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Female Torso, Nude
By Asa Cheffetz
Located in Fairlawn, OH
Nude Female Torso
Charcoal on paper, c. 1920
Stamped and initialed in pencil "Asa Cheffetz/A.D.C"
Estate signature by wife, A.D.C.
Exhibited: Museum of F...
Category
1920s American Realist Nude Drawings and Watercolors
Materials
Charcoal
Arashi Rikan II in an Osaka Kabuki Scene
Located in Fairlawn, OH
Arashi Rikan II in an Osaka Kabuki Scene
Color woodcut, c. 1827
Signed middle left (see photo)
Titled upper left (see photo)
Format: oban
Publisher: Honsei
The actor, in character, d...
Category
1820s Other Art Style Figurative Prints
Materials
Woodcut
Inari Kozo Tasaburo- Kabuki
By Utagawa Toyokuni
Located in Fairlawn, OH
Inari Kozo Tasaburo- Kabuki
Color woodcut, c. 1820
Signed: ‘Toyokuni’
Publisher: ‘Yamamoto Heikichi’
Censor: Hama and Magome
Very good impression and color
Sheet/Image size: 15 1/2 x...
Category
1820s Other Art Style Figurative Prints
Materials
Woodcut
Courtesan Kumekichi
By Utagawa Kunisada (Toyokuni III)
Located in Fairlawn, OH
Courtesan Kumekichi
Color woodblock, 1858
Kabuki Actor Iwai Kumesaburo III in the role of courtesan Kumekichi, who is standing in snow hold a red sake cup
Publisher: Ohkuniya Kinjiro...
Category
1850s Other Art Style Figurative Prints
Materials
Woodcut
Untitled Double Page Illustration for DLM
By Alexander Calder
Located in Fairlawn, OH
Untitled Double Page Illustration for DLM
Color lithograph, 1968
Unsigned as issued in DLM
Published in Derriere le Miroir (Behind the Mirror), calle...
Category
1960s American Modern Abstract Prints
Materials
Lithograph
Soft Blue Discs
Located in Fairlawn, OH
Soft Blue Discs
Acrylic/polymer on masonite, 1976
Signed by the artist in pencil lower right: LD Cantine (see photo)
Signed, titled, dated verso (see photo)
Canadian painter Cantine has spent his career exploring the role of color in painterly image construction
Condition: Excellent
Painting size: 12 x 15 inches
Provenance: Kraushaar Galleries (lebl, see photo)
"David Cantine (born 1939) is a Canadian painter, best known for consistently painting pictures using the same composition for the last forty years of his career. Cantine was born in Jackson, Michigan, and went to school at the University of Iowa, earning a Bachelor of Arts degree in 1962, and a Master of Arts degree in 1964. In 1965 he began teaching drawing and painting at the University of Alberta, until retiring from his position in 1996.
Cantine's work in the beginning of his career was figurative art, but he began to experiment with abstraction in the 1970s, and in 1975 became inspired by a photograph of a pair of apples casting round shadows. This compositional structure became the basis for the minimalist, post-painterly abstraction David Cantine is best known for. David Cantine's paintings are in a number of collections, including the Art Gallery of Alberta, the University of Alberta, the Christopher Cutts Gallery, the Francis Winspear Centre for Music, the Alberta Foundation for the Arts, and the Masur Museum of Art."
Courtesy Wikipedia
"David Cantine’s highly recognizable compositions of coloured circles below Plexiglas have been the painter’s primary pursuit for 45 years of his impressive painting career spanning almost six decades. What originally began as a still-life of apples and their shadows evolved into the present abstract imagery of four circles and seven colours. Motivated by the use of “structural colour instead of descriptive colour,” David Cantine continues to explore variations on this minimalist theme. Since the early 2000s, he has also explored a more painterly form of colourful abstracted still-life, with echoes of inspiration from Giorgio Morandi.
Born in Jackson, Michigan, Cantine received his Master of Arts degree from the University of Iowa before permanently relocating to Edmonton, Alberta, Canada. He taught Drawing at the University of Alberta for over thirty years and has been featured multiple times at the Art Gallery of Alberta, in the Alberta Biennial of Contemporary Art, and most recently in Soak, Stripe, Splatter.
