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Children’s Chair, Lilla M. Designed by Caroline Schlyter, Sweden, 1990s
Located in Stockholm, SE
Children’s chair, Lilla M. Designed by Caroline Schlyter, Sweden. 1990's. Lacquered plywood. Measurements: Height 58.0 cm/ 22 13/16" Width 30.0 cm...
Category

1990s Swedish Scandinavian Modern Children's Furniture

Materials

Plywood, Lacquer

Children’s Chair, Lilla M. Designed by Caroline Schlyter, Sweden, 1990s
Located in Stockholm, SE
Children’s chair, Lilla M. Designed by Caroline Schlyter, Sweden. 1990's. Lacquered plywood. Measurements: Height 58.0 cm/ 22 13/16" Width 30.0 cm...
Category

1990s Swedish Scandinavian Modern Children's Furniture

Materials

Plywood, Lacquer

Children’s Chair, Lilla M. Designed by Caroline Schlyter, Sweden, 1990s
Located in Stockholm, SE
Children’s chair, Lilla M. Designed by Caroline Schlyter, Sweden. 1990's. Lacquered plywood. Measurements: Height 58.0 cm/ 22 13/16" Width 30.0 cm...
Category

1990s Swedish Scandinavian Modern Children's Furniture

Materials

Plywood, Lacquer

Mid-Century Modern Triptych – Finnish Wooden Wall Reliefs, 1960s
Located in Stockholm, SE
Triptych, anonymous, Finland, 1960s. Wood relief. Size of each frame: H: 60 cm/ 23 5/8" W: 60 cm/ 23 5/8" Provenance: Stora Enso's head quarter in Helsinki.
Category

Vintage 1960s Finnish Scandinavian Modern Contemporary Art

Materials

Wood

Stool, “Sauna”, Designed by Bertel Gardberg for Villa Jouhki, Finland, 1950s
By Bertel Gardberg
Located in Stockholm, SE
Stool, “Sauna”, designed by Bertel Gardberg for Villa Jouhki, Finland, 1950's. Apachi wood. Measurements: H: 42 cm/ 1' 5" Very rare, custom order apachi stool. Originally designed...
Category

Vintage 1950s Swedish Scandinavian Modern Stools

Materials

Pine

Vase Designed by Kyllikki Salmenhaara for Arabia, Finland, 1950s
By Kyllikki Salmenhaara
Located in Stockholm, SE
Vase by Kyllikki Salmenhaara for Arabia, Finland, 1950s. Stoneware. Dimensions: H: 20 cm/ 7 7/8'' D: 18 cm/ 7 1/8'' Salmenhaara began to study at the Department of Ceramics of the Central School of Applied Arts under Elsa Elenius...
Category

Vintage 1950s Finnish Mid-Century Modern Vases

Materials

Stoneware

Pair of Candlesticks, Designed by Astrid Fog for Geust Andersen, Denmark, 1960s
By Astrid Fog
Located in Stockholm, SE
Pair of candlesticks, designed by Astrid Fog for Geust Andersen, Denmark, 1960's Polished pewter. Signed Astrid Fog. Numbered: 573046 Measures: H: 18.3 cm/ 7 14" W: 6 cm/ 2 3/8"...
Category

Vintage 1960s Swedish Modern More Candle Holders

Materials

Pewter

Sculpture, “Tjurhuvud, ” Designed by Edvin Öhrström, Sweden, 1952
By Edvin Öhrström
Located in Stockholm, SE
Sculpture, “Tjurhuvud,” Designed by Edvin Öhrström, Sweden, 1952. Signed and dated "E. Öhrstrom, 1983." Glass. Measurements: H: 77 cm/ 2' 6 1/3" W: ...
Category

Vintage 1950s Swedish Scandinavian Modern Animal Sculptures

Materials

Art Glass

Tapestry by Bodil Bödtker Naess, Wool and Nylon, Contemporary, Denmark, 1980s
By Bodil Bödtker-Naess
Located in Stockholm, SE
Tapestry by Bodil Bödtker Naess, Denmark, 1980s. Wool and nylon cord. Measurements: H: 100 cm/ 39 ½” L: 279 cm/ 9' 2”.  
Category

