Thomas French Fine Art Paintings

Portrait of a Young Girl Oil on canvas, c. 1895 Signed lower right (see photo) Edmondson studied in Paris with Lefebvre and Aman-Jean. This work shows the influence of Aman-Jean. Con...

Woman with Arms Crossed Mixed media collage-painting on stone chip surface, mounted on fabric, mounted on wood support by the artist, 1955 Signed and dated lower center Image size: 1...

Nashville at Sunrise Oil on canvas, mounted to archival resin board Signed by the artist lower left Provenance: Estate of the artist By decent A gorgeous Indiana Impressionist oil painting, done "plein air" (on location, outdoors) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop, Griffith was a member and president of the Chicago Palette and Chisel Club. He made his first trip to Brown County...

Une Femme Oil on canvas, mounted on Masonite, 1965 Signed and dated lower right Titled lower right recto Signed with the estate stamp verso: Beni Kosh Collection #118 Condition: Original estate condition Board size: 11 1/8 x 11 1/8 inches Provenance: Estate of the artist Bingham & Vance, Shaker Heights...

Le Resesquement a l'Advocats (The Legal Reservation) Pastel on paper, c. 1910 signed lower right Image size: 10 3/4 x 14 inches Frame size: 23-1/2 x 26-1/2 x 2-3/8 inches Condition: ...

Big Momma's Still Life #2 Oil pastel on rag paper, 2007 Signed by the artist lower left: "Sedrick Huckaby III" (see photo) Sheet size: 16 x 12 1/8 inches Frame: 28 x 24 inches Exhibi...

Untitled (Fabric Design) Annotated on the verso with the studio address of the artist Signed in ink lower right corner: “Marguerite Gross” Gouache on heavy paper, 1930-1939 In 1930 ...

Soft Blue Discs Acrylic/polymer on masonite, 1976 Signed by the artist in pencil lower right: LD Cantine (see photo) Signed, titled, dated verso (see photo) Canadian painter Cantine has spent his career exploring the role of color in painterly image construction Condition: Excellent Painting size: 12 x 15 inches Provenance: Kraushaar Galleries (lebl, see photo) "David Cantine (born 1939) is a Canadian painter, best known for consistently painting pictures using the same composition for the last forty years of his career. Cantine was born in Jackson, Michigan, and went to school at the University of Iowa, earning a Bachelor of Arts degree in 1962, and a Master of Arts degree in 1964. In 1965 he began teaching drawing and painting at the University of Alberta, until retiring from his position in 1996. Cantine's work in the beginning of his career was figurative art, but he began to experiment with abstraction in the 1970s, and in 1975 became inspired by a photograph of a pair of apples casting round shadows. This compositional structure became the basis for the minimalist, post-painterly abstraction David Cantine is best known for. David Cantine's paintings are in a number of collections, including the Art Gallery of Alberta, the University of Alberta, the Christopher Cutts Gallery, the Francis Winspear Centre for Music, the Alberta Foundation for the Arts, and the Masur Museum of Art." Courtesy Wikipedia "David Cantine’s highly recognizable compositions of coloured circles below Plexiglas have been the painter’s primary pursuit for 45 years of his impressive painting career spanning almost six decades. What originally began as a still-life of apples and their shadows evolved into the present abstract imagery of four circles and seven colours. Motivated by the use of “structural colour instead of descriptive colour,” David Cantine continues to explore variations on this minimalist theme. Since the early 2000s, he has also explored a more painterly form of colourful abstracted still-life, with echoes of inspiration from Giorgio Morandi. Born in Jackson, Michigan, Cantine received his Master of Arts degree from the University of Iowa before permanently relocating to Edmonton, Alberta, Canada. He taught Drawing at the University of Alberta for over thirty years and has been featured multiple times at the Art Gallery of Alberta, in the Alberta Biennial of Contemporary Art, and most recently in Soak, Stripe, Splatter. His work has been exhibited in 24 solo exhibitions and 37 group shows and can also be found in the following collections: Masur Museum, Louisiana; Museum of Contemporary Canadian Art, Ontario; Art Gallery of Alberta; University of Alberta FAB Gallery; Simons; Alberta Art Foundation; Hewlett-Packard; The Sims...

Untitled (Peonies) Oil on artist's board, c. 1910-1920's Signed by the artist in ink lower center (see photo) Provenance: Joseph Erdelac, Private Collector, Cleveland, acquired from ...

