McNaught Fine Art Landscape Paintings

An unsigned, English school landscape painted circa 1860 painted by a skilled but unidentified hand, perhaps a follower of George Augustus Williams (English, 1814-1901). A particular...

'The Bird Cage', Louis XV, Fêtes Galantes, Mme. de Pompadour, Rococo, Allegory 'Les Amours du Bocage' (The Bird Cage). Painted after the original work (1735) by Nicolas Lancret (Fre...

Signed lower left, 'Paul Lauritz' (American, 1889-1975) and painted circa 1960. Framed dimensions: 29 H x 1.5 D x 38.5 W inches Born in Larvik, Norway, Paul Lauritz became a notable...

Signed lower left, 'G. Ames Aldrich' for George Ames Aldrich (American, 1872-1941) and painted circa 1915. One of the best known Indiana landscape painters of the 20th century, Geor...

'The Sacramento River, Rio Vista', California, Bohemian Club, White House, SFSD Signed lower left, 'J. E. Stuart' for James Everett Stuart (American, 1852-1941) ), dated 'Jan. 31, 19...

Signed lower left, 'G. Giardiello' for Giuseppe Giardiello (Italian, 1877-1920) and painted circa 1900. A skilled late 19th century Italian landscape painter, little is known about ...

Signed lower left, 'Ejnar R Kragh' (Danish, 1903-1981) and dated 1950. After first training as a silversmith, Kragh turned to painting in the mid 1920's. Trips to France fueled his ...

Signed lower left, 'Bonnaure' for Alain Bonnaure (French, born 1941) and painted circa 1995. When he was a young artist, Alain Bonnaure's work was purchased by the renowned French p...

'Cityscape', Bay Area Abstraction, San Francisco, California Woman Artist, Tokyo, Large Mid-century Abstract Oil Signed lower left, "Jean Kalisch" (American, 1912-1995) and painted...

'Morning Sun', San Francisco Bay Area Harbor Scene, Seascape, Seafood Signed lower right, 'Jack Wilson' (American, 1919-1988) and painted circa 1965; additionally signed, verso, ti...

Signed lower right, 'J. J. Enwright' for Casper Hjalmar Amundsen (American, 1911 - 2001), painted circa 1965 and titled, verso, on stretcher bar "A Cape Cod Harbor". J.J. Enwright was one among a number of brush-names used regularly by the artist. Displayed in a period, hand-carved and giltwood frame. Frame dimensions: 34 x 44 inches. Accompanied by a first edition, hard copy of 'Cappy: the Life and Art of C. Hjalmar Amundsen' by Terry Wallace (published 2011) and signed by the author. 'Cappy' was born Caspar Hjalmar Emerson III in New York City in 1911 and, in 1946, legally changed his name to Hjalmar Amundsen in honor of his great-uncle, the explorer Roald Amundsen...

A stunningly original mixed-media collage showing an Ark containing various life-forms and a dove resting in the waves. Fridman has used oil paint, papyrus and pre-columbian textiles...

'View of Notre Dame & the Île de la Cité', Seine, Paris, Thieme Becker, Budapest Signed lower left, 'Frid. J. Bende.' for Friderika Bendéné Kovacsev (Hungarian, 1891-1975), titled, ...

'Romance in the Dunes', North Beach, San Francisco Bay Area, Camel, Full Moon -------------- Signed lower left, 'Glen Chesnut' (American, 1930-2017) and dated 1991. Born in Amarill...

Signed, verso, on attached fragment, 'L. Verite' for Lucien Henri Alphonse Verite (French, 1866-1926) and painted circa 1890. Verite studied at the École des Beaux-Arts in Paris bef...

'Rivière de Mon Paix', Pair of Fine French Impressionist Oils, Musée d'Orsay, Luxembourg Museum. --- Raoul André Ulmann (French, 1867-1941) Each signed, 'R.A. Ulmann' and offered as ...

'Rivière de Mon Paix', Pair of Fine French Impressionist Oils, Musée d'Orsay, Luxembourg Museum. --- Raoul André Ulmann (French, 1867-1941) Each signed, 'R.A. Ulmann' and offered a...

Signed lower right, 'F. Coburn' for Frank Coburn (American, 1862-1938); additionally titled, verso, 'Henry, Ill., June, 1918' and titled, 'The Old Mill'. Framed dimensions: 30 x 1.75...

Signed lower left, "M. Legendre' for Maurice Louis Legendre (French, born 1928) and painted circa 1960. A boldly painted, cabinet-sized oil showing the cafes of Montmartre's Place du Tertre with numerous fashionably dressed pedestrians and a view beyond to the white marble Basilica of Sacré-Cœur. Maurice Legendre was a noted French impressionist and sculptor, especially known for his Parisian and London landmark scenes. He was a pupil of Robert Couturier and Marcel Grimond...