Vintage 1980s Swedish Scandinavian Modern Tapestries

Materials

Wool, Nylon

Valet Chair Model 540 Designed by Hans J. Wegner for Johannes Jansen, Denmark
By Hans J. Wegner
Located in Stockholm, SE
Valet chair model 540 designed by Hans J. Wegner for Johannes Jansen, Denmark, 1953. Teak, oak and brass. Stamped. H: 94 cm W: 51 cm D: 50 cm SH: 44.5 cm Hans J. Wegn...
Category

Vintage 1950s Danish Mid-Century Modern Chairs

Materials

Brass

1970s Scandinavian Club Chair Sculptural Rosewood Back with Cream fabric
Located in Stockholm, SE
Easy chair, anonymous, Denmark. 1970’s. Rosewood and wool upholstery. Dimensions: H: 65 cm/ 25 1/2" W: 86 cm/ 33 3/4" SH: 44 cm/ 17 1/4" D: 74 cm/ 29 1/4"
Category

Mid-20th Century Danish Mid-Century Modern Armchairs

Materials

Wool, Rosewood

1950s Scandinavian Modern Table – Clean-Lined Design from Finland by Oy Stockman
Located in Stockholm, SE
Occasional table, anonymous for Oy Stockmann AB, Finland. 1950s. Elm. The most compelling aspect of this occasional table is the relationship of its legs to the surface. With splay...
Category

Mid-20th Century Finnish Mid-Century Modern Tables

Materials

Elm

Vintage 1980s Scandinavian Stoneware Bowl – Hand-Textured Swedish Design
Located in Stockholm, SE
Dish, anonymous, Sweden. 1980s. Stoneware. Measurements: Height: 8 cm / 3 1/4" Diameter: 51 cm / 1' 8".    
Category

Mid-20th Century Swedish Mid-Century Modern Ceramics

Materials

Ceramic, Stoneware

Vase Designed by Erik Höglund for Boda, Sweden, 1950s
By Erik Höglund
Located in Stockholm, SE
Vase designed by Erik Höglund for Boda, Sweden. 1950's. Glass. Measurements: H: 27.5 cm/ 11 7/8'' Erik Höglund started working for Boda when the company and the entire Swedish gla...
Category

Vintage 1950s Swedish Modern Vases

Materials

Glass

1960s Swedish Rattan and Wood Bedside Tables – DUX Design, Mid-Century Modern
By Dux of Sweden
Located in Stockholm, SE
Pair of bedside tables, anonymous for DUX, Sweden. 1960s. Cane, rattan and teak. The colonial-style combination of cane, rattan, and teak makes this Scandinavian bedside table desi...
Category

Mid-20th Century Swedish Mid-Century Modern Side Tables

Materials

Cane, Rattan, Teak

1940s Swedish Mahogany Occasional Table – Mid-Century Modern Design
Located in Stockholm, SE
Occasional table, anonymous, Sweden. 1940s. Mahogany. Dimensions: H: 60.5 cm / 23 3/4" W: 60 cm / 23 1/2" D: 30 cm / 11 3/4"
Category

Mid-20th Century Swedish Mid-Century Modern Side Tables

Materials

Mahogany

Vintage Scandinavian Runner Soft Beige and White Handwoven Rya Rug with Fringes
Located in Stockholm, SE
Rag rug anonymous, Sweden. 1960's. Cotton with linen pile. Rag technique. Provenance: Halmstad castle. Dimensions: L: 378 cm/ 12' 5 1/4'' W: 170 cm/ 5' 7 1/4''  
Category

Vintage 1960s Swedish Scandinavian Modern Russian and Scandinavian Rugs

Materials

Cotton

1960s Danish Wenge Side Table – Minimalist Design with Drawer and Shelf
Located in Stockholm, SE
Side/bedside table, anonymous, Denmark. 1960's. Wenge. Dimensions: H: 50 cm/ 19 3/4" L: 50 cm/ 19 3/4" D: 40 cm/ 15 3/4"
Category

Vintage 1960s Danish Scandinavian Modern Coffee and Cocktail Tables

Materials

Wenge

Nordiska Kompaniet Table – 1930s Swedish Modern, Black Finish with Drawers
By NK (Nordiska Kompaniet)
Located in Stockholm, SE
Table, anonymous, for Nordiska Kompaniet, Sweden. 1930's. Black lacquered wood with engraved pewter. Dimensions: H: 55 cm/ 1' 9 21/32'' W: 49.5 cm/ 1...
Category

