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The White Scarf (Self Portrait of the Artist)
Located in Fairlawn, OH
The White Scarf (Self Portrait of the Artist)
Oil on board, 1894
Signed and dated lower left: E M Heller '94 (see image)
Framed in a metal leaf Whistler style frame, Frame: 23 x 18-...
Category
1890s American Impressionist Figurative Paintings
Materials
Oil
Full Bloom
By Robert Hallowell
Located in Fairlawn, OH
Full Bloom
Oil on canvass, 28 x 21 1/2 inches
Signed lower right: Robert Hallowell
Provenance: Estate of the artist
Marbella Gallery, New York
Illustrated in Ma...
Category
1930s American Impressionist Still-life Paintings
Materials
Oil
Read the Signs Year 2020 Part 1.
By Darius Steward
Located in Fairlawn, OH
Read the Signs Year 2020 Part 1.
Signed with the artist's initials lower right
Signed with the artist's "Yummy" drystamp lower right corner
Watercolor on Arches paper
Archival framin...
Category
2010s Contemporary Figurative Paintings
Materials
Watercolor
Untitled (Surrealist rendering of Pyramids at Giza with alligator)
By Beni E. Kosh
Located in Fairlawn, OH
Untitled (Surrealist rendering of Pyramids at Giza with alligator)
watecolor and gouache on paper, 1960
Unsigned
Beni Kosh estate stamp No. 717 verso, unsigned.
(see photo)
Co...
Category
1960s Surrealist Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Taos Series
By Harry Nadler
Located in Fairlawn, OH
Taos Series
Mixed media on handmade paper
Signed and dated by the artist lower right
Archival framing with Conversation Glass
Frame size: 29 3/4 x 34 inches
Image size: 19 1/2 x 19 1...
Category
1980s Abstract Paintings
Materials
Mixed Media
Persephone
By Virginia Dehn
Located in Fairlawn, OH
Persephone
Oil on canvas, 1952
Signed lower left (see photo)
Titled reverse "Persephone" Signed "V. 52"
Exhibited: Columbus Gallery of the Arts label "71/30 Bt. 2", see label
Condi...
Category
1950s American Modern Abstract Paintings
Materials
Acrylic
Still Life with Peaches and Grapes
By D.M. Ridley
Located in Fairlawn, OH
Still Life with Peaches and Grapes
Oil on paper, 1890
Signed and dated lower right (see photo)
Image size: 5 8 5/8 inches
Frame size: 10 x 13 1/2 inches
Housed in the original frame ...
Category
1890s American Realist Still-life Paintings
Materials
Oil
Three Head Portraits of a Young Girl
Located in Fairlawn, OH
Hippolyte Roques (active 1838-1864)
Three Head Portraits of a Young Girl
Oil on grey wove paper, c. 1850
Unsigned
Provenance: Estate of the artist
Shepherd Galle...
Category
1850s Romantic Figurative Paintings
Materials
Oil
Words and Deeds
By Ben Wilson
Located in Fairlawn, OH
Words and Deeds
Oil and collage on wood panel, c. 1990
Signed recto lower right (see photo)
Verso: See photo
Signed, verso: Ben Wilson
Dated: c. 1990
Titled: Words and Deeds
Conditio...
Category
1990s Abstract Abstract Paintings
Materials
Oil
The Port of San Tropez
By Alexander L. Warshawsky
Located in Fairlawn, OH
The Port of San Tropez
Oil on canvas, c. 1920
Signed lower right corner (see photo)
Condition: Excellent, professionally cleaned
Image/Canvas size: 25 3/4 x 32 inches
Frame size: 30...
Category
1920s American Impressionist Landscape Paintings
Materials
Oil
Spanish Beauty (Portrait of the Artist's Wife)
By Abel Warshawsky
Located in Fairlawn, OH
Spanish Beauty (Portrait of the Artist's Wife)
Oil on canvas, c. 1940's
Signed upper right "A.G. Warshawsky" (see photo)
According to the daughter-in-law of the artist, this painting...
Category
1940s Abstract Impressionist Portrait Paintings
Materials
Oil
Untitled (Abstraction with musical notes)
By Louisa Chase
Located in Fairlawn, OH
Untitled (Musical notes abstraction)
Mixed media on paper, 1991
Signed lower right center
Condition: Very good
Archival framing with conservation glass
Provenance: ...
Category
1990s Abstract Expressionist Mixed Media
Materials
Mixed Media
Untitled
By Peter Marks
Located in Fairlawn, OH
Untitled
Acrylic on canvas collage embedded with glitter and gold leaf. 2005
Unsigned
Provenance: Estate of the Artist
Condition: Excellent
Image size: 7 7/8 x 10 inches
Support shee...
Category
Early 2000s Abstract Abstract Paintings
Materials
Acrylic
Untitled
By Peter Marks
Located in Fairlawn, OH
Untitled
Acrylic paint on paper, c. 2005
Unsigned
Provenance: Estate of the Artist
Condition: Excellent
Image size: 9 7/16 x 7 7/16 inches
Support Sheet size: 17 x 14 inches
Peter Marks (1935 -2010)
Peter Marks was born in New York City on January 18, 1935. A lifetime New Yorker, Marks graduated from the High School of Music and Art in 1952 and Amherst College in 1956.
After a brief stint as a graphic designer in publishing, Marks became a private art dealer and opened his gallery Peter Marks Works of Art, Inc. in 1960. During this time he specialized in the sale of Southeast Asian and Islamic antiquities and made many contributions to the field both as a dealer and an advocate of his profession. Above all, Marks was motivated by a strong desire to find great art and make it available to large audiences.
After retiring from art dealing in 2002, Marks transformed his Manhattan gallery space into a studio where he drew prolifically and painted large non-objective canvasses. This time in his studio was a happy one for Marks, who viewed this period of his life not as retirement, but rather fulfillment, a fact that is confirmed by passionate artistic output in the years leading up to his passing in 2010.
In 2012, Thomas French Fine Art acquired a large number of works by Peter Marks and now represents the estate.
Works by the artist are in the Swope Art Museum, Terre Haute and the Stanley Museum of Art, Iowa City...
Category
Early 2000s Abstract Abstract Paintings
Materials
Acrylic
Untitled
By Peter Marks
Located in Fairlawn, OH
Untitled
Acrylic and gold leaf collage on canvas, 2005
Unsigned
Provenance: Estate of the Artist
Condition: Excellent
Image size: 10 13/16 x 8 5/8 inches
Support Sheet size: 17 x 14 ...
