Studio Sonja Milan Coffee and Cocktail Tables

Classic and traditional Baker faux bamboo wooden based coffee table having oval brass and glass tray top.

This is a rare iteration of the classic and highly sought after 'Chan' coffee table by father and son team, Philip and Kelvin LaVerne (New York), produced in the 1960s and signed with the artists names on the top (see photos). Ingeniously designed with international patination and polychromed bronze and pewter, this rare form coffee table which also functions excellent as a large end table...

In the manner of James Mont with gilt layered gold leaf, gold and black paint, and a craquelure lacquered top surface. The form is a semi spherical thick top which is set on a circul...

A lovely transitional design made by Kittinger Furniture. Black faux bamboo legs with oak top. Very good condition.

Signed Paul Evans Cityscape Series Patchwork Brass and chrome coffee table. Renowned designer piece in great original condition. Only minor flaws ( see pics ) 48” x 48” x 15”

Overscale marble coffee table with inset glass top. Offered for sale is an overscale marble coffee table with an inset glass top. This subst...

This is a large scale Chinese Chippendale style coffee table in the manner of Kittinger. The top is gold, and the back is a black lacquer faux bamboo. It is unmarked. My shipping is...

Modern round glass and stalagmite form coffee table. Original finish. Signed P E 69'. Glass is 1/4" thick.

Looking for a coffee table that’s more than just furniture-- well this is a functional work of art. This Paul Evans original is a stunning example of mid-century artistry with a flair for the unconventional. Handcrafted from a mesmerizing patchwork of patinated copper, enameled steel, and pewter sheeting, this table brings together materials and textures in ways that no two tables are alike. And then there’s the slate top—thick, heavy, and sitting flush in its groove like it was meant to be there from the beginning of time. While there are other examples of this coffee table floating around the collector's universe, let me tell you: they’re not all created equal. Many show signs of over-polishing or even sanding, stripping away that rich, sought-after patina that true collectors drool over. But this example? It’s the gold standard. The patina has aged to perfection, offering a rich variety of tones, textures, and colors that dance across the surface. Every corner reveals a new surprise. Yes, the slate top has a few rough edges, but let’s be real—that only adds to its character. And the best part? The slate fits so perfectly into its base so snug you'd be hard pressed to squeeze a sheet of paper between them. Now, let’s talk about the man behind the magic—Paul Evans. Born in 1931 and passing away in 1987, Evans was a driving force in the American Craft Movement. He pushed the boundaries of furniture design, turning traditional techniques on their head and creating pieces that were part sculpture, part functional art. His use of metal, especially in his iconic Cityscape and Sculpted Bronze series, made him a trailblazer of mid-century modernism and brutalist design. Evans started his career working with metal in a tiny shop in New Hope, Pennsylvania with his pal Phillip Lloyd Powell—just down the road from fellow American Craft legends like George Nakashima. But Evans didn’t stop with wood and craft traditions. Instead, he worked with metal in ways no one else was doing, blending industrial and handmade aesthetics. Every piece was unique, handmade, and bursting with Evans' signature rough-hewn, heavily textured style. His work, especially these patchwork metal tables...

From the Historical Civilization Series depicting the past civilizations of China, Greece, and Egypt, Chan is among the most recognized motifs in the artistry of Philip and Kelvin La...

Coffee table by Philip and Kelvin LaVerne. The table, part of the Chin Yin collection, blending intricate etching, patination, and polychrome techniques on bronze and pewter. Featuri...

Philip and Kelvin Laverne 48" Chan Table The top is supported by a Torch-welded fin Base Unusual for a Chan Table Original Surface Signed on the Table Top