Rob Zanger Rare Books LLC More Furniture and Collectibles

SIGNED, Second edition on LARGE PAPER One of the first personal biographies (biographies intimes) written by the Goncourt brothers and composed in 1857. This special edition with el...

A RARE Caledonian Theatre pamphlet, with witty satirical color plates in the Cruikshank style. Tom, Jerry, and Logic or Life in London: A Musical Extravagan...

This American edition of Isherwood's two novels [The Last of Mr. Norris and Goodbye Berlin] set in Weimar-era Berlin, were originally published by the Hogarth Press...

This is the sequel to The Nonesuch Press' first book of Blake's Pencil Drawings, published in 1927. The Max Reinhardt / Nonesuch list 1956 remarked: ‘Du...

The first edition of Izzak Walton's (1593 – 1683) complete writings, this volume contains Walton's most famous work, the Compleat Angler from the edition of 1668 - with the variants of 1676 as an appendix [Satchell p. 5] - in which Walton celebrates the art and spirit of fishing in prose and verse, as well as the Lives; Love and Truth; and miscellaneous Poetry and Prose, as well as a Life of Walton and bibliographical notes, compiled by the editor. [John Dreyfus. A History of The Nonesuch Press...

Illustrated by Janet & Anne Grahame-Johnstone Copy 48 of 250 copies, number and signed in pen by the author on the limitation page and one of 85 specially bound in hard grain morocco...

This elegantly-printed and bound small volume is enhanced by an affectionate inscription by the author to her friend Mathilde Koehn, and a holograph poem of 4 stanzas, initialed and ...

ROWLANDSON'S FIRST and most famous color-plate book. FIRST EDITION, in 3 volumes, with 104 brilliantly-colored acquaint plates. London: 1808-1810, Large 4to; 13 x 10 7/16 in. (330 ...

First Edition. In two Quarto volumes, with copious color illustrations. London: R. Ackermann, printed by L. Harrison & J. C. Leigh, 1814. 13 x 10.63...

Two one-page letters on Faber & Faber stationery, SIGNED by T. S. Eliot. The first, dated 1 December 1949 is double sided, 10 1/4 x 8 inches (266 x 204 mm) in envelope 4 1/4 x 5 1/4 inches (110 x 133 mm). The second is dated 23 August 1950, one sided, 8 x 6 7.8 inches (204 x 174 mm) in envelope 4 1/4 x 5 1/4 inches (110 x 133 mm). Typed in black and red ink, central vertical and horizontal folds, with no sign of wear. The accompanying envelopes show minor signs of wear and the back flap of the first envelope is partially torn. Fine. These two typewritten letters were addressed to Robert Cecil Bald (1901 – 1965), an Australian scholar of English Literature, who taught at Cornell University starting in 1937 and then at the University of Chicago from 1952 to 1965. They attest to a cordial exchange between a poet and a scholar, and the rich network of contacts that Eliot had both as an author and as the long-time editorial director at Faber & Faber in London (1925-1965). In the first letter, dated 1 December 1949 with a Cornell University address, Eliot declines an offer...

First Edition, Second Impression. of An address delivered before the Virgil Society on the 16th of October 1944. London: Faber and Faber, 1945. 8vo; 8 1/4 x 5 3/8 inches (218 x 13...

FIRST AMERICAN EDITION. New York: Harcourt, Brace and Company, 1950. 8vo, 8 1/3 x 5 3/4 inches (219 x 147 mm); 190 pp., + 1 leaf of music, and verso with cast of first Edinburgh Fe...

FIRST AMERICAN EDITION, New York: Harcourt, Brace and Company, 1939. The title of this book of light verse is given by Ezra Pound's friendly nickname for Eliot "Old Possum." In 195...

LIMITED EDITION, this is copy number 741 of 1000. with scarce dust-jackets One of the most important reference works on Chinese porcelains, this opus was written by Edgar Gorer (1872-1915), the leading British dealer...

