Side-Gallery Seating

Sam Chermayeff Stool From the series “Concept Kitchen” Produced in exclusive for SIDE GALLERY Manufactured by Bagnara Italy, 2020 Pannonia Grün marble Contemporary Design M...

Stool model “Snuffles” Manufactured by Nick Weddell Produced in exclusive for Side Gallery New York City, 2022 Stoneware and glaze Nicholas Weddell wakes up one morning from u...

Faye Toogood Roly-poly daybed raw London, 2018 Fiberglass Edition of 4 of 8 Measurements: 200cm wide x 85cm deep x 90cm height 78.74in wide x 33.46in deep x 35.43in height...

Sam Chermayeff Chair With Umbrella From the series “Beasts” Manufactured by ERTL und ZULL Berlin, 2021 Galvanized steel, high polished steel, upholstery Contemporary Design ...

Sam Chermayeff Chair with light From the series “Beasts” Produced in exclusive for Side Gallery Manufactured by ERTL und ZULL Berlin, 2021 Galvanized steel, high polished stee...

Sam Chermayeff Club chair From the series “Beasts” Produced in exclusive for Side Gallery Manufactured by ERTL und ZULL Berlin, 2021 Galvanized steel, black vinyl upholstery C...

Roly-poly chair raw London, 2018 Fiberglass. Measurements: 85cm W x 59cm D x 61 H cm 33.46 in W x 23,22in D x 25.40 H in Concept Her furniture ...

Côme Clérino Bar stool model "Le Solitaire Blue" Contemporary Design Manufactured by Côme Clérino Produced in exclusive for Side Gallery Paris (France), 2021 Polystyrene, stainless, steel, plaster, oakum, ceramic, enamel, tile joint, electronic components, polyester resin, fiberglass, wood and PU foam. Measurements Option for measurements made to order 33 cm diameter x 88 cm height (57 cm seat height) 13 in diameter x 34,64 in height (22,44 in seat height) Edition Unique Piece Côme Clérino (1990, Paris) lives in Paris and works in Pantin, France. After graduating from the École Nationale Supérieure des Beaux-Arts de Paris in 2016, he developed a multidisciplinary practice shaking up the academic definition of painting and integrating photography, drawing, sculpture, ceramics, textiles and installation. In 2017, he presented his first solo exhibition, Voir au verso, at Les Gens Heureux gallery in Copenhagen. In 2018, after a new solo exhibition, Emulsilfy(ing), at the Castellana 22 gallery in Madrid, he was nominated for the International Painting Prize of Vitry-sur-Seine. In 2019, he presented his first solo show in France, Et si on passait les meubles par la fenêtre?, at the Double V Gallery...

Practice stool Manufactured by R3PM3 Hangzhou (China), 2021 High density foam, PU coating Zhou Yilun Contemporary Black Chinese contemporary design stool Measurements 45 cm diameter x 36 cm height 17,71 in diameter x 14,17 in height Edition Unique piece Zhou Yilun (b. 1983, Hangzhou, China) lives and works in Hangzhou. Zhou graduated in 2006 from the oil painting department at China Academy of Art. His works are formed from a bricolage of identity, as he lifts and distorts techniques inherited from the Renaissance, Baroque, and Romantic eras—revisiting, perverting, and parodying their ideas for the new globalist regime. He has recently exhibited at the KWM artcenter in Beijing, China (2018), appearing in The Post Southern Song Dynasty...

Zhou Yilun Chair from the series "Animal Chairs" Contemporary Chinese chair Manufactured by R3PM3 Hangzhou (China), 2021 High density foam, PU coating Measurements: 60 cm x 60 cm x 100 H cm 23.62 in x 23.62 in x 39.37 H in Edition Unique piece Zhou Yilun (b. 1983, Hangzhou, China) lives and works in Hangzhou. Zhou graduated in 2006 from the oil painting department at China Academy of Art. His works are formed from a bricolage of identity, as he lifts and distorts techniques inherited from the Renaissance, Baroque, and Romantic eras—revisiting, perverting, and parodying their ideas for the new globalist regime. He has recently exhibited at the KWM artcenter in Beijing, China (2018), appearing in The Post Southern Song Dynasty...

Zhou Yilun Contemporary blue chair Chinese Contemporary design From the series "Animal chairs" Manufactured by R3PM3 Hangzhou (China), 2021 High density foam, PU coating M...

Zhou Yilun Contemporary Chinese chair From the series "Animal chairs" Manufactured by R3PM3 Hangzhou (China), 2021 High density foam, PU coating Mesurements 80 cm x 50 cm x ...