His work has been exhibited in 24 solo exhibitions and 37 group shows and can also be found in the following collections: Masur Museum, Louisiana; Museum of Contemporary Canadian Art, Ontario; Art Gallery of Alberta; University of Alberta FAB Gallery; Simons; Alberta Art Foundation; Hewlett-Packard; The Sims...
Category
1970s Abstract Abstract Paintings
Materials
Acrylic Polymer
Untitled
By Charles William Smith
Located in Fairlawn, OH
Untitled
Color woodcut, 1939
Unsigned as issued
Signed and dedicated by the artist on the justification page (see photo)
From:
Abstractions By Charles Smith
Forward by Carl O. Schnie...
Category
1930s American Modern Abstract Prints
Materials
Woodcut
La Baie, Double Page du No 132 de Derriere le Miroir
By Marc Chagall
Located in Fairlawn, OH
La Baie, Double Page du No 132 de Derriere le Miroir
Color lithograph, 1962
Unsigned as issued in DLM
From: "Derriere le Miroir" (Behind the Miroir) No. 132
P...
Category
1960s French School Figurative Prints
Materials
Lithograph
Galerie Maeght Murales et Peintures
By Joan Miró
Located in Fairlawn, OH
Galerie Maeght Murales et Peintures
Color lithograph poster, 1961
Unsigned as issued
Large edition
Published by Maeght Editeur Imprimeur
Reference #13 from J. Corredor-Matheos, "Miro's Posters', 1980
Condition: Framed
Colors fresh
Image/sheet size: 25 x 19 inches
Frame size: 34 x 27...
Category
1960s Abstract Abstract Prints
Materials
Lithograph
Three Nudes in a Garden
By Aaron Bohrod
Located in Fairlawn, OH
Three Nudes in a Garden
Graphite, c. 1928-1933
Initialed in pencil lower left (see photo)
Illustrated: Elliott & Wooden, Aaron Bohrod: Figure Sketches, Fige 9, page 32 (see photo)
A...
Category
1920s American Modern Nude Drawings and Watercolors
Materials
Graphite
Mere
By Stanley William Hayter
Located in Fairlawn, OH
Mere
Etching and soft ground, 1970
Signed, dated, titled and numbered in pencil
Printed in colors by Hector Saunier on BFK Rives paper
Published by Georgetown Graphics, Washington, D...
Category
1970s Abstract Abstract Prints
Materials
Etching
Coquette
By Victor Max Ninon
Located in Fairlawn, OH
Coquette
Pochoir (silk screen) printed in colors, c. 1923-1925
Signed by the artist in pencil lower right; numbered in ink on the image, (see photo)
Edition: 250 (100/250) in pencil in image (see photo)
Image size: 10-1/2 x 12-3/4"
The artist won a gold medal in Paris in 1925 for his porchoirs
Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982)
Biography
Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators.
In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli .
In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia.
In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous.
His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...
Category
1920s Art Deco Figurative Prints
Materials
Stencil
Robe Grise
By Victor Max Ninon
Located in Fairlawn, OH
Robe Grise
Pochoir (silk screen) printed in colors, 1923
Signed by the artist in pencil lower right (see photo)
The artist won a gold medal in Paris in 1925 for his pochoirs
Condition: Two spots in the upper left corner associated with the printing.
Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982)
Biography
Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators.
In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli .
In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia.
In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous.
His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino...
Category
1920s Art Deco Figurative Prints
Materials
Stencil
Things are not Right!
By Edward Landon
Located in Fairlawn, OH
Things are not Right!
Silk screen, c. 1970
Signed, editioned, and inscribed "To V.V." in pencil by the artist
Image size: 2 x 2 inches
Sheet size: 5 x 4 1/8 inches
One of an unnumbe...
Category
1970s Post-Modern More Prints
Materials
Screen
BAT
By Bertrand Dorny
Located in Fairlawn, OH
Bat
Embossed color aquatint and etching on Arches paper, 1976
Signed by the artist in pencil lower right (See photo)
The Print Club of Cleveland stamp verso
Edition: 261
The Print Cl...