A scarce example of one of the 29 privately circulated lettered copies. The entire run consisted of 529 copies, 500 of these being the numbered ones available to purchase. Paz, Octavio. BLANCO. Mexico City: Joaquín Mortiz, 1967. First, Limited Edition. 8vo., 9 x 6 3/4 in. (229 x 173 mm); printed in black and red, Bodoni type on Antique RLCH paper, joined to create a continuous 'concertina' of 32 pages (joined every 4) and printed on one side only. LEPORELLO BINDING with printed boards and cream cloth spine, title in black, slipcase. The binding is very faintly thumbed and slipcase has a closed tear to the base and some rubbing at corners but overall this delicate book is in wonderful condition. One of the 29 lettered and privately circulated copies, as stated on the limitation page, from a run of 529 (500 copies numbered). EXTRAS: "Aviso al lector" sheet printed on yellow paper. Very good. Octavio Paz wrote this poem in New Delhi between July and September of 1966, while he was serving as Mexico's Ambassador to India. As outlined in the "Aviso al lector", separately printed and included in this copy of the work, «Octavio Paz conceives the long poem as a different form and governed by its own logic, not as an expansion or extension of the short poem.» He begins experimenting with "poetry of movement, signs in rotation" culminating in Blanco. «Appearance, disappearance and reappearance of certain themes, presences, words, obsessions, the shape of Blanco is that of the spiral. There are two main currents—word and eroticism—that come together, separate and come together again. The text allows multiple readings: it is a cluster of meanings, a poem that contains several poems. ... The same poetic requirement governs the visual conception of the page and explains the particularities of this edition. Typesetting is one aspect of verbal composition. On the one hand, it is a kind of punctuation, not orthographic but rhythmic; on the other, it is the space where the written sign...

One of the great 19th-century English color plate books illustrating the scenery along the Seine. Sauvan, Jean Baptiste Balthazar. Picturesque Tour of the Seine, from Paris to the Sea; with Particulars Historical and Descriptive. London: R. Ackermann, 1821. First Edition. 4to, 13 1/2 x 11 (343 x 280 mm), pp. x, 177, title vignette and 24 hand colored aquatints, map. Later three-quarter yellow levant morocco with fillets, spine decorated in gilt with 5 raised bands and black title label; marbled boards and endpapers, a.e.g.. Spine and boards in very good condition, binding tight and square, text and plates with very occasional spotting. [Abbey, Travel 90; Tooley 445; Bobins, Exotic and the Beautiful II: 548] Condition: Near fine. This is a first printing of one of the great nineteenth-century English color plate books illustrating the scenery along the Seine from Paris to Le Havre. Luminous impressions of the plates, beautifully hand-colored. Engraved by Thomas Sutherland (1785 – 1825) and Daniel Havell (1785 – 1826) from sketches and drawings by Augustus Pugin (1812 – 1852) and John Gendall (1790 – 1865), the illustrations also include a vignette on the title page representing the Château de Rosny (home of the Duchess of Berry...

This edition, enriched by Cara Tice's racy and whimsical illustrations, is an "Exact reprint of the earliest English text" and was printed in Holland by the Johann Ecnchedé en Zonen ...

Cyrano's nose got in the way of his heart. A must-have for collectors of French classics. Rostand, Edmond (1868 – 1918). Cyrano de Bergerac. Paris: Librairie Charpentier et Fasq...

Milne, A.A. (Alan Alexander: 1882–1956). The House at Pooh Corner. London: Methuen & Co. Ltd., 1928. First Edition. Crown 8vo, 7 1/2 x 5 in (192 x 127 mm), pp. 178, full-page and...

One of the most desirable of all nineteenth century color plate books. RARE. Morris, Richard. Flora Conspicua; A Selection of the most ornamental flowering, hard, exotic and indig...

