Wind in the Willows, by Kenneth Grahame, First Edition with Dust Jacket

New York: Charles Scribner's Sons, 1934 8vo, 7 1/2 x 5 1/2 inches (190 x 132 mm); pp. vii + 408, printed in Old Style type on wove paper; pen and ink drawings (33 head-pieces and 35 ...

This American edition of Isherwood's two novels [The Last of Mr. Norris and Goodbye Berlin] set in Weimar-era Berlin, were originally published by the Hogarth Press...

This is the FIRST edition, FIRST printing of Gertrude Stein's (1874-1946) FIRST published book and is from the FIRST issue of 700 copies, with a further 300 copies exported to Britai...

Gore Vidal, WILLIWAW New York: E. P. Dutton & Co., 1946. First edition, first printing Measures: 8vo, 8 x 5 1/2 in. (223 x142 mm); pp. 222 . Original black cloth, titles on spine...

Vanity Fair; A Novel Without a Hero. With Illustrations On Steel and Wood By the Author. London: Bradbury & Evans, 1848 / Vanity Fair; A Novel Without a Hero. With Illustrations On ...

One of the great 19th-century English color plate books illustrating the scenery along the Seine. Sauvan, Jean Baptiste Balthazar. Picturesque Tour of the Seine, from Paris to the Sea; with Particulars Historical and Descriptive. London: R. Ackermann, 1821. First Edition. 4to, 13 1/2 x 11 (343 x 280 mm), pp. x, 177, title vignette and 24 hand colored aquatints, map. Later three-quarter yellow levant morocco with fillets, spine decorated in gilt with 5 raised bands and black title label; marbled boards and endpapers, a.e.g.. Spine and boards in very good condition, binding tight and square, text and plates with very occasional spotting. [Abbey, Travel 90; Tooley 445; Bobins, Exotic and the Beautiful II: 548] Condition: Near fine. This is a first printing of one of the great nineteenth-century English color plate books illustrating the scenery along the Seine from Paris to Le Havre. Luminous impressions of the plates, beautifully hand-colored. Engraved by Thomas Sutherland (1785 – 1825) and Daniel Havell (1785 – 1826) from sketches and drawings by Augustus Pugin (1812 – 1852) and John Gendall (1790 – 1865), the illustrations also include a vignette on the title page representing the Château de Rosny (home of the Duchess of Berry...

Salinger, J. D. The Catcher in the Rye. Boston: Little, Brown and Company, 1951. First edition, first issue. Octavo. In the original publisher’s black cloth boards, with gilt titles to the spine. In the original publisher’s first issue dust jacket. Presented with an archival clamshell case. This is a very collectible first edition, first issue printing of J. D. Salinger’s novel The Catcher in the Rye. The book was published by Little, Brown and Company in Boston, on July 16, 1951. This book is presented in its original black cloth boards and original first issue dust jacket with $3.00 price on the front flap and with the Lotte Jacobi photo credit on Salinger’s portrait on the rear panel. This first edition, first issue is without “Reprinted July 1951” on the copyright found in later issues. The Catcher in the Rye details two days in the life of 16 year old Holden Caulfield, after he is expelled from his school. Confused and disillusioned, Holden is both intrigued and repelled by the trappings and realities of adulthood. An immediate success upon its publication in 1951, and popular with young readers since, the book has sold over 65 million copies. Since the book’s publication, Holden Caulfield has entered the pantheon of American literary heroes. Very few works of art have had the cultural and literary impact of Salinger’s novel. “The Catcher in the Rye was a symptom of a need, after a ghastly war and during a ghastly pseudo-peace, for the young to raise a voice of protest against the failures of the adult world. The young used many voices--anger, contempt, self-pity--but the quietest, that of a decent perplexed American adolescent, proved the most telling" (Anthony Burgess, 99 Novels, pp. 53-54). CONDITION: Good condition overall. Octavo. In the original publisher’s black cloth boards with gilt titles to the spine. The boards show slight wear to the edges, minor creasing to the spine, and some light spotting to the edges. In the original publisher’s first issue dust jacket. Dust jacket has minor separation along the front flap panel fold, some toning, minimal soiling, and chipping with loss to "th" in "the" and touching the "E" in "CATCHER" on the spine. The dust jacket is not price-clipped. Interior pages are mostly healthy, save light toning. Book has a previous owner’s inscription “Harry Weber...

