The Illustrated Gallery Paintings

Medium: Gouache on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, September 5, 1953. The Pos...

Medium: Oil on Board Signature: Signed Lower Right Featured in the Saturday Evening Post.

Medium: Oil on Board Signature: Signed Lower Left Sight Size 27.00" x 23.75;" Framed 34.50" x 37.50" Original cover illustration for The Saturday Evening Post, September 12, 1959. ...

Medium: Oil on Board Signature: Signed Lower Left Sight Size 26.00" x 24.00", Framed 32.00" x 20.00" Original cover illustration for The Saturday Evening Post, December 12, 1959. T...

Portrait of celebrity Will Rogers.

Medium: Oil on Canvas Laid on Panel Sight Size 30.00" x 21.00;" Framed 36.50" x 27.50" Signature: Signed and Dated Lower Right: F. E. Schoonover / 31 "I began to notice the mysterio...

Signature: Signed Lower Right Medium: Oil on Canvas laid to Board

Medium: Oil on Canvas (on Board) Signature: Signed Lower Left Literature: Reese, Lowell Otus, The Little Injun, Collier's Weekly, November 4, 1916, p. 13, illustrated. Schoonover,...

Medium: Oil on Canvas Signature: Unsigned Schuyler, an expert with Indian lore who painted, wrote and lectured on their native culture, appropriately chose and painted this symbol a...

Medium: Oil on Board Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Unsigned "'I love you both,' she faltered. 'I can't, I just can't think of marrying one of you for the sadness of losing the other.'" Illustration f...

Medium: Oil on Board Signature: Signed Lower Right

Signature: Signed Upper Right Medium: Oil on Canvas

Medium: Oil on Canvas Signature: Initialed and Dated Lower Right: MS / 32 Sight Size 22.25" x 50.00;" Framed 29.00" x 57.00"

Medium: Gouache on Board Signature: Signed Lower Left Sight Size 27.50" x 21.50;" Framed 34.25" x 27.25"

Medium: Tempera on Board Signature: Signed Lower Left Submitted as a Saturday Evening Post Cover

Medium: Gouache and Pencil on Paperboard Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, August 26, 1961. The Post described, “The Post desc...

Medium: Oil on Canvas Siganture: Signed Lower Right Sight Size 31.75" x 24.75;" Framed 36.00" x 28.00"

Medium: Oil on Canvasboard Signature: Signed Lower Left This illustration was published as the paperback cover of High Priced Party Girl by Bart Frame, A C...

Medium: Oil on Canvas Signature: Signed Front of Canvas and Pencilled on Back Stretcher Possibly original magazine illustration for the Saturday Evening Post.

Medium: Oil on Canvas Signature: Initialed Lower Right "Margery's voice held him as no other sound ever had." Story illustration for part one of "Neighbor to the Sky" by Gladys Hast...

Signature: Signed Lower Left Contact for exact dimensions.

Medium: Oil on Canvas Signature: Signed Lower Left End of Track - Paperback Cover, written by Ward Weaver, Popular Library, 1951.

Medium: Oil on Canvas Signature: Signed Lower Left This appeared as the cover for the 1952 Popular Library paperback Wine of Violence by Ralph Ingersoll

Medium: Oil on Canvasboard Signature: Signed 'Jacob Rosenberg' This piece was commissioned for the movie "Roberta" (1935), directed by William A. Seiter. Painting is by Jacob Rosenb...

Medium: Oil on Canvas Signature: Signed Lower Right Norman Rockwell painted Christmas: Knight Looking in Stained Glass Window for the December 6, 1930 cover of The Saturday Ev...

Medium: Acrylic on Canvas Signature: Signed Lower Right Original painting of Snow White, Cinderella, and Sleeping Beauty from the Golden age of Disney Animation along with Ariel, Belle, and Jasmine, from the Disney Renaissance of Animation. This magnificent work was created by legendary Disney artist Eric Robison, a Disney Imagineer who was a show concept designer for all the Disney theme parks worldwide. He was the artist who was chosen to create 100 original Mickey Mouse paintings...

Signature: Signed Middle Left Contact for exact size measurements.

Medium: Oil on Canvas Signature: Signed Lower Left

Medium: Oil on Canvas Laid on Board Sight Size 28.50" x 25.50;" Framed 31.00" x 28.00" Signature: Signed Lower Left

Medium: Oil on Canvas Signature: Signed Lower Left Framed Size 36.00" x 27.00" Motor magazine Cover, October 1931

Medium: Oil on Board Laid on Panel Signature: Signed Lower Right Sight Size 29.00" x 23.00," Framed 33.00" x 37.00"

Medium: Oil on Board Signature: Signed Lower Right Sight Size 23.50" x 19.50", Framed under glass 30" x 26"

Medium: Watercolor on Paper Under Glass Signature: Signed Lower Right Dimensions: Approximately 12.00" x 16.00" Portrait of Football Coach Paul Bear Bryant

Medium: Oil on Canvas Signature: Signed on the Back Woman Seated, Likely Magazine Cover

Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Unsigned This is a study for the very large Howard Pyle mural now in the historic County Courthouse in Hudson County, New Jersey. It was commissione...