Vintage 1930s Swedish Scandinavian Modern Coffee and Cocktail Tables

Materials

Pewter

Rare Armchair 'Small Paimio' Model 42 Designed by Alvar Aalto, Finland, 1932
By Alvar Aalto
Located in Stockholm, SE
Rare armchair 'Small Paimio' model 42 designed by Alvar Aalto, Finland, 1932. Painted birch veneer and bent plywood. Stamped. H: 61.5 cm W: 60.5 cm D: 78 cm SH: 37 cm A...
Category

Vintage 1930s Finnish Mid-Century Modern Armchairs

Materials

Birch, Plywood

Dining table designed by Hans J. Wegner for Andreas Tuck, Denmark, 1950s
By Hans J. Wegner
Located in Stockholm, SE
Oak and teak. Measurements: L: 76.5 cm / 2’ 6” W: 102 cm / 3’ 4” H: 73 cm / 2’ 4 3/4" L with extension: 198 cm / 6’ 4”. Hans J. Wegner is the father of Danish design and is well ...
Category

Mid-20th Century Danish Mid-Century Modern Dining Room Tables

Materials

Oak, Teak

Painting by Harry Booström, Abstract Art, Signed, Sweden, 1953
By Harry Booström
Located in Stockholm, SE
Painting by Harry Booström, Sweden, 1954. Oil on panel. Signed: Booström Measurements: H: 69.2 cm/ 2' 3 1/2" W: 85 cm/ 2' 9 3/4" D: 8 cm/ 3" Provenance: William and Maud Appelqui...
Category

Vintage 1950s Swedish Scandinavian Modern Paintings

Materials

Paint

Painting by Harry Booström, Abstract Art, Signed, Sweden, 1953
By Harry Booström
Located in Stockholm, SE
Painting by Harry Booström, Sweden. 1953. Oil on panel Signed: Booström Measuremnets: H: 129.5 cm/ 4' 3 1/4" W: 96.5 cm/ 3' 2 1/2" D: 8 cm/ 3" Provenance: William and Maud Appelq...
Category

Vintage 1950s Swedish Scandinavian Modern Paintings

Materials

Paint

Painting ‘No. II’ by Harry Booström, Abstract Art, Signed, Sweden, 1953
By Harry Booström
Located in Stockholm, SE
Painting ‘No. II’ by Harry Booström, Sweden. 1953. Oil on panel. Measurements: H: 89 cm/ 2' 11" W: 119 cm/ 3' 10 7/8" Provenance: William and Maud Ap...
Category

Vintage 1950s Swedish Scandinavian Modern Paintings

Materials

Canvas

Painting Fra Coma til Egba by Kai Führer, Denmark, 1977
Located in Stockholm, SE
Painting Fra Coma til Egba by Kai Führer, Denmark, 1977. Oil on canvas. Unframed. Signed "Kai Führer" on reverse. Measurements: H: 120 cm/ 47" W: 120 cm/ 47".  
Category

Vintage 1970s Danish Modern Paintings

Materials

Canvas

Ceiling Lamp Designed by Carl-Harry Stålhane for Rörstrand, Sweden, 1954
By Carl-Harry Stålhane, Rörstrand
Located in Stockholm, SE
Ceiling lamp designed by Carl-Harry Stålhane for Rörstrand, Sweden, 1954. Stoneware. Measurements: H: 52 cm/ 1'9" D: 20 cm/ 8". Carl-Harry Stålhane (1920-1990) was born in the to...
Category

Vintage 1950s Swedish Scandinavian Modern Chandeliers and Pendants

Materials

Stoneware

Dish Designed by Carl-Harry Stålhane for Designhuset, Sweden, 1983
By Carl-Harry Stålhane
Located in Stockholm, SE
Dish designed by Carl-Harry Stålhane for Designhuset, Sweden, 1983. Stoneware. Measuresments: D: 28.5 cm/ 11 1/4". Carl-Harry Stålhane (1920-1990) was born in the town of Mariest...
Category

Vintage 1980s Swedish Scandinavian Modern Decorative Dishes and Vide-Poche

Materials

Stoneware

Set of Paintings ‘Around Malevitch’ by Poul Pedersen, Danish, 1976
By Poul Pedersen
Located in Stockholm, SE
Monochrome painted wood. Measurements: H: 71 cm/ 2' 4 1/4" W: 44 cm/ 1' 5 5/8". Provenance: Bent Pedersen/Yvonne Hansen - North Art Magazine. Exh...
Category

