Thomas French Fine Art Paintings

Still Life with Vase of Flowers Oil on board with incised scraffito, c. 1929-1930 Unsigned by the artist Signed and inscribed verso: "Painting by my father, Aileen B. Cramer" verso, the artist's daughter Signed with the estate stamp verso Exhibited: Gerald Peters Gallery, Konrad Cramer and the Woodstock School, 2000. (label, see photo), Ny-00457-38-C H. V. Allison Galleries...

Woman in a Field Oil on canvas, 1894 Signed and dated 1894, lower right corner Unframed A major exhibition work by this American Expatriate painter. From the linear descendants of th...

Untitled Abstraction Unsigned Acrylic and collage on paper From the estate of the artist Condition: excellent Image size: 12 x 12 inches Sheet size: 17 x 13 7/8 inches Peter Marks (...

Arctic Light-Orange Sun Unsigned Gouache on Japanese fibrous paper Series: Tundra Paintings Exhibited: Karl Zerbe, Gouaches of the Artic Nordness Gallery, (Madison Avenue, NY) Feb 3 through Feb 23, 1958 Cat. No. 12 (label with work, see photo...

Untitled (also known as "1811 THE BACKWOODSMAN'S CHRISTMAS") Oil on canvas, c. 1875-1925 Unsigned Provenance: Found in Ohio A charming American naive no...

Still Life with Flowers oil on board, c. 1935 Signed lower left on table cloth (see photo) Done while the artist was in Woodstock, New York in the 1930's Provenance: Weyhe Gallery, New York Joseph Mark Erdelac, noted Cleveland collector of American Art Condition: Excellent Cleaned by Monica Radecki, South Bend Housed in a metal leaf American profile frame by Hackman Frames, Columbus Image/board size: 18 x 15 inches Frame size: 24-5/8 x 21-1/2 x 1-3/4 inches Emil Ganso (1895-1941) Ganso was born in Germany in 1895. At age 14, he apprenticed to a baker and then worked his way to America when he was 17. He worked in bakeries in Scranton, Pennsylvania; and Cincinnati and Akron, Ohio. By 1916, Ganso out of a job, and was living the life of a bohemian in New York City, sometimes on less than 30 cents a week.1 In 1921, Ganso painted a realistic nude on a bedsheet, and was forced by the police to remove it from an exhibition. The bedsheet with the painting was later stolen. He soon had a job baking again at $140 a month, and with time to spare for painting and study. Ganso quit baking in 1925 when a New York dealer gave him financial backing of $50 a week. Ganso prospered from his art after that. His work is in over 15 American museums, and the Print Club of Cleveland awarded him a $500 purchase prize for a wood engraving. A versatile artist, he painted a variety of subjects. (from a profile written by Clyde Singer) Museum holdings : Biblioteque National Paris; Boston Museum of Fine Arts; Brooklyn Museum; Cleveland Museum of Art; Kupferstich Cabinet in Berlin; Library of Congress; Metropolitan Museum of Art; Museum of Modern Art; New York Public Library; Victoria and Albert Museum in London; Whitney Museum of American Art. Exhibitions : (one-man) Weyhe Gallery 1926 - 1946; Washington Irving Gallery 1960; Retrospective at the Whitney 1941; Retrospective at the Brooklyn Museum 1944; William Benton Museum of Art at the University of Connecticut in1976. (1. from an exhibition catalog held at Marti Sumers Graphics in 1978 Courtesy: AskArt Source: Butler Institute of American Art Courtesy of D. Wigmore “Emil Ganso was born in Halberstadt, Germany in 1895 and came to the United States as a teenager. By 1914 Ganso was taking evening classes at the National Academy's School of Fine Arts while supporting himself as a baker. His work was soon identified by Erhard Weyhe who went on to show Ganso's work at the Weyhe Gallery. Ganso first exhibited at the Society of Independent Artists in 1921, as well as at the Salons of America from 1922 to 1925. By 1925 Weyhe Gallery began to represent Ganso which gave him the funds to spend his first summer in the art colony of Woodstock, New York in 1926. Weyhe Gallery continued to exhibit Ganso's work through the 1940s. In Woodstock Ganso met George Ault, Doris Lee, Charles Rosen, Katherine Schmidt, Eugene Speicher, Alexander Brook, Louis Bouché, Konrad Cramer, Leon Kroll, and George Bellows leading Ganso to settle in Woodstock and continue to benefit from Woodstock connections throughout his life. In 1927, the same year he settled in Woodstock, Ganso began to share a studio with Jules Pascin. Ganso printed Pascin's lithographs and prepared paper for him in 1927 to 1928 while Pascin was in America. In 1929 Ganso visited Pascin in Paris. Perhaps it was this Paris trip that sparked Ganso's interest in photography. By 1930 he was exploring photography as an art form, as well as an aid to his art compositions. Konrad Cramer, Yasuo Kuniyoshi, and Russell Lee were other Woodstock artists who joined Ganso in these photography pursuits. Ganso received a Guggenheim Fellowship in 1933 which he used to study and paint in Europe. In the 1930s Ganso also kept a studio at 54 West 74th Street, an artists' building where Walter Pach...

