Prince Albert on the Hunt Bronze Sculpture by Jules Moigniez (1825-1894)

Our patinated bronze by Charles Auguste Lebourg (1829-1906) depicting a child playing with lizard is signed in the cast and inscribed "MEDAILLE D'OR ET DATE 1853". On reverse is black ink is the word COMO. Lebourg first exhibited at the Paris Salon in 1852. This important work debuted at the Salon in 1853 and won a medal at the Exposition Universelle in Paris in 1855. He is perhaps best known for the sculptural design of the Wallace fountains...

Our finely carved sculpture of the Jewish philosopher, Nathan the Wise, by Adolf Jahn (1858-1941) is mounted on a tall square pedestal cut from N...

Our very large gilt bronze figure by Jean-Leon Gerome (1824-1904) depicts Venus holding and leaning upon a Dionysian staff with pine cone finial as Cupid clambers up the staff. Based marked JL GEROME.

Our important bronze by Francois-Raoul Larche (1860-1912), cast circa 1905, is entitled La Tempête et les Nuées (The Storm and the Clouds). Signed RAOUL. LARCHE and stamped with the ...

Our gilt bronze sculpture after Jean Antoine Injalbert (1845-1933) is known as Amour aux Colombes (Love with Birds).

Our magnificent bronze, entitled Der Gladiator, depicting a Roman gladiator preparing to fight was modeled by the German artist, Heinrich Baucke (1875-1915). Mounted to a green variegated marble plinth measuring 23 by 15 inches and with an overall height of 39 inches. Signed on the base with the stamped mark of the foundry, DUSSELDORFER BRONCEGIESSEREI G.m.b.H. The artist enjoyed a prestigious career.  According to the Benezit, Baucke studied under Karl Janssen at the Dusseldorf Academy of Fine Arts.  In 1903 Baucke moved to Berlin and executed several commissions for Kaiser Wilhelm II including a major work at the Royal Palace in Berlin (known since the end of the monarchy in 1918 as the Berlin Palace) and supervision of the development of the Schlossplatz palace square.  Commissions included the Monument to William I at Rotthausen, the bronze of King Friedrich Wilhelm III of Prussia at the town hall in Elberfeld, a statue of King Frederick I, a stone statue of Maurice of Nassau and marble busts of Helmuth von Moltke, Chief of the German General Staff, and German Chancellor, Otto von Bismarck...

Jules Moigniez (1835-1894) bronze horse Very pretty bronze horse signed by J Moigniez from the XIX century. It has a very nice patina that it has ...

Presented is a 20th century bronze sculpture, after Jules Moigniez, of an eagle on a rocky perch. The dignified eagle has its wings tucked and his head turned to the side, showcasing exquisite craftsmanship. Textured feathers, a rugged base, and sharp talons show Moigniez’s artistry at the lost wax process. The bronze sculpture sits atop a marble base. Jules Moigniez (1835-1894) was a French sculptor widely known for his highly detailed bronze works depicting dynamic wildlife. After studying under Paul Cromolera, Moigniez made a name for himself at his first exhibition in 1855 at the Paris Exposition Universelle. From 1859 to 1892, he showed regularly at the annual Saloons, with a total of 30 recorded works exhibited. A successful sculptor in France, Moignez increased his British and American collector base by exhibiting at the London International Exhibition of 1862. Intensely dedicated to the process of casting, Jules and his father decided to establish their own foundry in 1857, solely for the purpose of having complete control at every step, as well as the freedom to experiment. They created bronzes with unusually and unique finishes, experimenting in gilded, silver, and multi-color chemical patinas. Most of his works were cast using the lost-wax patina and were always chiseled and chased with great skill and care. While many bronze artists at the time focused solely on the subject, Moigniez incorporated highly detailed bases to accommodate his various animals. After Jules Moigniez’s tragic death in 1894, his father continued to cast his son’s bronzes from the Moigniez foundry. Just before Moigniez’s father also passed away, he sold the foundry and his casts to Auguste Gouge, a family friend who once cast bronzes for Jules' teacher Paul Cromolera. Gouge continued to produce Moigniez’s bronze sculptures until WWI. Eagle sculptures, such as this, gained such popularity in America because of the symbolic and historical meanings associated with the elegant bird. The eagle motif has been widely used throughout American history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery was prominent. Since then, the eagle motif has appeared in allegorical engravings...

Each bird in this pair is a partridge—the ubiquitous European game bird. The partridges are cast from bronze and are finished with a beautiful, polychrome patina. Each partridge in t...

Pair of animalier bronze dog sculptures by Jules Moigniez French, late 19th Century Measures:Height 13cm, width 22cm, depth 10cm This charming pair of dog sculptures is by the F...

An untitled bronze sculpture depicting a horse and greyhound. Beautiful bronze work, standing on realistic base, signed on the back of the base: J. Moigniez (French 1835-1894). This ...

Bronze inkwell sculpture with nuanced brown patination. Two ink pots are cleverly hidden at either end of the sculpture: One in the stump of the tree and the other under a rock. Moig...