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After Strange Gods; A Primer of Modern Heresy. The Page-Barbour Lectures at the University of Virginia. London: Faber and Faber, 1934. First Edition. 8vo, 8 3/4 x 5 1/2 inches (22...

London: Faber & Gwyer Ltd., 1927. First Edition. 12mo, 7 1/4 x 4 3/4 (183 x 120 mm). Cover title, 4 pp, including one color illustration by E. McKnight Kauffer. Stab-stitched yello...

New York: Alfred A. Knopf, 1920 First American Edition, 1st Printing. 8vo, 7 1/2 x 5 inches (190 x 127 mm); 63 pp. Ribbed tan paper boards stamped in brown on front cover. Top edges...

London: Faber & Faber, 1930 First Edition. 8vo, 7 5/8 x 5 inches (192 x127 mm); 21 pp. Brown cloth boards stamped in gold on front cover and on spine; t.e.g., others untrimmed. Dust...

London: Faber & Faber, 1930. First Edition 8vo, 7 3/8 x 4 3/4 inches (187 x 122 mm); Cover title, 4 pp, including one color illustration by E. McKnight Kauffer. Stab-stitched blue p...

\New York: Lovell, Coryell and Company, 1893. First Edition, Second Issue. Small 8vo., 7 3/8 x 5 inches (188 x 127 mm), pp. 270. Beautifully bound by Root & Son in red calf with go...

Philadelphia: New York Publishing Company, 1892. First Edition Small 8vo., 7 3/8 x 5 inches (188 x 127 mm), pp. 180, printed on heavy laid paper and illustrated with a frontispiece ...

London: Cassell and Co., 1896. First Edition. Small 8vo., 7 3/8 x 5 inches (188 x 127 mm), pp. viii + 452 + 4 of publisher's advertising. Red calf binding by Root & Son (stamp on f...

London: Sidgwick & Jackson, Ltd., 1920. seventh impression. 8vo, 7 1/2 x 5 inches (191 x 127 mm); pp. clix (memoir) + 160 (poems); frontispiece portraits of the author at the beginn...

Bloomsbury: The Nonesuch Press, 1927-1928 4 volumes, 4to; 10 1/8 x 7 1/2 inches (258 x 190 mm); pp. vol. 1, [4] xliv, 239 [1]; vol. 2, [10] 257 [5]; vol. 3, [10] 290 [4]; vol. 4, [4]...

London: Smith, Elder & Co., 1915. 2 volumes, 8vo, 7 3/4 x 5 1/4 in. (195 x 133 mm); pp xvi + 748; vol. 2 vii + 786; frontispiece engraving (vol. 1) and photo (vol. 2). Bound in 3/4 ...

"One of the most engaging and ingenious mysteries of its age" (P.D. James) Philadelphia - New York: J. B. Lippincott Company, 1946. First American Edition, 1st Printing. 8vo, 7 3/...

London: Hodder & Stoughton Limited, 1938. First Edition. 8vo. 7 1/4 x 4 3/4 in. (182 x 121mm); pp. 356 + iii. Grey cloth binding with black lettering, dampstain to the tail of the ...

Waltham Saint Lawrence: Golden Cockerel Press, 1934. Limited Edition. Slim 8vo; 8 3/4 x 4 1/2 in. (224 x 112 mm); (vi),16 pp., (vi); printed on Arnold paper, in black ink using Eri...

London, 1796. 64mo, 1 1/4 x 1 3/8 in. (57 x 33 mm), 24pp. Very beautiful publisher's Venetian style mosaic style inlaid morocco in green, red, and blue, with gilt decorations, centr...

London Almanack for the Year of Christ 1783 London: Printed for the Company of Stationers, 1783. 64mo, 1 1/4 x 1 3/8 in. (57 x 33 mm), 24pp. Original cream morocco elaborately gilt...

Rider, Cardanus Rider's British Merlin 1774 + The Court and City Register London: R. and M. Brown / Company of Stationers & J. Jolliffe, G. Woodfall, an...

Goldsmith, John An Almanack for the Year of Our Lord God M.DCC.LXXXIV. 1784 London: Company of Stationers, 1784 48mo, 4 x 2 1/2 in. (113 x 53 mm); pp. 48 + blank pages for each mont...

A precursor of Benjamin Franklin's famous and popular POOR RICHARD's ALMANAC Rider, Cardanus Rider's (1726) British Merlin; Adorned with many delightful Varieties and Useful Veritie...

