Reeves Art + Design Figurative Prints

Black and white minimal monotype print of an abstracted female torso. The work is signed and titled by the artist in pencil along the front lower margin. Currently hung in a black fr...

Modern abstract figurative lithograph by German artist Horst Antes. The work features a Cubist inspired figure with abstracted facial features set against a teal background. This wor...

Modern black and white abstract woodcut print. The piece features lush trees and foliage growing in a yard behind a house. There are three central figures standing next to a pole and...

Surreal modern black and white etching by Texas based artist Lucas Johnson. The work features a prone figure wrapped in a blanket next ...

Modern figurative surrealist lithograph by Mexican artist José Luis Cuevas. The work features two central seated figures with papers laid out on a table in front of them. The title r...

Black and white figurative nude linocut by contemporary artist Karin Broker. The work features a central headless female nude figure surrounded by stereotypically "girl" icons such a...

Modern black and white figurative abstract lithograph by Texas artist Luis Jimenez. The work features a nude woman standing in front of a mirror with a skull-faced figure lurking in background. Signed, dated, and editioned along the front central margin. Currently hung in a black floating frame. Dimensions Without Frame: H 48 in. x W 36 in. Artist Biography: Jimenez Uses "low brow" materials including fiberglass and plastic to create satirical comments about American life. He also works in bronze, and his images depict modern pop culture including the stereo-typical American West. Jimenez was born July 30, 1940, in El Paso, Texas, and started working with his father in a custom sign...

Modern abstract earth toned figurative etching by Mexican artist Rufino Tamayo. The work features a simplified portrait of a figure centered in a window set against a grey toned back...

Modern abstract earth toned figurative etching by Mexican artist Rufino Tamayo. The work features a simplified portrait of a face or mask set against a grey and yellow toned backgrou...

Lithograph on foil movie poster for the musical western movie "Paint Your Wagon" designed by Peter Max. These posters were distributed to exhibitors show...

Modern figurative silkscreen and lithograph by renowned artist Alex Katz. The work features a portrait of Ada, Katz's wife and muse, turned to face the left. The work is part of a se...

Houston Artist Margarita Urquiza’s Greek-themed etching done on arches paper. Printed by Hare and Hound Press in a unique impression. The work is signed, numbered and dated in pencil...

Blue-toned silkscreen portrait print of actress Marilyn Monroe by legendary photographer Bert Stern. The piece features a blue headshot portrait of Marilyn in blue on a metallic silv...

Monochromatic abstract figurative lithograph of the Seven Archangels. Framed and matted in a beautiful ornate gold frame. Unsigned. Dimensions With Frame: H 6.13 in. x W 8 in.

Teal, brown and blue tone abstract figurative original print by Amado Maurilio Pena. The piece depicts five women figures that either appear back-to-back or fa...

Monochromatic abstract figurative etching by Italian artist Giacomo Manzú. The piece depicts an image of Jesus Christ with a distinct facial expression on wove paper. Signed and editioned 98/200 by the artist at the bottom. Glass framed in a natural wooden frame. This particular work is included in the 1975 Portfolio "Omaggio a Michelangelo" (Homage to Michelangelo) which comprises 13 prints (8 partly colored etchings and 5 color lithographs). The portfolio includes other original signed and editioned prints by artists Horst Antes, Jorge Castillo, Emilio Greco, Renato Guttuso, David Hockney, Jean Ipoustéguy, Fiacomo Manzù, Marino Marini, André Masson, Henry Moore, Eduardo Paolzzi, Fritz Wotruba, and Paul Wunderlich. Dimensions Without Frame: H 31 in. x W 23.5 in. Artist Biography: Giacomo Manzù, original name Giacomo Manzoni, (born December 22, 1908, Bergamo, Italy—died January 17, 1991, Ardea), Italian sculptor who, in the mid-20th century, revived the ancient tradition of creating sculptural bronze doors for ecclesiastical buildings. His sober realism and extremely delicate modeling alternately achieved austere severity and sensuousness of form and surface, lending a new spirit of vitality to figurative bronze sculpture. Manzù had to leave school at an early age to learn a trade, and he was apprenticed to local craftsmen who taught him to carve wood and to work in metal and stone. After service in the Italian army from 1927 to 1928, Manzù went to Paris to try his luck as a sculptor, but after three weeks he collapsed from hunger and was deported back to Italy. He settled in Milan, and, after receiving a commission in 1929 to decorate a chapel at the Catholic University, he devoted himself to sculpting full-time. Manzù’s early works were nudes, portraits, and biblical subjects, executed in a style that at first was influenced by Etruscan, Egyptian, and medieval art. However, he soon adopted the Impressionist techniques of the Italian sculptor Medardo Rosso...