Vintage 1970s Danish Scandinavian Modern Paintings

Materials

Wood

Set of Ten Dining Chairs Designed by Aino Aalto for Artek, Finland, 1950s
By Aino Aalto
Located in Stockholm, SE
Set of ten dining chairs designed by Aino Aalto for Artek, Finland, 1950s. Birch and cane. Very rare model. Measurements: H: 74 cm/ 29" W: 58 cm/ 22 3/4" D: 42 cm/ 16 1/2" Prove...
Category

Vintage 1950s Finnish Scandinavian Modern Furniture

Materials

Cane, Birch

Bedside Table Model 914 Designed by Josef Frank for Svenskt Tenn, Sweden, 1950s
By Josef Frank
Located in Stockholm, SE
Bedside table model 914 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany veneer and brass handle. Josef Frank’s elegant bedside table model 914 with sophisticated brass handles is one of Svenskt Tenn’s timeless classics. It works very well combined with modern or antique pieces. The overall simplicity of form and use of luxurious wood are characteristic of Josef Frank. L: 65 cm W: 40 cm H: 55 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...
Category

Vintage 1950s Swedish Mid-Century Modern Side Tables

Materials

Brass

Set of Six Chairs Designed by Josef Frank for Svensk Tenn, Model 725, Sweden
By Josef Frank, Svenskt Tenn
Located in Stockholm, SE
Set of six chairs designed by Josef Frank for Svensk Tenn, Model 725. Sweden. 1938. Mahogany and original leather. Literature: Kristina Wängberg Eriksson, Jan Christer Eriksson, "Josef Frank Möbelformgivaren", Carlsson Bokförlag, Stockholm 2014, p. K 18 H: 90 cm W: 58 cm D: 63 cm SH: 43 cm Armrest height: 69 cm (at the highest point) Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...
Category

Vintage 1930s Swedish Scandinavian Modern Chairs

Materials

Leather, Mahogany

Occasional Table Designed by Josef Frank for Svenskt Tenn, Sweden, 1950s
By Josef Frank
Located in Stockholm, SE
Occasional table designed by Josef Frank for Svenskt Tenn, Sweden. 1950s. Mahogany. H: 45 cm L: 80 cm D: 40 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...
Category

Vintage 1950s Swedish Scandinavian Modern Tables

Materials

Mahogany

Painting 'Mural II' by Harry Booström, Abstract Art, Signed, Sweden, 1953
By Harry Booström
Located in Stockholm, SE
Painting 'Mural II' by Harry Booström, Sweden, 1953. Oil on canvas. Dimensions: H: 90 cm / 3' W: 122 cm / 4' 1/2'' Shown with Harry Booström at the Artists of Söder Exhibition, 19...
Category

Vintage 1950s Swedish Scandinavian Modern Paintings

Materials

Canvas

Table Lamp Model 2466 Designed by Josef Frank for Svenskt Tenn, Sweden, 1950s
By Josef Frank
Located in Stockholm, SE
Table lamp model 2466 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with fabric shade. Stamped. An understated and tim...
Category

Vintage 1950s Swedish Mid-Century Modern Table Lamps

Materials

Brass

Painting by Sven Hansson, Sweden. 1979
By Sven Hansson
Located in Stockholm, SE
Painting by Sven Hansson, Sweden. 1979. Painted wood relief on board. Dimensions: H: 42 cm/ 16 1/2" W: 51 cm/ 20'' Provenance: the estate of the artist. Working in a purely geome...
Category

Vintage 1970s Swedish Modern Paintings

Materials

Wood

Painting by Sven Hansson, Sweden. 1983
By Sven Hansson
Located in Stockholm, SE
Oil on board. Dated and signed. Measurements: H: 71 cm/ 2' 4 1/2'' W: 120 cm/ 3' 11 3/4''. Working in a purely geometric, non-figurative style, Sven Hansson was a Swedish painter...
Category

Vintage 1980s Swedish Modern Paintings

Materials

Paint

Painting by Sven Hansson, Sweden, 1982
By Sven Hansson
Located in Stockholm, SE
Painting by Sven Hansson, Sweden, 1982. Oil on canvas. Signed and dated "Sven Hansson 1982". Dimensions: H: 95 cm/ 3' 1 3/8" W: 130 cm/ 4' 3 1/8" Provenance: The collection of t...
Category

