MJH Design Arts Wall Decorations

Abstract mixed media painting on panel titled "Pacific #2" by Margaret Ash, circa 1950s. Retains label from Esther Bear Gallery in Santa Barbara, California.

Antique map of Japan titled 'Japan - Environs of Tokio & Nagasaki'. Old map of Japan, includes inset maps of Tokyo, Nagasaki and surroundings. This map or...

This example is untitled, but depicts a cat and bird with head of a woman, and is numbered 54/99 and signed and dated 1999 and is in perfect condition. The artist is Guillaume Bever...

We are selling 4 images of the Carlson Twins, Lane and Kyle. What we know: the series of nudes was shot by Bruce Weber in 2000. They are titled “Kyle and Lane Carlson, 2000, Bruce Weber”. All 4 images appear to be hand toned (not computer coloration). What we don’t know is if the are printed from negatives or digital prints. Purchased from a Palm Springs estate, there were a number of amazing photographs by Bruce Weber, Herb Ritts, Tony Duran...

Vivid color and intricate design are the focal points of this aquatint colored etching print numbered 2 of 4. Signed I.P.I.

Bev Doolittle "Doubleback" signed and numbered print 5531/15000 Camouflage bear hidden in image. Triple mat with very unusual high-end cutting that ext...

Layers of paper and paint make this artwork stand out on it's own. Unsigned.

Large Scale Muramasa Kudo, Watermelon, Printer Proof Screenprint, Signed and Numbered in Pencil by the Artist. Circa 1980s Framed with a brass pleated ...

This 19th-century oil on mahogany board titled 'The Cut Finger' by William Hemsley, R.B.A., depicts a familial pairing in a cottage home. The girl tends to the eponymous cut with a white cloth pressed on the boy's finger. A dim light is cast from the window to the left, illuminating a cut loaf of bread, a knife, and simple stoneware to set the scene. The girl sits in a wooden chair wearing a salmon-colored blouse, while the young boy is dressed in a golden overshirt. William Hemsley, R.B.A., (1819-1906) was a prolific draughtsman and painter of genre scenes depicting English provincial life. Hemsley’s scenes of everyday reality, which were usually painted on a small scale, follow the gentle tradition of Webster and F. D. Hardy. He was, like them, fond of painting children at play. Many of his works depicted rustic domestic scenes, leading to him being described as "pre-eminently the painter of cottage life". He was also a member of the Society of British Artists. He exhibited frequently in London, particularly at the Royal Academy and the Suffolk Street Gallery. This gentle painting faithfully represents a moment between two people caring for one another. Hemsley painted in a style reminiscent of earlier golden-age Dutch genre painting, using light and color in a vibrant but elegant manner—signature on the lower left-hand corner. In the 19th century, it was common to paint on wood due to its durability, smooth surface, and long-standing tradition. Wood panels were preferred for their sturdiness and versatility, suitable for detailed artworks and various shapes and sizes. While wood was popular, especially for smaller works, canvas started gaining popularity later in the century for its lighter weight and ease of use. This rustic genre scene resides in an ornate Louis XIV Régence style convex frame with foliate shell cartouche corners, strap work, and c-scrolls on a cross-hatched ground with white pigment dispersed throughout. In the early 18th century the Louis XIV styles blended into the Régence frame style (c.1715-1723) which placed greater emphasis on the corners and centers. The full Regency style was both opulent and delicate, with the order and linearity of this period giving way to the swirling delicacy of the Rococo. This painting would be a wonderful addition to a home office, entryway, or library...

Large-format painting of a mythological scene with references to Triton and other sea creatures as well as male nude figures by Aksel Jorgensen (1887 Copenhagen - 1957, ibid.). The p...

A lithograph in colours 'Visage de Femmes' by Guillaume Corneille van Beverloo (1922-2010) on arches paper with deckled edges. Signed to the bottom right. 1991. The print is in very...

This beautiful silk screen litho is signed and numbered 209 of 250. Frame is original to period. Psychedelic patterns that emerge from early computational experiments parallel Optica...