Zhou Yilun "Animal Chair" Contemporary Chinese design chair From the series "Animal chairs" Manufactured by R3PM3 Hangzhou (China), 2020 High density foam, PU coating Measurements: 80 cm x 70 cm x 100 H cm 31.5 in x 27.5 in x 39.37 H in Edition Unique piece Zhou Yilun (b. 1983, Hangzhou, China) lives and works in Hangzhou. Zhou graduated in 2006 from the oil painting department at China Academy of Art. His works are formed from a bricolage of identity, as he lifts and distorts techniques inherited from the Renaissance, Baroque, and Romantic eras—revisiting, perverting, and parodying their ideas for the new globalist regime. He has recently exhibited at the KWM artcenter in Beijing, China (2018), appearing in The Post Southern Song Dynasty...

Chair model "Private Parking" From the "Kiki Beach Club" series Contemporary Design Manufactured by Oliver Sundqvist and Frederik Nystrup Larsen Copenhagen (Denmark), 2021 Fiber glass, acrylic, lacquer Measurements: 70 cm x 45 cm x 71 H cm 27.55 in × 17.71 in × 27.95 H in Edition Unique piece The creative duo of Frederik Nystrup-Larsen (b.1992 Copenhagen) and Oliver Sundqvist (b.1991 Copenhagen) has proven to be a partnership that continuously questions the current state of contemporary art. Working on the boundary of art and design, the pair have reinterpreted the processes of consumerism, illustrating critique on overconsumption and poor manufacturing. Intellectually and physically dependent on regular variation and change'Mater’, (meaning mother in Latin), the first collective project between Oliver and Frederik, was a vase originally created as a Christmas present for their mother. The vase was used for the interiors of Norma, a Copenhagen restaurant that is often referred to as the best restaurant in the world. Since ‘Mater’, the duo have continued focusing on creating unique and collectible objects, with a central focus on longevity. The pair seek to ignite a feeling of responsibility in people, through the creations of thoughtful and sustainable pieces. A lot of their work questions the surrounding world, inspired by characters who challenge established understandings of and structures within this world, the duo look towards multiple disciplines to fuel their creativity. Equally as original as their final products, is their method. Triggered by beauty and decay, their creative process is split into phases, - initially, they spend a lot of time reflecting, not stressing about it. Being slow, taking actions that do not related to the project or practice. The following phase; the physical execution of the idea, is built on intuition and (often an unhealthy) tempo. Stress is welcome as we work like machines, brains left aside. The designers split their time between Copenhagen and London and have exhibited at Art Basel, as well as at two solo shows before they had even finished school. The pair are currently working as NIKO JUNE...

Roly-Poly Dining Chair Raw Manufactured by Faye Toogood London, 2018 Fiberglass Measurements 68cm wide x 50cm deep x 75cm hight 26.77in wide x 19.68in deep x 29.52in hight Colors ...

Roly-Poly Chair Raw Manufactured by Faye Toogood London, 2018 Fiberglass Measurements 85cm wide x 59cm deep x 61cm height 33,46 in wide x 23,22in deep x 25,40in height Colors – Cr...

Roly-Poly Chair Raw Manufactured by Faye Toogood London, 2018 Fiberglass Measurements 85cm wide x 59cm deep x 61cm height 33,46 in wide x 23,22in deep x 25...

MArtin Eisler (1913-1977) & Carlo Hauner (1927-1997) Sofa (two units available) Manufactured by Forma Moveis Brazil, 1955 Caviuna wood legs, velvet and cotton upholstery Measurements 240 cm x 77 cm x 72h cm. 94,48 in x 30,3 in x 28,3h in. Literature Casa & Jardim, 1956. Nº 92 Provenance: Private collection, Sao Paulo Bio: Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