Category
1970s Abstract Abstract Prints
Materials
Aquatint
Bathing at Long Branch-“Oh, Ain’t it Cold”
By Winslow Homer
Located in Fairlawn, OH
Bathing at Long Branch-“Oh, Ain’t it Cold”
Wood engraving, 1871
Signed in the block with the artist's initials "WH", see photo
Published in: Every Saturday, Aug. 16, 1871
Condition: ...
Category
1870s Hudson River School Figurative Prints
Materials
Woodcut
Festival No. 6
By Katsunori Hamanishi
Located in Fairlawn, OH
Festival No. 6
Color woodblock, 2002
Signed, titled and numbered in pencil (see photos)
Edition: 50 (10/50), see photo
Provenance:
Ninion and Sheldon Landy Collection, Donors to A...
Category
Early 2000s Abstract Abstract Prints
Materials
Woodcut
untitled (Color collage)
By Edward Landon
Located in Fairlawn, OH
Untitled
Printed paper collage elements on cardboard, 1960
Signed in pencil lower right
Condition: Excellent
Board size: 13 3/8 x 15 1/2 inches
Provenance: Estate of the Artist
...
Category
Mid-20th Century Abstract Geometric Mixed Media
Materials
Mixed Media
untitled (Returning Home with Supplies)
By Gustav Hagermann
Located in Fairlawn, OH
untitled (Returning Home with Supplies)
Signed in pencil by the artist lower right (see photo)
Signed by his printer, Otto Felsing lower left ((see photo)
Annotated in pencil: "In kupfer geschnitten von einen Lapplander"
Printed by Otto Felsing, one of Germany's master printers of the era
One of several engravings Hagemann made based upon actual drawings given to him by Laplanders.
Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony.
He fought in the First World War between 1914-1918. After the war he studied art from 1920...
Category
1930s Outsider Art Landscape Prints
Materials
Drypoint
Folio from Communion of Saints, Reading from the Book of St. Matthew.
Located in Fairlawn, OH
Readings from the "Communion of Saints": folio from an Italian Missal
Pigment on vellum
Mid 17th century
Provenance:
Otto F. Ege (1888-1951)
Phillip Duechnes Bookseller, New York, c. 1948
References And Exhibitions:
Otto F. Ege Box Folio 27
Ege describes these folios as: Epistolary (Epistolarium), Italy, Middle 15th century
Latin Text: Rotunda or Round Gothic Script, square rhetorical neumes
Sister folio are in the following rare book libraries:
Case Western Reserve University
Cincinnati Public Library
Cleveland Institute of Art
Cleveland Public Library
Denison University
Kent State University
Kenyon College...
Category
15th Century and Earlier Old Masters Abstract Drawings and Watercolors
Materials
Ink, Vellum
Figure Allonges
By Henry Moore
Located in Fairlawn, OH
Figures Allonges
Color Lithograph, 1971
Unsigned (as usual)
Published: XXe Siecle, Volume 33, 1971
Published by G. di San Lazzaro for A. Maeght, Paris
Printed by Mourlot, Paris
Editi...
Category
1970s Modern Abstract Prints
Materials
Lithograph
Academic Nude Study
Located in Fairlawn, OH
Academic Nude Study by E. Rantz
Charcoal on laid paper signed in charcoal
Lalanne Watermark, c. 1880-1900
Image: 24 3/4 x 18 3/4"
Category
Early 1900s Figurative Drawings and Watercolors
Materials
Charcoal
untitled (Peonies)
By Frederick Carl Gottwald
Located in Fairlawn, OH
Untitled (Peonies)
Oil on artist's board, c. 1910-1920's
Signed by the artist in ink lower center (see photo)
Provenance:
Joseph Erdelac, Private Collector, Cleveland, acquired from ...
Category
Early 20th Century American Impressionist Still-life Paintings
Materials
Oil
Snow-Plough (Chasse-neige) 1963 Lithograph in colors Plate 7, from DLM
By Alexander Calder
Located in Fairlawn, OH
Alexander Calder
Snow-Plough (Chasse-neige)
1963
Lithograph in colors
Plate 7, from Derriere le Miroir #141
Unsigned
With the central fold, as issued
Edition of unknown
Sheet...
