18th Century Painting of Cherub/Putti

This is a signed and dated painting of a race horse by the well-listed English artist, Charles E. Gatehouse (1866-1952). Gatehouse was known for his excellent depictions of horses an...

This is a superb set of 8 Mid-18th Century Portuguese Rococo dining chairs. The chairs are beautifully carved of solid walnut and are highlighted with carved acanthus leaf and other ...

This is a wonderful mid-to-late 18th century portrait of a young boy dressed in a blue coat with a tricorn hat under his left arm. The innocence of this beautiful boy draws you into ...

This is a moody portrait, possibly a self-portrait, by a very competent early 19th century romantic artist. The intense gaze of the subject hold...

This is a charming Post-Impressionist painting of a late 19th century Italian village street. The painting is well-executed by a competent artist and is signed at lower right. The in...

This is outstanding pair of French 18th century Candle reflector or Flambeau. It is uncommon to find reflectors that have retained their original stan...

Depicting playing putti Southern Netherlands 18th century Oil on canvas.

Venetian school, 18th century Study with the head of a cherub Measures: Oil on canvas, 45.5 x 41 cm - with frame 54.5 x 49.5 cm The present qualifies as a study or preparatory sketch by virtue of the structural and figural layout; by reason of formal and substantial evidence, it can be traced back to the mature neo-Venetian style, which in the eighteenth century had begun to produce figurations of extreme typological pathetism and formal expressionism. The contemporary painting experience of Tiepolo commanded the Venetian art scene, once the lesson of Pier Francesco Mola (1612-1666) was overruled. The delicate putto head offered here, in which a cherub is recognizable due to the happy iconographic solution of the wings placed under the angel's face, is outlined with a vigorous vitalism. A foreshortened point of view illuminates his face in a grazing way, probing his features with strong shadows and with a youthful blush that orange his cheeks. The veristic perfection with which the artist arranges the semblant is of marvelous expressiveness. The eyes are swollen with intensity, and together with the general setting of the head they denounce a conscious reflection on the physiognomy, peculiar within the emerging context of Venetian painting. The painting in question is affected by the large-scale productions, both monumental and perspective, at the time in vogue in the territory of the Serenissima. Conceived through a vision from below, the portrait reveals from the Venetian Rococo that particular predilection for the open and clear, airy ways, denounced in the first instance by Tiepolo. The conscious detachment from the Cortona-style decorativism and from the repeated layout solutions then in vogue allow us to approach the present to the production of Francesco Fontebasso...

18th century oil on canvas of Putti preparing a hunt with hound, hare and horns. Wonderfully done. Most certainly French.

18th century Grisaille paintings of Allegory of 2 seasons with Putti The 2 paintings with Marouflé technique painted in oak wood frame. The right painting with a Putti milking a c...

Early 18th Century French Oil on Canvas Grisaille of Putti in a Hunting Scene. Gray-green tones, sculptural looking putti in a landscape with auct...

Unknown artist, in the manner of Claude Joseph Vernet (1714-1789), "Views of the Mediterranean Coast", France, 18th-19th century, oil on canvas (lined), measuring size with frame: 18...