Category
Early 2000s Abstract Abstract Paintings
Materials
Acrylic
Untitled
By Peter Marks
Located in Fairlawn, OH
Untitled
Acrylic on canvas collage embedded with glitter and gold and sliver leaf, 2005
Unsigned
Provenance: Estate of the Artist
Condition: Excellent
Image size: 6 x 6 15/16 inches
...
Category
Early 2000s Abstract Abstract Paintings
Materials
Acrylic
Untitled
By Peter Marks
Located in Fairlawn, OH
Untitled
Acrylic and gold leaf collage on canvas, 2005
Unsigned
Provenance: Estate of the Artist
Condition: Excellent
Image size: 8 x 8 inches
Support Sheet: 14 x 17 inches
Peter Ma...
Category
Early 2000s Abstract Abstract Paintings
Materials
Acrylic
Long Light Notre Dame
By Robert Hallowell
Located in Fairlawn, OH
Long Light Notre Dame
Oil on canvas, 1931
Note: the painting is NOT framed
Signed and dated lower right
Condition: Excellent
Conservation by Monica Radecki, South Bend
Canvas size: ...
Category
1930s American Impressionist Landscape Paintings
Materials
Oil
Pink Lady
By Mary Spain
Located in Fairlawn, OH
Pink Lady
Oil on canvas, c. 1968
Signed upper right (see photo).
Housed in the original frame made by the artist
Titled on the reverse on the stretcher bar
Inspired by DeKooning
Prov...
Category
1960s Expressionist Paintings
Materials
Canvas, Oil
Untitled
By Dennis Ashbaugh
Located in Fairlawn, OH
Untitled
Mixed media on paper, 1981
Signed and dated 1981 lower left (see photo)
Provenance:
Knoedler Gallery, New York (label)
Charles Cowles Gallery, New York
The Collection of Jan...
Category
1980s Abstract Abstract Paintings
Materials
Mixed Media, Gouache
Portrait of a Young Girl
By William John Edmondson
Located in Fairlawn, OH
Portrait of a Young Girl
Oil on canvas, c. 1895
Signed lower right (see photo)
Edmondson studied in Paris with Lefebvre and Aman-Jean. This work shows the influence of Aman-Jean.
Con...
Category
Late 19th Century Impressionist Paintings
Materials
Canvas, Oil
Woman with Arms Crossed
By Byron Browne
Located in Fairlawn, OH
Woman with Arms Crossed
Mixed media collage-painting on stone chip surface, mounted on fabric, mounted on wood support by the artist, 1955
Signed and dated lower center
Image size: 1...
Category
1950s American Modern Figurative Paintings
Materials
Other Medium
Nashville at Sunrise
By Louis Oscar Griffith
Located in Fairlawn, OH
Nashville at Sunrise
Oil on canvas, mounted to archival resin board
Signed by the artist lower left
Provenance: Estate of the artist
By decent
A gorgeous Indiana Impressionist oil painting, done "plein air" (on location, outdoors)
Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts.
In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop, Griffith was a member and president of the Chicago Palette and Chisel Club.
He made his first trip to Brown County...
Category
1920s Landscape Paintings
Materials
Oil
Les Fruits 2
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
Les Fruits 2
Oil on masonite, 1967
Signed and titled lower right (see photos)
Signed with the estate stamp verso: Beni Kosh Collection #254 (see photo)
Condition: Good
Board size: 7 ...
Category
1960s Contemporary Still-life Paintings
Materials
Oil
Une Femme
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
Une Femme
Oil on canvas, mounted on Masonite, 1965
Signed and dated lower right
Titled lower right recto
Signed with the estate stamp verso: Beni Kosh Collection #118
Condition: Or...
Category
1960s Contemporary Paintings
Materials
Oil
Le Resesquement a l'Advocats (The Legal Reservation)
By Jean Louis Forain
Located in Fairlawn, OH
Le Resesquement a l'Advocats
(The Legal Reservation)
Pastel on paper, c. 1910
signed lower right
Image size: 10 3/4 x 14 inches
Frame size: 23-1/2 x 26-1/2 x 2-3/8 inches
Condition: ...
Category
Early 1900s Impressionist Figurative Paintings
Materials
Pastel
Big Momma's Still Life #2
By Sedrick Huckaby
Located in Fairlawn, OH
Big Momma's Still Life #2
Oil pastel on rag paper, 2007
Signed by the artist lower left: "Sedrick Huckaby III" (see photo)
Sheet size: 16 x 12 1/8 inches
Frame: 28 x 24 inches
Exhibi...
Category
Early 2000s Contemporary Still-life Paintings
Materials
Oil Pastel
(Untitled) Fabric Design
By Marguerite Gross
Located in Fairlawn, OH
Untitled (Fabric Design)
Annotated on the verso with the studio address of the artist
Signed in ink lower right corner: “Marguerite Gross”
Gouache on heavy paper, 1930-1939
In 1930 ...
Category
1930s Abstract Abstract Paintings
Materials
Gouache
Soft Blue Discs
Located in Fairlawn, OH
Soft Blue Discs
Acrylic/polymer on masonite, 1976
Signed by the artist in pencil lower right: LD Cantine (see photo)
Signed, titled, dated verso (see photo)
Canadian painter Cantine has spent his career exploring the role of color in painterly image construction
Condition: Excellent
Painting size: 12 x 15 inches
Provenance: Kraushaar Galleries (lebl, see photo)
"David Cantine (born 1939) is a Canadian painter, best known for consistently painting pictures using the same composition for the last forty years of his career. Cantine was born in Jackson, Michigan, and went to school at the University of Iowa, earning a Bachelor of Arts degree in 1962, and a Master of Arts degree in 1964. In 1965 he began teaching drawing and painting at the University of Alberta, until retiring from his position in 1996.
Cantine's work in the beginning of his career was figurative art, but he began to experiment with abstraction in the 1970s, and in 1975 became inspired by a photograph of a pair of apples casting round shadows. This compositional structure became the basis for the minimalist, post-painterly abstraction David Cantine is best known for. David Cantine's paintings are in a number of collections, including the Art Gallery of Alberta, the University of Alberta, the Christopher Cutts Gallery, the Francis Winspear Centre for Music, the Alberta Foundation for the Arts, and the Masur Museum of Art."