Warm toned mosaic style figurative abstract by Texas based artist Richard E. Fluhr. The work features a group of abstract figures broken up into a grid of twelve rectangles set against a black and white checkered background. Signed, dated, and editioned by the artist in the front lower left corner. Currently hung in a solid black frame. Dimensions Without Frame: H 41 in. x W 35 in. Artist Biography: Richard E. Fluhr was born in New York City in 1955 and moved to Texas to work as an artist. Beginning with ceramics at age 15 and showing at Ola Podrida Gallery in Dallas, he moved on to the University of Texas at Austin. Fluhr received his BFA from the University of Houston followed by an MFA in printmaking at the prestigious Cranbrook Academy of Art in Bloomfield Hills, Michigan, where he graduated magna cum laude. He traveled extensively, painting life along the way in watercolor, oil or acrylic, usually on recycled materials, such as paper bags, pamphlets, and receipts. Fluhr exhibited in six galleries in the United States and several galleries in Mexico, where he also maintained a studio in the late 1980s. His art has been shown in the U.S., Russia, and Mexico and is represented in over 900 private and public collections, including the Brooklyn Museum of Art, NY; the Cranbrook Academy of Art Museum, Bloomfield Hills, MI; the Detroit Art...

Modern abstract red and purple toned offset lithograph of a female figure by Italian artist Bruno Bruni. The work features a loosely rendered nude woman bent over in the process of c...

Contemporary photograph on collotype by Houston, TX artist Delilah Montoya. Photograph shows a young woman with long, dark hair with both arms stretched to the sides while surrounded by lit candles. Her back faces the camera as she faces a wall with graffiti. The scene is reminiscent of Jesus on the cross. Titled, signed, and dated by artist. Framed and matted in a red and gold wooden frame. Dimensions Without Frame: H 17.25 in. x W 16.13 Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations. Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision. Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. " The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...

Black and white etching of a young woman named Jessie Magdalene Brewer. This piece features Beth Secor's iconic swirling and knotted brushwork that echo the dense weave of a tapestry...

Figurative French etching from the Larousse dictionary of various gymnastic vaulting events. Each event features multiple stages of the movement, similar to the style of Eadweard Muybridge. Currently hung in a solid black from with a wide white matting. Dimensions Without Frame: H 3.5 in. x W 4.25 in. Artist Biography: Louis Bombled (1862-1927) is a French painter , draftsman and engraver. He was the son of the Dutch painter Karel Frederik Bombled. Living in Chantilly, he became a pupil of Évariste-Vital Luminais. He worked for the newspapers L'Illustration, Le Monde illustré, Le Petit Journal...

Colorful abstract expressionist lithograph celebrating the 1976 Olympics in Montreal Canada by American artist LeRoy Neiman. The work f...

Gray toned abstract landscape of a desert with mother and child walking by coves. Original print is at the Portland Art Museum collections. Signed and titled by the artist. Framed and matted in a black wooden frame. Dimensions Without Frame: H 12 x W 17.38 Artist Biography: William Givler was one of the most influential artists and teachers in Oregon. He devoted forty-two years to the Museum Art School, beginning in 1931 as an instructor, interrupted by service as a forester during World War II, and then as dean from 1944 until his retirement in 1973. He established the four-year degree program and secured accreditation for the school. In 1949 Givler inaugurated the first Print Annual at the Portland Art Museum. In 1953 Givler, Carl Hall, and two Washington artists exhibited in a four-person show at the Seattle Art Museum. He had many one-person shows throughout the United States during his long career: Seattle Art Museum, Portland Art Museum, Santa Barbara Museum of Art, University of Virginia, and others. In 1959 Givler painted an oil, Mt. Hood, for Timberline Lodge...

Blue toned abstract figurative enhanced giclée depicting three men wearing funky hats and red striped vests. Signed by artist at the bottom right. Framed in a black and gold thick fr...

Small black and white woodblock print depicting boat with houses. Possibly from the Woodstock School of Art. Inscribed and signed by artist. ...

Twentieth century etching by artist Paul Sollmann depicting a hut in a forest (maybe Germany). Signed "Paul Sollmann-Coburg" in the bottom right corner. ...

Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...

Modern abstract black and white etching of three men in uniform on horseback. Dated and titled in lower left corner and signed in the lower right in pencil. Hung in a complimentary black matte and frame. Includes original 1970s purchase information on the back. Dimensions Without Frame: H 11 in. x W 9 in. Artist Biography: Lucas Johnson (1940-2002) was born in Hartford, Connecticut and raised in southern California. His work is included in the permanent collections of The Menil Collection...

