Pavilion Antiques Abstract Sculptures

Italian cream pale solid marble cone with flat top. No chips or restorations. Great decorative object. 3.75" diamenter at top 5.75 at bottom

Italian cream pale polished travertine four sided marble obelisk composed of pieces of marble laminated together to compose the obelisk. Hollow on the interior and felted bottom. N...

Pier Alessandro Giusti and Egidio Di Rosa for Up&UP Italy sculptural travertine vase circa 1980. This vase is highly scored or incised from bottom to top in a circular motif making i...

Arnoldo Pomodoro cast bronze box abstract sculptural box with lid decorated organic abstract motifs, c1960-1970 The box is part of a series of four boxes made by the two brothers Gio...

This bronze very dark patinated bronze sculpture by a talented unknown artist reminiscent of remerging natural rock formations. The relation to the natural world is evident. Perhaps ...

A sculpture of many violins by French artist Fernandez Arman created for Christofle in 1984 as a new years gift wishing for a happy new year. Signed and stamped. Silver plate bronze...

French artist Monique Gerber vintage sculptural bronze abstract rock form vide poche or ashtray. Art du bronze. Patina is beautiful and shows its age. These bronze objects were often...

A bronze sculpture / dish by Italian artist Gio Pomodoro for Il Sestante Galleria, Milan, Italy, circa 1958. In the late 1950s the gallery was producing small series of decorative o...

Surrealistic Pomme Bouche brooch by Claude Lalanne, created in 1975. Bronze with a dark brown patina and a verdigris leaf and stem, signed with editions mark and monogrammed Arthus-B...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Black and gray iconic mottled glaze vase by Carlo Zauli. The black potion of the glaze is composed of both matte and glossy glaze. The vase, the archetype of every ceramist, is c...

The black potion of the glaze is composed of both matte and glossy glaze. The vase, the archetype of every ceramist, is central to the research of the initial period of Carlo Zauli...

Sculpture by French sculptor Arsene Galisson a stone sculptor in Poitou. He creates small architectureal lamps and objects inhabited by a soft light, ...

Claude Conover large ceramic vessel titled Okkintok. This stoneware vase is glazed in two different tones and finely decorated with Conover's signature one iconic markings. Classic and contemporary in form, this bold and unique ceramic vessel has surface decorations with incised geometrical and linear designs. Signed on underside. Conover was very inspired and influenced by pre-Columbian...

Mouth blown sculptural object, using the battuto technique of cutting and grinding a matte finished surface by Italian artist Massimo Micheluzzi. Born in Venice in 1957. He studied a...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

The iconic bronze Evase vase from the Rick Owens bronze relic collection. This is shown in the nitrate patina. Each bronze is handcrafted in France...

The now iconic bronze duck neck vase from the Rick Owens bronze relic collection. This is shown in the nitrate patina. Each bronze is handcrafted in Franc...

The now iconic bronze coupe vase from the Rick Owens bronze relic collection. This is shown in the black patina. Designed in 2012. Each bronze is signed. Can be used as vase or sculp...

The now iconic bronze coupe vase from the Rick Owens bronze relic collection. This is shown in the nitrate patina. Each piece is handmade and hand patinated so there is always a slig...

The now iconic bronze duck neck vase from the Rick Owens bronze relic collection. This is shown in the black patina but other patinas are available by order. Each bronze is signed. ...

Lorenzo Burchiellaro cast and etched aluminum square sculpture. Patinaed black and natural etched aluminum composes this open cube with a dish depressed center for either holding va...

A cast bronze bird sculpture by Philippe Jean, French artist, designer and sculptor. Mounted on a black wood cube base. Signed and numbered. PhJean 8...

The iconic bronze Evase vase from the Rick Owens bronze relic collection. This is shown in the black patina. Each bronze is hand crafted in France and is signed. Can be used as vas...