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1950’s Nanna Ditzel ‘’ND83’’ Armchairs

US$12,274.81per set

About

Pair of armchairs in Teak and upholstery designed by Nanna DItzel for Soren Willadsen Mobelfabrik. Denmark, 1950s Excellent Vintage condition, reupholstered Nanna DItzel, graduated architect in London and as a cabinet maker in Denmark, she established a design studio in Copenhagen focused primarily on interiors and multipurpose, adjustable, and children’s furniture. Their iconic 1959 Hanging Chair, nicknamed the “Egg Chair,” is arguably their most famous piece; the rounded wicker seat hangs from chains from the ceiling. Her work has been exhibited around the globe. Her awards include a lifelong artist’s grant from the Danish Ministry of Culture in 1998 and she was elected Honorable Royal Designer by the Royal Society of Arts in London in 1996. Her clients included Georg Jensen, Kvadrat, Kvist, Fredericia Furniture, among others.

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    Ships From: Madrid, Spain
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About the Designer

Nanna Ditzel

Nanna Ditzel was the most versatile and creative female designer that Denmark produced in the 20th century. Ditzel brought her talents to bear on a staggering array of forms — she designed furniture, jewelry, tableware and textiles; and she shaped her pieces using an equally astonishing variety of materials, from wood and wicker to silver, ceramics and fiberglass.

Born in Copenhagen, she trained as a cabinetmaker at the Royal Academy's furniture school — overseen by the great craftsman of the day, Kaare Klint — and graduated in 1943. Ditzel’s early work adhered to the classic Danish modernist tenets of simplicity, comfort and quality, and her armchairs, with their softly curved backrests are much in the spirit of Hans Wegner. Ditzel’s signature piece of that time is her Ring chair. Designed along with her husband, Jørgen Ditzel, a fabric maker, the chair has a semicircular padded armrest that seems to embrace the sitter. Ditzel began designing in wicker and in 1959 produced the Hanging chair. The piece, suspended from the ceiling by a chain, became a favorite for fashion shoots and may be as iconic of the 1960s as Eero Aarnio’s plastic Ball chair of 1963.

In 1956, Ditzel began designing for the Danish silverware firm Georg Jensen. In an association that lasted some 40 years, Ditzel would create organically shaped jewelry, barware, ceramic tableware and even tablecloths. Like her fellow Dane Verner Panton, Ditzel was not afraid to embrace industrial materials, and she began designing fiberglass chairs in the mid-1960s. Some of her most flamboyant work came toward the end of her career, in pieces such as 1989’s Bench for Two, with its shocking Op-art finish, or the Trinidad chair of 1992, with it’s sunburst-like, cut-though backs. Such feats of creativity were a fitting coda to one of the most imaginative, prolific and remarkable women of modern design.

About the Seller
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