Side-Gallery Armchairs

Pair of armchairs Manufactured by Casa e Giardino Italy,1936 Fabric, walnut Measurements 80 cm x 75 cm x 81,5 cm h 31,5 in x 29,5 in x 32,1 in h Literature Laura Falconi, Gio Ponti...

Low easy chair Manufactured by Tendo Brasileira Brazil, 1978 Plywood, leather fabric Measurements 70 cm x 114 cm x 46h cm 27,6 in x 44,9 in x 18,1h in Literature Furniture By Archi...

Armchair model “Capitello” Manufactured by Gufram Italy, 1970s Polyurethane Measurements 110 cm x 110 cm x 60h cm 43,3 in x 43,3 in x 23,6h in Literature Michael Collins. Towards Pos...

Pair of armchairs, 1954 Lacquered wood, fabric upholstery 66 x 64 x 78h cm 26 x 25.19 x 30.7h in

Armchair model “Alta” Manufactured by Tendo Brasileira Brasil, 1978 Leather, painted and molded plywood, steel Measurements 104,1 cm x 68,6 cm x 56,h5 cm 41 in x 27 in x 22,3h in

Armchair "Fuzzy Hi!breed II" Manufactured by Charlotte Kingsnorth Exclusively for SIDE UK, 2023 Pre-existing Ercol chair frame, foam, faux fur, tree branch buttons Measurements: 114...

Pair of Armchairs Manufactured by Móveis Cantu Brazil, 1960s Structures executed in solid jacaranda, upholstered bodies and seats covered in grey fabric Measurements : 74cmx 80cmx99...

Armchair Manufactured by Joaquim Tenreiro Brazil, 1954 Peroba wood and leather upholstery Measurements 61x53x42hcm|24x21x16,5hin

Olivier Mourgue (1939– ) Lounge chair model “Suede” Manufactured by Airbone France, 1970s Steel, upholstery Measurements 75 cm x 80 cm x 97 cm 29.53 in. x 31.5 in. x 38.19...

Tadeas Podracky Armchair From the series “The Metamorphosis” Manufactured by Tadeas Podracky Produced in exclusive for side Gallery Prague, 2021 Mixed media, plastic, wood, textile, foam Measurements 110 cm x 120 cm x 130 H cm 43,3 in x 47,2 in x 51,2 H in Edition Unique Piece Concept The Metamorphosis collection seeks to enhance the emotional bond to our surrounding environment. During the Coronavirus outbreak Podracký returned to Prague his home town and spent a couple of months in a quarantine in his studio there. Access to materials was minimal but he turned this handicap into a research opportunity and started to work only with material found around the studio or that were easy to access, such as wood, textiles, trash such as old car parts, old ceramic pieces or broken glass sheets. Tadeáš realized that these materials had a certain authenticity and so began reevaluating the way he approached the materiality, challenging himself to dis-acknowledge deeply rooted principles of formal design, interrupting established practices of conventional construction methods. The designer was seeking the authenticity of expression and changed his design methodology based on the intuitive use of materials and emotional decisions regarding structure, shape and the construction process. The aim was to let the object grow through his hands by gluing and combining different elements, reminiscent of the process of a bird...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Set of armchair and footrest Manufactured by Forma Moveis,  Brazil, 1950 Iron structure, fabric upholstery Pair of purple velvet Mid-century modern velvet armchairs made in Brazil. Measurements: 100 cm x 60 cm x 70 H cm (armchair) 39.37 in x 23.62 in x 27.56 H in (armchair) Literature Brasilian modern: The rediscovery of 20th century Brazilian furniture. Aric Chen. Brasil, 2016. Pag 217,128 (similar model). Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Armchair model “Shell” Manufactured by Forma Moveis Brazil, 1950 Iron structure, fabric upholstery Measurements 70 cm x 78 cm x 74h cm. 28 in x 27,5 in x 31h in. Literature Brasilian modern: The rediscovery of twentieth-century Brazilian furniture. Aric Chen. Brasil, 2016. Pag 217,128 Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Franco Campo & Carlo Graffi Set of four armchairs Manufactured by Home Italy, 1960 Iron structure, upholstery Measurements: 70 cm x 50 cm x 80 H cm 19.68 in x 27.55 in x 3...

Pierre Paulin Armchair and ottoman model “CM 190” Manufactured by Thonet France, 1954 Iron, fabric upholstery. Measurements: 57 cm x 49 cm x 67 H cm 22.44 in x 19.29 in x ...

Armchair with footrest Manufactured by Guillermo Santomá Edition Side Gallery Barcelona, 2018. Pladur structure, foam, latex painting. Guillermo Santomá is a designer living and wor...

Armchair Manufactured by Guillermo Santomá Edition side galley Barcelona, 2018 Tibetan sheep fur, foam, porex.

Osvaldo Borsani, (1911-1985) Pair of armchairs part of set model “P-35” Manufactured by Arredamenti Borsani, Varedo Italy, 1951 Walnut with fabric upholstery A pair of pale pi...

Paolo Tilche (1925-2000) Pair of armchairs model “Silvia” Manufactured by Arform, Italy, 1956 Rattan Pair of Italian 20th century ratan armchairs ...

