Xupes Sculptures and Carvings

A well cast vintage Khmer, Angkor Wat style, bronze head of Shiva, circa 1970's, Thailand. Shiva, the Hindu god of creation, change and destruction, is identified by the third eye in the center of his forehead. His highly stylized face features alluring almond shaped eyes, a flattened nose, and broad mouth. Shiva is adorned with ornate earrings and an elaborate crown. The heavy earrings...

This beautiful sculpture realized in China in the 18th century depicts Guanyin, a Bodhisattva associated with compassion. The female form holds a pot in her hands. She appears draped...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

A fantastic piece. Wonderfully glazed and colored work of a seated man with brightly colored robes riding a mythical galloping horse. We believe this is Qing Dynasty (1644-1912) ...

Pair of Asian Bronze Foo Dogs or Kylin Dragon, probably Tibetan, circa 1940s or earlier. They retain their warm original patina. These were purchased f...

A wonderfully sand stone-carved Asian deity figure / sculpture likely from Cambodia. The detailed head is likely that of the divinity deity Shiva, sometimes referred to as the smiling God-King. The features are clearly reminiscent of the carvings found at both Bayon Temple at Angkor Thom...

Large Pair of Chinese Export Sancai Glazed Foo Dogs China, 20th Century An exquisite, large-scale Sancai glazed pair of Foo Dogs, featuring elaborately decorated Foo Dogs with rema...

Pair of patinated bronze Chinese foo dogs, circa 1930s. Excellent vintage condition with amazing detail and a gorgeous patina. Each dog measures 6.5" high x 3.5" deep x 4.75" wide. #...

Cast in brass with a rich patina, this seated figure is a Lama, a spiritual master and teacher of the Dharma in Tibetan Buddhism. The figure likely de...

A sublime Chinese carved boxwood figure of the Bodhisattva of Compassion, Avalokiteshvara, called Guanyin in Chinese, mid-Qing dynasty. The an...

Pair of small patinated bronze Chinese foo dogs, circa 1950s. Excellent vintage condition with amazing detail and a gorgeous patina. Each dog measures 4.25" high x 2.5" deep x 3.5" w...

A heavy and well cast South Indian bronze figure of Shiva Nataraja, or Shiva as Lord of the Dance, in the Chola style, late 19th or early 20th century, India. Shiva is portrayed here in his form as Nataraja, the Lord of the Dance. An iconic and powerful image, Shiva is portrayed engaged in his dance of creation, protection, and destruction, bringing together all his aspects into one sublime form. Shiva dances ecstatically, facing the viewer with his body twisted, his long locks of hair streaming out around him, his four arms in action, with one leg raised, the other stomping on the dwarf demon Apasmara, who represents spiritual ignorance. In one hand he holds a damaru, or ritual drum...