Abstract figurative woodblock print of a beach landscape with a boat. The print is stamped by the artist and titled and editioned in pencil. This print is editioned 47 of 86 and the print is not currently framed. Artist Biography: Born in Gastonia, North Carolina in 1924, John Biggers studied at Hampton Institute (now Hampton University) under Viktor Lowenfeld and muralist Charles White. In 1943, Biggers' mural, Dying Soldier, was included in the exhibition curated by Lowenfeld, Young Negro Art, at the Museum of Modern Art in New York. After serving in the United States Navy, Biggers transferred to Pennsylvania State University where he earned his bachelor’s and master’s degrees as well as his doctorate in art education. In 1949, Biggers accepted a faculty position at Texas State University for Negroes (now Texas Southern University) in Houston, where he founded and chaired the art department until his retirement. In the early 50s, he won prizes for his work at annual exhibitions held at the Museum of Fine Arts, Houston and the Dallas Museum of Art. In 1957, he traveled to Africa on a UNESCO fellowship to study Western African cultural traditions, becoming one of the first black artists to study the culture first-hand rather than through library research. His work was profoundly influenced by his experiences in Africa. He was known for his murals, but also for his drawings, paintings, and lithographs, and was honored by a major traveling retrospective exhibition from 1995 to 1997. He created archetypal imagery that spoke positively to the rich and varied ethnic heritage of African Americans, long before the Civil Rights era drew...

Black and white winter landscape lithograph by Paula Nelson who was the curator for the Woodstock School of Art Gallery. The piece is signed, titled, and ...

The original design for the top half was formally attributed to William Hogarth, according to the Met Museum, and published by John Bowles in 1728. The edition here has a second half...

Etching of a seascape with a boat house and boats. The peice is titled, signed, dated, and editioned in pencil by the artist. The etching is framed in a wooden frame with a white mat...

Known for addressing difficult issues, this lithograph by Sue Coe tackles the difficult subject of rape culture. It is numbered in the lower left corner and signed and dated in the l...

Photograph collage of Jenny Helzer and Barbara Kruger sitting in an Oshkosh car. The work is signed and titled by the artist Scott Griesbach who was known for photo collage works. It...

Post-impressionist style artist proof lithograph of figures. The work is similarly to the style of Paul Gauguin's Tahiti paintings. The work is signed and titled by the artist. It is framed in a gold frame with a white matte. Dimensions without Frame: H 18.5in x W 24in. Artist Biography: Marcel Janco was a Romanian and Israeli visual artist, architect and art theorist. He was the co-inventor of Dadaism and a leading exponent of Constructivism in Eastern Europe. In the 1910s, he co-edited, with Ion Vinea and Tristan Tzara, the Romanian art magazine Simbolul. Janco was a practitioner of Art Nouveau, Futurism and Expressionism before contributing his painting and stage design to Tzara's literary Dadaism. He parted with Dada in 1919, when he and painter Hans Arp founded a Constructivist circle, Das Neue Leben. Reunited with Vinea, he founded Contimporanul, the influential tribune of the Romanian avant-garde, advocating a mix of Constructivism, Futurism and Cubism. At Contimporanul, Janco expounded a "revolutionary" vision of urban planning. He designed some of the most innovative landmarks of downtown Bucharest. He worked in many art forms, including illustration, sculpture and oil painting. Janco was one of the leading Romanian Jewish...

Surrealist Figurative lithograph of a man whose head turns into tree branches. The work is signed by the artist in pencil and editioned 2 of 25. The work is framed in a gold frame wi...

Portrait of a woman praying at a table with food. In the corner a cat reaching up to see over the table. The etching is signed by the artist in the botto...

Etching of a woman dressed in turn of the century attire looking out at the viewer. The work is signed in pencil by the artist. The etching is not framed. Artist Biography: William...

Pop art style figurative screenprint with two sets of figures in an embrace on cube shapes. In the middle is a lone figure with their head resting on their hand. The screenprint is a...

Figurative lithograph of a man in red riding through the air on a horn. The viewer looked out through a window with the view of the Dome of Cathedral of Santa Maria del Fiore...

Figurative surrealist print of a soldier as a marionette with others suspended in the air behind. A chair is positioned in the back corner with another marionette draped over the cha...

Blue toned serigraph of a carousel with horses. The work is signed and numbered by the artist. It is not framed but comes with a white matte. Artist Biography: Barbara Maples...

Japanese woodblock print of a woman kneeling by the river. She is holding a stick making it appear like she is fishing with it. The woodblock print is printed on rice paper. The print is not framed. Artist Biography: Utagawa Kuniyasu...

Edo Meisho woodblock print of a famous Japanese coastal dock. This woodblock is most likely apart of the series "One Hundred Famous Views of Edo." The woodblock print is printed on r...