Medium: Oil on Canvas Signature: Signed Lower Center

Medium: Gouache on Illustration Board Signature: Signed Lower Right Magazine story illustration, Cosmopolitan, 1930; Exhibited: Fall 2004: Brandywine River...

Medium: Oil on Board Signature: Signed Lower Right Subject matter features pirates watching a ship burn from a distance a small rowboat with a figure returning to the ship after set...

Medium: Collage and Ink on Paper

Medium: Oil on Board This illustration was published as the cover of The King's Mistress by Jean Plaidy, 1952. Framed under glass to an overall size of 24.2...

Medium: Oil on Paper Laid to Board Signature: Signed with the Artists Initials M.P Lower Center Coy Ludwig, Maxfield Parrish, New York, 1973, plate 35, p. 133, illustrated in color

Medium: Oil on Panel Signature:Signed & Dated Lower Right, ii: Signed & Dated Lower Left Literature: Coy Ludwig, Maxfield Parrish, New York, 1973, p. 153, nos. 194-95, illustrated...

Medium: Oil on Board Signature: Signed on Reverse 1 of a 4 part Illustration, Used as Promotional Poster Exhibited: Chadds Ford, Pennsylvania, Brandywine River Museum, Maxfield Pa...

Medium: Oil on Board Signature: Signed Lower Right 1 of a 4 part illustration used as a promotional poster Exhibited: Chadds Ford, Pennsylvania, Brandywine River Museum, Maxfield ...

Medium: Oil on Board Signature: Each Upper Panel, Signed 'Maxfield Parrish/Windsor./Vermont.' (On the Reverse); Each Lower Panel, Signed 'Maxfield Parrish' (Lower Right) Each 1 of a...

Medium: Oil on Board Signature: Signed Lower Right 19.875" x 14.00" Each Panel 1 of a 4 Part Illustration used as a promotional poster Poster for The Red Cross—Watching...

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Left

Medium: Oil on Canvas Signature: Signed Lower Left An oil on canvas en grisaille genre interior scene depicting a woman reading a letter with child and gentleman looking on.

Medium: Oil on Canvas Signature: Signed Lower Left

Medium: Oil on Board Signature: Unsigned "The ragged edges of Manhattan. . . the rowdy brothels, the dirty hallways, the seething streets of Yorkville -- this was where Mattie Dolan...

Medium: Gouache on Board Signature: Signed Lower Center: Al Moore The Saturday Evening Post cover, October 10, 1942

Medium: Gouache on Board Signature: Signed Lower Right Saturday Evening Post magazine cover, October 25, 1941

Medium: Acrylic on Board Signature: Signed Lower Right Cover of 'True Confessions' Written by Dunne John Gregory True Confessions, first published in 1977, is widely regarded as a classic American novel. Set in Los Angeles in 1948 and based on the notorious, never-solved Black Dahlia murder case, the story plumbs the depths of guilt and corruption — in the L.A.P.D., the Catholic Church, the construction industry, and in the relationships among them. Like the film Chinatown, which came to the screen three years before the novel, True Confessions illuminates the dark underside of Los Angeles at a time when corruption ran rampant and seemingly without shame. The book’s stature as a classic is underlined in an introduction by the brilliant novelist and screenwriter George Pelecanos, who writes of the author, “with True Confessions, he achieved what most novelists can only hope for. He left behind a work of art.” Indeed. True Confessions works on many levels: as a crime novel, as humor (the story is often laugh-out-loud funny), as an example of masterful writing style, as an emblematic tale of a great American city, and as a novel that explores the human condition with sensitivity and deep understanding. True Confessions revolves around the often testy relationship between two Irish-American brothers, Tom and Des Spellacy. Tom is a lieutenant in the L.A.P.D., a clever detective with a past history of corruption. Tom’s brother, Des, is a Catholic priest risen to the rank of Monsignor and the role of fixer and hatchet man for the aging Cardinal, whom he hopes to succeed. The two brothers come into conflict over their clashing agendas for a corrupt construction mogul who is one of the city’s richest and most powerful men. They have drastically different ideas about how to deal with the man. The author writes with compassion. For example, describing bystanders in a poor neighborhood, he writes, “They weren’t bad people. Just too-little, too-late people. Has-beens, never-weres, never-will-bes.” The novel is rife with unsympathetic characters, but none of them can be viewed as evil. The story opens and closes in the 1970s, when Tom and Des are old men, reviewing the wreckage of their careers. In between, two plots intertwine: Tom’s investigation of the shocking murder of a young woman, and Des’s attempts to strengthen the Church while scheming to position himself as the successor to the Cardinal. The late novelist and screenwriter John Gregory Dunne — he died in 2003 at the age of 71 — came naturally to writing. He was the younger brother of the writer Dominick Dunne...

Medium: Acrylic on Board Signature: Signed Lower Right Cover of 'Time and Again' by Jack Finney Time and Again is told in the first person by Simon Morley, a 28-year-old artist wor...

Medium: Acrylic on Board Signature: Signed Lower Right Cover of 'Slow Days, Fast Company' written by Eve Babitz, 1978

Medium: Acrylic on Board