YM Antiques Inc Figurative Sculptures

Recently salvaged from old Downtown Buffalo New York church rectory, lifesize carved wood statue, "Joseph" which once adorned the vestibule, well executed, wonderful detail, great si...

JEAN-DIDIER DEBUT 
French, 1824-1893 

French Orientalist Model of a Janissaire Warrior 

Polychromed and patinated bronze signed "E. Debut", sealed with editeur cachet "Bronze Ga...

Bronze statue in brown patina representing Susanna, sculpted by Eugene-Antoine Aizelin (1821-1902). Susanna at the bath is a story from the apocryphal ...

Antoine Louis Barye (1796-1875, France): "(Little) gazelle" Bronze sculpture with a tendril-brown anthracite-green patina on black representing a gazelle on the lookout Late 19th/e...

A French bust in bronze with original gold patina is derived from a masterpiece by Jean-Antoine Houdon. The original Bust of Louise Brongniart (1772-...

Large Statue in patinated spelter. Hunting dog holding a pheasant, signed Jules MOIGNIEZ (1835-1894). 31 cm high x 37 cm width. Jules Moigniez was a 19th-century French animal scul...

Bronze sculpture Orientalist Dancer Artist Fatori origin Italy circa 1920 orientalism style signed in the flame onyx marble base perfect condition.

Very fine mid-19th century French Animalier bronze study of a standing Setter with excellent hand chased surface detail and rich brown patination. Raised on a stepped naturalistic base, signed J Moigniez. Additional information: Height: 19 cm Width: 34 cm Condition: excellent original condition Circa: 1870 Materials: bronze Book reference: Les Animaliers by Jane Horswell Page no. 237 About Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

A late 19th century Grand Tour bronze figure of “The Dying Gaul”, after the antique. The Dying Gaul depicts a warrior in his final moments, next to his shield and sword, his face contorted in pain just before he collapses from the mortal wound to his chest The original marble figure, which is in the Capitoline museum in Rome is thought to be a Roman copy of a Greek sculpture in Bronze. As an image of a vanquished enemy, the sculpture embodies courage in defeat, self-possession in the face of death, and the recognition of nobility in an alien race. “The Dying Gaul” was found in Rome with another ancient marble...

Patinated bronze stags standing over rocky outcrop, signed after Jules Moigniez with marble base.

19th Century Ferdinand Barbedienne (1810-1892) Bronze Bust Of A Woman. Bust features head of a woman with long, wavy hair, and adorned with a floral crown. Her expression is serene, ...

A vintage French plaster model of a stripped anatomical arm after studies by Jean-Antoine Houdon, in good condition. Hand finished during the 18th Century, he became famous by studyi...