Etching from the series titled "A Harlots Progress" by William Hogarth. The series consists of six paintings and engravings. The story is about a woman named M. Hackabout who arrived in London and started working as a prostitute. The third plate is of her getting arrest for her choice in profession. The series is a satirical story that emphasizes the dangers of being a prostitute and the health risks that come from it. In 18th century engraving, the detail of the black mole on women and men's face is a symbol of the deadly venereal disease, syphilis. In this plate, Hackabout has already contracted the disease and that is why the black dot is visible on her forehead as well as her madam's. In 1828, William Innell Clement published Harlot's Progress in columns on a single page of his newspaper Bell's Life in London #330. The detail with the cross seen in earlier reproductions of the engraving. Dimensions without Frame: H 14.5 in x W 16.5 in. Artist Biography: William Hogarth ( 10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", perhaps best known to be his moral series A Harlot's Progress, A Rake's Progress and Marriage A...

Three Beauties under a maple tree from the series "A Contest of Fashionable Beauties of the Gay Quarters". The woodblock print is printed on rice paper....

Torii Kiyonaga woodblock print from the series "Prescious Children's Games of the Five Festivals." It shows five children playing with a ball and kites flying in the background. This...

Two kabuki actors posing a samurai's. The print is printed on rice paper and is not framed. It is stamped by the artist with details about the actors in ...

Three women in the Saruwaka-machi District with a view of Kinryûzan Temple seen from the famous landmark Matsuchiyama. The woodblock print is from the series "Famous Places in Edo". ...

Japanese woodblock print of a field with a cat and birds. The print is framed in a black frame with a black matte. It is stamped with a red stamp by the artist. The woodblock print is in the style of Kunihiro Amano.

Surrealist abstract print of four figures that are in a bullring with other onlookers. In the image, there are paper airplanes flying around the scene. The first two terrorists are i...

Modern figurative abstract of a woman with fruit and wine on a table in front of her. The work is in brown and blue tones. Signed and editioned by the...

Beautiful black and white lithograph with a bold pop of color with a Mexican blanket titled "The Magic of Teotitlan" by artist Janis Schwartz-Stegall....

Abstract black and white lithograph titled by the artist "Here She Is." It is edition 1 of 4 and it is signed by the artist and titled. Work is framed in a metal frame with a white m...

Black and white print of an upper class women in a carriage. There are other figures in the back riding in a carriage as well. Edition 17 of 58. Painting is signed by the artist and ...

Black and white figurative abstract lithograph of two naked, crouching figures by California artist "Rico Lebrun," titled "Crouching Figures" and dated 1961. Additional writing on th...

Vibrant abstract lithograph of a cat by artist Karel Appel in 1969. Edition of 100. Signed and dated by artist in lower right corner. Marked E.A., or "épreuve d’artiste", which is th...

Lovely impressionist portrait lithograph titled "Feather Head" of a woman in a decorated hat dated 1974, edition 8/16 by artist Dan Allison. Artist Biography: Allison first made his mark on the art world in the late 1970's with his instantly recognizable aquatint etchings, created through a revolutionary, one-plate, three-color printmaking process the artist pioneered and refined while attending Sam Houston University in Huntsville, Texas. The artist earned a Bachelor of Fine Arts degree with an emphasis on printmaking from the university in 1978. In 2000 Allison turned his attentions to first establishing a printmaking studio, Texas Collaborative Arts, with an emphisis on the collaborative aspects between printer and artist and in 2007 established the Nau-haus art venue where he presented more than 60 exhibitions between 2007 and 2011 before moving to his present location in Houston's Upper Kirby Gallery district on Gallery Row, where the d. m. allison gallery...

Landscape print of small Japanese city, Nara (A). Signature and seal lower right. Mat board covers the margins which may have date, title and edition. Non-glare glass makes inspection and photography difficult. Visible Area: H 15 in. x W 20.5 in. Artist Biography: Kiyoshi Saito was born in Fukushima prefecture in 1907. At the age of five he moved to Otaru in Hokkaido, where he would come to serve as an apprentice to a sign painter. Saito became infatuated with art after studying drawing with Gyokusen Narita and moved to Tokyo in 1932 to study Western-style painting at the Hongo Painting Institute. He began experimenting with woodblock prints and exhibiting his works with Nihon Hanga Kyokai in 1936. Saito mainly worked in oil painting until his invitation from Tadashige Ono...

Jun’ichiro Sekino (1914-1988) Eizo and matsuomaru bunraku (Puppet Theatre) circa 1953. Yoshida Eizō handles the puppet Matsuomaru, a medieval warrior. There is more than one edition ...