Category
1960s Abstract Abstract Prints
Materials
Lithograph
Untitled (six vignettes)
By Pierre Courtin
Located in Fairlawn, OH
Signed lower center edge
Annotated verso: “5 Juin 1966
_____ et de soleil, de et d’oseille”
Image: 6 3/4 x 4 5/8"
Frame: 14 1/2 x 12 3/4"
Finishe...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Watercolor, Gouache
Beauty Otami - Kabuki
By Utagawa Kunisada (Toyokuni III)
Located in Fairlawn, OH
Beauty Otami - Kabuki
Note: Kabuki actor Nakamura Matsue is in the role of courtesan otami. She is standing in front of a small tea shop in a garden.
Color woodblock, c. 1800-1810
Si...
Category
Early 1800s Portrait Prints
Materials
Woodcut
Gypsy Rose Lee
By Bruno Bernard (Bernard of Hollywood)
Located in Fairlawn, OH
Gypsy Rose Lee
Vintage sliver print, c. 1940's
Unsigned
Provenance: Gift of Gypsy Rose Lee
Julio de Diego (her husband)
One of a s...
Category
1940s Figurative Photography
Materials
Silver Gelatin
Lingering Snow Mount Yoshino
By Utagawa Kuniyoshi
Located in Fairlawn, OH
Lingering Snow Mount Yoshino (Shidzuka-gozen toiling through snow after her last farewell to Yoshitsune)
Signed: Ichiyusai Kuniyoshi ga
Censor seal: Tanaka
Series: Kenjo hakkei
...
Category
1840s Figurative Prints
Materials
Woodcut
Homing Geese at Kanazawa
By Utagawa Kuniyoshi
Located in Fairlawn, OH
(The poetess Chiyo turns to watch a flight of wild geese while sweeping up autumn leaves)
Signature: Ichiyusai Kuniyoshi ga;
Censor seal: Muramatsu
Series: Kenjo hakkei
...
Category
1840s Portrait Prints
Materials
Woodcut
Tokyo Tower in Shiba
Located in Fairlawn, OH
Tokyo Tower in Shiba
Color woodblock, 1960
Signed and sealed lower right
Signed with the artist's name:" Keimei" (see photo)
Signed with the artist's seal in red (see photo)
Publishe...
Category
1960s Other Art Style Landscape Prints
Materials
Woodcut
Fuwa, Kabuki Actor
By Masamitsu Ota
Located in Fairlawn, OH
From: “Kabuki Jahachi-Ban” (Eighteen Kabuki Plays) by the Ichikawa Family
Publisher: Gekiga Kanko Kai
Carver: Okura Hanbei
Printer: Shinmi Yohei
Signed: with the artist’s signatu...
Category
1930s Other Art Style Figurative Prints
Materials
Woodcut
Academic Nude Study
Located in Fairlawn, OH
Turn of the century drawing signed E. Rantz on laid paper.
Watermark: Lalanne
Frame: 29 3/4 x 24
Image: 24 3/4 x 18 3/4"
Category
Early 20th Century Figurative Drawings and Watercolors
Materials
Charcoal
Feast of Lights: Hanukkah
By Abraham Rattner
Located in Fairlawn, OH
Feast of Lights (Poster)
Signed in the stone
17 color lithograph
Published by Kennedy Galleries
Edition: Unknown edition, signed in the stone
There was also a pencil signed edition o...
Category
1970s American Modern Figurative Prints
Materials
Lithograph
Derriere Le Miroir-No. 190-Page 9
By Alexander Calder
Located in Fairlawn, OH
Derriere Le Miroir-No. 190-Page 9
Color llithograph, 1971
Unsigned (as issued)
From: Derriere Le Miroir, No. 190, 1971
Publisher: Aime Maeght, Paris
Printer: L’Imprimerie Arts, Paris...
Category
1870s French School Abstract Prints
Materials
Lithograph
America's Son II (Sonny)
By Sedrick Huckaby
Located in Fairlawn, OH
America's Son II (Sonny)
Lithograph, 2016
Signed and numbered in pencil
From: America's Family II
Printer: James Reed at Milestone Graphics
Printed on Arches paper
Edition: 40, of wh...
