Robin Rice Gallery Fine Photography Black and White
to
327
289
37
50
14
Overall Width
to
Overall Height
to
118
599
3
21
88
518
72
1
374
319
24
407
187
174
151
137
129
103
84
80
80
76
72
71
62
59
50
50
50
49
47
381
338
211
92
49
93
89
40
37
30
2
467
717
Luke, Flying Point, VA
By Gordon Stettinius
Located in Hudson, NY
FramListing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition.
The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but.
Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...
Category
21st Century and Contemporary Black and White Photography
Materials
Silver Gelatin
Pole Dancer, St. Louis, MO
By Gordon Stettinius
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Black and White Photography
Materials
Silver Gelatin
Best Friends Day, Richmond, VA
By Gordon Stettinius
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition.
The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but.
Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...
Category
21st Century and Contemporary Black and White Photography
Materials
Silver Gelatin
Yoda's Garden, Richmond, VA
By Gordon Stettinius
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 15.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition.
The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but.
Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...
Category
21st Century and Contemporary Black and White Photography
Materials
Silver Gelatin
Seafood Truck, US Route 1, ME
By Gordon Stettinius
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition.
The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but.
Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...
Category
21st Century and Contemporary Black and White Photography
Materials
Silver Gelatin
Giant Baby, Phoenix, AZ
By Gordon Stettinius
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Black and White Photography
Materials
Silver Gelatin
Fast Money, US Route 1, FL
By Gordon Stettinius
Located in Hudson, NY
Black and White, American, Sky, Trees, b&w, black & white, architecture, florida, route, road, vignette, rural, americana, building, abandoned, deserted, small town, photograph, photography
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition.
The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but.
Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...
Category
21st Century and Contemporary Black and White Photography
Materials
Silver Gelatin
Big Tooth, Trenton, NJ
By Gordon Stettinius
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition.
The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but.
Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...
Category
21st Century and Contemporary Black and White Photography
Materials
Silver Gelatin
Hope, Fort Pierce, FL
By Gordon Stettinius
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition.
The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but.
Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...
Category
21st Century and Contemporary Black and White Photography
Materials
Silver Gelatin
Hands, Maui, Hawaii
By Lance Clayton
Located in Hudson, NY
Black and White, Water, Women, b&w, black & white, ocean, swimming, hands, moody, vignette, blur, swimming, sky, weather, photograph, photography, maui, hawaii, american, america
Li...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
New Lake, West Desert, Utah
By Lance Clayton
Located in Hudson, NY
Black and White,, Landscape, b&w, black & white, desert, blur, utah, america, american, vignette, walking, outdoors, sky, clear sky, nature, new lake
Listing is for UNFRAMED print. ...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Float, Lava Hot Springs, Idaho
By Lance Clayton
Located in Hudson, NY
Black and White, Women, Water, Lance Clayton, outdoors, nature, hand, idaho, hot springs, b&w, woman, water
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In this exhibition, Lance Clayton’s aquatic, figurative photographs contain an attention to detail that leaves the viewer constantly discovering new information within them. His oblique compositions are a profusion of the quirky, the surreal, and the ambiguous, all of which are permeated by a haunting presence. Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination.
The invitational image, “Swim”, is an illustrative shot of a man doing the butterfly stroke, his back to the viewer with arms powerfully extended across the frame, as if to embrace the open, infinite skies above him. The grainy quality of the piece is created using a dark room technique in which tissue is layered upon the photograph, creating an allover ethereal atmosphere reminiscent of Edward Steichen’s early work.
Another image, “Rungs”, photographed in Lake Okeechobee, Florida, shows a rusty silver pool ladder descending into a vista of midnight blue water. The highlights and reflections in the water, however, resemble the night sky and thereby disorient the viewer’s perspective. The piece entitled "Kim, Orem, Utah” expresses some of Clayton’s more hauntingly sensual themes. The photograph displays a woman floating in a pool, her darkly lit face above the water and her serpentine body below. The sinister, yet lyrical, mood of the photograph is largely emblematic of the entire collection exhibited.
Clayton’s inspiration is primarily grounded in dreams, with references to notable artists such as Diane Arbus, George Hurrell, and Duane Michaels...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Tri, Hyrum, Utah
By Lance Clayton
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In this exhibition, Lance Clayton’s aquatic, figurative photographs contain an attention to detail that leaves the viewer constantly discovering new information within them. His oblique compositions are a profusion of the quirky, the surreal, and the ambiguous, all of which are permeated by a haunting presence. Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination.
The invitational image, “Swim”, is an illustrative shot of a man doing the butterfly stroke, his back to the viewer with arms powerfully extended across the frame, as if to embrace the open, infinite skies above him. The grainy quality of the piece is created using a dark room technique in which tissue is layered upon the photograph, creating an allover ethereal atmosphere reminiscent of Edward Steichen’s early work.