A rare first edition, with near-fine dust jacket of the children's classic. Grahame, Kenneth. The Wind in the Willows; with a frontispiece by Graham Robertson. London: Methuen and Co., 1908. First Edition. 8vo. 7 1/2 x 4 3/4 in. (190 x 120 mm). pp. [1] + viii + 302 + i. Laid paper, deckle edges, t.e.g. With a captioned frontispieces, "And a River went out of Eden", on coated paper after a pen-and-ink drawing by Walford Graham Robertson (1866 – 1948); tissue guard. Original blue-green cloth with gilt illustration on the spine (Toad dressed in a driving outfit and goggles) and upper cover ( Pan playing flute to Rat and Mole by the river) and a single gilt rule on the upper cover. In the second issue publisher's pictorial peach-color dust jacket printed in black with price of 7/6 instead of 6/-.The spine of the dust jacket slightly darkened but in excellent condition with a couple small tears at head expertly repaired on verso; scattered foxing and discoloration to dust jacket and pages, wear to spine edges consistent with age. [Grolier: One Hundred Books Famous in Children's Literature, no.61; Osborne I, p. 349; Hunt p. 45 & 66; Hahn, D. Oxford Companion to Children's Literature, p. 241-242] Condition: Near fine in Near fine dust-jacket. This is the FIRST EDITION with a SCARCE DUST JACKET of one of the essential classics of children's literature. The book is based on bedtime stories that the Scottish-born banker and author Kenneth Grahame...

Milne, A.A. (Alan Alexander: 1882–1956). NOW WE ARE SIX. London: Methuen & Co. Ltd., 1927. First Edition. Crown 8vo, 7 1/2 x 5 in (191 x 125 mm), pp. xi + 103 + colophon. With its...

A classic of mystery literature by one of the Masters, in a very rare intact dust jacket. Berkeley, Anthony. A Puzzle in Poison. New York: The Sun Dial Press, Inc., 1939. Second...

Rare first issue of the first edition for Bernard Shaw’s first published novel. Shaw, George Bernard. An Unsocial Socialist. London: Swan Sonnenschein, Lowery & Co., 1887. First Edition, First Issue. Crown 8vo, 7 3/8 x 5 inches (188 x 126 mm); [4] 256 pp.; original red cloth, stamped in gilt on spine and covers, a little rubbed and soiled, spine slightly faded, hinges weak; dark brown endpapers; foxing on first 2 and last 2 sheets. First edition, first issue with "Author of The Confessions of Byron Cashel's Profession etc. etc." to title and no appendix. Ink inscription of Mrs Walter Crane on half title. [Broad, p. 87; Magill p. 965] This is Shaw's first published novel. It had been serialized in "To-Day, A Monthly Magazine of Scientific Socialism" between March and December of 1884. This printing was promptly canceled, and supposedly only samples for booksellers and travelers had been sent out with this title-page. Having attended a meeting by political economist Henry George in September 1882, Shaw became fascinated with Socialism, read Marx and became a member of the Fabian Society in September 1884, writing their first manifesto later that year. He believed in a more moderate, non-violent form of socialism and believed that socialist ideals could best be achieved by infiltration of people and ideas into existing political parties. In the early 1880s Shaw also began his literary career by writing music and art criticism and began writing novels, of which An Unsocial Socialist was the first published. But as his career as a playwright started taking off in the latter part of that decade, his political activities also decreased. Shaw later explained that he had intended An Unsocial Socialist as the first section of a monumental depiction of the downfall of capitalism. Gareth Griffith, in a study of Shaw's political thought, sees the novel as an interesting record of conditions, both in society at large and in the nascent socialist movement of the 1880s. [Griffith, Gareth. Socialism and Superior Brains: The Political Thought of George Bernard Shaw. London: Routledge, 1993]. The story centers on Sidney Trefusis, a millionaire socialist, who leaves his bride on their wedding day because he fears his passion for her will get in the way of his plans to overthrow the British government. Sidney vanished "underground"--Disguises himself as a common laborer called "Mengels"--and infiltrates Alton College, a girl's school where well-bred young women are "fitted and fatted to be put on the marriage market". His plan: take over the school and plant the seed of radical socialism into the fertile brains of the future consorts of cabinet ministers and kings. What he doesn't plan on is the presence of one Agatha Wylie, a sixth-form rabble-rouser, who falls hopelessly in love with both Sidney and his politics, and just happens to be his deserted wife's cousin. Love triangles, mistaken identities, Marx, Engels, pistols and the proletariat jostle for position. (via LibraryThing) An unusual ASSOCIATION COPY with ink inscription and address of "Mrs Walter Crane" [ie Mary Crane] on the half title. Walter Crane married Mary Andrews in 1871 and after a sojourn in Rome returned to London in 1873 living first in Wood End and then at Beaumont Lodge, Shepherd's Bush (the address she has written in this book). In 1914 Mary...

