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BAOBAB VIII, Anombiry Forest
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can ...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
BAOBAB XIX, Senegal
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can ...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
Baines Circle of Seven, Botswana
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can ...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
BAOBAB III, Ankoabe
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can live more than 2,500 years, and their massive, water-storing trunks can grow to more than one hundred feet in circumference. They also serve as a renewable source of food, fiber, and fuel, as well as a focus of spiritual life. But now, suddenly, the largest baobabs are dying off , literally collapsing under their own weight. Scientists believe these ancient giants are being dehydrated by drought and higher temperatures, likely the result of climate change.
Photographer Beth Moon, already responsible for some of the most indelible images of Africa’s oldest and largest baobabs, has undertaken a new photographic pilgrimage to bear witness to this environmental catastrophe and document the baobabs that still survive. In this oversize volume, she presents breathtaking new duotone tree portraits of the baobabs of Madagascar, Senegal, and South Africa. She also recounts her eventful journey to visit these fantastic trees in a moving diaristic text studded with color travel photos.
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
BAOBAB IX, Andombiry Forest
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can ...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
BAOBAB I, Andombiry Forest
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can live more than 2,500 years, and their massive, water-storing trunks can grow to more than one hundred feet in circumference. They also serve as a renewable source of food, fiber, and fuel, as well as a focus of spiritual life. But now, suddenly, the largest baobabs are dying off , literally collapsing under their own weight. Scientists believe these ancient giants are being dehydrated by drought and higher temperatures, likely the result of climate change.
Photographer Beth Moon, already responsible for some of the most indelible images of Africa’s oldest and largest baobabs, has undertaken a new photographic pilgrimage to bear witness to this environmental catastrophe and document the baobabs that still survive. In this oversize volume, she presents breathtaking new duotone tree portraits of the baobabs of Madagascar, Senegal, and South Africa. She also recounts her eventful journey to visit these fantastic trees in a moving diaristic text studded with color travel photos.
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
BAOBAB IV, Andombiry Forest
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can ...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
BAOBABS OF SAMBA DIA, Senegal
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can ...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
BAOBABS V, Andombiry Forest
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can ...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
BAOBABS XI, Ankoabe
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can ...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
Branches
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can live more than 2,500 years, and their massive, water-storing trunks can grow to more than one hundred feet in circumference. They also serve as a renewable source of food, fiber, and fuel, as well as a focus of spiritual life. But now, suddenly, the largest baobabs are dying off , literally collapsing under their own weight. Scientists believe these ancient giants are being dehydrated by drought and higher temperatures, likely the result of climate change.
Photographer Beth Moon, already responsible for some of the most indelible images of Africa’s oldest and largest baobabs, has undertaken a new photographic pilgrimage to bear witness to this environmental catastrophe and document the baobabs that still survive. In this oversize volume, she presents breathtaking new duotone tree portraits of the baobabs of Madagascar, Senegal, and South Africa. She also recounts her eventful journey to visit these fantastic trees in a moving diaristic text studded with color travel photos.
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
Mother of the Forest
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can live more than 2,500 years, and their massive, water-storing trunks can grow to more than one hundred feet in circumference. They also serve as a renewable source of food, fiber, and fuel, as well as a focus of spiritual life. But now, suddenly, the largest baobabs are dying off , literally collapsing under their own weight. Scientists believe these ancient giants are being dehydrated by drought and higher temperatures, likely the result of climate change.
Photographer Beth Moon, already responsible for some of the most indelible images of Africa’s oldest and largest baobabs, has undertaken a new photographic pilgrimage to bear witness to this environmental catastrophe and document the baobabs that still survive. In this oversize volume, she presents breathtaking new duotone tree portraits of the baobabs of Madagascar, Senegal, and South Africa. She also recounts her eventful journey to visit these fantastic trees in a moving diaristic text studded with color travel photos.
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
Sacred Baobab of Nianing, Senegal
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can ...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
Sacred Baobab of Nianing II, Senegal
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can ...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
Tsitakantsa
By Beth Moon
Located in Sante Fe, NM
*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints*
Baobabs are one of Africa’s natural wonders: they can ...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment, Platinum
Cypress Creek, November 19, 2000, 7:32AM, Wimberley, Texas
By David H. Gibson
Located in Sante Fe, NM
28 x 50" 8-ply mat for an additional $203.00
-
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photo...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
November Moment, Cypress Creek, Wimberley, Texas
By David H. Gibson
Located in Sante Fe, NM
28 x 50" 8-ply mat for an additional $203.00
-
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photo...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Reed Crescendo, Eagle Nest Lake, New Mexico
By David H. Gibson
Located in Sante Fe, NM
24 x 50" 8-ply mat for an additional $185.00
-
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photo...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Weaver's Canyon, Arizona
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas and the Four Corners region.