Persephone Oil on canvas, 1952 Signed lower left (see photo) Titled reverse "Persephone" Signed "V. 52" Exhibited: Columbus Gallery of the Arts label "71/30 Bt. 2", see label Condition: two very small flakes of missing paint Canvas size: 20 1/8 x 16" Frame size: 20 7/8 x 16 3/4" Provenance: Estate of the artist Dehn Heirs An important painting by the artist. Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn (1922-2005) Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Park Scene (Chelsea, Manhattan) Oil on artist's board, c. 1947-49 Signed lower right (see photo) Provenance: Estate of the artist Dehn Heirs Condition: Good, needs a light cleaning Original wormy chestnut frame Painting size: 9 1/4 x 12 inches Frame size: 14 1/4 x 17 inches One of the earliest know Virginia Dehn paintings after her marriage to Adolf in 1947. The lived in Chelsea at 433 West 21st St. Inscription by artist verso: Virginia Dehn 443 W. 21 St. New York City V.70 Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Kandahar Acrylic and mixed media on fabric, c. 1970 Signed by the artist lower right (see photo) Kandahar is one of the thirty-four provinces of Afghanistan, located in the southern part of the country next to Pakistan. Inspired by the Dehns visit to Afghanistan in the 1960's. Provenance: Estate of the Artist Dehn Heirs Condition: Excellent Canvas size: 18 x 20 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Study for the Mural "Westward Movement" Graphite, watercolor, gouache and paint on paper, 1936 Signed in pencil lower center (see photo) A study leading up to his mural Justice of th...

Ossabaw Inlet Acrylic on paper Signed in ink lower right Ossabaw Sound Inlet in Ossbaw Island Georgia, locate along the Atlantic Ocean near Hinesville GA "During her artistic career, Dehn received fellowships from Yaddo, MacDowell Colony and Ossabaw Island Project. " Wikipedia Condition: Excellent Image/sheet size: 12 1/8 x 17 5/8 inches Provenance: estate of the artist Dehn Heirs Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen...

Standing Female Nude Oil on canvas, c. 1910 Signed lower left corner (see photo) Condition: Excellent Housed in a 22K Gold Leaf ...

Untitled Cubist Abstraction Signed and dated lower right Watercolor, charcoal and gouache on paper, 1922 Provenance: Estate of the Artist Schroeder, Romero & Sh...

Handel Organ Concerto Opus 4 No.6 B Flat Major - III Allegro Watercolor and mixed pigments on paper, c. 1960's Signed and titled recto (see photos) Condition: Excellent Image: 19 3/4...

Autumn Landscape Oil on relined canvas, c. 1915 Signed lower right corner: "Royal H. Milleson" Condition: Excellent Canvas size: 14 1/2 x 20 3/8 inches Frame size: 19-1/4 x 25-1/4 x 2-1/2 inches Clearly among the artist's finest paintings! Provenance: Private Collection, Greencastle, Indiana Ray H. French Collection (1919-2000) Martha A. French Trust Royal Hill Milleson...

Untitled Mixed media on paper, 1979 Signed and dated ‘79 lower right (see photo) Sheet size: 31 1/2 x 48" Frame: 34 1/4 x 50 1/4" Provenance: Members Gallery, Albright-Knox Art Galle...

Untitled Acrylic with gold leaf on canvas, metallic foil and glitter paper collage mounted on paper, c. 2003-2004 Unsigned Provenance: Estate of...

Untitled Acrylic with gold leaf on canvas collage mounted on canvas, c. 2002 Unsigned Provenance: Estate of the Artist Condition: Excellent Imag...

Ponte Vecchio Florence Oil on canvas, 1927 Signed and dated lower right corner Titled upper left NOTE: this offering is UNFRAMED Condition: Excellent Conservation by Monica Radecki, ...

In Search of New Beginnings (The Paintings 1) Watercolor on Arches heavyweight paper, 2021 Signed with the artist's initials in the shadows of the books (see photo) Signed, titled an...