A lush LIMITED EDITION of Albrech Dürer's woodcuts illustrating the Passion of Christ, printed by OFFICINA BODONI in Verona. Albrecht Dürer. La Passione. Verona: Officina Bodoni...

A lovely SIGNED LIMITED EDITION by the GOLDEN COCKEREL PRESS Bates, H.E. / John Nash ill. Flowers and Faces. Waltham Saint Lawrence: Golden C...

This elegantly decorated Florentine album belonged to the young Dorothy Colles, who received it as a present in 1931 when she was 14 years of age. On the cover Colles notes "This boo...

An exceedingly rare and beautifully-illustrated work by Carl Gustav Jablonsky and JFW Herbst, whose Natursystem is one of the first attempts at a complete survey of exotic and European butterflies, and edited following the system of Carl Linnaeus (1707 – 1778), the father of modern taxonomy, as stated in the subtitle of the work. Jablonsky, Carl Gustav & J.F.W. Herbst. Natursystem aller bekannten in- und ausländischen Insekten: Schmetterlinge; Nach dem System des Ritters Carl von Linné...

This is the FIRST EDITION OF ROBERT FERGUSSON'S POEMS in a very attractive binding. It presents poems in both English (1-84) and Scots (80-121) and includes a Glossary of Scots words...

A very rare DELUXE copy on Japon paper illustrated by James Jacques Tissot with a second set of signed illustrations, from the library of a distinguished French collector, enhanced with signed autograph letters Edmond & Jules de Goncourt, and James Jacques Joseph Tissot. Renée Mauperin; Edition ornée de dix composition à l'eau-forte par James TISSOT. Paris: Charpentier, 1884. Limited Edition. 8vo 10 1/2 x 6 7/8 in. (266 x 175 mm). No. 5 of 20 deluxe illustrated copies printed on imperial japon paper from a total edition of 550. This copy includes 10 original etchings, signed in pencil by James J. Tissot (1836 – 1902) and a second state of each etching, with page number and red ink stamp printed on holla...

This enriched, Extra Illustrated, exquisitely-bound copy of Marcelle Tinayre’s La Maison du péché, illustrated by Henri Jordan, is further enhanced by its esteemed provenance. It will make a distinctive addition to the library of a discerning collector. Marcelle Tinayre, La Maison du péché. Paris: Société du Livre d’Art. Imprimerie Nationale, 1909. Limited Edition. 4to, 10 1/2 x 7 3/4 in. ( 266 x 197 mm); pp. [6], iv, 355, ii, [6]; 67 colored etchings by Henri Jourdain...