Category
2010s Contemporary Figurative Prints
Materials
Lithograph
Double Personage
By Wifredo Lam
Located in Fairlawn, OH
Double Personage
Color lithograph, 1975 (?)
Unsigned (as issued)
Edition: Large Edition Limited, (estimated to be approximately 2000)
Published in: XXe Siecle, No. 52, Juin 1979
Published: G. di San Lazzaro
Printer: Mourlot Imprimeur, Paris, France
Reference: Lam-Tonneau-Ryckelynck L7513
Condition: Excellent, fresh colors
Traces of glue residue along margin edge where it was bound in the book
Image/sheet size: 12 1/4 x 9 1/4 inches
Wilfredo Lam (1902-1982)
Biography
Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry.
The luxuriant nature of Sagua la Grande had a strong impact on Lam from early childhood. One night in 1907, he was startled by the strange shadows cast on the wall of his bedroom of a bat in flight. He often recounted the incident as his first magnificent awakening to another dimension to existence.
In 1916, Lam and part of his family settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academia de San Alejandro, where he remained a student until 1923. This period, with exhibitions at the Salón de Bellas artes, was determinant in his choice to become a painter. In 1923, the municipality of Sagua la Grande awarded him a grant to study in Europe and by the autumn of that year, at the age of twenty-one, he left the country for Spain.
His time in Spain―initially intended as a short stay on his way to Paris―lasted 14 years. In Madrid, he was exposed to the ideas and movements of modern art. He spent long hours at the Archeological Museum and the Prado. He studied the great masters of Spanish painting, Velázquez and Goya, but felt particularly drawn to the works of Bosch and Bruegel the Elder. He discovered surprising correlations between western art and so called “primitive” art. In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. The terrible suffering he endured led to numerous paintings of mother and child. Lam found solace in the company of his Spanish friends and made contact with several political organizations. In 1936, with the help of his friend Faustino Cordón, he joined the Republican forces in their fight against Franco. He designed anti-Fascist posters...
Category
1970s Surrealist Abstract Prints
Materials
Lithograph
Eurybia and Eros
By George Braque
Located in Fairlawn, OH
Eurybia and Eros
Etching, 1932
Printed on BFK Rives paper
Unsigned (as issued by Vollard)
Published by Ambrose Vollard, Paris
From the suite of 16 illustrations for Hesiod's Theogony...
Category
1930s French School Figurative Prints
Materials
Etching
Woman with child
By Robert Hallowell
Located in Fairlawn, OH
Woman with child
Watercolor on paper, c. 1930
Signed with the estate stamp lower right (see photo)
Exhibited: Marbella Gallery, New York
Illustrated: Robert Hallowell: An Artist Redi...
Category
1930s American Impressionist Figurative Drawings and Watercolors
Materials
Watercolor
Oiseau solaire, oiseau lunaire, etincelles (Solar Bird, Lunar Bird, Sparks)
By Joan Miró
Located in Fairlawn, OH
Oiseau solaire, oiseau lunaire, etincelles
(Solar Bird, Lunar Bird, Sparks)
Color lithograph, 1967
Published in "Revue XXe Siecle, Volume 28
Published by San Lazzaro
Printed by A. Ma...
Category
1960s Abstract Abstract Prints
Materials
Lithograph
Untitled
By Alexander Calder
Located in Fairlawn, OH
Untitled
Color lithograph, 1963
Unsigned (as issued)
From:Derriere le Miroir, Volume 141
Large unsigned edition
Printed by Mourlot, Paris
Published by Aime Maeght, Paris
Condition: C...
Category
1960s Abstract Abstract Prints
Materials
Lithograph
Madison Wisconsin, 1973
Located in Fairlawn, OH
Madison Wisconsin, 1973
Silver gelatin photograph, 1973
Signed and dated in ink lower right corner (see photo)
Titled in in on reverse (see photo)
Condition: Excellent
...