Courtesy Wikipedia
"David Cantine’s highly recognizable compositions of coloured circles below Plexiglas have been the painter’s primary pursuit for 45 years of his impressive painting career spanning almost six decades. What originally began as a still-life of apples and their shadows evolved into the present abstract imagery of four circles and seven colours. Motivated by the use of “structural colour instead of descriptive colour,” David Cantine continues to explore variations on this minimalist theme. Since the early 2000s, he has also explored a more painterly form of colourful abstracted still-life, with echoes of inspiration from Giorgio Morandi.
Born in Jackson, Michigan, Cantine received his Master of Arts degree from the University of Iowa before permanently relocating to Edmonton, Alberta, Canada. He taught Drawing at the University of Alberta for over thirty years and has been featured multiple times at the Art Gallery of Alberta, in the Alberta Biennial of Contemporary Art, and most recently in Soak, Stripe, Splatter.
His work has been exhibited in 24 solo exhibitions and 37 group shows and can also be found in the following collections: Masur Museum, Louisiana; Museum of Contemporary Canadian Art, Ontario; Art Gallery of Alberta; University of Alberta FAB Gallery; Simons; Alberta Art Foundation; Hewlett-Packard; The Sims...
Category
1970s Abstract Abstract Paintings
Materials
Acrylic Polymer
untitled (Peonies)
By Frederick Carl Gottwald
Located in Fairlawn, OH
Untitled (Peonies)
Oil on artist's board, c. 1910-1920's
Signed by the artist in ink lower center (see photo)
Provenance:
Joseph Erdelac, Private Collector, Cleveland, acquired from ...
Category
Early 20th Century American Impressionist Still-life Paintings
Materials
Oil
Untitled (six vignettes)
By Pierre Courtin
Located in Fairlawn, OH
Signed lower center edge
Annotated verso: “5 Juin 1966
_____ et de soleil, de et d’oseille”
Image: 6 3/4 x 4 5/8"
Frame: 14 1/2 x 12 3/4"
Finishe...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Watercolor, Gouache
Russian Orthodox Church, Middle 19th Century
Located in Fairlawn, OH
Unknown Russian Artist
Russian Orthodox Church, Middle 19th century
Unsigned
Illuminated in red, yellow blue and green pigments and gold leaf on paper
An Illuminated manuscript folio...
Category
Mid-19th Century Old Masters Abstract Paintings
Materials
Pigment
Spiral of Time II
By Harry Nadler
Located in Fairlawn, OH
Spiral of Time II
Mixed media with acrylic on paper, 1986
Signed lower right (see photo)
Condition: Excellent
Image size: 35 x 15 1/2 inches
Provenance: Peter Marciniak, New Hampshire
Distinguished Midwest Private Collection
Select Exhibition:
1991 Franz Bader Gallery, Washington, D.C. (solo)
1980 Guggenheim Museum, New York, NY
1974 Bertha Schaefer Gallery; New York, NY (solo)
1972 Childe Hassam Purchase Show, National Institute of the Arts and Letters
1971 "The Turkish Bath of Ingres,” Louvre Museum, Paris, France
1971 Guest Artist, Tamarind Institute; Albuquerque, NM
1970 “American Drawings of the Sixties,” New School Art Center; New York, NY
1966 Dorsky Gallery, New York, NY (solo)
1962 Dwan Gallery; Los Angeles, CA (solo)
1959 Dwan Gallery, Los Angeles, CA (solo)
Museum Collection:
Smithsonian American Art Museum
Albuquerque Museum, Albuquerque, NM
Cincinnati Art Museum, Cincinnati, OH
Detroit Institute of Arts, Detroit, MI
Fine Arts Museum, Santa Fe, NM
Guggenheim Museum, New York, NY
University of New Mexico Art Museum, Albuquerque, NM
Oklahoma Art Center, Oklahoma City, OK
Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Storm King Art Center, Mountainville, NY
Wesleyan University, Middletown, CT
Harwood Museum of Art, Taos
"An abstract painter who lived in New York City; Amagansett, Long Island, and Albuquerque, New Mexico, Harry Nadler is described as a "formalist abstract painter of the 1960s-90s whose works were marked by their rich colors, transparencies, and labyrinthine constructions. —The attempt to capture in a purely abstract imagery the quintessential quality of light and contour that emanate from a particular landscape is a hazardous pictorial ambition, but Mr. Nadler has met the challenge of this problem with remarkable success.˜ (Hilton Kramer, The New York Times, April 27, 1974)
Noted Fine Print Publications: Lincoln Center/Fine Art Prints,1990, "Live From Lincoln Center", screen print,edition72
Harry Nadler Biography
DESCRIPTION WITHOUT PLACE
A story Harry told me that he felt was a metaphor for his life and work was about his "golden bird." One day, when he was eight, he was walking home from school, a dangerous task for a Jewish boy in East Los Angeles in the '30s. He carried a painting he had made in school. He had to walk through a dark tunnel and was afraid. His painting of a beautiful, golden bird, radiating tropical colors, shone in the dark and he lost all his fear. The image of beauty, flight, darkness, and the power of his own image-making, stayed with him his whole life.
He discovered a kind of freedom in school; he graduated when he was 16, went to art school, supported himself as an illustrator for a newspaper; then discovered a wide new world of literature and fine arts at the University of California, Los Angeles. He earned a B.A. and an M.A., and his talent as an artist manifested itself in teaching assistantships and in painting awards and early shows. His affinity for European painting was strong, and he yearned to go to New York and immerse himself in the museums and in the current work being done by the abstract expressionists.
Awarded a Fulbright Scholarship to Spain in 1960, Harry fulfilled his dream of traveling to Europe and studying Goya's Disasters of War at the Prado. His commitment to finding a visual language to express his deep ethical concerns began at this time. He produced a series of works dedicated to the victims of the Holocaust and called the Buchenwald Landscapes and exhibited this body of work at the end of his year in Spain. He agonized over it, feeling that the imagery was too literal. He was searching for something--a formal instrument that reached a meaning beyond the obvious horror of the subject matter.
On his return to the United States, he relocated to New York City, believing that his artistic roots lay there. He first made a living by teaching extension courses, while studying great paintings in the city's museums, participating in the current art world and developing his own work.
Between 1961 and 1965, Harry made paintings of strange spaces filled with autobiographical objects. The poetry of Wallace Stevens powerfully affected him especially. For Harry, the activity of painting was a way of connecting separate realities. The work of imagination, metaphor, or "seeming" as Stevens described it, takes place in the gap between disparate elements, making connections of meaning on a deeper level. In this gap, he struggled to formulate with precision his understanding of his tools: his materials, his knowledge of philosophy and art history, his religious tradition, his life experience. In this gap, he lived with the anxiety of knowing, with faith in a process larger than himself. And he worked. Geometry became a way of speaking about ultimate purity, wholeness, relatedness; the sensuous material of paint and the particular way he combined those materials became a way of expressing the quality of his own experience.