Boccaccio, Giovanni [Jean Boccace] Douze nouvelles de Messire Jean Boccace Seigneur Florentin; Avec les illustrations en couleurs d'Alfred Le Petit Paris: René Kieffer, 1925. Limit...

Waltham Saint Lawrence: Golden Cockerel Press, 1928. Limited Edition, numbered 8vo, 9 x 5 3/4 inches (230 x 145 mm); iv + 152 + ii pages, printed on English hand-made paper in 14 pt....

Waltham Saint Lawrence: Golden Cockerel Press, 1932. Limited Edition. Small folio, 13 1/4 x 9 1/4 in (330 x 235 mm); pp. v +76 + colophon. This in no. 94 of 275 copies printed on B...

GOLDEN COCKEREL PRESS / Keats, John Lamia, Isabella, The Eve of Saint Agners & Other Poems; with Engravings by Robert Gibbins Waltham St.Lawrence: Golden Cockerel Press, 1928. Limited Edition. Quarto, 12 x 7 1/2 inches (305 x 190mm); pp. 104; with nineteen wood-engravings by Robert Gibbings (1889-1958); copy 178 of 345 copies printed Batchelor hand-made paper, special Cockerel watermark; red ink on title page, red and blue ink for incidental initials by Eric Gill and David Jones's colophon device; 1/4 brown sharkskin and green cloth by Sangorski & Sutcliffe, London; gilt titling; top edge gilt, others uncut; slight staining to head of spine, clean, fresh, and bright inside and out. [Chanticleer 62; Ransom p. 298, no. 60]. An elegant and beautifully proportioned and illustrated version of John Keat's (1795-1825) famous poems, which constitute the final volume Keats lived to see, published in July 1820. From the Oxford text edited by H. Buxton Forman. Robert Gibbings (1889-1958) was and Irish wood...

A sumptuous extra-illustrated copy with Cosway-style binding by Bayntun of Bath. London: Eveleigh Nash, 1910. Octavo, 8 1/4 x 5 3/8 (210 x 137 mm),pp. i-xii, 382. Illustrated with ...

A unique and charming piece of Tolkieniana. The Christopher Robin Birthday Book, Priscilla Tolkien’s copy with names of family members and friends f...

One of the rarest English works on moths. Johnson, Theophilus (1836-1919) Illustrations of British Hawk Moths and their Larvae (including the Sesidae); with thirty-six original draw...

Chaucer, Geoffrey The Workes of our Ancient and Learned English Poet, Geffrey Chaucer, Newly Printed London: Adam Islip, 1602. Second Edition. Folio, 13 x 8 3/4 inches (328 x 223 ...

INSCRIBED PRESENTATION COPY with a SIGNED PUBLICITY PHOTO New York: Duell, Sloan, & Pierce, 1946. Elizabeth Taylor. First Edition. Square 8vo, 7.25 x 8 inches (203 x 184 mm), 77 pp....

London: Harvill Press, 1996. First English Language Edition, Sonia Soto, translator. Octavo, 9.5 x 6.25 in (241 x 159 mm); 362 pp. Hardcover, dust jacket protected with mylar cover,...

Bowles's New Collection of English Moths and Butterflies; In Twelve Prints, All Drawn from Life Representing near 300 different Species of those Beautiful Insects. Elegantly and accurately Engraved and disposed in an Ornamental Order To each Print is added:-A Description of their Names, Food, and times of Change, By Benjamin Wilkes. London: Carington Bowles, 1764. Second Edition. Folio, (15 1/2 x 11 3/4 in, 394 x 300mm) Second edition, 1 title page and 12 plates engraved and hand-colored, trimmed to plate-mark at fore-edge, lightly browned, some spotting, later 3/4 red morocco with title and fillets in gilt, rubbed and a little stained, rebacked, corners worn. The plates were engraved by Henry Roberts as evidenced in the markings of each plate the first edition, but omitted in the second edition. [Nissen 4411; Linsey 183]. EXTREMELY RARE, COMPLETE BOUND SET of...

Hammersmith: Kelmscott Press, 1894. Limited Edition Octavo, 8 1/4 x 5.5 in (206 x 140 mm) 392 pp. Edited by F.S. Ellis. One of 300 copies on Flower paper, printed in red and black i...