Interieur No. II Oil on canvas, 1937 Signed on verso (see photo) nscribed on reverse: Benno 1937 "Interieur" (No. II) 35 x 27 cm 9 rue Compagne Premiere Paris 14e Provenance: Estate of the artist Ruth O...

Untitled (Abstraction) Oil on canvas, date unknown Signed lower left corner: Zayon Canvas size: 13 3/4 x 19 1/2 inches Frame size: 19 3/4 x 25 1/2 inches Condition: Very good Born i...

Untitled (Nude in front of light house, Lake Erie) Oil on board, 1970 Signed and dated lower right (see photo) Estate Stamp verso, No. 359 (see photo) Condition: Original untouched "...

Natural Watercolor and pigments on Arches paper, 2021 Signed with the artist's initials lower right Signed with the artist's embossed "Yummy" blindstamp lower right An image of the a...

Woman with Bouquet (Lady Liberty by Moonlight) Oil on canvas, 1974 Signed and dated by the artist lower center (see photo) Titled in pencil on stretcher, verso Housed in the original wooden frame made by the artist (a simple band of wood surrounding the canvas Condition: Very good, untouched since creation of the work Canvas size: 28 x 27 inches Provenance: joseph M. Erdelac, Cleveland Set in a realm of fantasy, Mary Spain’s work exhibits oddly distorted figures in a child-like manner with an underlying sense of absurdity. Through her toylike and primitive style, Spain created surrealistic dramas that puzzle and entrance the viewer. Born in Raleigh, North Carolina, Mary Spain studied art at Syracuse University and moved to Ohio in the 1960s to teach art at Chagrin Falls...

Point Lobos, California Oil on artist's board, c. 1925 Signed lower right: Wm J Edmundson (see photo) Condition: Very good condition Frame: Period McBeth G...

Study for Mid-Manhattan II Oil and graphite on paper, mounted to board, 1932 Signed by the artist in pencil lower right Sight size: 8 1/2 x 7 inches One of a series of studies for th...

Untitled (Big Momma in Profile) Signed by the artist lower right: "Sedrick Huckaby III" Tempera and gesso on book board (Board size) 32 x 20 inches Frame: 40...

Untitled (Abstraction) Mixed media on paper, 1980 Signed and dated 1980 lower right (see photo) Condition: Excellent, unframed Sheet size: 31 1/2 x 47 1/2 inches Provenance: Jan Cowl...

Untitled (Provincetown) Pastel on paper, c. 1970 Signed lower right Condition: Excellent Archival framing with conservation glass Italian born artist Remo Farruggio...

Title Unknown (Gaspe Bay Houses) Acrylic on board, 46 1/4 x 34 inches Signed lower right Condition: Good Minor surface wear to the frame Provenance: Estate of the artist by decent to his daughter Gretchen William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

Acrylic on board Signed lower right corner Condition: Painting is excellent Frame has surface wear Provenance: Estate of the artist William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

Signed with the artist's initials lower right Darius Steward is establishing himself as a master of the medium of watercolor and large public murals. In 2018, Steward created two l...

Signed with the artist's initials lower right From the Series: Stolen Moments Signed with the artist's "Yummy" blindstamp lower right Note: Darius Steward is establishing himself...

Signed with the artist's initials lower right Watercolor on Twinrocker heavy weight paper

Estate stamp verso: Beni E Kosh Collection #436 Frame: 22-1/4 x 16-1/2 x 1-5/8"

Acrylic on canvas embedded with glitter and gold leaf Unsigned, as per usual Provenance: Estate of the artist Sheet: 14 x 17" Peter Marks (1935 -2010...

Pigment on mica Paintings on mica originating in India were produced in standard sets for the colonial tourist market. They imitated paintings on glass, which were popular in Europe...

Paintings on mica originating in India were produced in standard sets for the colonial tourist market. They imitated paintings on glass, which were popular in Europe. Subject matter included Hindu...

Signed and dated by the artist vertically lower left edge. Part of an experimental series of works using motor oil, India Ink, adhesives, sand, and various other mediums.

Signed by the artist in acrylic lower right Provenance: Estate of the Artist Acrylic on paper

Signed by the artist's daughter The painting hung in the home of the artist and her husband William Grauer over their fireplace. This has never previously been offered for sale...

Unsigned as is usual References: Located at 136, rue du Faubourg Saint-Honoré, the Lizzie Derriey Design Studio was active from 1928-1994. This creative co-operative, which emp...

Unsigned Provenance: Estate of the artist Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A lifetime New Yorker, Marks graduated from the High...

Signed lower right William C. Grauer Exhibited at the Cleveland Museum of Art "37th May Show," 1955.