He named a painting series Description Without Place, in honor of Stevens. In this series, windows and boxes hold images of experience (painted objects, that both separate and merge the spaces of the painting. He combines images of crucifixion and blackness, with the vitality of life in both object and color. The breaking of edges and boundaries, merging the spatial and the temporal, continued throughout his life.
In 1965, he was offered a teaching position at Wesleyan University in Connecticut. There he began his series, Homage to Ingres, shown in New York City in 1969, followed by a sports series...
Category
1980s Abstract Abstract Paintings
Materials
Mixed Media
Nude
By William Wiessler
Located in Fairlawn, OH
Nude
Oil on canvas, 1923
Signed and dated lower left: Wm. Wiessler, '23 (see photo)
Condition: excellent
Canvas size: 24 1/4 x 29 1/4"
Frame size: 33 5/8 x 38 5/8"
Provenance:
Estate of the Artist
Radecki Galleries, South Bend
Thomas French Fine Art...
Category
1920s American Impressionist Nude Paintings
Materials
Oil
Landscape with Trees
By Leon Kelly
Located in Fairlawn, OH
Landscape with Trees
Watercolor on paper, 1929
Signed in pencil lower right corner
Obviously influenced by the Cezanne works in the collection of his patron Alfred C. Barnes of Phila...
Category
1920s American Modern Landscape Paintings
Materials
Watercolor
Nature's Printing Press
Located in Fairlawn, OH
Nature's Printing Press
Gouache, tempera, pigments and ink on masonite board, 1967
Signed lower left corner (see photo)
Thompson was part of the late 1960’s Black Emergency Cultural Coalition along with Benny Andrews
The Black Emergency Cultural Coalition Inc. (BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit, which omitted the contributions of African American painters and sculptors to the Harlem community.
Part of a series of works the artist created in 1967. The tree motifs vary as does the color of the background. Please see photo of another work from the series.
Condition: Excellent/very good
Three tiny while flecks in the green border of the painting
Image size: 10 1/4 x 9 1/2 inches
Painting board size: 20 x 16 inches
Frame size: 25 1/2 x 21 1/2 inches
Russ Thompson (Born 1922- Jamaica
Part of the late 1960’s Black Emergency Cultural Coalition along with Benny Andrews
The Black Emergency Cultural Coalition Inc. (BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit, which omitted the contributions of African American painters and sculptors to the Harlem community. Members of this initial group that protested against the exhibit included several prominent African American artists, including Benny Andrews and Clifford R. Joseph, cofounders of the BECC. The primary goal of the group was to agitate for change in the major art museums in New York City for greater representation of African American artists and their work in these museums.
Studied: Pratt Inst.; Carlyle College; NY Sch. Mod. Photography
Exhibited: MoMA; BM, 1968; Nordness Gals., NYC; Phila. Civic Center; Ruder & Finn FA, 1969; Smithsonian Inst.; Mount Holyoke College, 1969; BMFA, 1970; RISD, 1969; Mem. Art Gal., Rochester, NY, 1969; SFMA, 1969; Contemp. Arts Mus., Houston, TX, 1970; NJ State Mus., 1970; Roberson Center for the Arts & Sciences, Binghampton, NY, 1970; UC Santa Barbara, 1970; Plaza Hotel, NYC; Westchester Art Soc. Gal. (prize); Nassau Community College; Brooklyn Pub. Lib.; Allentown (PA) Art Festival; Quinnipiac College, CT; Parrish Art Mus.; NY State Pavillion; Huntington Township Art Lg. Awards: Mitchell College, CT; BM; Armonk Lib. Show Award; Bedford Hills Lib. Show Award.
Sources: Cederholm, Afro-American Artists.
Public Collections:
Zimmerli Art Museum, Rutgers
Museum of Fine Arts, Boston
Brooklyn Museum
Museum of Modern Art, New York
Smithsonian American Art Museum
Exhibitions: MOMA
Brooklyn Museum, 1968
Nordness Galleries, NYC
Smithsonian Institution
Museum of Fine Arts, Boston, 1970
Rhode Island School of Design, 1969
San Francisco Museum of Art, 1969
Contemporary Arts Museum, Houston, 1970
Parrish Art Museum
Courtesy of Afro-American Artist; a biographical directory
THOMPSON, RUSS (Born Jamaica, 1922)
Painter. Born in Kingston, Jamaica, 1922.
Studied at the Pratt Institute; Carlyle College;
New York School of Modern Photography.
Works: Cloud Flowers ; My Breath Is One
with the Clouds ; The Acrobats; Relatives;
Thoreau; Clothes to the Body; America- Amer-
ica; Hanging Garden; Poor Room, Rich Room;
Epigram a Bromide; Passage, 1969 (wood,
epoxy, iron).
Exhibited: Museum of Modern Art; Brooklyn
Museum Fence Show, 1968; Nordness Gal-
leries, NY; Phila. Civic Center; Ruder & Finn
Fine Arts, 1969; Smithsonian Institution; Mount
Holyoke College, 1969; Boston Museum of
Fine Arts, 1970; Rhode Island School of
Design, 1969; Memorial Art Gallery, Rochester,
NY, 1969; San Francisco Museum of Art, 1969;
Contemporary Arts Museum, Houston, 1970;
NJ State Museum, 1970; Roberson Center for
the Arts & Sciences, Binghamton, NY, 1970;
Art Galleries, Univ. of Cal. at Santa Barbara,
1970; Plaza Hotel, NYC; Westchester Art So-
ciety Gallery; Nassau Community College;
Brooklyn Public Library; Allentown (Pa.) Art
Festival; Quinnipiac College; Parrish Art Mu-
seum; NY State Pavillion; Huntington Town-
ship Art League.
Collections: Frederick Douglass Institute, Wash-
ington, DC; Spiro & Levinson Corp.; Mr.
William Haber; Mr. & Mrs. B. Friedman;
Mr. & Mrs. Samuel J. Rosen; Mr. David
Scribner; Unigraphic Corp.; Mr. Benny An-
drews; Jeanne Paris; Mr. & Mrs. Joseph
Strauss.