Verona: Officina Bodoni, 1941. Limited Edition. Vellum. Octavo, 9 7/8 x 6 3/4 inches (250 x 170 mm); title page vignette etched by Mario Vellani-Marchi with a couple of small spots,...

Hammersmith: Eragny Press, 1903. First, Limited Edition. Octavo, 8 x 5.25 in (203 x 133 mm), pp.64 [2] + contents + colophon + blank + press-mark, Limited Edition. One of 215 copie...

KELMSCOTT PRESS Orbeliani, Sulkhan-Saba. Translated by Oliver Wardrop. The Book of Wisdom and Lies; A book of Traditional Stories From Georgia in Asia Hammersmith: Kelmscott Press, ...

Mémoires et Observations Géographiques et Critiques sur la Situation des Pays Septentrionaux de l’Asie et del'Amérique d'après les relations les plus récentes; Auxquelles on a joint ...

The Most Popular Book of Maritime Adventure of the Eighteenth Century Anson, Lord George and Richard Walter A Voyage Round the World, In the Years MDCCXI, I, II, III, IV, By George ...

Geometrical and Graphical Essays [and] Plates to the Geometrical and Graphical Essays.; By the late George Adams, Mathematical Instrument Maker to his Majesty, & c. London: W. & S. Jones, 1813. Fourth Edition. Two volumes, 8vo, 9 x 5 3/4 in. (228 x 145 mm). Text volume: pp. frontispiece, xii, 534, [16] ads; Plates vol.: pp. title page and 34 folding plates. Previous owner's name penned on the first free flyleaf. Uniform contemporary paper-covered boards, untrimmed, housed in a felt-lined custom clamshell box, 9 x 5 1/2 in. Occasional browning to the edges of some of the plates in Vol. 2, 1/2 inch tear to fold of Pl. VIII and 1 inch tear to the edge of Pl XIV, none of these minor flaws affecting the images. Frontispiece "The Great Theodolite, by Ramsden, Used by the late Gen.l Roy &c. in the great English Trigonometrical Operations." This is the "Fourth Edition, corrected and enlarged by William Jones, F. Am. P. S. [ESTC T88416, 1791 edition]. The last chapter of these fascinating volumes includes conversion tables to various standard national measure ranging from the Paris foot to the Russian archine, to the Venice braccio, the Egyptian stadium to 'The mathematical foot of China'. GEORGE ADAMS the younger (1750–1795) was an English scientist, optician and scientific writer. In politics Adams was a Tory, and as such was received with favour at court by George III, who made him his official mathematical instrument maker, succeeding his father George Adams in the post. George III was personally interested in instruments and had Adams produce items for him exclusively, many in silver. These instruments now form a collection which is housed in London's Science Museum Royal collection Adams was also known for making globes, and for inventing the lucernal microscope, a type of projection microscope where the image is projected on a screen by a large oil lamp...

McKenney, Thomas L. (1785-1859) and James Hall (1793-1868) History of the Indian Tribes of North America; With Biographical Sketches and Anecdotes of the Principal Chiefs, Embellished with One Hundred and Twenty Portraits, from the Indian Gallery...

Torino: Umberto Allemandi, 1990. Second Edition, Revised and Enlarged by Luisa Vertova. 3 volumes in slipcase with text and 1648 palates covering Caravaggio and Italian Caravaggism...

Milne, A.A. (Alan Alexander): Winnie-the-Pooh An Exceptionally rare copy of the FIRST TRADE EDITION of Winnie-the-Pooh signed by both the Author and the Illustrator, with Original dust-jacket. London: Methuen, 1926.; First Trade Edition. Crown 8vo, 7 5/8 x 5 in (194 x 127 mm), pp. 158, full-page and text illustrations, illustrated endpapers with map of "100 Aker Wood... Drawn by me and Mr. Shepar Helpd (sic.)" Green cloth, gilt stamping on the front board with an illustration of Christopher Robin...

Of Kings' Treasuries London / Edinburgh: George Allen / Ballantyne Press, 1902. 8vo, 8 x 5 3/4 inches (203 x 145 mm), (4), 99, (1) pp. Printed on handmade Arnold paper with a flower...

London / Edinburgh: George Allen / Ballantyne Press, 1902 8vo, 8 x 5 3/4 inches (203 x 145 mm), (4), 68, (1) pp. Printed on handmade Arnold paper with a flower and vine border on eac...

