French Sculpture of Violins by Artist Arman New Years Gift 1984 For Christofle

Claude Gaget ceramic wood fired tree sculpture created in La Borne, France. Elegant various shades of light to dark brown colors which are influenced by the position of the sculpture in the kiln and the effects of the wood fire. Signed at the base Original perfect condition Claude Gaget arrived in La Borne 13 March, 1973. He was working at Pierre Mestre’s house and set up his first workshop in Boisbelle. From 1974 onwards, he has shared his life with Claudine Monchaussé...

ALBERT CHUBAC FRENCH ARTIST STEEL KINETIC ROTATING SCULTPURE GIROUETTE 2002 1/2 SCHOOL OF NICE Chubac was born in Geneva, Switzerland, in 1925 and re...

The French architect and artist Arik Levy mirror polish stainless steel small log sculptures from "Absent Nature" exhibit at Wright, 2007. Each signed w...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Andree Hirlet, French ceramic artist now working alone after the passing of her artistic colleague and husband Michel Hirlet is exhibiting small ceramic ...

Arman violins accumulations metal paperweight for Christofle, France, 1983.

Arman Full Bronze Sculpture

Fractured cast bronze French Horn, encased in resin, by Arman Armand Fernandez. Mounted on original polished bronze base. Signed "Arman." The dimensions are without the base.

Arman "Waiting to Exhale" sculpture, circa 1997. Accumulation of Cigars encased in Resin, with incised signature and numbered 77/100.

Huge resin sculpture with Flytox inclusions. Resin is almost perfect turning to the yellow due to age.     

A Lucite clock sculpture displaying a clock face and pieces in the manner of French artist Arman. Please note this is not a functioning clock.