Vintage 1980s Swedish Modern Paintings

Materials

Canvas

Painting by Sven Hansson, Sweden, 1985
By Sven Hansson
Located in Stockholm, SE
Painting by Sven Hansson, Sweden, 1985. Oil on canvas. Provenance: from the collection of the artist's family. Signed and dated: "S. Hansson K. 1985" Dimensions: H: 89.5 cm/ 2' ...
Category

Vintage 1980s Swedish Scandinavian Modern Paintings

Materials

Canvas

Painting by Sven Hansson, Sweden
By Sven Hansson
Located in Stockholm, SE
Painting by Sven Hansson, Sweden. Oil on canvas. Dimensions: H: 120 cm/ 3' 12" W: 90 cm/ 2' 12 1/4" Provenance: the estate of the artist. Working in a purely geometric, non-fig...
Category

Late 20th Century Swedish Scandinavian Modern Paintings

Materials

Canvas

Vase Designed by Tapio Wirkkala, Finland, 1957
By Tapio Wirkkala
Located in Stockholm, SE
Vase designed by Tapio Wirkkala, Sweden, 1957. Sterling silver. Dimensions: H: 24 cm/ 9 3/8" W: 9 cm/ 3 1/2" D: 4 cm/ 1 1/2" Tapio Wirkkala (1915-1985) can be described as one of the icons of Finnish design and a symbol of the international success of post-war Finnish design. Tapio Wirkkala studied sculpture at the Helsinki Central School of Industrial Design from 1933 until 1936, but he was also a self-studied artist in many areas, including glass design. His success as a glass artist began in 1946 when he designed one of his most famous works, the Kantarelli vase, for Iittala. Wirkkala gained worldwide success in 1951 at the Milan Triennial, where he received three Grand Prix awards: for the exhibition architecture, glass design and wooden sculptures. Tapio Wirkkala felt a deep relationship with nature and his absolute favourite spot was located in Finland's deepest forests. From the beautiful landscape, Tapio Wirkkala could find inspiration for his works, often characterised by organic shapes. Leaves, birds, ice and water are recurring themes in his design. Tapio Wirkkala was also a furniture designer and a sculptor. He started his career as a sculptor in the 1930s but abandoned the traditional sculpture in the post-war years – in the early 1950s, alongside with other works, he started to develop an entirely new relationship with sculpture and a new technique to be used. The result was a series of unique plywood sculptures which combined form and movement in the vibrant, densely lineated surface of plywood. Wirkkala’s sculptures represented exceptional abstractism and gave Finnish sculpture...
Category

Vintage 1950s Finnish Scandinavian Modern Vases

Materials

Sterling Silver

Set of Serving Cutlery Designed by Tapio Wirkkala, Finland, 1950s
By Tapio Wirkkala
Located in Stockholm, SE
Set of serving cutlery designed by Tapio Wirkkala, Finland, 1950s. A set of serving spoons and olive forks. Measures: Forks: L 26 cm/ 10 1/8" Spoons...
Category

Vintage 1950s Finnish Scandinavian Modern Tableware

Materials

Wood

Dish Designed by Tapio Wirkkala, Finland, 1950s
By Tapio Wirkkala
Located in Stockholm, SE
Dish designed by Tapio Wirkkala, Finland, 1950s. Laminated birch. Signed. Dimensions: W: 19.4 cm/ 7 2/3" L: 36.7 cm/ 14 1/2" Tapio Wirkkala (1915-1985) can be described as one of the icons of Finnish design and a symbol of the international success of post-war Finnish design. Tapio Wirkkala studied sculpture at the Helsinki Central School of Industrial Design from 1933 until 1936, but he was also a self-studied artist in many areas, including glass design. His success as a glass artist began in 1946 when he designed one of his most famous works, the Kantarelli vase, for Iittala. Wirkkala gained worldwide success in 1951 at the Milan Triennial, where he received three Grand Prix awards: for the exhibition architecture, glass design and wooden sculptures. Tapio Wirkkala felt a deep relationship with nature and his absolute favourite spot was located in Finland's deepest forests. From the beautiful landscape, Tapio Wirkkala could find inspiration for his works, often characterised by organic shapes. Leaves, birds, ice and water are recurring themes in his design. Tapio Wirkkala was also a furniture designer and a sculptor. He started his career as a sculptor in the 1930s but abandoned the traditional sculpture in the post-war years – in the early 1950s, alongside with other works, he started to develop an entirely new relationship with sculpture and a new technique to be used. The result was a series of unique plywood sculptures which combined form and movement in the vibrant, densely lineated surface of plywood. Wirkkala’s sculptures represented exceptional abstractism and gave Finnish sculpture...
Category