Robert Louis Stevenson, Virginibus Puerisque and Other Papers. London: Chatto & Windus for the FLORENCE PRESS, 1910. Limited Edition. 4to, 10 x 7 1/2 in. (253 x 189 mm); [6] leaves, including 1 blank + 120 pp + [2] leaves, including 1 blank. 12 chromolithographed plates by Norman Wilkinson, printed on plate paper and not included in the pagination, legends on tissue guards printed in red. This is COPY no. 4 OF 12 COPIES PRINTED ON VELLUM, as noted on the limitation page, on verso of second leaf: «Of this edition of Virginibus Puerisque / have been printed on Aldwych hand- / made paper 250 copies, of which 235 are / for sale; on vellum 12 copies, of which 10 / are for sale. / Vellum Copy No. 4». Limp vellum binding with four green ties; gilt lettering on spine and upper cover, t.e.g. Very faint spotting to front free endpaper, slight offsetting of ties. Otherwise a pristine copy. Provenance: William Russell Flint (from the family, by descent). [Beinecke, Stevenson 79; Ransom 278:6; Tomkinson 85:6; Prideaux 13] Fine. A splendid edition of Stevenson's first collection of essays which promote a spirit of playfulness in defiance of both the hardships of human life and the restrictions imposed by bourgeois callowness. The volume brought together essays that had been previously published in the Cornhill Magazine and Macmillan’s: “Virginibus Puerisque i” (1876); “ ii” (1881); “iii: On Falling in Love” (1877); “iv: The Truth of Intercourse” (1879); “Crabbed Age and Youth” (1878); “An Apology for Idlers” (1877); “Ordered South” (1874); “Aes Triplex” (1878); “El Dorado” (1878); “The English Admirals” (1878); “Some Portraits by Raeburn” (previously unpublished); “Child’s Play” (1878); “Walking Tours” (1876); “Pan’s Pipes” (1878); “A Plea for Gas Lamps” (1878) The essays inspired Norman WILKINSON (1878 – 1971) to create the 12 striking and lyrical images that accompany the texts. Wilkinson was a British artist, renowned for his poster work and honored by the British Admiralty for coming up with the idea and design for “dazzle camouflage...

From the library of John A. Spoor an elegantly bound Rubáiyát by Club Bindery. Omar Khayyám, Translated by Edward Fitzgerald. Rubáiyát of Omar Khayyám; The Astronomer-Poet of Persia. Rendered into English Verse. London: Bernard Quaritch, 1872. Third Edition. 8vo, 8 1/4 x 6 inches (210 x 153 mm); xxiv, 36, (xiv) pp. Beautiful dark maroon morocco binding by Club Bindery 1892 (gold stamped on bottom of inside cover), gilt titling and gilt fillets on turn-ins and board edges, marbled endpapers, t.e.g. Pictorial bookplate of John A. Spoor 1921 on inside front cover by Emery Walker. Elegantly printed with text within decorative frames on each page. Spine lightly rubbed, small tear to the inside front endpaper. [Potter, 137] Condition: Near Fine Edward Fitzgerald continually revised and rearranged his version of the Rubáiyát, which was first published privately by the author in 1859, through four distinct editions during his lifetime. This third edition settled on 101 quatrains (as opposed to 75 in the first edition and 110 in the second), which is how it solidified. 500 copies were printed. A RARITY. In this third edition the translator is not credited on the title page, nor is the introductory text. Fitzgerald said of his Persian translations that they were "All very well, but very little affairs..." (from the Bibliographical Note in the 1926 Shakespeare Head Press edition, which we are offering, inventory #416) This copy bears the bookplate of Chicago business mogul John A. Spoor. An avid book collector, he assembled a notable and impressive book collection during the late 19th and early 20th century, which was auctioned in 1939 by Parke-Bernet New York over the course of 6 days. The Morgan Library holds a number of books with the Spoor bookplate in its collections. This bookplate was engraved by Emery Walker (1851 – 1933), an engraver, publisher and photographer active in the Arts and Crafts movement, whose work in type design inspired the evolution of private presses in the UK, among them William Morris' Kelmscott...

A lovely example of an intimate 19th century memorabilia album illustrating the era's sensibilities for nature and antiquities, and bound in an exquisite blank album with miniature v...

This handsome SIGNED copy of Les Trophées comes from the celebrated library of the French collector and bibliophile Guy Bigorie, who often collected bibliographic "truffles", in the ...

Vanity Fair; A Novel Without a Hero. With Illustrations On Steel and Wood By the Author. London: Bradbury & Evans, 1848 / Vanity Fair; A Novel Without a Hero. With Illustrations On ...

Catalogue des Porcelaines Françaises de M.J. Pierpont Morgan by M. J. Pierpont Morgan and Xavier R.M. comte de Chavagnac. Paris: Imprimerie Nationale, 1910. Large 4to, 12 x 9 in...

An early illustrated edition of Jerusalem Delivered by Torquato Tasso (1544 – 1595) "La Gerusalemme Liberata; Di Torquato Tasso – Figurata da Bernardo Castello – con le annotationi ...

