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Robert Funk Fine Art Nude Sculptures

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Erotic Sexual Mythological Marble Figural, Nude woman, Bacchante and Satyr Herm
Located in Miami, FL
Bacchic revelry. A sexy and nude curvaceous young Nymph/Bacchante makes amorous advances to a Herm - whose facial expression reflects her erotic touch. The Herm is stylized where his...
Category

Mid-19th Century Old Masters Nude Sculptures

Materials

Marble

Victory - Athletic Young Man in Classical Pose, ( Female Sculptor )
By Evelyn Beatrice Longman
Located in Miami, FL
Evelyn Beatrice Longman was a trailblazing female artist getting major commissions at the very begining of the 20th century. Having lived in New York City, I used to walk by the life size version of this in Philip Johnson's ATT Building and it left me breathless every time. This classical bronze statue of a victorious and handsome young man is called "Victory...
Category

Early 1900s Academic Figurative Sculptures

Materials

Bronze

Phryne - Marble Bust of a Beautiful Young Woman Perfect Silhouette Art Nouveau
By Emmanuel Villanis
Located in Miami, FL
Emmanuel Villanis was well known primarily for his bronzes of beautiful young women. With Phryne, the sculptor is working in marble. Since stone is not in the least forgiving, it's...
Category

1890s Art Nouveau Figurative Sculptures

Materials

Marble

Art Deco Bronze , French Nude Girl Dancer Danseuse
By Francois Emile Popineau
Located in Miami, FL
Feminine Nude Bronze with black patina Signed on Base 31 inches Paris Listed in Major Art books Iconic pose of both arms pressed close to the body with ...
Category

1930s Art Deco Nude Sculptures

Materials

Bronze

Nude Male Runner Bronze patinated Classical After the Antique
Located in Miami, FL
Beautifully proportioned and handsome nude male bronze with Roman classically refined features after the Antique . It looks best with a key lighting th...
Category

20th Century Old Masters Nude Sculptures

Materials

Bronze

Art Deco Diana
By Hans Harry Liebmann
Located in Miami, FL
This is a rare statement piece that commands that eye. It is of museum quality will be the centerpiece of any space. Masterfully crafted details of the human form are finely rendered...
Category

1910s Art Deco Nude Sculptures

Materials

Bronze

Art Deco Bronze Nude Girl with Fawn, Amazon with Fawn
By Pierre Traverse
Located in Miami, FL
Signed on base. This was exhibited at the Goldscheider Pavilion at the 1925 Paris Exhibition Marble base has loss to right edge and very small lose to center edge. , Bronze is in ve...
Category

1920s Art Deco Nude Sculptures

Materials

Bronze

Nude Girl Venus doves grapes Art Deco Vénus Bronze colombes aux raisins
By Auguste Gilbert Privat
Located in Miami, FL
The present work personifies high-end Art Deco. It has a wonderful deep, rich green patina and commands the eye in any room. It looks better in person and is quite heavy. signed an...
Category

1920s Art Deco Nude Sculptures

Materials

Bronze

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Pietro Bazzanti, Italian 19th Carved Marble Figure Semi-Nude Young Bather Girl
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Located in LA, CA
Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - A very Fine and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble genre scenes and allegorical figures as well as copies of antique and Renaissance sculpture catered to a prominent international clientele which included European and Russian aristocracy, and the Industrial fortunes being made in England and Americas drove considerable export demand. In 1861 the studio was awarded the medal for 'Ercole con cinghiale sulla spalla' (Hercules with boar on shoulder), 'Due Cani' (Two dogs) and 'Cinghiale' (Boar) sculptures at the National Exposition in Florence. In 1874 he exhibits his works in London and in 1876 in Philadelphia. Bazzanti frequently returned to the subject of 'After the Bath' or 'The Bather' in his works, having carved examples of the bathing Venus after the Antique and in dynamic and dramatic compositions such as the present sculpture. The finely-detailed work relates closely to popular figures produced by Bazzanti’s contemporary, Cesar Lapini, whose La Sopresa depicts a young woman stepping back from approaching waves. The sculptor’s penchant for realism is on full display with the contrasting matte and highly-polished finishes of the gently lapping waves at the figure’s feet, to the jutting rocks and soft skin. Elegant handling of textures is further exemplified in the draped fringe of the cloth. This monumental and Fine work is illustrated in situ at Bazzanti’s studio circa 1900 among other fashionable works of the period. Notes: Pietro Bazzanti was also known as Pietro Barzanti. There are conflicting dates of Pietro Bazzanti/Barzanti's birth/death year. Some auction houses and art galleries have described 'Pietro Barzanti' as Italian, 1842–1881 and Pietro Bazzanti as Italian, 1825-1895. However, according to Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78, 'Pietro Barzanti' was in fact 'Pietro Bazzanti' one and the same, and it questions his year of his birth/death as "Firenze (?), ?, ?." thus we believe that the Italian, 1825-1895 description is the most plausible. Literature: Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78. Auctions: Another example of this sculpture, probably also Pietro Bazzanti but almost a foot shorter (Height 44¾ in. (113.5 cm), unsigned and without its pedestal, was sold at Christie's New York, 19th Century Furniture, Sculpture, Works of Art and Ceramics Sale...
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Materials

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