Vintage 1950s Swedish Scandinavian Modern Decorative Dishes and Vide-Poche

Materials

Birch

Library Table Designed by Uno Åhrén for Svenskt Tenn, Sweden, 1930
Located in Stockholm, SE
Library table designed by Uno Åhrén for Svenskt Tenn, Sweden, 1930. Elm. Early maker's mark underneath the surface. H: 75 cm L: 180 cm W: 70 cm.
Category

Vintage 1930s Swedish Mid-Century Modern Dining Room Tables

Materials

Elm

Armchair ‘The Red Chair’ Model 3758a Designed by Kaare Klint for Rud, Rasmussen
By Kaare Klint
Located in Stockholm, SE
Armchair ‘The Red Chair’ Model 3758A designed by Kaare Klint for Rud. Rasmussen, Denmark, 1930s. Mahogany, leather upholstery, and brass. This example was produced after 1930. The design detailing of this magnificent chair...
Category

Vintage 1930s Danish Mid-Century Modern Armchairs

Materials

Brass

Vase Designed by Per B. Sundberg for Orrefors, Sweden, 1990s
By Per B. Sundberg
Located in Stockholm, SE
Vase designed by Per B. Sundberg for Orrefors, Sweden. 1990's. Glass. Dimensions: H: 28 cm/ 11'' Per B. Sundberg grew up in Huddinge, south of Stockholm, where he early showed interest in creative expression, including in textile. Sundberg applied and was accepted to the pottery division at Capellagården in Vickleby 1983-85. In the years 1985-1992 he studied glass and ceramics at Konstfack in Stockholm, with a break in 1988 to study at the Pilchuck Glass School in Seattle. Per B Sundberg altered the course of Swedish design in the 1990s with the advent of new techniques and the creation of experimental...
Category

1990s Swedish Scandinavian Modern Vases

Materials

Glass

Vase Designed by Per B. Sundberg for Orrefors, Sweden, 2003
By Per B. Sundberg
Located in Stockholm, SE
Vase designed by Per B. Sundberg for Orrefors, Sweden. 2003. Glass. Dimensions: H: 27 cm/ 10 2/3" D: 18 cm/ 7" Unique. Signed Orrefors 9454-87 Per B Sundberg. Per B. Sundberg grew up in Huddinge, south of Stockholm, where he early showed interest in creative expression, including in textile. Sundberg applied and was accepted to the pottery division at Capellagården in Vickleby 1983-85. In the years 1985-1992 he studied glass and ceramics at Konstfack in Stockholm, with a break in 1988 to study at the Pilchuck Glass School in Seattle. Per B Sundberg altered the course of Swedish design in the 1990s with the advent of new techniques and the creation of experimental ceramics...
Category

Early 2000s Swedish Scandinavian Modern Glass

Materials

Glass

Vase designed by Per B. Sundberg for Orrefors, Sweden, 2004
By Per B. Sundberg
Located in Stockholm, SE
Vase designed by Per B. Sundberg for Orrefors, Sweden. 2004. Glass. Dimensions: H: 22 cm/ 8 2/3" D: 20 cm/ 7 7/8" Unique. Signed Orrefors 9450-87 Per B Sundberg. Per B. Sundberg grew up in Huddinge, south of Stockholm, where he early showed interest in creative expression, including in textile. Sundberg applied and was accepted to the pottery division at Capellagården in Vickleby 1983-85. In the years 1985-1992 he studied glass and ceramics at Konstfack in Stockholm, with a break in 1988 to study at the Pilchuck Glass School in Seattle. Per B Sundberg altered the course of Swedish design in the 1990s with the advent of new techniques and the creation of experimental ceramics...
Category