Signed lower center edge Annotated verso: “5 Juin 1966 _____ et de soleil, de et d’oseille” Image: 6 3/4 x 4 5/8" Frame: 14 1/2 x 12 3/4" Finishe...

Unknown Russian Artist Russian Orthodox Church, Middle 19th century Unsigned Illuminated in red, yellow blue and green pigments and gold leaf on paper ...

Nude Oil on canvas, 1923 Signed and dated lower left: Wm. Wiessler, '23 (see photo) Condition: excellent Canvas size: 24 1/4 x 29 1/4" Frame size: 33 5/8 x 38 5/8" Provenance: Estate of the Artist Radecki Galleries, South Bend Thomas French Fine Art...

Chaco Canvas, fabric, pigment and collage elements, 1985-1995 Signed lower left corner in red paint Title and signed in pencil on the verso on the top of the stretcher Condition: Excellent Canvas size: 18 x 18 inches Provenance: Estate of the Artist By descent Chaco is a Native American culture of Ancestral Puebloan peoples, thriving in New Mexico between 850 CE and 1250 CE. Some of the motifs in this work was inspired by Chaco Canyon wall art. This mixed media work was created after the artist moved from New York to Santa Fe in 1985. It combines many Southwestern and Native American motifs. This is one of a small group of similar works combing collage and mixed media. (See photo of native pictographs) that inspired this work. Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

#90 Strange Creature Oil and pencil on board, 1932 Signed and dated in the image lower right (see photo) Provenance: Joseph M. Erdelac, Cleveland, OH Condition: excellent Archival framing Image size: 10 1/2 x 11 3/4 inches Frame size: 25 x 24 inches Painter, illustrator and commercial artist Norbert Lenz was born in Norwalk, Ohio and received his artistic training at both the Huntington Polytechnic Institute and the Cleveland School of Art. During his career Lenz exhibited his paintings and drawings at such institutions as the Pennsylvania Academy of Fine Art, the Art Institute of Chicago, the Cleveland Museum of Art and the Butler Institute of American Art. Today the art of Norbert Lenz is held by the Columbus Museum of Art, the Cleveland Museum of Art and the Butler Institute of American Art. Lenz was also a very highly regarded commercial designer of stamps. He worked for a number of years at the House of Farman, a leading vendor of first day covers...

Blue Horizon (Near Sante Fe, New Mexico) Signed by the artist lower right (see photo) Oil on board, 16 x 27 5/8 inches Condition: Very good. Housed in the or...

Portrait of a Seated Woman oIl on canvas, c. 1930 Signed on the reverse in oil paint: "Paul W" Created while the artist was a student at the Minneapolis Institute of Arts Provenance: Estate of the artist Condition: Cleaned and stretched by Monica Radecki, South Bend, Indiana. The painting is unframed Canvas size: 30 x 24 inches This work created while the artist was in art school. Winchell studied art at the Minneapolis and Chicago Art Institutes in the 1930’s. He went on to teach at both institutions. Winchell studied under the noted artists Daniel Garber and Leon Kroll. Winchell exhibited at the Minneapolis Institute of Arts, Art Institute of Chicago and the Kansas City Art Institute. He retired to a quiet life in Painsville, Ohio. Paul H. Winchell (1903 – 1971) was a printmaker, illustrator, teacher, and gilder according to Crump, 2009 (Minnesota Prints and Printmakers, 1900- 1945, Minnesota Historical Society Press). He was the son of Mrs. Looman Winchell of Shepherd Rd as noted in a 1937 newspaper article (Painsville, O. Telegraph). Winchell grew up in North Perry, Ohio and then studied and worked as an instructor at the Art Institute of Chicago. He studied with Leon Kroll (1884 – 1974), Boris Anisfeld (1878-1973), Daniel Garber (1880 – 1958), Charles Woodbury (1864 – 1940), George Oberteuffer...

Rocky Inlet (France) Oil on canvas, relined, c. 1915 Signed: K A Buehr, lower right (see photo) Created during the artist's time in Giverny and Normandy Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery. Provenance: Gift of the artist to his wife, Mary Hess Buehr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Gallery Condition: Craquelure to the paint surface (normal with aging of 100 years) Relined Canvas size: 11 1/8 x 14 1/4 inches Frame size: 16 x 19 inches “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Basketball Player Gouache on card stock, c. 1940 Signed by the artist in ink lower center A study for the fresco mural in the Social Security Buildin...