A lovely Whittington Press edition of POEMS by Seamus Heaney, Melvyn Bragg, D. J. Enright, U A. Fanthorpe, Michael Foot, Duncan Forbes, John Fuller, Seamus Heanery, Michael Horovitz, Ted Hughes, Adrian Mitchell, Jenny Joseph, P J Kavanagh, Laurei Lee, Ptere Levi, Brian Patten, Lawrence Sail, Jon Silkin, Jon Stallworthy, Charles Tomlinson. POEMS FOR ALAN HANCOX Andoversford: Whittington Press, 1993. First, Limited Edition. Royal 8vo, 11 x 7 7/8 in. (280 x 200mm); pp. 41; Two wood engravings by Miriam Macgregor. Number XXXVIII of 50 specially-bound, signed opposite the title-page by each of the 19 contributors, with signed proofs of the two engravings on Zerkall cream wove paper (265 x 190 mm) in a pocket at the back. Set in Goudy Modern and printed in black, the wood-engravings in brown, on Zerkall cream smooth laid paper on the Heidelberg press. Quarter-bound at the fine Bindery in brown Oasis and Whittington printed paper-covered boards, gilt spine titling, headbands, top edge gilt, mauve Hahnenühle endpapers; matching paper-covered slipcase, reinforced in brown buckram at the head and foot. A fine copy in a fine slipcase. [Butcher 118] Condition: fine. An elegant tribute to Alan Hancox was assembled by Alan Tucker...

The Chessplayer & Other Essays by Edward Thomas, with an introduction by R. George Thomas and with two wood-engravings by Hellmuth Weissenborn. Andoversford: Whittington Press, 1981. Limited Edition. Royal 8vo, 9 7/8 x 6 1/8 in. (250 x 155mm); pp. viii +28 + colophon. Two small wood engravings...

THE EQUILIBRIAD by William Samsons with illustrations by Lucian Freud. London: Hogarth Press, 1948. Limited Edition. 8vo, 8 5/8 x 5 5/8 in (220 x 140...

Sur l'eau by guy de maupassant, illustrations by alfred le petit. Paris: A. G. Mornay / Kieffer, 1927. 8vo, 7 3/4 x 6 1/8 in. (197 x 156 mm); pp. ...

This is the FIRST edition, FIRST printing of Gertrude Stein's (1874-1946) FIRST published book and is from the FIRST issue of 700 copies, with a further 300 copies exported to Britai...

According to Eleanor Garvey "The Artist and the Book" (p. 122) this work is "perhaps the most harmonious of Maillol's illustrated books." Aristide MAILLOL, illus.; LONGUS author Daphnis and Chloe; A Most Sweet, and Pleasant Pastoral Romance for Young Ladies, translated out of the Greek of Longus by Geo. Thornley. London: A. Zwemmer [printed in Paris by Philippe Gonin], 1937. Limited Edition. 8vo, 7 3/4 x 5 1/2 in. (200 x 132 mm); pp. vi, 211,colophon,12; Copy 21 of 250 numbered copies on hand-made Maillol paper and SIGNED BY THE ARTIST on the colophon, with 52 original woodcuts, and 4 woodcut initials, printed in bistre; leading and bottom edges deckled. Full vellum with laced-in thongs, gilt lettering on spine, faint; pencil notations and tipped in label from earlier booksellers on inside front cover, edges stained on first 2 and last 2 blanks. EXTRA SUITE of 45 WOODCUTS in a separate vellum portfolio, printed in black. Fine copy in simple cardboard slipcase. Colophon: "Aristide Maillol engraved with his own hand the wood-cuts which illustrate this book, The text is that of Thronley's translation of 1657, revised and augmented. Philippe Gonin of Paris undertook the achievement of this work, and printed it on his hand-press, for A. Zwemmer, London. Paris December 7th, 1937", followed by MAILLOL'S SIGNATURE IN PENCIL. Garvey 174; Garvey Wick 22; BNF32393010 Condition: FINE An ancient Greek novel written during the Roman Empire, the only known work of the 2nd century AD Greek novelist and romance writer Longus, translated by George Thornley...