Early 2000s Swedish Scandinavian Modern Glass

Materials

Glass

Vase Fabula and Ariel Designed by Per B. Sundberg for Orrefors, Sweden, 2004
By Per B. Sundberg
Located in Stockholm, SE
Vase Fabula and Ariel designed by Per B. Sundberg for Orrefors, Sweden. 2004. Glass. Dimensions: H: 20 cm/ 7 7/8" D: 17 cm/ 6 2/3" Unique. Signed Orrefors 9663-87 Per B Sundberg. Per B. Sundberg grew up in Huddinge, south of Stockholm, where he early showed interest in creative expression, including in textile. Sundberg applied and was accepted to the pottery division at Capellagården in Vickleby 1983-85. In the years 1985-1992 he studied glass and ceramics at Konstfack in Stockholm, with a break in 1988 to study at the Pilchuck Glass School in Seattle. Per B Sundberg altered the course of Swedish design in the 1990s with the advent of new techniques and the creation of experimental ceramics...
Category

Early 2000s Swedish Scandinavian Modern Glass

Materials

Glass

Bowl by Per Hammarström, Signed, Sweden, 1980s / 1990s
By Per Hammarström
Located in Stockholm, SE
Bowl by Per Hammarström, Sweden, 1980s / 1990s. Stoneware. Signed “Per.H” Measurements: H: 17.9 cm / 7" W: 25.3 cm / 10". Per Hammarström is one of Sweden’s most highly regarded ceramicists. Per’s work doesn’t conform to the Swedish style of simplicity; instead he loves colour and texture, and exploring the multi-faceted function of ceramics. Per began his training at the Gustavsbergs Porcelain Studio in 1978, which is sadly no longer in existence. In 1984 he opened his own studio in Strängnäs, and has worked in this manner ever since. Per’s work is characterised by organic forms and his own distinctive glazes, often in bright colours and strong contrasts. His work is unique, each piece starting out as a roughly thrown form, which is worked and transformed into bowls that are characterised by their delicacy and translucency. The organic form is embodied in the textured ceramics of Per. His works are either made from stoneware or porcelain. The inspiration of much of his work is the sea, but he also draws from flora and fauna; and the changing of the seasons. The undulating colours of the sea, sky and land manifest themselves in his delicately crafted and vividly coloured ceramics. Through elaborate dining-ware and ceramic ornaments...
Category

Late 20th Century Swedish Mid-Century Modern Ceramics

Materials

Ceramic

Apple Sculpture by Per Hammarström, Sweden, 1980’s / 1990’s
By Per Hammarström
Located in Stockholm, SE
Apple sculpture by Per Hammarström, Sweden, 1980’s / 1990’s. Stoneware. Signed. Per Hammarström is one of Sweden’s most highly regarded ceramicists. Per’s work doesn’t conform to the Swedish style of simplicity; instead he loves colour and texture, and exploring the multi-faceted function of ceramics. Per began his training at the Gustavsbergs Porcelain Studio in 1978, which is sadly no longer in existence. In 1984 he opened his own studio in Strängnäs, and has worked in this manner ever since. Per’s work is characterised by organic forms and his own distinctive glazes, often in bright colours and strong contrasts. His work is unique, each piece starting out as a roughly thrown form, which is worked and transformed into bowls that are characterised by their delicacy and translucency. The organic form is embodied in the textured ceramics of Per. His works are either made from stoneware or porcelain. The inspiration of much of his work is the sea, but he also draws from flora and fauna; and the changing of the seasons. The undulating colours of the sea, sky and land manifest themselves in his delicately crafted and vividly coloured ceramics. Through elaborate dining-ware and ceramic ornaments...
Category

Late 20th Century Swedish Mid-Century Modern Natural Specimens

Materials

Stoneware

Pair of Armchairs Model 3758 a Designed by Kaare Klint for Rud. Rasmussen
By Kaare Klint
Located in Stockholm, SE
Pair of armchairs model 3758 A designed by Kaare Klint for Rud. Rasmussen, Denmark. 1927. Mahogany and leather. Model designed in 1927 for the Danish Museum of Decorative Art prod...
Category

Vintage 1920s Danish Scandinavian Modern Armchairs

Materials

Leather, Mahogany

Pair of Armchairs “The Red Chair” Designed by Kaare Klint for Rud. Rasmussen
By Kaare Klint
Located in Stockholm, SE
Pair of armchairs “The Red Chair” designed by Kaare Klint for Rud. Rasmussen, Denmark, 1930. Oak, leather upholstery and brass. Stamped ‘RUD. RASMUSSENS SNEDKERIER 45 NORREBROGADE KOBENHAVN’ Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol. 2, ill. and mentioned p. 79–80. The design detailing of these magnificent chairs...
Category