Awards: Westchester Art Society; Mitchell
College, Conn.; Brooklyn Museum; Armonk
Library Show Award; Bedford Hills Library
Show Award.
Sources: Boston Museum of Fine Arts. Afro-
American Artists: New York/ Boston, 1970;
Nordness Galleries. 12 Afro-American Artists,
1969; Mount Holyoke College. Ten Afro-
American Artists, 1969; Ghent, Henri. “The
Community Art Gallery,” Art Gallery, April
1970; Paris, Jean. “Black Art Experience in
Art,” Long Island Press, Jamaica, NY, June 14,
1970; Ruder & Finn Fine Arts. Contemporary
Black Artists’, Brooklyn College. Afro-Amer-
ican Artists: Since 1950, 1969; Walker, Roslyn.
A Resource Guide to the Visual Arts of Afro-
Americans, South Bend, Ind., 1971.
NEW YORK (NY). Acts of Art, Inc.
Rebuttal to Whitney Museum Exhibition: Black Artists in Rebuttal at Acts of Art Gallery.
1971.
Unpag. (20 pp.) exhib. cat., 54 b&w illus., brief biogs. of 48 artists. The text consists of an unsigned foreword (probably by Nigel L.
Jackson, director of Acts of Art); a reprint of Z. D. Allen's review of the exhibition, "Rebuttal to the Whitney," from Chelsea Clinton
News (Apr. 15, 1971). The catalogue was published after the show opened. Artists included: Benny Andrews, James Belfon, Betty
Blayton, Lynn (Chuck) Bowers, Vivian Browne, Calvin Burnett, Jo Butler, Robert Carter, Art Coppedge, Adger Cowans, Joseph
Delaney, J. Brooks Dendy, III, James Denmark, Reginald Gammon, Moses Paul Groves, Lester Gunter, Byron Hall, William Charles
Henderson, II, Leon Hicks, Nigel L. Jackson, Kenneth Vrook Johnson, Cliff Joseph, Philip Martin, Kenneth Matthews, Richard
Mayhew, Dindga McCannon, Alexander S. McMath, Ademola Olugebefola, William Payne, James Phillips, Kenneth Radcliffe, Junius
Redwood, Enid Richardson, Gregory Ridley, Jr., Haywood (Bill) Rivers, Donald J. Robertson, Philippe G. Smith, Ann Tanksley, Bob
Thompson, Russell Thompson, Robert Threadgill, Lloyd Toone, Bennie White, Timothy Wilkins, Walter H. Williams, Ed Wilson,
Frank W. Wimberley, Hale Woodruff. Sq. 8vo, stapled tan wraps, lettered in brown, illus. of wire sculpture by James Denmark..
BOSTON (MA). Museum of the National Center of Afro-American Artists.
Afro-American Artists: New York and Boston.
May 19-June 23, 1970.
92 pp. exhib. cat, 67 b&w illus. of work by 69 artists, exhib. checklist. Intro. by Edmund B. Gaither. Important early exhibition.
Includes Emma Amos, Benny Andrews, Ellsworth Ausby, Malcolm Bailey, Ellen Banks, Romare Bearden, Robert Blackburn, Betty
Blayton, Ronald Boutte, Lynn Bowers, Frank Bowling, Marvin Brown, Calvin Burnett, Dana C. Chandler, John Chandler, Barbara
Chase-Riboud, Ed Clark, Eldzier Cortor, Ernest Crichlow, Emilio Cruz, Avel DeKnight, Henry DeLeon, Stanley Pinckney, James
Denmark, Reginald Gammon, Felrath Hines...
Category
1960s Abstract Abstract Paintings
Materials
Acrylic
Krishna and the Gopis
Located in Fairlawn, OH
Unknown Artist, mid 20th Century
Krishna and the Gopis
From India, Orissa, Puri
Pattachitra is a traditional painting of Odisha, India. These paintings are based on Hindu mythology a...
Category
Mid-20th Century Rajput Figurative Paintings
Materials
Pigment
Portia Novella Le Brun or “Stephanie”
By Guy Pène Du Bois
Located in Fairlawn, OH
Portia Novella Le Brun or “Stephanie”
Oil pastel on paper, 1941
Preliminary study for this work on the reverse (see last illustration)
Signed in ink lower left
Provenance: William Pe...
Category
1940s American Modern Nude Paintings
Materials
Oil Pastel
Roundel depicting St. Catherine
Located in Fairlawn, OH
Unknown French Art and Workshop, Middle 15th century
Roundel depicting St. Catherine (?)
Gouache, ink gold wash and gold burnishing on vellum
Book of Hours folio attributed to the C...
Category
15th Century and Earlier Old Masters Figurative Paintings
Materials
Gouache, Pigment
Jersey Shore III
By Adolf Arthur Dehn
Located in Fairlawn, OH
Jersey Shore III
Casein on Masonite, 1967
Signed lower right (see photo)
Initialed, dated and titled verso
Provenance:
Estate of the artist
Virginia Dehn (the artist's widow)
Dehn Quests
Created on location on the Jersey Shore. The Jersey Shore was the main playground for thousand to escape the summer heat of New York. This small painting shows Dehn's mastery of patterning color to depict movement and recreation. Part of a suite of paintings done on this theme. Within a year of it's creation, Dehn dies from a heart attack.
Casein on Masonite
Condition: Excellent
Image: 6 x 11"
Frame: 9 3/8 x 14 1/2"
Adolf Dehn, American Watercolorist and Printmaker, 1895-1968
Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art.
In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art.
If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques.
Early Years, 1895-1922
For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood.
After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet).
Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason.
Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag.
The Years in Europe: 1922-1929
In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work.
Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.”
A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer, the publisher of the most notable modernist art and poetry magazine...
Category
1960s American Modern Landscape Paintings
Materials
Oil
Palace with Vignettes of Scenes of Royal Court Life
Located in Fairlawn, OH
Palace with Vignettes of Scenes of Royal Court Life
Early 19th century Rajput School
Gouache on heavy paper, mounted to gold flecked support board
c. 1820
Unsigned as usual
Inscribed on mount
Provenance:
De-accessioned from the Richmond, Indiana Art...
Category
1820s Rajput Landscape Paintings
Materials
Gouache
Chaco
By Virginia Dehn
Located in Fairlawn, OH
Chaco
Canvas, fabric, pigment and collage elements, 1985-1995
Signed lower left corner in red paint
Title and signed in pencil on the verso on the top of the stretcher
Condition: Excellent
Canvas size: 18 x 18 inches
Provenance: Estate of the Artist
By descent
Chaco is a Native American culture of Ancestral Puebloan peoples, thriving in New Mexico between 850 CE and 1250 CE. Some of the motifs in this work was inspired by Chaco Canyon wall art.