Marzio cecchi (1940-1990) Pair of bar stools Manufactured by Most Studio Produced for Ringo bar in Firenze Italy, 1970s Steel, leather Measurements 51 cm...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Set of armchair and footrest Manufactured by Forma Moveis,  Brazil, 1950 Iron structure, fabric upholstery Pair of purple velvet Mid-century modern velvet armchairs made in Brazil. Measurements: 100 cm x 60 cm x 70 H cm (armchair) 39.37 in x 23.62 in x 27.56 H in (armchair) Literature Brasilian modern: The rediscovery of 20th century Brazilian furniture. Aric Chen. Brasil, 2016. Pag 217,128 (similar model). Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Armchair model “Shell” Manufactured by Forma Moveis Brazil, 1950 Iron structure, fabric upholstery Measurements 70 cm x 78 cm x 74h cm. 28 in x 27,5 in x 31h in. Literature Brasilian modern: The rediscovery of twentieth-century Brazilian furniture. Aric Chen. Brasil, 2016. Pag 217,128 Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Chaise longue Manufactured by Forma Brasil Brazil, 1958 Sculptural iron, upholstery. Measurements: 161.3 cm x 62.2 cm x 81.3 H cm. 63.5 in x 24.5 in x 32 H in. Literature: Aric Chen, Brazil Modern the rediscovery of twentieth-century brazilian furniture. The Monacelli Press, New York 2016, reproduite page 208 Provenance: Familia Niomar Muniz Sodré Bittencourt. Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

Franco Campo & Carlo Graffi Set of four armchairs Manufactured by Home Italy, 1960 Iron structure, upholstery Measurements: 70 cm x 50 cm x 80 H cm 19.68 in x 27.55 in x 3...

Pierre Paulin Armchair and ottoman model “CM 190” Manufactured by Thonet France, 1954 Iron, fabric upholstery. Measurements: 57 cm x 49 cm x 67 H cm 22.44 in x 19.29 in x ...

In a translucent fibreglass that appears almost faded, this rounded two-piece daybed comprises a spherical headrest and tablet-like body, both formed from glossy fibreglass. Fibregla...

Armchair with footrest Manufactured by Guillermo Santomá Edition Side Gallery Barcelona, 2018. Pladur structure, foam, latex painting. Guillermo Santomá is a designer living and wor...

Armchair Manufactured by Guillermo Santomá Edition side galley Barcelona, 2018 Tibetan sheep fur, foam, porex.

Osvaldo Borsani, (1911-1985) Pair of armchairs part of set model “P-35” Manufactured by Arredamenti Borsani, Varedo Italy, 1951 Walnut with fabric upholstery A pair of pale pi...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Dining chairs 2 available. Manufactured by Forma Moveis, Brazil, 1950 Wood, cane and silk upholstery Measurements 40 cm x 50 c...

Ilmari Tapiovaara (1914-1999) Pair of lounge chairs model “2468” Manufactured by Laukaan Puu Finland, 1959 Black lacquered wood and red woolen upholstery Measurements: 70 c...

Paolo Tilche (1925-2000) Pair of armchairs model “Silvia” Manufactured by Arform, Italy, 1956 Rattan Pair of Italian 20th century ratan armchairs ...

Liceu de artes e oficios Pair of armchairs Manufactured by Liceo de Arte e Oficios Brazil, 1950 Solid jacaranda and upholstery Cream upholstered Mid-Century Modern Measure...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Armchair, part of set with sofa Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery Measur...

Martin Eisler (1913-1977) and Carlo Hauner (1927-1997) Sofa Manufactured by Forma Moveis Brazil, 1950s Black painted metal, white/cream fabric upholstery...

Martin Eisler (1913-1977) & Carlos Hauner (1927-1997) Pair of lounge chairs Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery Measurements 65 cm x 64 cm x 90 H cm. 25.5 in x 25 in x 35.4 H in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Beside Carlos Hauner, Martin Eisler(1913­1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Pair of low armchairs Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery. Measurements 70 cm x 53 cm x 71 H cm. 27.5 in x 21 in x 28 H in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Armchair model “Shell” Manufactured by Forma Moveis Brazil, 1955 Black painted metal, white fabric upholstery. A Mid-Century modern Brazilian Armchair by Martin Eisler & Carlo Hauner designed in 1955. The chairs are upholstered in a cream/white fabric with black painted metal legs. Measurements 74 cm x 77,5 cm x 78h cm. 29,1 in x 30,5 in x 30,7h in. Literature Móvel moderno Brasileiro, Marcelo Vasconcellos, Aeroplano, P. 201 Desenho da Utopia, Brazilian Modern Furnitures...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Pair of armchairs Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery Measurements 66 cm x 80 cm x 94h cm. 26 in x 35 in x 37h in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 1950s and 1960s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Gio Ponti (1891-1979) Set of four dining chairs, model "leggera" Manufactured by Cassina Italy, 1951 Measurements 82.55 cm x 44.45cm x 45.72 cm. 32.55 in x 17.5 in x 18 in. Litera...

Franco Albini (1905-1977) Six dining chairs with arms (Price per chair) Manufactured by Forma Brazil Brazil, 1950s Solid jacaranda wood and fabric Measurements 58 cm x 55 cm x 77 ...