Early 20th Century Swedish Mid-Century Modern Armchairs

Materials

Brass

Rug 'Ursula' Designed by Märta Måås-fjetterström for Mmf Ab, Sweden, 1935
By Märta Måås-Fjetterström AB 1
Located in Stockholm, SE
Rug “Ursula” designed by Märta Måås-Fjetterström for MMF AB, Sweden, 1935. Handwoven wool. Measurements: L 270 cm/ 8' 10 ¾” W 164 cm/ 5' 5”. Märta Måås-Fjetterström estab...
Category

Vintage 1930s Swedish Scandinavian Modern Russian and Scandinavian Rugs

Materials

Wool

Rug “Ursula” Designed by Märta Måås-fjetterström for MMF AB, Sweden, 1935
By Märta Måås-Fjetterström AB 1
Located in Stockholm, SE
Rug “Ursula” designed by Märta Måås-Fjetterström for MMF AB, Sweden, 1935. Handwoven wool. Measurements: L 270 cm/ 8' 10 ¾” W 164 cm/ 5' 5”. Märta Måås-Fjet...
Category

Vintage 1930s Swedish Scandinavian Modern Russian and Scandinavian Rugs

Materials

Wool

Framed Object by Rune Hagberg, Sweden, 1970s
Located in Stockholm, SE
Framed object by Rune Hagberg, Sweden, 1970s. Mixed-media. Measurements: H: 77 cm/ 2' 6 ¾” W: 52 cm/ 20 ½” D: 8 cm/ 3 3/8”. Born in Uppsala, Sweden, ...
Category

Vintage 1970s Swedish Scandinavian Modern Decorative Art

Materials

Paper

Object by Rune Hagberg, Mixed Media, Sweden, 1970s
Located in Stockholm, SE
Object by Rune Hagberg, Sweden, 1970s. Mixed Media Measurements: H: 32.5 cm/ 1' D: 11 cm/ 4 1/3" Signed R.H Born in Uppsala, Sweden, Hagberg became heavily influenced by Eastern ...
Category

Vintage 1970s Swedish Mid-Century Modern Abstract Sculptures

Materials

Paper

Framed Object ‘Ikonocasi’ by Rune Hagberg, Sweden, 1980s
Located in Stockholm, SE
Framed Object ‘Ikonocasi’ by Rune Hagberg, Sweden, 1980s. Mixed media. Signed. Measurements: H: 105 cm / 3’ 5 1/3’’ W: 50.5 cm / 20’’ D: 10 cm / 4’’. Born in Uppsala, Sweden, Ha...
Category

Late 20th Century Swedish Mid-Century Modern Paintings

Materials

Paint

Framed object by Rune Hagberg, Mixed Media, Sweden 1970s
Located in Stockholm, SE
Painting by Rune Hagberg, Sweden, 1970s. Mixed media. H: 95 cm / 3’ 1 1/2" W: 48 cm / 1’ 7” Rune Fredrik Hagberg was a renowned Swedish artist that took much of his inspiration from Zen Buddhism spirituality and Eastern Calligraphy. He is represented at, among many others, the Museum of Modern Art, Stockholm, and the Norrköping Art Museum. Hagberg’s meditative informalism is placed between the concretism and expressionism of the 1950s, his art becoming simpler until he reduced it so far that only tightly closed picture reels...
Category

20th Century Swedish Mid-Century Modern Decorative Art

Materials

Paper

Mixed Media Painting, Scroll in a Framed Box Designed by Rune Hagberg
Located in Stockholm, SE
Sweden, 1980's. Mixed media. Measurements: H: 82 cm / 2' 8" L: 49 cm / 19 1/3’’ W: 10 cm / 3 1/6’’. Born in Uppsala, Sweden, Hagberg became heavily influenced by Eastern calligraphy throughout his life – and developed a spontaneous sign painting style with a strong concentration on a select amount of characters rooted in Zen Buddhism...
Category

Late 20th Century Swedish Mid-Century Modern Decorative Art

Materials

Fabric

Bench by Hans J. Wegner for Johannes Hansen, Denmark. 1950s
By Hans J. Wegner, Johannes Hansen
Located in Stockholm, SE
Solid teak. Measurements: H: 30 cm/ 11 3/4" B: 43 cm/ 17" L: 120 cm/ 47 1/4". Hans J. Wegner is the father of Danish design and is well known for creating some of the most iconic ...
Category

Vintage 1950s Danish Scandinavian Modern Coffee and Cocktail Tables

Materials

Teak

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