This mixed media work was created after the artist moved from New York to Santa Fe in 1985. It combines many Southwestern and Native American motifs.
This is one of a small group of similar works combing collage and mixed media. (See photo of native pictographs) that inspired this work.
Virginia Dehn
From Wikipedia, the free encyclopedia
Virginia Dehn
Virginia Dehn in her studio in Santa Fe
Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections.
Life
Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered.
Early career
Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut.
Virginia and Adolf Dehn
The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work.
The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India.
Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies.
Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
Category
1980s Abstract Abstract Paintings
Materials
Oil
Neoclassical Head in profile
By Byron Browne
Located in Fairlawn, OH
Neoclassical Head in profile
Watercolor and graphite on paper, 1950
Signed and dated lower left in ink (see photo)
Provenance: Washington, D.C. priva...
Category
1950s Modern Figurative Paintings
Materials
Watercolor
Study for the Mural "Westward Movement"
By John Steuart Curry
Located in Fairlawn, OH
Study for the Mural "Westward Movement"
Graphite, watercolor, gouache and paint on paper, 1936
Signed in pencil lower center (see photo)
A study leading up to his mural Justice of th...
Category
1930s American Realist Figurative Paintings
Materials
Gouache
Crows aloft, Berlin Heights
By Henry Keller
Located in Fairlawn, OH
Crows aloft, Berlin Heights
Oil on board
Signed lower left in red (see photo)
Condition: Excellent
Image size: 20 x 16 inches
Frame size: 26 1/8 x 21 7/8 inches
Provenance: Private ...
Category
1910s American Impressionist Landscape Paintings
Materials
Oil
Lilies
By Jane Peterson
Located in Fairlawn, OH
Jane Peterson (1876-1965)
Lilies
Oil on canvas, 1952-1953
Signed by the artist lower right: JANE PETERSON
(see photo)
Painting size: 29 x 23 inches
Frame size: 38 x 32-1/2 x 1-1/2 inches
Exhibited: The Pennsylvania Academy of the Fine Arts: One Hundred and Forty Eighth Exhibition of American Painting and Sculptures, January 25-March 1, 1953
(Photo of original label). Original tacks on stretcher where label was afixed. Label stolen while on exhibition.
Exhibited: Childs Gallery, Boston, 2019- 2023
Jane Peterson was an artist who achieved significant critical attention and adulation over the course of her career. Following her first American solo exhibition in 1909, a critic observed, “There is not a dull canvas in the entire collection and everything is interesting”.1 Thirty-five years later, Historical Records published her biography in the almanac Prominent Women of New York.2 Regardless of her success, Peterson remained pragmatic as she always sought to challenge herself with new ideas and techniques. She spent a lifetime immersed in the practice of painting; as a student, teacher, and gifted artist.
Peterson was a painter with little interest in self-promotion or the conventional achievements of an artist, as a result there has only been a moderate body of scholarship written about her posthumously. Peterson’s legacy is her brilliant oeuvre of impressionistic paintings, held by collections such as the Metropolitan Museum of Art, the Philadelphia Museum of Art, and the Brooklyn Museum of Art.
"Jennie Christine Peterson was born in Elgin, Illinois in 1876. From an early age Peterson, who was known throughout her life as Jane, showed a natural talent for drawing. As a teenager, having received no formal art training, Peterson sat the art aptitude test conducted by the Pratt Institute. The results were promising and, in 1895, Peterson moved to New York to study at the Pratt Institute in Brooklyn.
Peterson thrived at Pratt as a conscientious student, although it was not an easy time for her financially. When her money ran low Peterson gave art lessons to other students, and also earned some income through the sale of her paintings in student exhibitions. When Peterson graduated in 1901, she began working as Drawing Supervisor of Public Schools in Brooklyn. She also continued her art education taking classes at the Art Students League. Between 1904 and 1906 Peterson worked as an art teacher in New York, Massachusetts, and Maryland. In 1907, Peterson sailed to Europe where she visited artists and museums in France, Holland, and Italy. She found Europe to be more socially progressive for women artists and decided to stay and continue her art education.
While in Europe, Peterson studied under Frank Brangwyn at the London School of Art, before relocating to Paris where she received instruction from Jacque-Emile Blanche, Charles Cottet, and Claudio Castelucho. Throughout 1908, Peterson was extremely productive, creating many works in her spare time while also taking on portrait commissions to augment her income. She lived in rooms in Montparnasse located around the corner from Gertrude Stein’s salon, where on Saturday evening artists and art enthusiasts would gather to view and discuss Stein’s seminal collection of Modern art. Attending these events Peterson surrounded herself with powerful art luminaries such as Pablo Picasso, Henri Matisse, Georges Braque, André Derain, and Henri Rousseau.
Peterson’s style from this period is neither entirely academic nor avant garde. Rather she blends the technical skills of her academic training with the loose brushwork and bold color palette of her contemporaries to produce paintings that are beautiful impressions of life. Peterson’s early oil paintings from Europe...
Category
1950s American Impressionist Still-life Paintings
Materials
Oil
The Calm Sea
By Ernest Haskell
Located in Fairlawn, OH
The Calm Sea
Oil on mahogany panel, 8 7/16 x 6 1/2 inches
Signed lower left (see photo)
This work was inspired by Haskell's frined, teacher and mentor, James ...
Category
1890s American Impressionist Landscape Paintings
Materials
Oil, Panel
Portrait of Young Woman (Self Portrait of the Artist?)
Located in Fairlawn, OH
Portrait of Young Woman (Self Portrait of the Artist?)
Oil on canvas, pre 1963
Signed lower left edge (see photo) also see photo of signature from another work by the artist
Newman Galleries label verso (a leading art gallery in Philadelphia, founded 1860
Condition: Excellent
Canvas size: 30 1/16 x 18 1/8 inches
Frame size: 32 x 20 inches
Exhibited: Newman Gallery, Philadelphia
Note: Tatiana was a talented portrait painter and baroness from a wealthy and aristocratic Italian family, who married the American artist Cy Towmbly in 1959.
Tatiana married Cy Twombly in April of 1959. They had a son, Cyrus Alessandro, made famous in his painting The Age of Alexander, 1959-1960. Tatiana's brother, Baron Giorgio Francehtti, purchased the famous Venetian landmark, Ca' D' Oro, located on the Grand Canal. He formed a major collection of art. The Baron was a backer of the noted Roma art...