Category
1970s American Modern Nude Photography
Materials
Silver Gelatin
Landscape with Window and Chair
By Robert Kipniss
Located in Fairlawn, OH
Landscape with Window and Chair
Mezzotint on wove paper, 2000
Signed in pencil lower right (see photo)
Edition: 150 (93/150) (see photo)
Special Presentation Print for the Print Club of Albany, 2000
Condition: Mint
Image/Plate size: 4 1/2 x 3 1/2 inches
Sheet size: 7 x 5 1/2 inches
From the Print Club of Albany:
"Kipniss states that it is part of his working process to explore an image in pencil, in paint and in print. As the image evolves, its ramifications lead to hints of the next work. This image is well-suited for this medium since in mezzotint the artist literally draws the light as he burnishes the tiny rocked copper pinholes that trap the ink and become the image."
From 1968 into 1990, Kipniss created lithographs that followed the style and content of his paintings, whether generally or specifically. A commission from a print publisher in 1968 for five editions of lithographs precipitated his adoption of lithography as a medium.
Kipniss's first lithographs were done in black and white, but by 1970 he was also working in color. He taught himself "to lay in the most delicately light silvery tones on the surface of the limestone by maintaining an exceptionally sharp point on the lithographic pencil and drawing with no pressure other than the weight of the pencil itself." He built up a support so that his hand and wrist could "dangle" over the stone. By 1990 Kipniss had completed about 450 editions of lithographs, usually of 90 to 250 impressions, at the Burr Miller studio in Manhattan. He worked from 1969 with master printer Burr Miller and then with Steve and Terry, his sons.
Works by the artist are in the following public collections:
• Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, California Palace of the Legion of Honor*
• Albertina Museum, Vienna, Austria*
• Albright-Knox Art Gallery, Buffalo, NY
• Arkansas State University Permanent Collection, State University, AR
• Art Institute of Chicago, Chicago, IL
• Art Museum of Western Virginia, Roanoke, VA
• Art Students League of New York, New York, NY
• Bates College Museum of Art, Lewiston, ME
• Berkshire Museum, Pittsfield, MA
• Bibliothèque nationale de France, Paris*
• Boston Athenæum, Boston, MA
• Bowdoin College Museum of Art, Brunswick, ME*
• British Museum, London, England*
• Brooklyn Museum of Art, Brooklyn, NY*
• Butler Institute of American Art, Youngstown, OH
• Canton Art Institute, Canton, OH
• Carnegie Museum of Art, Pittsburgh, PA
• Century Association, New York, NY
• Cleveland Museum of Art, Cleveland, OH*
• Columbus Museum of Art, Columbus, OH
• Coos Art Museum, Coos Bay...
Category
Early 2000s Contemporary Interior Prints
Materials
Mezzotint
Sontando (Dreaming)
By Jorge Dumas
Located in Fairlawn, OH
Sontando (Dreaming)
Color lithograph, 1975
Signed, numbered and titled in pencil (see photos)
Edition: 250 (65/250)
Signed, titled and numbered in pencil
Published by Circle Gallery ...
Category
1970s Contemporary Figurative Prints
Materials
Lithograph
Fleet Street, London
By Luigi Kasimir
Located in Fairlawn, OH
Fleet Street, London
Soft ground etching & aquatint, c. 1936
Signed in pencil by the artist (see photo)
Condition: Very good condition with brown paper tape along the edges of the la...
Category
1930s Landscape Prints
Materials
Etching, Woodcut
A la Corrida
Located in Fairlawn, OH
A la Corrida
Color aquatint, c. 1900
Signed "Osterlind" lower right in red pencil
Annotated: "No. 96" in pencil lower left
Edition: about 100
Published by Sagot, Paris: their blindst...
Category
Early 1900s Impressionist Figurative Prints
Materials
Aquatint
untitled (Young Woman Washing)
By Rudolf Bauer
Located in Fairlawn, OH
untitled (Young Woman Washing)
Lithograph, c. 1910
Signed in pencil lower right; signed in the plate lower right (see photo)
Image size: 11 x 5-1/8"
Sheet size: 18 7/8 x 12 5/8 inches
Condition: Very good
Aging to the tan paper it is printed on
Provenance: Estate of the Artist
Borghi & Company, NYC
Rudolph Bauer
1889-1953
Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'.