Another image, “Rungs”, photographed in Lake Okeechobee, Florida, shows a rusty silver pool ladder descending into a vista of midnight blue water. The highlights and reflections in the water, however, resemble the night sky and thereby disorient the viewer’s perspective. The piece entitled "Kim, Orem, Utah” expresses some of Clayton’s more hauntingly sensual themes. The photograph displays a woman floating in a pool, her darkly lit face above the water and her serpentine body below. The sinister, yet lyrical, mood of the photograph is largely emblematic of the entire collection exhibited.
Clayton’s inspiration is primarily grounded in dreams, with references to notable artists such as Diane Arbus, George Hurrell, and Duane Michaels...
Category
21st Century and Contemporary Photography
Kim Bubbles
By Lance Clayton
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Kim Feet
By Lance Clayton
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Abstract Paintings
Kim, Orem, Utah
By Lance Clayton
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Photography
Swim, Bear Lake, Utah
By Lance Clayton
Located in Hudson, NY
Black and White, Men, Swimming, Water, blur, sepia, black & white, b&w, motion, movement, swim, lake, utah, american, photography, photograph
Listing is for UNFRAMED print. Inquire ...
Category
1990s Photography
Materials
Archival Pigment
View, Lake Okeechobee, Florida
By Lance Clayton
Located in Hudson, NY
Black and White, Water, Sky, dock, diving, lake, florida, water, b&w, black & white, photography, photograph, still life, clear skies
Listing is for UNFRAMED print. Inquire within f...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Sandbox
By Mindaugas Gabrenas
Located in Hudson, NY
Black and White, Beach, Sky, Landscape, Figurative, reflection, b&w, black & white, beach, figure, landscape, portrait, high contrast, water, sky, clouds, weather, water, beach, mirr...
Category
21st Century and Contemporary Photography
Materials
Silver Gelatin
Wemen
By Paul Dagys
Located in Hudson, NY
Black and White, Rural, Women, Children, landscape, figurative, American, woman, rural, sign, hick, america, writing, black & white, b&w, vignette, high contrast, contrast, rural
Li...
Category
21st Century and Contemporary Black and White Photography
Materials
Archival Pigment
Paget #1, 1990
By Todd Burris
Located in Hudson, NY
Black and White, Women, Portrait, Fashion, b&w, woman, black & white, fashion photography, photograph, high contrast, editorial, portrait, makeup, beautiful
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous.
Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment.
The collection of black and white images conveys a sense of effervescence and
Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City.
Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more.
In “Mercer Street. NYC" we are taken back to the darker days of soho in 1992. A woman is shot from behind, walking down the gravel filled street in a long white flowing cloak, There is a patina of glamour set in the grit of real life. This sense of asymmetry threads throughout the exhibit,
Some of the prints have a purposefully grainy and soft contrast, reminiscent of a newspaper photo. Burris manipulates the film during developing to create an “un-reproduced” effect. The heavy use of toned black and white and selective focus the photographs have a distinctive grainy texture that is reminiscent of a newspaper print.
After completing his degree in Photojournalism, Todd left hometown Nashville in 1985 for New York, where he assisted photographer Bill King among others for several years before heading to Milan to strike out on his own. Within months he was shooting for magazines Amica, Grazia and Cento Cosa. He stayed for three years before returning to New York. There, he picked up Glamour, Mademoiselle, YM and several commercial clients that he worked with for years before taking a hiatus in 1993 to start a fine art career; something he had wanted to do since he was a student. He went to Los Angeles, and produced a body of work that he has shown since in various group shows as well as a solo show with his gallery Robin Rice in New York. He has sold many of these images to the corporate collections of NY, China and Tokyo Polo Ralph Lauren, Bloomingdales, Macys and London’s Connaught Hotel...
Category
1990s Photography
Materials
Archival Ink, Archival Paper
Jilian Flowers
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 5.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Hurricane Danny
By Lynda Churilla
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...
Category
21st Century and Contemporary Black and White Photography
Materials
Archival Pigment
Jane
By Amy Postle
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Arc de Triomphe, Paris
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Landmark, Paris, France, landscape, urban. Europe, night, evening, city lights, paris, tree, night, landmark, architecture, arch, europe, european, black & white, b&...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Garment District, New York City
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Urban, New York, City Lights, Night, Cityscape, garment district, nyc, black & white, b&w, light ray, people. city, vignette, noir, walking, city, sunlight, high con...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Ordos City, Inner Mongolia, China
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Urban, City, China, Cityscape, mongolia, china, smoke, landscape, still life, black & white, b&w, high contrast, vignette, noir, urban photography, asia
Listing is ...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Boulder City, Nevada
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, American, Landscape, Sky, nevada, america, boulder, still life, landscape, photography, b&w, black & white, quiet, rural, photography, high contrast, vignette, rural...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Catacombs, Paris
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Paris, France, Landmark, Europe, vignette, black & white, b&w, catacombs, still life, skull, photography, high contrast
Listing is for UNFRAMED print. Inquire withi...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Seine River, Paris
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Woman, Paris, fashion photography, b&w, black & white, street photography, moody, vignette, river,
Listing is for UNFRAMED print. Inquire within for framing.
