homage to the great Muhammad Ali. From the edition of...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Chevauchée - Rouge et Brun (M.541)
By Joan Miró
Located in Greenwich, CT
Chevauchée - Rouge et Brun (M.541) ("Horse Ride - Red and Brown) is a lithograph on paper with an image size of 33.25 x 23.75 inches, signed Miró lower right and annotated lower left...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Lithograph
