Italian Pale Cream Solid Architectural Marble Cone Form

Italian cream pale marble obelisk composed of pieces of marble laminated together to compose the obelisk. Hollow on the interior and felted bottom. Part of three architectural marb...

Travertine obelisk of Travertino di Rapolino designed by Fratelli Mannelli Excellent condition with no chips.

A monumental Italian Travertine decorative obelisk for Raymor. No chips, lovely cream travertine. Labels intact. Made in Italy. Raymor. Overall size: 6" W x 6" D x 15" H. Obelisk ta...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Lorenzo Burchiellaro cast and etched aluminum square sculpture. Patinaed black and natural etched aluminum composes this open cube with a dish depressed center for either holding va...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

A stunning neoclassical or Grand Tour style solid marble cream & gray obelisk Late 20th Century Measures: 2.25"W x 2.25"D x 8"H. Very good original vintage condition. Minor surfac...

Architectural Abstract Marble Sculpture unsigned. modernist. mid to late 20th c. Contact me with any questions or for shipping quotes

Postmodern female sculpture carved from a solid block of Italian marble, 1980s. This piece was removed from a built in pedestal and was attached using a bolt. Due to the size, we ...

Mid century modern Italian mushroom bookends made of solid Alabaster marble. Some flaws like small chips. 6” x 5.5

An architectural element featuring an Acanthus leaf surrounding a face.

Industrial Foundry Form, factory casting, beautiful silver zinc original paint, wonderful patina, whimsical, fantasy Art Deco design,'Emaerald City' Very sculptural, see other listings for additional Foundry molds. Foundry molds and patterns are wooden tools, carved out or built up to create negative space, which in turn is used to make the inverse form or shape to be used for the casting of metal. To make a wooden mold, wood needs to be stacked up, like a relief, or cut-out, like a sunken relief, with handles or other pieces to grab and pick up the mold from the molding material. Individual pattern pieces that get packed into the molding material are carved and shaped. The space or forms that these pieces make in the molding material will be the inverse of the final cast piece. These antique foundry molds...