Verandah Asian Art and Furniture

A magnificent Chinese powder blue glazed porcelain charger with painted gilt decoration, late Qing Dynasty, circa 1900, China. The large and impressive Chinese porcelain charger gla...

Exceptional Turkish etched brass Qalamdan, a traveling scribe's inkwell and pen case. The beautiful dome topped inkwell is rare, it is attached by chain to th...

A very large & rare antique Chinese Qing Dynasty Blue & White Porcelain Rouleau dragon vase, Kangxi period (1662-1722), the vase dating to the late 1600s. The vase of slightly tapere...

Our pair of antique Chinese watercolor paintings on paper scrolls depicting exotic birds, butterflies and dog date from the late 1...

An extraordinary specimen created by nature millions of years ago, this large and stunning Chinese black chrysanthemum stone features white crystalline mineral (calcite and chalcedon...

Chinese Scholar stone, Meditation stone, Appreciation stone or Dream stone. All names for this beautiful natural stone that when studied evokes and por...

Antique Middle Eastern Islamic art Moorish brass bowl engraved with Thuluth Arabic calligraphy.The polished brass bowl is profusely chased with vines and vegetal motifs and inscribed with Islamic verses of the Holly Koran.This bowl has been professionally cleaned and polished.Measures: Diameter 7.25" x 4" height Mouth opening: 5".Great Middle Eastern brass metalwork decorative Islamic art objects.Handcrafted Moorish hand-etched Islamic metal brass bowl.Engraved, incised and hammered with very fine Arabic Islamic calligraphy writing and geometric designs on brass vessel.Very Intricate fine Middle eastern Moorish Islamic Art metalwork, museum quality artwork.Late 19th Century.Date of Manufacture: Circa 1880.Condition: Wear consistent with age and use. Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved: 1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible. Arabic Calligraphy: The Arabic writing on the bowl is a work of art in itself. The calligraphy showcases the mastery of the scribe's hand, with flowing curves and intricate details that form an elegant script. The script may include Quranic verses, blessings, or poetic verses, depending on the bowl's origin and purpose. The inscriptions are not only visually striking but also carry profound meaning, making this bowl a beautiful representation of Islamic heritage. Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship. This antique Islamic brass bowl...

With simplicity of form and an understated presence, these elegant lacquer cabinets exemplify the timeless appeal of classical Chinese furniture. Used in traditional homes in lieu of...

A wonderfully charming large and colorful Chinese hand painted wallpaper section in a carved and shaped hardwood frame. The wallpaper dates to the first half of the 20th century or e...

A large Chinese Qing dynasty porcelain wucai (five color) glazed bowl painted in underglaze blue and overglaze red, green, and yellow upon a pure white ground, and featuring a design...

A fantastic pair of Chinese molded and glazed biscuit porcelain vases with leaping dragon fish or makara, late Qing dynasty, circa 1900. The vases of balu...

A Chinese scholar rock carved from a natural lapis stone and displayed on a brocade wrapped stand circa late 19th century Qing Dynasty. The brightly blue lapis was considered as am exotic gemstone in China and mostly imported from Persia through the silk road. While not a conventional rock types of materials for scholar stones, it is occasionally carved and polished into smaller Gongshi to be displayed and meditated upon in the scholar's study. Similar approaches were also done with jade, malachite and turquoise, even petrified wood, Chenxiang Agarwood, roots in spirited form, porcelain and even bronze in rock forms. The lapis was carved into a mountain form with stacked rocks...