Liudmila Kondakova

Island Morning

2006

Bag of Tricks II is a lithograph on paper, 9.25 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 237/275 (there were also 100 Roman and 20 AP...

Love Sick is a lithograph on paper, 4.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 111/275 (there were also 100 Roman and 20 AP). Frame...

DOB 2020 Black is a lithograph on paper, 15 X 14.5" image size - signed, dated and numbered 64/100 from the edition of 100, lower right margin, and framed in a contemporary, white moulding. Murakami’s 2020...

The Yellow Umbrellas is a lithograph on paper with an image size of 2.75 x 4.25 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ...

Chrysler Building is a lithograph on paper with an image size of 3.75 x 2.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...

Joyeux Noel is a lithograph on paper with an image size of 3.5 x 2.5 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon' mou...

Martin Puryear Los Angeles Olympic Games 1984, 1982 Offset Lithograph on Parsons Diploma Parchment Paper Hand signed on the front with COA, Edition of 750 (though only approximately ...

Rare offset Lithograph Poster on gloss stock paper with a semi gloss finish depicts Barack Obama as Superman. Plate signed on the lower right corner (front). Limited edition release ...

Philip Glass Words Without Music (hand signed by Philip Glass), 2015 Hardback monograph with dust jacket (hand signed by Philip Glass) Hand signed by Philip Glass on the half title page 9 1/2 × 6 1/2 × 1 1/4 inches Hand signed by Philip Glass on the half title page. Makes an excellent gift! Book information: Publisher: Liveright Publishing Company, 2015 English; Hardcover; 432 pages; 32 pages of photographs Publisher's blurb: The long-awaited memoir by “the most prolific and popular of all contemporary composers” (New York Times). A world-renowned composer of symphonies, operas, and film scores, Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet here in Words Without Music, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. "If you go to New York City to study music, you'll end up like your uncle Henry," Glass's mother warned her incautious and curious nineteen-year-old son. It was the early summer of 1956, and Ida Glass was concerned that her precocious Philip, already a graduate of the University of Chicago, would end up an itinerant musician, playing in vaudeville houses and dance halls all over the country, just like his cigar-smoking, bantamweight uncle. One could hardly blame Mrs. Glass for worrying that her teenage son would end up as a musical vagabond after initially failing to get into Juilliard. Yet, the transformation of a young man from budding musical prodigy to world-renowned composer is the story of this commanding memoir. From his childhood in post–World War II Baltimore to his student days in Chicago, at Juilliard, and his first journey to Paris, where he studied under the formidable Nadia Boulanger, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his artistic consciousness. From a life-changing trip to India, where he met with gurus and first learned of Gandhi’s Salt March, to the gritty streets of New York in the 1970s, where the composer returned, working day jobs as a furniture mover, cabbie, and an unlicensed plumber, Glass leads the life of a Parisian bohemian artist, only now transported to late-twentieth-century America. Yet even after Glass’s talent was first widely recognized with the sensational premiere of Einstein on the Beach...

Öyvind Fahlström One Hundred and Eight Inflated Dollars, from the Collection of Ileana Sonnabend and the Estate of Nina Castelli, 1973 Lithograph on rag paper. Signed. Numbered. in o...

"Sergio Hernández (Mexico, 1957) 'Observatorio I', 2016 lithography on zinc on paper Deponte 300 g. 39 x 51.2 in. (99 x 130 cm.) ID: HER-198-1"

Adigio Benitez (Cuba, 1924-2013) 'Cara de Luna', 1996 lithograph on paper 26.4 x 20.1 in. (67 x 51 cm.) Edition of 19 ID: BEN-201 Unframed