Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Edward Bateman
Antelope Island No. 766

2021

About the Item

For those of us who live in the West, mountains are more than just landmarks; they dene a sense of home. We have memories associated with our mountains; those we grew up surrounded by; remembering the rst time we saw one, and the people we visited them with. This gave us all a larger sense of where we locate home. During our recent pandemic, home shrunk to the walls that surrounded us. Real experiences became mediated through computers and the Internet – but something felt lost: a living connection with things bigger than ourselves. But we kept our memories – waiting to be triggered by a photograph or reminder of the mountains that could bring back that sense of the sublime. Mountains and nature have long been places of peace and refuge. There are few emotions about places for which adequate single words exist. At the beginning of the eighteenth century, the word sublime arose to describe the feelings that the natural world can evoke in us. At home, on my kitchen table, I have been trying to capture something of that sublime in bits of plastic. Using geographical data from the Internet, I used my 3D printer to make the memories of those mountains tangible. With a small fog machine, I create atmospheres and clouds. Sunlight through a window illuminates some, while others were lit with a variety of sources including ber optic lights used for microscopy. For me, these images evoke the place I call home; and remind me that it is our memories that make a place special. -- Edward Bateman
  • Creator:
  • Creation Year:
    2021
  • Dimensions:
    Height: 5 in (12.7 cm)Width: 15 in (38.1 cm)
  • Medium:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Sante Fe, NM
  • Reference Number:
    1stDibs: LU13428597392
More From This SellerView All
  • Tree with Vines, Plum Creek, Texas
    By Kate Breakey
    Located in Sante Fe, NM
    Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Pigment

  • Overtaken
    By Patricia Galagan
    Located in Sante Fe, NM
    Patricia Galagan’s photography often concerns the aftermath of upheaval in the landscape. Her work has been shown at Blue Sky Gallery in Portland, Oregon, the New Mexico Museum of Ar...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Pigment

  • Pine Needle
    By Philip Metcalf
    Located in Sante Fe, NM
    Philip Metcalf creates black-and-white infrared images of the landscape, most notably in the American Southwest. In 2015, he was an artist-in-residence at Bandelier National Monument...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Pigment

  • Three Oak Trees, Ghost Ranch, New Mexico
    By Kate Breakey
    Located in Sante Fe, NM
    Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Pigment

  • Fallen Bough, Mt. Etna, Sicily, Italy
    By Kate Breakey
    Located in Sante Fe, NM
    Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Pigment

  • Copse, Mt. Etna, Sicily
    By Kate Breakey
    Located in Sante Fe, NM
    Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Pigment

You May Also Like
  • at the Darulaman Palace, Kabul, August 2003
    By Jonathan Becker
    Located in New York, NY
    at the Darulaman Palace, Kabul, August 2003 X Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival Pigment Print Edition Nº 1 of 15 Certificate of Origin Signed and T...
    Category

    Early 2000s Contemporary Color Photography

    Materials

    Archival Pigment

  • Bunny Lambert Mellon’s gardens, Upperville, Virginia, 1 June 2010
    By Jonathan Becker
    Located in New York, NY
    At Oak Spring Farm, Bunny Lambert Mellon's Gardens, Upperville, Virginia, 1 June 2010 Photographed by Jonathan Becker Contemporary 28" x 28.5" Ar...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Pigment

  • Mecca
    By Corinne Vionnet
    Located in New York, NY
    Listing includes framing with UV plexi, free shipping in the US, and 14-day return policy. Corinne Vionnet Mecca from the series "Photo Opportunities" 15 x 20 inch archival pigmen...
    Category

    Early 2000s Abstract Photography

    Materials

    Photographic Paper, Pigment, Archival Pigment, Digital Pigment

  • Epic Western III
    By Jim Krantz
    Located in New York, NY
    Listing includes framing with UV plexiglas (a $1,500 value) and a 14-day return policy. Shipping charged at a discounted rate worldwide via white glove delivery service. Please inquire if you would like to purchase an unframed print for a reduced rate. Available for local pick up at our Los Angeles gallery. Jim Krantz Epic Western III, 2019 40 x 68 inch chromogenic print Edition 3 of 5 Signed on signature label. Artist Biography - Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...
    Category

    2010s Color Photography

    Materials

    Photographic Paper, Archival Pigment

  • Monument Valley (How The West Was Won)
    By Ian Ruhter
    Located in New York, NY
    Listing includes free shipping for unframed prints in the U.S. and 14-day return policy. Ian Ruhter Monument Valley (How The West Was Won) 30 x 40 inch archival pigment print Editi...
    Category

    2010s Landscape Photography

    Materials

    Photographic Paper, Archival Pigment

  • Epic Western No. 38
    By Jim Krantz
    Located in New York, NY
    Listing includes free shipping for unframed prints in the continental U.S. and a 14 day return policy. Jim Krantz Epic Western No. 38, 2020 40 x 60 inch chromogenic print Edition 5 of 7 Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...
    Category

    2010s Color Photography

    Materials

    Photographic Paper, Archival Pigment

Recently Viewed

View All