Signed lower left, 'Gainor W. Jackson' (New Zealand, 1926-1997) and painted circa 1980. This vibrant watercolor shows the Port of Papeete located in Tahiti, French Polynesia. A painter of harbor scenes, seascapes, and ships, Gainor Jackson was born in 1926 in Devonport, a suburb of Auckland, New Zealand, and spent his early years observing and sketching the maritime traffic in Auckland Harbor. In 1962 he wrote The New Zealand Beach and Boating Book...

Signed, verso, in Cyrillic, 'Аlexander Yurievich Tyutrin', (Russian, born 1951) dated 1982 and titled, 'Kazantipsky Bay'. Old attached label verso, from 'Art Salon-Shop', bearing a...

Signed lower left "Vigny" for Sylvain Vigny (French, 1903-1970) and painted, circa 1935, on artists board prepared by Maison Franco, 19 Rue Pastorelli, Nice. Born in Vienna, Sylvain...

Signed lower right, 'Conklin' for Pil Soon Conklin (American, 1924-1977) and painted circa 1965. This Hawaiian woman artist exhibited with success in the 1960s and 1970s and was the...

Signed lower center, 'Inocencio Jiménez Chino' and dated 1980. This indigenous Mexican artist lives in the remote mountains of southern Mexico. He is among a group of self taught fo...

Signed lower left, 'Byron' for Byron Randall (American, 1918-1999), dated 1947 and titled, 'Aus'. A dramatic, Post-Impressionist view of the Western Australian port of Fremantle wit...

Signed, verso, 'Bella' for Bella Bigsby (British, 20th century) and painted circa 2010. A substantial oil landscape showing a panoramic view of a warmly ...

Signed lower left, 'Stoltenberg' for Donald Hugo Stoltenberg (American, 1927-2016) and dated 1957. Titled, verso on original artist's label, 'West Side, New York'. Provenance: Mr. & ...

Initialed lower right, 'J.e.t.' for Jessie E. Thomason (American, 20th Century) and dated 1956. Exhibited: Jack London Art Festival, 1956. Displayed in the original and period, paint...

Signed, lower left, 'W. Georgetti' for Wedo Georgetti (American, 1911-2005) and painted circa 1955. Additionally signed, lower center. Born in Italy, Wedo Georgetti came to the Uni...

Signed lower right, 'Charles Harris', for Charles Gordon Harris (American, 1891-1963) and additionally signed verso. A substantial and atmospheric landscape showing a view of the S...

Signed lower right, 'Delia' for Delia Bradford (American, 20th century) and painted circa 2005; additionally signed, verso, on stretcher bar, 'Delia Bradford'. A fresh and breezy vi...

Signed lower right, 'Chas. H. Grant' for Charles Henry Grant (American, 1866-1939); titled on lower stretcher bar, 'Sand Dunes at Annisquam, Cape Ann, Mass' and dated 1894. Born in ...

Signed lower right, 'Sanzone' for Mario Sanzone (Italian, born 1946) and titled, 'Portofino'. Previously with: Zantman Art Galleries, Carmel, CA. A substantial oil on canvas showi...

Signed lower left, 'Clausen' for Don Clausen (American, 1930-2020) and dated 1974. A self-proclaimed "sculptor of paint," Donald Clausen used tools of his own invention to create co...

Signed lower left, 'F. Laval' for Fernand Laval (French, 1886-1966) and dated 1948. Born in Dordogne, Fernand Laval arrived in Paris at the age of 26 to study art and, during the e...

Signed lower right, 'D. Styles' for Darwin Styles (American, 1827-1909) and dated 1885. Portrait, animal, and landscape painter, Darwin Styles, was, by 1846, living and working in a...

Signed lower right, 'Agostinelli' for Mario Agostinelli (Peruvian-American, 1915-2000) and dated 1956; additionally titled, lower left, 'Rue Royale, Paris'. Displayed in a substantial, hand-carved and water-gilded frame. Framed dimensions: 18.25 H x 1.5 D x 22.5 W inches A delicately painted oil showing a view of the Paris Opera House, as seen from the Rue Royale, with numerous pedestrians and vehicles moving beneath a lilac, evening sky. Born in Peru, Mario Agostinelli studied in Argentina, Brazil, France and Italy. Over the course of a long career, he exhibited widely and with success including at the Allied Artists of America, the National Academy of Design, the Butler Institute of Art, the California Academy of Fine Arts, Knickerbocker Artists and, in the 1970s, at New York's Berlin Gallery. Agostinelli was the recipient of numerous prizes and juried awards including the Samuel Morse...

A late 20th-century, modernist view of Paris showing the Île de la Cité and Notre-Dame de Paris viewed from the Left Bank and with fresh spring foliage on the trees by the Seine. Inf...

Signed lower left, 'Mogens Hertz' (Danish, 1909-1999) and painted circa 1935. This notable Impressionist first studied with the classically-trained Academician, Laurits Ring and, su...