Fleming, Ian. The Diamond Smugglers. London: Jonathan Cape, 1957. Octavo. First edition, first impression. In the original dust jacket and original black cloth-textured boards. Prese...

Churchill, Winston, The Second World War. London, 1948-1953: Cassell & Co. Ltd. All first editions, first issues. 6 vols. All volumes in original dust jackets...

Hemingway, Ernest. A Farewell to Arms. New York: Charles Scribner's Sons, 1929. First trade edition, first issue. In the original first-state dust jacket and publisher’s black cloth boards. Presented in a new archival ¼ leather and cloth clamshell case, with raised bands, gilt tooling, and titles to the spine. Presented is a first trade edition, first issue of Ernest Hemingway’s A Farewell to Arms. The book was published by Charles Scribner’s Sons in New York, in September of 1929. This first printing is presented with its original first issue dust jacket. The dust jacket, as designed by Cleonike Damianakes Wilkins, is considered by many to be one of the greatest of the 20th century and rivals even The Great Gatsby in its collectibility. Set during World War I, A Farewell to Arms tells the story of a young American Lieutenant serving as an ambulance driver in Italy struggling through love and war. The story is told through first person narration detailing many aspects of war that would have been very familiar to readers at the time, as the book was published only 11 years after the 1918 armistice. The simple, direct tone his character uses when giving his unromanticized account of the war later defined Hemingway’s writing style. A Farewell to Arms is loosely based on Hemingway’s own experiences. The author briefly served overseas as an ambulance driver in the Italian Army, sustained injuries, and met a nurse who he eventually proposed marriage to but was declined. The novel’s post-war disillusionist subject assigned Hemingway to the “Lost Generation” of Modernist artists. A Farewell to Arms was Hemingway’s most successful publishing venture to date. Charles Scribner's Sons issued seven impressions of the novel in the short time between September and December of 1929, with over 100,000 volumes sold. The novel secured Hemingway’s place as a popular American author and became his first bestselling book. Ernest Hemingway (1899-1961) was an American author and journalist. His distinctive writing style, characterized by economy of words and dry understatement, strongly influenced 20th-century fiction, as did his life of adventure and his public image. Hemingway produced most of his work between the mid-1920s and the mid-1950s, winning the Nobel Prize in Literature in 1954. Hemingway published seven novels, six short story collections, and two non-fiction works during his lifetime; a further three novels, four collections of short stories, and three non-fiction works were published posthumously. Many of his works are now considered classics of American literature. The book’s striking dust jacket design was illustrated by the artist Cleonike Damianakes Wilkins, who worked under the pen name of Cleon. Wilkins was known for her distinctive fusion of Art Deco and Hellenistic styles. She designed the dust jackets for Hemingway’s earlier The Sun Also Rises in 1926 and his later publication In Our Time in 1930, as well as Conrad Aiken’s Great Circle, F. Scott Fitzgerald’s All the Sad Young Men,and Zelda Fitzgerald’s Save Me the Waltz. Wilkins was chosen by Hemingway’s celebrated editor at Scribner’s, Maxwell Perkins. In order to differentiate Hemingway’s tale from other, competing WWI novels on the bookshop shelves, Perkins sought to widen its appeal through the dust jacket. The resulting design was Wilkins’ interpretation of Sandro Botticelli’s epic oil painting “Venus...

Fleming, Ian. The Spy Who Loved Me. London: Jonathan Cape, 1962. First edition, first printing. Octavo. Presented in the publisher's original dust jacket and original black cloth boa...

Mitchell, Margaret, Gone with the Wind. New York: The Macmillan Company, 1937. First edition, thirty-third printing. Octavo. Handsomely rebound in full navy Moroccan leather with gi...