From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art.
Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...
Category
1910s Jugendstil Nude Prints
Materials
Lithograph
Thelonius Monk- Little Rootie Tootie
By Stephen Longstreet
Located in Fairlawn, OH
Thelonius Monk- Little Rootie Tootie
Collage, 1989
Signed and dated lower right: "Longstreet 89"
Titled by artist lower left
Excellent, with usual imperfections associated with the collage medium
Image/Sheet size: 17 1/8 x 23 1/16 inches
Provenance: Acquired directly from the artist
Joseph M. Erdelac, Cleveland
Noted art collector and friend and aptron of
Longstreet.
Stephen Longstreet (1907-2002)
At the website, the artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado.
Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show.
In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard...
Category
1980s Contemporary Mixed Media
Materials
Mixed Media
Bessie Smith - If You Don't Like My Peaches - Don't Shake My Tree
By Stephen Longstreet
Located in Fairlawn, OH
Bessie Smith - If You Don't Like My Peaches - Don't Shake My Tree
Collage, 1980
Signed and dated in pencil lower right (see photo)
Titled in pencil lower left
Original price verso '3,000' (see photo)
Provenance: Acquired from the artist
Joseph M. Erdelac, Cleveland, friend and patron of the artist
Condition: Very good
Usual minor condition issues (wrinkling) associated with the artist's creation process
Stephen Longstreet (1907-2002)
The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado.
Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show.
In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard...
Category
1980s Abstract Mixed Media
Materials
Magazine Paper
untitled (Nude)
By Peter Marks
Located in Fairlawn, OH
Photograph, gold leaf and magazine mixed media collage
Unsigned
Provenance:
Estate of the artist
Sheet: 16 x 14"
Peter Marks (1935 -2010) was born in New York City on January 18...
Category
Early 2000s Abstract Mixed Media
Materials
Mixed Media
Quick Change
By Honore Guilbeau
Located in Fairlawn, OH
Quick Change
Watercolor on paper, 1930-1931
Signed lower right: Honore Guilbeau
Illustrated in American Art Review, August 2014, page 84 in an article by Dr. M...
Category
1930s American Modern Figurative Drawings and Watercolors
Materials
Watercolor
Verse 1 through Verse 60
Located in Fairlawn, OH
Verse 1 through Verse 60
From: Leyli o Majnun by Nizami Ganjavi (1141-1209CE)
This folio comprises the first 60 verses of the epic Persian poem
“The masnavi of Leyli va Majnun (4,60...
Category
Early 1600s Other Art Style Drawings and Watercolor Paintings
Materials
Pigment
Untitled (Plate 3)
By Terry Haass
Located in Fairlawn, OH
From: Kaleidoscope (6 plates)
Signed and numbered in pencil
Edition: 100 (3/100)
Printer: Lacouriere et Frelaut Imprimeur, Paris
Paper: BFK RIVES watermark on some sheets from the se...
Category
1970s Abstract Abstract Prints
Materials
Aquatint
Untitled (Plate 6)
By Terry Haass
Located in Fairlawn, OH
Signed and numbered in pencil
From: Variations (8 plates)
Edition: 100 (56/100)
Printer: Frelaut et Lacouriere Imprimeur, Paris
Paper: BFK RIVES watermark on some sheets from the ser...
Category
1970s Abstract Abstract Prints
Materials
Etching
untitled (Maine Autumn Landscape across the narrows from Mt. Desert)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Autumn Landscape across the narrows from Mt. Desert)
Watercolor, 1945-1955
Signed by the artist lower left in pencil (see photo)
Provenance: Estate of the artist
Cond...
Category
1940s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Lola De Valence
By Édouard Manet
Located in Fairlawn, OH
Lola De Valence
Etching, 1862
Signed in the plate lower left: “Ed Manet”
Printed on chine collee paper, without watermark
From the first edition, published by Cadart and Luquet, Paris, before the removal of the inscription “ Ed. Manet sculpt”
From the 1863 edition, before the 1874 Portfolio, 1890 Portolio. 1894 Dumont edition and the Strolin edition of 100 in 1905
Pencil inscription with title below the plate in the lower margin
Conditiono: Excellent
Image size: 10 7/8 x 6 7/8 inches
Plate size: 18 3/4 x 13 inches
Reference: Harris-Manet 33 iii/III
Guerin-Manet 23 vi/VIII
The painting that this etching is inspired by is in the collection of the Musee d'Orsay, Paris.