Signed lower right, 'K. Christensen' for Ken Christensen (American, born 1951) and dated, verso, 1989; additionally signed, verso, and titled, 'Summer Cottages in Bold Colors'. Ken Christensen is a classically trained, on-site landscape painter with influences deriving from the Fauves and the French Impressionists. He seeks to combine the vision, color and verve of such masters as Vlaminck, Marquet and Derain with the cooler American perspective of Hopper and Benton. Born in Cincinnati and raised in Flint...

Partial signature, lower right, "..chel", for William (Wilhelm) Frederick Ritschel (German-American, 1864-1949) and painted circa 1925 (Graphite landscape sketch...

Signed lower right, 'B. L. Kersey' for Laurie Kersey (American, born 1961), additionally signed, verso, titled, 'Stormy Beach, Pacific Grove Coast, Near Asilomar' and dated 2002. La...

Signed lower right, 'Schoener' for Jason Schoener (American, 1919-1997) and painted circa 1970. Titled 'Choruscating Landscape' (labels, verso). Accompa...

Signed lower right, 'Patricia Cunningham' for Patricia Stanley Cunningham (American, 1907-1984) and painted circa 1965. The first woman to serve as president of the Carmel Art Assoc...

A substantial, mid-seventeenth century oil showing a group of men assembled in a neo-classical landscape beside a placid river; a lyrical and dynamic figural work showing both fine c...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

Signed lower right, 'Krause' for Franz Emil Krause (German, 1836-1900) and painted circa 1865. Framed in a finely finished, hand-carved, gilt-wood and gesso frame. Framed Size 42.5 ...

Signed lower right, 'André Prévot-Valéri' (French, 1890-1959) and painted circa 1920. André Prévot-Valéri was the son of the landscape painter, August Pr...

Signed lower right, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1966. A large and lyrical spring landscape showing white apple-blossoms contrasted against a cora...

Signed lower right, "Mogens Valeur" (Danish, 1927-1999) and dated 1956. Mogens Valeur first studied with Peter Rostrup Boyesen and, later, attended the Copenhagen Art Academy. He su...

Signed lower right, 'K. L. Hilkier' for Knud Ove Hilkier (Danish, 1884-1953) and painted circa 1950 A lyrical Expressionist oil showing women fetching water from a fountain in the sunny piazza of a northern Italian town, with a view beyond towards the Alps rising in the distance. A powerful and vibrant work by this prominent member of the Bornholm School. Born in Copenhagen, Knud Hilkier first studied at the Royal Academy of Fine Arts in Copenhagen (1901-7). He was the recipient of numerous prestigious scholarships including the Hielmstierne-Rosencrone (1913); Raben-Levetzau (1914 and 1919); the Ronge Award (1915) and the Akkadian Scholarship (1916) which allowed him to further his studies in Spain and Italy and, most importantly, to make frequent visits to Paris. In Paris, he was influenced by the prevailing Impressionist style which caused his palette to lighten and his brushwork to become looser and more expressive. His subsequent studies with Sigurd Swane...

Signed lower right, "O Connor" and painted circa 1945. A panoramic view of an autumn landscape with leafless trees in front of a mountain lake and an olive green sky scattered with ...

Signed lower right, 'Schoener' for Jason Schoener (American, 1919-1997) and painted circa 1970. Titled 'Kennebec Race' (labels, verso) Previously with M...

A delicate watercolor view of the medieval rectory of Winchester, in the English county of Hampshire, showing figures and a horse-drawn cart in Broad Street. Signed lower right, "Frank Sherwin...

Signed, verso, 'David R. A. Watson' (American, born 1950), titled, 'Bixby Bridge, Big Surreal #1' and painted in 2023. Artist Statement: " 'El Grande Sur' of the early Mexican settlers could only be penetrated by pack horse until the WPA pushed through the Pacific Coast Highway in 1935. The engineering wonder of the Bixby bridge is a focal point of public amazement drawing hundreds of weekend sightseers. Popular movie lore of this bridge will secure its future as an eternal monument. Yet in truth it is not only a bridge but a stunning entrance toward the Big Sur coast which lies beyond. Thus, the iconic Neo-Classical sculpture...

Signed lower right, 'Caputo' for Antonio "Tonino' Caputo (Italian, 1933-2021) and dated 1962. Born in 1933, Antonio Caputo studied in Rome at the Faculty of Architecture and held hi...

Signed lower right, 'J M Hubert' (French, 20th century) and painted circa 1965. A mid-century modernist, panoramic view of fishing boats before a sage green light house from this Fr...

Signed lower left, 'Denis Paul Noyer' (French, b. 1940), titled, 'Mougins' and dated 1968. A mid-century, stylized painting of the Place du Commandant Lamy in Mougins leading to a ...

Signed lower right, "Di Gesu" for Victor Di Gesu (American, 1914-1988); additionally, signed, verso, titled, 'One Last Look (Lighthouse + Dickman, Now Monterey) and inscribed with th...

Signed lower right, 'V. Papkov' for Victor Papkov (Russian-American, 20th century) and painted circa 1990. A dramatic Impressionist oil seascape showing evening sun off the San Fran...