Category
1960s Modern Figurative Paintings
Materials
Oil
Spring in Brown County
By Louis Oscar Griffith
Located in Fairlawn, OH
Spring in Brown County
Oil on canvas mounted on phenolic resin support, c. 1925
Signed lower right: L. O. Griffith (see photo)
Condition: Excellent
Painti...
Category
1920s American Impressionist Landscape Paintings
Materials
Oil
A Bit of New England
By Louis Oscar Griffith
Located in Fairlawn, OH
A Bit of New England
Oil on canvas,, 1908
Signed lower left corner: L. O. Griffith
Condition: Excellent
Canvas size: 26 x 38 inches
Frame size: 33 3/8 x 45 1/4 inches Note: origi...
Category
Early 1900s American Impressionist Landscape Paintings
Materials
Oil
Storms (At Sea)
By Louis Oscar Griffith
Located in Fairlawn, OH
Storm (At Sea)
Oil on board, c. 1908
Signed: L. O. Griffith lower left (see photo)
Titled on label verso
Image: 6 5/8 x 8 3/4"
Frame: 10 x 12 x 1 1/2"
Provenan...
Category
Early 1900s American Impressionist Landscape Paintings
Materials
Oil
#90 Strange Creature
By Norbert Lenz
Located in Fairlawn, OH
#90 Strange Creature
Oil and pencil on board, 1932
Signed and dated in the image lower right (see photo)
Provenance:
Joseph M. Erdelac, Cleveland, OH
Condition: excellent
Archival framing
Image size: 10 1/2 x 11 3/4 inches
Frame size: 25 x 24 inches
Painter, illustrator and commercial artist Norbert Lenz was born in Norwalk, Ohio and received his artistic training at both the Huntington Polytechnic Institute and the Cleveland School of Art. During his career Lenz exhibited his paintings and drawings at such institutions as the Pennsylvania Academy of Fine Art, the Art Institute of Chicago, the Cleveland Museum of Art and the Butler Institute of American Art. Today the art of Norbert Lenz is held by the Columbus Museum of Art, the Cleveland Museum of Art and the Butler Institute of American Art.
Lenz was also a very highly regarded commercial designer of stamps. He worked for a number
of years at the House of Farman, a leading vendor of first day covers...
Category
1930s American Modern Abstract Paintings
Materials
Oil
Blue Horizon (near Sante Fe, New Mexico)
By Elmer Ladislaw Novotny
Located in Fairlawn, OH
Blue Horizon (Near Sante Fe, New Mexico)
Signed by the artist lower right (see photo)
Oil on board, 16 x 27 5/8 inches
Condition: Very good. Housed in the or...
Category
1970s Realist Paintings
Materials
Oil, Board
Oil Study of Two Horses
By Frederic A. Bridgeman
Located in Fairlawn, OH
Oil Study of Two Horses
Oil on canvas, c. 1880
Unsigned
Estate stamp verso of canvas and on stretcher (see photo)
Condition: Excellent
New gilt frame aptterned after the period frame
Painting size: 4 1/8 x 8 3/8 inches
Frame size: 6 3/4 x 11 inches
Provenance:
Estate of the Artist
Jill Newhouse Gallery, New York
Eric G. Carlson Fine Prints, New York
"Frederick (sic) Arthur Bridgman relocated from Alabama to New York with his family while still a youth. He was eventually employed as an engraver with the American Bank Note Company. He began studying art in his spare time inthe Art Schools of Brooklyn and the National Academy of Design in New York. He traveled to Paris in 1866 and became a favorite student of Gérôme which lead to Bridgman's exhibition in the Paris Salon in 1868. He made France his permanent home in 1870, and spent his summers on sketching tours of Brittany. He exhibited with the National Academy of Design in 1871. He lived in Egypt in 1873; scenes from Egyptian antiquity were prominent in his work. Bridgman's talents extended to writing and music; he was a noted composer and musician. The artist died in Rouen, France, in 1928." Courtesy SAAM (Smithsonian American Art Museum)
"Frederick Arthur Bridgman was a well-known landscape and historical painter. He is most admired for his Orientalist subjects, including views of North Africa, in particular Egypt and Algeria, and his scenes from Ancient Egyptian history.
Although born in Alabama, Bridgman came from a Yankee family. After the death of his doctor father and amid the mounting tension before the Civil War, the Bridgmans returned to their native New England, settling in New York. Young Frederick showed artistic gifts and was apprenticed as an engraver to the American Banknote Company. He attended evening classes at the Brooklyn Art Association at the same time. He also studied at the National Academy of Design, where he met Harry Humphrey Moore and Thomas Hovendon. In these early years, Bridgman exhibited at the Brooklyn Art Association.
Bridgman travelled to France, where he visited Pont Aven, the artists’ colony in Brittany frequented by Paul Gauguin and Emile Bernard as well as a circle of American painters around the Philadelphian Robert Wylie (1839-1877). Bridgman also studied in Paris with Jean Léon Gérôme at the Ecole des Beaux-Arts. Bridgman made an important reputation for himself in France at the annual Paris Salons; in Britain, where he exhibited at the Royal Academy between 1871 and 1904, and in Germany, where he showed at the Grosse Berliner Kunst Ausstellung. His work was included in the American displays at the 1889 Universal Exposition held in Paris.
In 1872 Bridgman travelled to Spain and North Africa in the company of a British artist known only as ‘S’. In the winter of 1873-4 he made a second trip, visiting Egypt in the company of fellow American artist Charles Sprague Pearce. Bridgman married a young Bostonian, Florence Mott Baker; the deterioration of his wife’s health from the terrible inherited neurological disorder Huntington’s Chorea led him to return to Algiers in 1885 for a respite for them both in a warm climate. He wrote a fascinating travel narrative describing his journeys in North Africa, Winters in Algiers, published in 1888 and illustrated with woodcuts from his works.
Bridgman’s great success culminated at the Paris Salons of 1877, 1878 and 1879 with a trio of paintings portraying life in the ancient Near East...
Category
1880s American Realist Animal Paintings
Materials
Oil
Portrait of a Seated Woman
By Paul H. Winchell
Located in Fairlawn, OH
Portrait of a Seated Woman
oIl on canvas, c. 1930
Signed on the reverse in oil paint: "Paul W"
Created while the artist was a student at the Minneapolis Institute of Arts
Provenance: Estate of the artist
Condition: Cleaned and stretched by Monica Radecki, South Bend, Indiana.