One of the forever-classics of world literature interpreted in a highly decorative Art Nouveau style, with color printing, gold frames on every page, and orientalist sepia wood engravings to illustrate the stories. Ovid / Ovide. Lettres d...

Les Pastorales by Theocritus / Théocrite, illustrated and with unique binding by Kieffer, René Les Pastorales; Traduites intégralement par Gabriel Soulages. Bois originaux de J.-B. ...

Gore Vidal, WILLIWAW New York: E. P. Dutton & Co., 1946. First edition, first printing Measures: 8vo, 8 x 5 1/2 in. (223 x142 mm); pp. 222 . Original black cloth, titles on spine and front board in bright blue ink, top edge black. Original dust jacket in very good condition, lightly rubbed at extremities, price clipped; back endpaper lightly tanned. INSCRIBED COPY, signed by the author on the title page to Harvey Donogan and SIGNED again in blue ink on the dust jacket next to his author photo...

Charles BAUDELAIRE. "Les Fleurs du Mal" Paris: A. Ferroud - F. Ferroud, 1910. 4to, 10 1/8 x 7 3/8 inches (258 x 188 mm); pp. 292 + vi + advertisement; uncut and partly unopened. So...

Samuel Taylor Coleridge. Zapolya: A Christmas Tale; in Two Parts: The Prelude entitled "The Usurper's Fortune;" and The Sequel, entitled "The Usurper's Fate." London: Rest Fenner, ...

LEON BAKST, Inedited Works of Bakst; Essays on Bakst by Louis Reau, Denis Roche, V. Svietlov and A. Tessier. New York: Brentano's, 1927. FIRST, LIMITED EDITION Folio, 12 3/8 x 9 3/4 inches (315 x 248 mm); pp. 127, [2]; THIS IS NO. 59 of 600 COPIES PRINTED; Alternative title page: The art of Bakst / by V. Svietlov; half-title: Bakst; in variant contemporary pebbled blue library...

Giovanni Pietro Olina. UCCELLIERA; Overo discorso della natura e proprietà di diversi uccelli e in particolare di que' che cantano, con il modo di prendergli, conoscergli, allevargli, e mantenergli. Rome: Andrea Fe, 1622. FIRST EDITION. Large Octavo, 9 3/16 x 6 7/8 inches (232 x 175 mm);pp. XI + 161 + [12], including 66 full-page engraving of which 43 represent individual birds and 23 illustrate the materials about trapping and caring for birds; woodcut initials & tail-pieces, light offsetting as typical, a little browned, a few stains, A7 lacking small portion from inner margin, E4 with small paper flaw holes at head just touching head-line; 18th century diced russia, rebacked, flat spines divided into panels by single gilt rules, gilt title and publication year, rubbed, corners worn, gilt-rolled turn-ins, marbled endpapers. Front pastedown with the engraved armorial bookplate of Thomas Philip Earl de Grey...

Alfred de Vigny. LES DESTINÉES; Précédés de Moïse. Paris: Edouard Pelletan, 1898. Limited Edition. Quarto, 11 3/4 x 9 3/4 in (300 x 248 mm), 196 pp., red crushed morocco, boards ...

Kane, Paul (1810-1871) Wanderings of an Artist Among the Indians of North America; From Canada to Vancouver Island and Oregon Through the Hud...

Ackermann, Rudolph and William Combe (text). The History of the Abbey Church of St. Peter's Westminster; Its Antiquities and Monuments. London: R. Ackermann, 1812. First Edition, second issue. In Two volumes, large 4to; 12 3/4 x 10 3/4 in. (325 x 272 mm), with all 83 plates, 81 of which are colored aquatints by J.Bluck, J.Hamble, T.Sutherland and others, after A.Pugin, F.Mackenzie, H.Villiers, T.Uwins, &c. Includes the half-titles; list of subscribers and arrangement of plates. Vol. 1 pp. xx + 330 + vi index, and 4 plates–2 colored aquatint plates and 2 uncolored engravings of a) floorpan b) portrait of William Vincent...