London / Edinburgh: George Allen / Ballantyne Press, 1902 8vo, 8 x 5 3/4 inches (203 x 145 mm), (4), 68, (1) pp. Printed on handmade Arnold paper with a flower and vine border on eac...

London: John Murray, 1915. 2 volumes, 8vo; 7 1/2 x 5 1/8 inches (190 x130 mm). Vol. 1: xvi, 748 pp.; Vol. 2: vii, 786 pp. Engraved frontispiece portrait of the author in 1835 in Vol....

Combe, William (Dr. Syntax), & George Cruikshank The Life of Napoleon; A Hudibrastic Poem in Fifteen Cantos London: T. Tegg, 1817. George Cruikshank. First Edition, Second Printing...

Nineveh and Its Palaces; The Discoveries of Botta and Layard, Applied to the Elucidation of Holy Writ London: Office of the Illustrated London Library, 1852. First Edition Ad. Lala...

First Edition, third issue of Dr. Seuss' most famous book, accompanied by a card bearing the AUTHOR's SIGNATURE and a quick SKETCH of his famous "green egg." Seuss, Dr. (Theodor Seuss Geisel, 1904 – 1991) The Cat in the Hat New York: Random House, 1957. First edition, First Printing, Third Issue. Dust jacket. 8vo, 9 x 6 1/2" (230 x 165 mm), (2) + 61 + (1) pp; pictorial end papers, verso of free end paper blank, pictorial title page, copyright page. Binding with glazed pictorial paper cover over boards and title on spine, very light signs of wear at corners and spine ends, binding stitched at 1 inch intervals; upper cover illustrated and lettered with addition of "For beginner readers"; back cover with excerpts from reviews printed in letterpress below illustration of chalkboard reading Educators hail The Cat in the Hat. Printed in red, black, salmon, dark blue and light blue on wove paper, with bold illustrations on every spread; pages a touch yellowed on edges. On the back of the last page of text is a note on the book enclosed within a large outline in blue of Cat in the Hat. The ORIGINAL DUST WRAPPER in near fine condition, with just slight wear on corners and a chip on the bottom of the spine, reproduces the book's cover; front flap bears price on upper right corner, 195/195, indicating this is the second state of the dust jacket. Accompanied by a small drawing of a "green egg" with "Dr. Seuss" autograph in black ink with on a light green index card, 3 x 5 in. (76 x 127 mm). [Younger & Hirsch 7; Greenaway 95] Dr. Seuss was challenged by Houghton Mifflin's Education Division director, William Ellsworth Spaulding, to create a book for young children using the 225 essential words for beginning readers, a book they would not want to put down. Seuss used 223 of the words from the list, plus 13 others. Seuss tricked kids into enjoying learning with his destructive and charismatic house guest. Inspired in part by Krazy Kat and Felix the Cat, but with a wily mind all his own, the Cat in the Hat's humor and naughtiness are engaged in the noble cause of literacy. "Parents," notes biographer Brian Jay Jones, "were more than happy to join Dr. Seuss as fellow revolutionaries. Even if parents didn't necessarily understand the pedagogy, it was easy to see the difference between the staid DICK AND JANE...

Neuchatel & Paris: Ides et Calendes, 1946 Henri Matisse illustration Limited Edition. 8vo; 7 1/4 x 5 3/8 inches (182 x 136 mm); frontispiece reproducing a map of part of Paris, origi...

Paris: Librairie L. Conquet, L.Carteret et Cie. 1904. Maurice Tourneux, preface, Daniel Vierge, illustrations LIMITED EDITION Large 8vo, 10 1/2 x 7 inches (270 x 177 mm); viii, 298 ...

4th Edition of the magnum opus of the Scottish economist and moral philosopher Adam Smith. Inquiry into the Nature and Causes of the Wealth of Nations London: A. Strahan and T. Cade...

Estienne, Charles De re hortensi libellus (A small book on gardening); . . . vulgaria herborum, florum ac fruticum qui in hortis conseri solent nomina latinis vocibus efferre docens ...

The only book published by the Doves Press by an American author. Hammersmith: The Doves Press, 1906. Small 4to, 9 1/4 x 6.5 in (235 x 166 mm). Pp. xiv, 13...

Hammersmith, The Doves Press, 1915. LIMITED EDITION. Small 4to, 9 1/4 x 6 1/2 inches (235 x 166 mm); xii, 76, colophon, errata, xiv pp.; printed in black a...