Edi...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Dodger Stadium, Los Angeles
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Sports, Panorama, Landmark, Los Angeles, City Lights, Nighttime, Stadium, City, baseball, stadium, stadium photography, aerial, night, black & white, b&w, photograp...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Sacre Coeur, Paris
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Men, Landmark, Paris, france, vignette, high contrast, black & white, black & white, angle, landmark, photograph, photography, european, europe, man, still life, str...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Columbus Circle, New York City
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Landmark, New York, new york city, high contrast, vignette, columbus circle, landmark, blur, sky, panoramic, photograph, photography, b&w, black & white
Listing is ...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
City Hall, Los Angeles
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, California, Los Angeles, Landmark, Night, california, noir, black & white, b&w, american, americana, high contrast, building, landmark, architecture, street lights
...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Subway Station, New York City
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Abstract, New York, motion blur, crowd, manhattan, subway, new yorker, new yorkers, blur, high contrast, black & white, b&w, motion, vignette
Listing is for UNFRAME...
Category
21st Century and Contemporary Black and White Photography
Materials
Archival Pigment
Lower Manhattan, New York City
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, New York, Night, Landscape, NYC, City Lights, Motion, bridge, cityscape, cars, b&w, black & white, vignette, urban photography, high contrast, motion blur, highway, ...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
San Fernando Valley, Los Angeles
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Car, Urban, Los Angeles, Sky, american, b&w, black & white, urban photography, vehicle, bikes, driving, bicycle, motion blue, vignette, van, high contrast, California
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Since the inception of Sunshine & Noir in 2001, Alleman has shot extensively in Los Angeles, New York, San Francisco and other American cities. In his latest iteration Alleman takes a detour beyond the frenetic landscapes of urban America into Paris - playfully guiding the viewer through a simultaneously familiar and foreign geography.
In the exhibition, square and panoramic landscapes and iconic landmarks stretch across the gallery, where Alleman creates intrigue by re-expressing instantly recognizable subjects. Images with blurred, vignetted edges epitomize his surrealist style, haunting throughout the series. His artful mastery at capturing movement is seen in the invitational image, San Fernando Valley...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
California Theater Marquee, Los Angeles
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, California, Los Angeles, Panoramic, Landscape, Abstract, American, LA, Californian, Theater, Landscape Photography, Still Life, Sign, California Sign, b&w, black & white, film photography, vignette, high contrast, california, letters
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 15.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Since the inception of Sunshine & Noir in 2001, Alleman has shot extensively in Los Angeles, New York, San Francisco and other American cities. In his latest iteration Alleman takes a detour beyond the frenetic landscapes of urban America into Paris - playfully guiding the viewer through a simultaneously familiar and foreign geography.
In the exhibition, square and panoramic landscapes and iconic landmarks stretch across the gallery, where Alleman creates intrigue by re-expressing instantly recognizable subjects. Images with blurred, vignetted edges epitomize his surrealist style, haunting throughout the series. His artful mastery at capturing movement is seen in the invitational image, San Fernando Valley, LA, where a van is swallowed by a mass of twisted bicycles. The blurred clouds above give the illusion that the broken down vehicle is actually racing down the highway. This interesting paradox of a decrepit van seemingly in lively motion reflects Alleman’s trademark style - quirky, humorous, and often nostalgic.
His love for the ironic and misplaced becomes further evident in the panoramic California Theater Marquee...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Effiel Tower, Paris, 2012
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Paris, France, Landmark, Urban, City, Nighttime, City Lights, Europe, Eiffel tower, night, city photography, noir, vignette, b&w, black & white, landmark, paris, eur...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Swayback
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...
Category
21st Century and Contemporary Contemporary Portrait Photography
Materials
Archival Pigment
Marcy
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady...
Category
21st Century and Contemporary Contemporary Nude Photography
Materials
Archival Pigment
Kaitlin and Tomato
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...
Category
21st Century and Contemporary Contemporary Nude Photography
Materials
Archival Pigment
Ben
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...
Category
21st Century and Contemporary Contemporary Portrait Photography
Materials
Archival Pigment
Meagan Rose
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott...
Category
21st Century and Contemporary Contemporary Nude Photography
Materials
Archival Pigment
Blossfeldt Fern
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Amelia
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 5.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott...
Category
21st Century and Contemporary Contemporary Portrait Photography
Materials
Archival Pigment
Kristen in Trees
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Archival Pigment
Brittany With Teacup
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Nude Photography
Materials
Archival Pigment
Megan Pheasant
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category
21st Century and Contemporary Contemporary Portrait Photography
Materials
Archival Pigment
Amanda and Poppy Pods
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Portrait Photography
Materials
Archival Pigment
Simon
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Portrait Photography
Materials
Archival Pigment
Simon
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Portrait Photography
Materials
Archival Pigment
Amanda Sitting
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Nude Photography
Materials
Archival Pigment
Sonja Day 1
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Portrait Photography
Materials
Archival Pigment
Sonja Day 1
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Portrait Photography
Materials
Archival Pigment
Aja
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
No Name
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Still Life
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Photography
Materials
Photographic Paper, Archival Pigment
Kristen in Gords
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Archival Pigment
Caitlin Flowers
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Portrait Photography
Materials
Archival Pigment