The painting is unframed
Canvas size: 30 x 24 inches
This work created while the artist was in art school.
Winchell studied art at the Minneapolis and Chicago Art Institutes in the 1930’s. He went on to teach at both institutions. Winchell studied under the noted artists Daniel Garber and Leon Kroll. Winchell exhibited at the Minneapolis Institute of Arts, Art Institute of Chicago and the Kansas City Art Institute. He retired to a quiet life in Painsville, Ohio.
Paul H. Winchell (1903 – 1971) was a printmaker, illustrator, teacher, and gilder according to Crump, 2009 (Minnesota Prints and Printmakers, 1900- 1945, Minnesota Historical Society Press). He was the son of Mrs. Looman Winchell of Shepherd Rd as noted in a 1937 newspaper article (Painsville, O. Telegraph). Winchell grew up in North Perry, Ohio and then studied and worked as an instructor at the Art Institute of Chicago. He studied with Leon Kroll (1884 – 1974), Boris Anisfeld (1878-1973), Daniel Garber (1880 – 1958), Charles Woodbury (1864 – 1940), George Oberteuffer...
Category
1930s American Impressionist Figurative Paintings
Materials
Oil
South Hampton 8:45PM
By Cleve Gray
Located in Fairlawn, OH
Southhampton 8:45 PM
Signed Gray lower right
Titled on verso in black paint
Oil on canvas, 28 x 40 inches
Exhibited: Jacques Seligman Galleries (label) twice, original price $450. (See photo)
Condition: {Small slit in canvas, delivered to Monica for cleaning and repair}
Expertly repaired by Monica Radecki
Gray had his first one man show at Seligmann in 1947.
NY Times Obit:
Large Abstract Works, Dies
By Ken Johnson
Dec. 10, 2004
Cleve Gray, a painter admired for his large-scale, vividly colorful and lyrically gestural abstract compositions, died on Wednesday in Hartford. He was 86.
The cause was a massive subdural hematoma suffered after he fell on ice and hit his head on Tuesday outside his home in Warren, Conn., said his wife, the writer Francine du Plessix Gray.
Mr. Gray achieved his greatest critical recognition in the late 1960's and 70's after working for many years in a comparatively conservative late-Cubist style. Inspired in the 60's by artists like Jackson Pollock, Clyfford Still, Mark Rothko and Helen Frankenthaler, Mr. Gray began to produce large paintings using a variety of application methods -- pouring, staining, sponging and other nontraditional techniques -- to create compositions combining expanses of pure color and spontaneous calligraphic gestures.
In 1972 and 73 he produced "Threnody," a suite of 14 paintings, each measuring 20 feet by 20 feet, dedicated to the dead on both sides in the Vietnam War. The series was commissioned by the Neuberger Museum of Art at Purchase College, part of the State University of New York, and is considered one of the largest groups of abstract paintings created for a specific public space.
PUBLIC COLLECTIONS:
Addison Gallery of American Art, Phillips Academy, Andover, MA
Albright-Knox Art Gallery, Buffalo, NY
The Brooklyn Museum, Brooklyn, NY
Cathedral of Saint John the Divine Art Gallery, New York, NY
Colby College Museum of Art, Waterville, ME
Columbia University Art Gallery, New York, NY
Columbus Museum of Art, Columbus, OH
The Corcoran Gallery of Art, Washington, D.C.
Grey Art Gallery and Study Center, New York University, New York, NY
Solomon R. Guggenheim Museum, New York, NY
Heckscher Museum, Huntington, New York, NY
Honolulu Academy of the Arts, Honolulu, HI
The Jewish Museum, New York, NY
Krannert Art Museum, University of Illinois, Champaign, IL
Mattatuck Museum, Waterbury, CT
The Metropolitan Museum of Art, New York, NY
Minnesota Museum of Art, St. Paul, MI
Museum of Art, Rhode Island School of Design, Providence, RI
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Houston, TX
The Museum of Modern Art, New York, NY
National Museum of American Art, Smithsonian Institution, Washington, D.C.
The Neuberger Museum, State University of New York, Purchase, NY
New Britain Museum of American Art, New Britain, CT
The Newark Museum, Newark, NJ
Norton Gallery of Art, West Palm Beach, FL
Oklahoma City Art Center, Oklahoma City, OK
The Phillips Collection, Washington, D.C.
The Art Museum, Princeton University, Princeton, NJ
Rose Art Museum, Brandeis University, Waltham, MA
Shearson Lehman Hutton Collection...
Category
1950s Abstract Landscape Paintings
Materials
Oil
Rocky Inlet
By Karl Albert Buehr
Located in Fairlawn, OH
Rocky Inlet (France)
Oil on canvas, relined, c. 1915
Signed: K A Buehr, lower right (see photo)
Created during the artist's time in Giverny and Normandy
Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery.
Provenance: Gift of the artist to his wife, Mary Hess Buehr
The artist's niece, daughter of Will Hess
David Saltzman
Robert Henry Adams Gallery
Condition: Craquelure to the paint surface (normal with aging of 100 years)
Relined
Canvas size: 11 1/8 x 14 1/4 inches
Frame size: 16 x 19 inches
“Karl Albert Buehr (1866–1952) was a painter born in Germany.
Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member.
Art Studies in Europe
In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian.
Giverny and American Impressionism
Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...
Category
1910s American Impressionist Landscape Paintings
Materials
Oil
Gulf of Corinth Scene
By Anna Richards Brewster
Located in Fairlawn, OH
Gulf of Corinth
Oil on canvas, April 1912
Signed by the artist lower left; titled by the artist lower right (see photos)
Image size: 5 1/2 x 13 1/2 inches
Frame size: 9 x 16 3/4 inc...
Category
1910s American Impressionist Landscape Paintings
Materials
Oil
Seascape
By George Adomeit
Located in Fairlawn, OH
Seascape (Off Monhegan, Maine)
Oil on canvas, mounted to board by the artist, c. 1940
Signed: George G. Adomeit lower right
A view of the Maine coas...
Category
20th Century American Impressionist Landscape Paintings
Materials
Oil
The Nativity of Christ
Located in Fairlawn, OH
Anonymous 15th Century Italian, Probably Milan area
The Nativity of Christ
Pigments, ink and gold leaf on vellum
Unsigned as is always the case with illum...
Category
15th Century and Earlier Old Masters Figurative Paintings
Materials
Pigment