"Lola de Valence is a painting by the painter Édouard Manet in 1862 . The canvas represents a dancer dressed intraditional Spanish clothes...
Category
1860s Impressionist Figurative Prints
Materials
Etching
Gants de Suede
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Gants de Suede (Suede Gloves)
Lithograph, 1890
Signed in the stone with the butterfly signature (see photo)
Published in: The Studio 3, No. 13 (16 April 1894)
Printed by Way in an edition of 3000 impressions, with the blind stamp of The Studio, London lower left
Stone polished out in 1904
Condition: Excellent
Image size: 8 1/2 x 4 inches
Sheet size: 11 5/8 x 8 1/4 inches
Reference: Spink/Tadeschi 35, published state
"Gants de Suede is a portrait of Whistler’s sister-in-law, Ethel Birnie Philip. Whistler was apparently pleased with this lithograph, for after a small number of impressions were printed he agreed that it could be published by The Studio, an art magazine that had recently been launched; it appeared as part of a special issue." Harris Schrank
Category
1890s Aesthetic Movement Figurative Prints
Materials
Lithograph
WARNING! Register*Vote, INFLATION means DEPRESSION
By Ben Shahn
Located in Fairlawn, OH
WARNING! Register*Vote, INFLATION means DEPRESSION
Photo lithograph, 1946
Signed in the image lower left
Published by CIO (Congress of Industrial Organizations) before their merger w...
Category
1940s American Realist Figurative Prints
Materials
Offset
Duomo (Florence)
By Julian Trevelyan
Located in Fairlawn, OH
Duomo (Florence)
Etching & aquatint , 1965-66
Signed, titled and annotated "artist's proof" (see photos)
Edition: 100, this impression an artist's proof
Reference: Silvie Turner. Julian Trevelyan Catalogue Raisonne of Prints.November 1, 2010. Reprint, Lund Humphries, 2010., No. 174
Provenance: Elizabeth Carrol Shearer, former President of the Print Club of Cleveland
He moved to Paris to become an artist, enrolling at Atelier Dix-Sept, Stanley William Hayter's engraving school, where he learned etching. He worked alongside artists including Max Ernst, Oskar Kokoschka, Joan Miró and Pablo Picasso.
In 1935, Trevelyan bought Durham Wharf, beside the River Thames in Hammersmith, London. This became his home and studio for the rest of his life and was a source of artistic inspiration to him. He became a confirmed Surrealist and exhibited at the International Surrealist Exhibition, held at the New Burlington Galleries in London.
From 1950 to 1955, Trevelyan taught history of art and etching at the Chelsea School of Art.
From 1955-63, Trevelyan worked at the Royal College of Art and became Head of the Etching Department. Because of his enthusiasm in his work and the desire to share it with others, Trevelyan became a highly influential teacher, with students including David Hockney, Ron Kitaj...
Category
1960s Contemporary Landscape Prints
Materials
Etching
Blue Rythms (Agerup 188) after the 1966 painting, Peinture.
By Zao Wou-Ki
Located in Fairlawn, OH
Blue Ruthms (Agerup 188)
after the 1966 painting, Peinture.
Etching with aquatint, 1968
Signed, dated and numbered in pencil (see photos)
Edition: 95 (74/95)
Plate: 17 1/2 x 21 1/2"
...
Category
1960s Abstract Abstract Prints
Materials
Aquatint
French Iris I
By Donald Sultan
Located in Fairlawn, OH
French Iris I
Reducutve color woodcut, 1982
Unsigned
Stamped verso “Imprimerie Arnera Archives/Non Signe”
From: Tramp Picture series
"The printer was Claude Jinchat at Imprimerie Arn...
Category
1980s Contemporary Still-life Prints
Materials
Linocut