Liceu de artes e oficios Pair of armchairs Manufactured by Liceo de Arte e Oficios Brazil, 1950 Solid jacaranda and upholstery Cream upholstered Mid-Century Modern Measure...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Armchair, part of set with sofa Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery Measur...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Pair of low armchairs Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery. Measurements 70 cm x 53 cm x 71 H cm. 27.5 in x 21 in x 28 H in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Pair of armchairs Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery Measurements 66 cm x 80 cm x 94h cm. 26 in x 35 in x 37h in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 1950s and 1960s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Branco e Preto (Miguel Forte, Jacob Ruchti, Plinio Groce, Roberta Aflalo, Carlos Millan & Che Y Hwa) Pair of armchairs model “R3” Sold as individual it...

Martin Eisler (1913-1977) & Carlos Hauner (1927-1997) Pair of armchairs Manufactured by Forma Moveis Brazil, 1955 Caviuna wood legs, velvet and cotton upholstery Measurements: 77 c...

Martin Eisler(1913-1977) & Carlos Hauner (1927-1997) Armchair model “Reversible” Manufactured by Forma Moveis Brazil, 1955 Iron structure, brass, cotton upholstery Measurements: 10...

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

Carlos Hauner & Martin Eisler Pair of armchairs Manufactured by Forma Moveis Brazil, 1955 Caviuna wood legs, velvet and cotton upholstery Measurements: 77 cm x 77 cm x 72 H cm. 30.3 in x 30.3 in x 28.3 H in. Literature: Casa & Jardim, 1956. Nº 92 Bio: Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

Carlos Hauner & Martin Eisler Pair of armchairs Manufactured by Forma Moveis Brazil, 1950 Iron, velvet upholstery Orange Velvet Upholstery Measurements 63 cm x 53 cm x 76h cm 24,8 in x 20,86 in x 29,92h in Bio Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

Joaquim Tenreiro Pair of armchairs model “Leve” Manufactured by Langenbach & Tenreiro Ltda Brasil, 1942 Jacaranda, upholstery From the archives of Side Gallery, Barcelona M...

Gio Ponti Pair of armchairs, model «803» Manufactured by Cassina Italy, 1955 Walnut, fabric. From the archives of Side Gallery, Barcelona Measurements 80 cm x 75 cm x 81.5 H...

Joaquim Tenreiro Pair of armchairs model “Concha” Manufactured by Tenreiro Moveis e Decoraçaos Brasil, 1950 Pau marfim wood, upholstery From the archives of Side Gallery, Barce...

Joaquim Tenreiro Pair of armchairs model “Leve” Manufactured by Langenbach & Tenreiro Ltda Brasil, 1942 Jacaranda, upholstery From the archives of Side Gallery, Barcelona M...

Joaquim Tenreiro Single armchair model “Redonda” Manufactured by Tenreiro Moveis e Decoraçoes Brasil, 1950 Jacaranda wood, upholstery From the archives of Side Gallery, Barcelo...

Pair of armchairs From the series “Additional System” Manufactured by Sormani Italy, 1968 From the archives of Side Gallery Barcelona Aluminium,...

Pair of armchairs From the series “Additional System” Manufactured by Sormani Italy, 1968 From the archives of Side Gallery Barcelona Aluminium,...

Sofa model “Ander” Side Gallery edition Manufactured by Side Gallery Barcelona, 2018 Wood frame, linen upholstery Measurements: Armchair 78 cm x 114 cm x 75 H cm 30.70 in x...

Pair of armchairs Manufactured by Tenreiro Moveis e Decoraçaos Brasil, 1950 Upholstery, jacaranda legs Measurements: 67 cm x 89 cm x 73 H cm 26.38 in x 35.04 in x 228.75 H in...

Achille Castiglioni (1918-2002) Armchair model “Primate” Manufactured by Zanotta Italy, 1970 Leather, steel, resin base Measurements 45 cm x 47 cm x 79h cm 17.71 in x 18.5...

Pierre Paulin (1927-2009) Armchair and ottoman model “Mushroom” Manufactured by Artifort France, 1960s Steel, upholstery Measurements 86.36 cm x 81.28 cm x 63.5 cm 34 in. x ...

Oscar Niemeyer (1907-2012) Single armchair model “Alta” Manufactured by Mobilier international France, 1974 Steel, wool upholstery Measurements 104,1 x 68,6x 56,5h cm 41 x 27 x 22,25h in Literature Gilles de Bure, Inte´rieurs: Le Mobilier Franc¸ais 1965-1979, Pa- ris, 1983, p. 101 Provenance Private collection, Antwerp. Details Certificate by Oscar Niemeyer Foundation. Biography Niemeyer was a Brazilian architect who is considered to be one of the key figures in the development of modern architecture. His exceptional architectural work has been unanimously hailed, and his influence on how the world looks like today has been reminded. In 1960’s Oscar Niemeyer started developing furniture projects, in collaboration with his daughter Ana Maria. The first piece designed by the team was “the Alta easy chair” and its footrest, but the most famous piece designed by Oscar and Ana is the “Rio Chaise Longue...