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Wiscasset Bay Gallery Animal Paintings

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Summer Pasture, Barbizon School, Sheep, Shepherds, Landscape
Located in Wiscasset, ME
Felix Saturnin Brissot de Warville, in the style of the Barbizon School, regularly captured scenes of the French countryside and the people who lived and worked there. Paintings by B...
Category

19th Century Barbizon School Landscape Paintings

Materials

Oil, Wood Panel

Sunlight and Shadows, American Impressionist, Cattle, Cows, Landscape, Pastoral
Located in Wiscasset, ME
"Sunlight and Shadows" is a beautifully composed pastoral landscape with cattle by a stream. An American Impressionist, Voelcker utilized broken brushstrokes and a warm and cool colo...
Category

20th Century Impressionist Animal Paintings

Materials

Oil, Board

Morning by the Pond, John Henry Dolph, Realism, Oil on Panel, Ducks, Birds, Fowl
By John Dolph
Located in Wiscasset, ME
John Henry Dolph, best known as painter of domestic animals, especially cats, was born in 1835 in Fort Ann, New York. In 1841 Dolph's family moved to Ohio and in 1849 Dolph began an ...
Category

Late 19th Century Realist Animal Paintings

Materials

Oil, Panel

Nude with Cat, Mid-20th Century, Modern, Oil on Board, Figural, Interior
Located in Wiscasset, ME
"Nude with Cat" by R. Walker is a charming portrait of a woman and cat posed by a window.
Category

Mid-20th Century Modern Nude Paintings

Materials

Oil, Board

The Rabbit Hutch, Charles Hunt, Jr, British, Children, Animals
By Charles Hunt Jr.
Located in Wiscasset, ME
Charles Hunt, Jr. was born in Kensington, London, in 1829 and was part of a dynasty of painters. He was the son of the genre painter Charles Hunt (1803-1877) and father to four sons ...
Category

19th Century Realist Figurative Paintings

Materials

Oil, Panel

"Nesting, " French 19th c Realist, Louvre Museum, Charming Small Oil of Chickens
By Charles-Emile Jacque
Located in Wiscasset, ME
Born in 1813 in Paris, Charles Emile Jacque began his training in etching as an apprentice to a map engraver. By 1833 he was painting and debuted at the Paris Salon and contributed r...
Category

19th Century Realist Animal Paintings

Materials

Oil, Wood Panel

"A Girl with Her Cat, 1947, " EM Watts, oil on canvas, portrait
Located in Wiscasset, ME
"A Girl with Her Cat" was painted by EM Watts in 1947. The portrait is oil on canvas The painting measures 26 3/4" x 22 3/4" with its frame.
Category

1940s Impressionist Figurative Paintings

Materials

Canvas, Oil

In the Farmyard
By Nellie E. Brown
Located in Wiscasset, ME
Nellie E. Brown was a British artist who flourished in the late 19th century to early 20th century. Brown participated in exhibitions at the Walker Art Gallery in Liverpool and Royal...
Category

Early 20th Century Impressionist Animal Paintings

Materials

Canvas, Oil

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Shepherdess at the edge of the forest
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19th Century French Barbizon Signed Oil Painting Cattle & Dog in Rural Lane
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Materials

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English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...
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