Egerton, M. & George Hunt Here and There over the Water: Being Cullings in a Trip to the Netherlands. (The Field of Battle and Monuments - Waterloo, &c.) by Omnium Gatherum. London: George Hunt, 1825. 4to; 10 x 8 3/8 in. (253 x 212 mm); (2), 34 pp, 28 plates by George Hunt after M. Egerton, including 24 hand-colored engraved and aquatint plates and four plates (21-24) of Waterloo memorials uncolored. Modern half morocco binding, title gilt, spine sunned. Occasional offsetting from plates, otherwise a fine copy. [Abbey Travel 188; Tooley 207]. An uncommon aquatint work, illustrating a regency excursion to the Low Countries. Egerton was a humorous designer and social satirist active in London between 1820 and 1829, who supplied drawings to members of the print trade (including the Hunts and Pyall) for engraving. For this project he begins his tour at Ostend, where he was stuck for a day as it was a Sunday. He took time to describe the people's custom-house hotel and the 'Purgatory Gate' attached to the church (destroyed in a fire later in the nineteenth century) before traveling the next day by 'Great Coach' and barge to Ghent, observing the 'Belgic Military' various 'Diligences' and peasant costumes before continuing onto Brussels. Here he examined the Market Pavilion of the Prince of Orange before traveling on the next leg of the journey, which takes the artist once more to Ghent, where he describes and illustrates the Exchange. Egerton then returns to Brussels to view the Palace of Schoonenberg and then on to the main reason for his excursion: a trip to Waterloo, taking in all the main sites of the battle, including graves and monuments. Michael Egerton flourished between 1821 and 1828 and produced a number of caricatures, mainly of social comedy, sporting scenes, and jokes on the weather; almost all his work was engraved by George Hunt. OCLC records six copies in North America at Harvard Yale New York Public Library, Brown Claremont College, and the Art Institute of Chicago. "A tourist (Egerton) soars high above birds and the Channel, a vignetted strip of water which a steam-packet and sailing vessel are traversing. He is propelled by steam from a big Patent kettle strapped to his back; from a large spout in the form of a bird's head black smoke drifts behind him. He holds out in his right hand a pair of lazy-tongs, in his left he holds up a plaid travelling-bag marked O.G. He wears a round flat peaked cap, with fashionable white cuffs and collar to his shirt, and white strapped trousers. His legs drift behind him." [The British Museum, number A tourist (Egerton) soars high above birds and the Channel, a vignetted strip of water which a steam-packet and sailing vessel are traversing. He is propelled by steam from a big Patent kettle strapped to his back; from a large spout in the form of a bird's head black smoke drifts behind him. He holds out in his right hand a pair of lazy-tongs, in his left he holds up a plaid travelling-bag marked O.G. He wears a round flat peaked cap, with fashionable white cuffs and collar to his shirt, and white strapped trousers. His legs drift behind him.] Plates in order: 1. Frontis. Patent. [Flying over the Channel]. 2. Quay, Custom House & Hotel - Ostend. 3. The Purgatory Gate, Ostend. 4. Post Office - Ostend. 5. [Dandy chimney sweeper...

This is a RARE first limited edition of Watson's poems, printed on deluxe japon and bound in vellum. Unwin's Cameo series of poetry was a distinctively packaged sequence of books tha...

Aesop (S. Croxall transl.) The Fables of Aesop; With a Life of the Author; and Embellished with one Hundred & twelve Plates London: John Stockdale, 1793. FIRST EDITION - 2 vol., La...

A SPLENDID DEPICTION of REGENCY LONDON Papworth, John Buonarotti Select Views of London: With Historical and Descriptive Sketches of Some of the Most Interesting of Its Public Build...

Paris: Rombaldi Éditeur, 1937. Limited Edition. 8vo, 7 5/8 x 5 3/4 (194 x 156 mm). pp: 4, vii, 242. Five color lithographs including the frontispiece. Copies printed on Voiron laid...

London: Doves Press, 1910. Limited Edition Small 4to, 9 1/8 x 6 3/8 in. (230 x 160 mm); 203 + [7] pp.; one of 250 copies, with an additional 15 on vellum...

Montagu, Mrs. (Elizabeth), 1718-1800 An Essay on the Writings and Genius of Shakespeare; An essay on the writings and genius of Shakespeare, compared with the Greek and French dramat...