
Norman Norell Sailor Dress
View Similar Items
Norman Norell Sailor Dress
About the Item
Late 1960s/early1970's- 100% silk organza? White dress with blue trim sailor collar and large red bow neck tie. Full sheer organza puff sleeve, tight wrist with blue trim. Full skirt with blue trim at hem. Has matching wide, blue belt with rectangular buckle. Three covered buttons on wrist, two white and one blue to match the trim. Three white covered buttons on shirt. Zip in skirt from waist.
MEASUREMENTS
Blouse – Bust – 19 x 2”
- Waist – 14 x 2”
- front V to waist - 12”
- shoulder to wrist - 22”
- wrist from sleeve – 3.5”
- shoulder to shoulder – 17”
Skirt - hip – free - length – 39”
Bow – across - 11” - length 13”
Collar – 11” length at back - 14” across back
length from shoulder – 56”
ABOUT NORMAN NORELL (1900-1972)
ABOUT NORMAN NORELL (1900-1972)
* Career:
• Costume designer, Paramount Pictures, 1922-23;
• Theatrical costume designer, 1924-28;
• Designer, Hattie Carnegie, New York, 1928-40;
• Partner/designer, Traina-Norell company, New York, 1941-60;
• Designer, Norman Norell, New York, 1960-72.
During Norell's early years at Hattie Carnegie, he learned all about meticulous cut, fit, and quality fabrics. Regular trips to Paris exposed him to the standards of couture that made French clothes the epitome of high fashion. Norell had the unique ability to translate the characteristics of couture into American ready-to-wear. He inspected each of his garments individually and demanded proper fabrication and finish. Norell was the first American designer to win the respect of Parisian couturiers. He gained a reputation for flattering designs that were simple and well-made. The prices of a "Norell", rivaled those of Paris creations and they were worth it. The clothes and the designs transcended time.
Norell's designs have consistent identifying factors like wool jersey and paillettes and his classic yet simple silhouettes. The sequin garments evolved into Norell's signature shimmering "mermaid" evening dresses; form-fitting, round-necked and short-sleeved.
- Designer:
- Brand:
- Dimensions:Length: 56 in (142.24 cm)Bust: 38 in (96.52 cm)Waist: 28 in (71.12 cm)
- Place of Origin:
- Period:
- Material Notes:Silk Organza
- Condition:Good condition except for 1 tear and 2 splits in left sleeve. one is 1.5", another 2" and the tear shown in image #10 is 3". There are a few very tiny splits at the shoulder seam. No other evidence of splitting elsewhere in the dress.
- Seller Location:Los Angeles, CA
- Reference Number:Seller: private collection1stDibs: U090530924
Norman Norell
The signature details that characterize vintage Norman Norell evening dresses include classically tailored silhouettes, feminine round necklines and tenderly applied beading, carefully inspected both inside and out. Pop culture icon Marilyn Monroe wore many of Norell’s classic dresses over the years. And as a young model for a Seventh Avenue clothing manufacturer, screen siren Lauren Bacall liked to scour the racks of Loehmann’s with her mother, looking for the odd piece by a famous designer like Norell.
Norell began his career in his early 20s, designing costumes for Paramount Pictures and Brooks Costume Company, as well as for esoteric vaudeville productions. The theater remained a major source of inspiration throughout his career. Often drenched in beads or sequins, a material that remained readily available despite wartime restrictions, his show-stopping mermaid gowns, a marriage of glitz and simplicity, harken back to the days of vaudeville. He continued to design these gowns until the end of his life.
Raised in a family of haberdashers, Norell was long-influenced by the cuts, fabrics and details of traditional menswear, and he sought to incorporate those concepts into his designs. In 1960, at a moment when women were not yet wearing pants to work, he made waves when he presented his then-controversial wool flannel culotte suit. Some years later, he designed a black dinner suit with a bow-tie, beating Yves Saint Laurent to the punch, and later still, he conceived a feminine version of an aviator jumpsuit.
A creature of habit, Norell stuck with many of his classic designs throughout his career, but he continued to experiment with avant-garde ideas for evening garments. This was perhaps most vividly expressed in his wild coats, runway crowd-pleasers adorned with ostrich feathers or massive red and pink flowers.
A fan of a full dirndl, Norell made skirts that ranged from delicately creased to voluminous balloons, and he frequently paired these with pleated blouses or tight turtlenecks. One of the first designers to incorporate traditional elements of sportswear into his evening attire, a typical Norell evening gown was divided into three separate colors: one for the top, one for the skirt and one for the sash. And vintage Norman Norell gowns are inherently versatile — they’re as modern today as they were decades ago. The little black dresses that Norell designed offered similar flexibility. Perfectly simple and sexy are the round necklines, which Norell introduced to declutter his dresses and allow for a more modern look.
Norell was the first American designer to have his name on a dress label and on a successful fragrance. He possessed a refined elegance and a quiet audacity that he expressed through timeless, wearable pieces boldly embellished with luxe trimmings. His work would come to redefine the American ready-to-wear industry and earn him the nickname the “American Balenciaga.” He received the inaugural Coty Award for womenswear and was the first designer inducted into the fashion industry critics’ hall of fame.
Find vintage Norman Norell day dresses, suits, jackets and other clothing on 1stDibs.