Gibson's luminous black-and-white landscapes demonstrate a remarkable sensitivity to light and mood. Dramatic clouds, imminent storms and an occasional lighting strike...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Cloud, Laguna Indian Reservation, New Mexico
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Storm Light Passage, Canyon de Chelly National Monument, Arizona
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Road and Sunstreams, Angelina National Forest, Broaddus, Texas
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Backlighted Aspen, Telluride, Colorado
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas and the Four Corners region.
Gibson's luminous black-and-white landscapes demonstrate a remarkable sensitivity to light and mood. Dramatic clouds, imminent storms and an occasional lighting strike...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Aspen Grove, Delores River, Rico, Colorado
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Magnificent Dead Horse Point, Moab, Utah
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Wave Dance, Sandstone Formation, Page, Arizona
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Silent Sound, Sandstone Formation, Page, Arizona
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Cloud March, Fort Davis, Texas
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Branch Arch, Limpia Creek, Fort Davis, Texas
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Limpia Creek, Fort Davis, Texas
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas and the Four Corners region.
Gibson's luminous black-and-white landscapes demonstrate a remarkable sensitivity to light and mood. Dramatic clouds, imminent storms and an occasional lighting strike...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Helsinki, Finland, (Ice Fishing)
By Pentti Sammallahti
Located in Sante Fe, NM
Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but he does not put man and the environm...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Kitakata City, Fukushima, Japan (Landscape w/Two Birds on a Wire)
By Pentti Sammallahti
Located in Sante Fe, NM
Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but he does not put man and the environm...
Category
21st Century and Contemporary Minimalist Black and White Photography
Materials
Silver Gelatin
Helsinki, Finland (Ducks On Floating Ice)
By Pentti Sammallahti
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category
1970s Minimalist Black and White Photography
Materials
Silver Gelatin
Iceland (Landscape w/ mountains in background, and horses grazing on plains)
By Pentti Sammallahti
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category
1980s Contemporary Black and White Photography
Materials
Silver Gelatin
Sunrise, December 24, 2019, Texas Gulf Coast 19 3758
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Sunrise, December 24, 2019, Texas Gulf Coast 19 3756
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
#1759 Sunrise, December 24, 2019, Texas Gulf Coast, 19, 3713
By David H. Gibson
Located in Sante Fe, NM
Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
For the Dream
By Chaco Terada
Located in Sante Fe, NM
Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten co...
Category
2010s Contemporary Landscape Photography
Materials
Sumi Ink, Archival Pigment
Saucer Over Northern Plains, limited edition, signed, archival pigment ink
By Mitch Dobrowner
Located in Sante Fe, NM
Saucer Over Northern Plains, limited edition, signed, archival pigment ink
The adrenaline of seeing Mother Nature during some of her finest moments will be ingrained in me forever. It is a humbling experience - and I feel fortunate to have witnessed her power and grandeur over the past 12 years. My experiences are hard to describe in words
During this last trip (July 2021) we traveled over 6400 miles in 10 days crossing through 10 different states - all in my quest/passion to photograph these storm systems. But this time the events of the last year made me more aware, opened my eyes wider, and had a different effect on me. The effects of Climate Change have become obvious.
The current patterns are changing and they are accelerating faster than anyone realized or predicted. Just over the past decade, the characteristics of the Jet Stream and the Gulf Stream have changed. Pandemics, droughts, devastating heatwaves, wildfires, massive floods, and rising oceans are accelerating. As I sit here in my house in Lone Pine, CA in 103-degree heat I can hardly see the outlines of Lone Pine Peak and Mount Whitney...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Zion No. 59
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Zion No. 6
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Zion No. 1
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Timpanogos Back No. 4
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Shiprock No. 5
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Mt. Olympus No. 240
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Mt. Olympus No. 3
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Mt. Nebo No. 5
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Lake Blanche No. 4
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Grandeur to Olympus No. 872
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Grandeur to Olympus No. 868
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Dead Horse Point No. 36c
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Capitol Reef/Factory Butte No. 89
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Capitol Reef Mesa No. 1
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Bryce No. 70
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Bryce No. 26
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Antelope Island No. 779
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Antelope Island No. 766
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Landscape Photography
Materials
Archival Pigment
Timpanogos Back No. 4
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
Temple Lake, Kyoto, Honshu, Japan
By Michael Kenna
Located in Sante Fe, NM
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...
Category
2010s Contemporary Black and White Photography
Materials
Silver Gelatin
Toya Lake Boulder, Study 2, Hokkaido, Japan
By Michael Kenna
Located in Sante Fe, NM
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...
Category
2010s Contemporary Black and White Photography
Materials
Silver Gelatin