Untitled Abstraction Unsigned Acrylic and collage on paper From the estate of the artist Condition: excellent Image size: 12 x 12 inches Sheet size: 17 x 13 7/8 inches Peter Marks (...

Park Scene (Chelsea, Manhattan) Oil on artist's board, c. 1947-49 Signed lower right (see photo) Provenance: Estate of the artist Dehn Heirs Condition: Good, needs a light cleaning Original wormy chestnut frame Painting size: 9 1/4 x 12 inches Frame size: 14 1/4 x 17 inches One of the earliest know Virginia Dehn paintings after her marriage to Adolf in 1947. The lived in Chelsea at 433 West 21st St. Inscription by artist verso: Virginia Dehn 443 W. 21 St. New York City V.70 Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Ossabaw Inlet Acrylic on paper Signed in ink lower right Ossabaw Sound Inlet in Ossbaw Island Georgia, locate along the Atlantic Ocean near Hinesville GA "During her artistic career, Dehn received fellowships from Yaddo, MacDowell Colony and Ossabaw Island Project. " Wikipedia Condition: Excellent Image/sheet size: 12 1/8 x 17 5/8 inches Provenance: estate of the artist Dehn Heirs Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen...

Handel Organ Concerto Opus 4 No.6 B Flat Major - III Allegro Watercolor and mixed pigments on paper, c. 1960's Signed and titled recto (see photos) Condition: Excellent Image: 19 3/4...

Untitled Acrylic with gold leaf on canvas, metallic foil and glitter paper collage mounted on paper, c. 2003-2004 Unsigned Provenance: Estate of...

Untitled Acrylic with gold leaf on canvas collage mounted on canvas, c. 2002 Unsigned Provenance: Estate of the Artist Condition: Excellent Imag...

In Search of New Beginnings (The Paintings 1) Watercolor on Arches heavyweight paper, 2021 Signed with the artist's initials in the shadows of the books (see photo) Signed, titled an...

Natural Watercolor and pigments on Arches paper, 2021 Signed with the artist's initials lower right Signed with the artist's embossed "Yummy" blindstamp lower right An image of the a...

Study for Mid-Manhattan II Oil and graphite on paper, mounted to board, 1932 Signed by the artist in pencil lower right Sight size: 8 1/2 x 7 inches One of a series of studies for th...

Untitled (Provincetown) Pastel on paper, c. 1970 Signed lower right Condition: Excellent Archival framing with conservation glass Italian born artist Remo Farruggio...

Title Unknown (Gaspe Bay Houses) Acrylic on board, 46 1/4 x 34 inches Signed lower right Condition: Good Minor surface wear to the frame Provenance: Estate of the artist by decent to his daughter Gretchen William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

Acrylic on board Signed lower right corner Condition: Painting is excellent Frame has surface wear Provenance: Estate of the artist William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

Signed with the artist's initials lower right Darius Steward is establishing himself as a master of the medium of watercolor and large public murals. In 2018, Steward created two l...

Signed with the artist's initials lower right From the Series: Stolen Moments Signed with the artist's "Yummy" blindstamp lower right Note: Darius Steward is establishing himself...

Signed with the artist's initials lower right Watercolor on Twinrocker heavy weight paper

Estate stamp verso: Beni E Kosh Collection #436 Frame: 22-1/4 x 16-1/2 x 1-5/8"

Acrylic on canvas embedded with glitter and gold leaf Unsigned, as per usual Provenance: Estate of the artist Sheet: 14 x 17" Peter Marks (1935 -2010...

Pigment on mica Paintings on mica originating in India were produced in standard sets for the colonial tourist market. They imitated paintings on glass, which were popular in Europe...

Paintings on mica originating in India were produced in standard sets for the colonial tourist market. They imitated paintings on glass, which were popular in Europe. Subject matter included Hindu...

Signed and dated by the artist vertically lower left edge. Part of an experimental series of works using motor oil, India Ink, adhesives, sand, and various other mediums.

Signed by the artist in acrylic lower right Provenance: Estate of the Artist Acrylic on paper

Signed by the artist's daughter The painting hung in the home of the artist and her husband William Grauer over their fireplace. This has never previously been offered for sale...

Unsigned as is usual References: Located at 136, rue du Faubourg Saint-Honoré, the Lizzie Derriey Design Studio was active from 1928-1994. This creative co-operative, which emp...

Unsigned Provenance: Estate of the artist Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A lifetime New Yorker, Marks graduated from the High...

Signed lower right William C. Grauer Exhibited at the Cleveland Museum of Art "37th May Show," 1955.