Branco e Preto (Miguel Forte, Jacob Ruchti, Plinio Groce, Roberta Aflalo, Carlos Millan & Che Y Hwa) Pair of armchairs model “R3” Sold as individual it...

Martin Eisler (1913-1977) & Carlos Hauner (1927-1997) Pair of armchairs Manufactured by Forma Moveis Brazil, 1955 Caviuna wood legs, velvet and cotton upholstery Measurements: 77 cm x 77 cm x 72 H cm. 30.3 in x 30.3 in x 28.3 H in. Literature: Casa & Jardim, 1956. Nº 92 Details: Belonging to a three pieces set of sofa and two armchairs.

Set of dining chairs (14 available) (Price is per chair) Manufactured by Tenreiro Movèis & Decorações Brasil, 1960 Jacaranda wood and cane Modern Br...

Martin Eisler(1913-1977) & Carlos Hauner (1927-1997) Armchair model “Reversible” Manufactured by Forma Moveis Brazil, 1955 Iron structure, brass, cotton upholstery Measurements: 10...

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

Ico Parisi (1916–1996). Sofa model "869." Manufactured by Figli di Amadeo de Cassina. Italy, 1960. Walnut wood and upholstery. Large Sofa 3/4 place designed with walnut wooden legs ...

Curved sofa Manufactured by l’Atelier di Varedo, Italy. Italy, 1947 Chesnut and upholstered in grey velvet Measurements 225 cm x 130 cm x 85h cm. 88,5 in x 51,18 in x 33,46h in. Li...

Lukas Saint-Joigny Throne chair From the “Ore” series Manufactured by Lukas Saint-Joigny Produced in exclusive for SIDE GALLERY Paris, 2020 Various materials and polyurethane ...

Carlos Hauner & Martin Eisler Pair of armchairs Manufactured by Forma Moveis Brazil, 1955 Caviuna wood legs, velvet and cotton upholstery Measurements: 77 cm x 77 cm x 72 H cm. 30.3 in x 30.3 in x 28.3 H in. Literature: Casa & Jardim, 1956. Nº 92 Bio: Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

Elissa Lacoste Stool From the Series ‘I dream of megalithic times’ Manufactured by Elissa Lacoste Produced in exclusive for SIDE GALLERY France, 2020 Silicone Measurements ...

Elissa Lacoste Stool From the Series ‘I dream of megalithic times’ Manufactured by Elissa Lacoste Produced in exclusive for Side Gallery France, 2020 Silicone Measurements ...

Elissa Lacoste Stool From the Series ‘I dream of megalithic times’ Manufactured by Elissa Lacoste Produced in exclusive for SIDE GALLERY France, 2020 Silicone Measurements ...

Elissa Lacoste Stool From the Series ‘I dream of megalithic times’ Manufactured by Elissa Lacoste Produced in exclusive for Side Gallery France, 2020 Silicone Measurements ...

Elissa Lacoste Bench From the Series ‘I dream of megalithic times’ Manufactured by Elissa Lacoste Produced in exclusive for Side Gallery France, 2020 Silicone Measurements ...

Carlos Hauner & Martin Eisler Pair of armchairs Manufactured by Forma Moveis Brazil, 1950 Iron, velvet upholstery Orange Velvet Upholstery Measurements 63 cm x 53 cm x 76h cm 24,8 in x 20,86 in x 29,92h in Bio Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

Roberto Sebastián Matta Seating system model “Malitte” Named after Malitte Pope, Matta´s wife Manufactured by Gavina (1966-1968) and Knoll International (1968-1974) Italy, 1966 ...

Vladimir Kagan Sofa model “Directional” Manufactured by Vladimir Kagan Designs, Inc. United States Upholstery, walnut Measurements 244 cm x 147 cm x 75 cm 96 in x 58 in x 29.5 in ...

Faye Toogood Roly-Poly stool raw London, 2018 Fiberglass Measurements: 40cm wide x 40cm deep x 40cm height 15.74in wide x 15.74in deep x 15.74in hei...

Faye Toogood Roly-Poly dining chair raw Manufactured by Faye Toogood London, 2018 Fiberglass Measurements 68cm wide x 50cm deep x 75cm hight 26.77in wide x 19.68in deep x 29...

Lukas Saint-Joigny Chair From the “Ore” series Manufactured by Lukas Saint-Joigny Produced in exclusive for SIDE GALLERY Paris, 2019 Various materials and polyurethane Measu...