An Annamese stoneware with cobalt blue, Hoi An Hoard, Late 15th century

The vase features a slender neck adorned with gracefully drawn, elongated leaves that blend seamlessly with its natural curves, adding a refined elegance. At the center, a meticulously rendered geometric pattern of repeating wave-like motifs creates a sense of depth and movement, framed by curved lines for balance. Simple plant motifs are scattered throughout, complementing the design with minimal strokes. The base is grounded by repeated geometric symbols, ensuring stability and cohesion. Overall, the vase masterfully combines simplicity and sophistication, resulting in a harmonious and elegant work of art. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Art Gallery of Greater Victoria - A vase from the wreck of the Hoi An 2) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

At the center of the vase, within a rounded frame, a bird is depicted perched on a small branch. The bird’s feathers and body are finely detailed, while the beak and eyes are rendere...

The Kendi is decorated with cobalt blue underglaze depicting flowers and a mythical bird, reflecting the artistic finesse and symbolic expressions of the era. These designs often carry symbolic meanings, with birds sometimes representing immortality or spiritual transcendence in Chinese mythology. The Kendi's form, with a bulbous body and spout for drinking, is a traditional vessel style in Asia, valued for both its functionality and aesthetic appeal. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export...

Stoneware painted with underglaze cobalt blue and remnants of overglaze enamel. Valuable piece housed in a few major museum collections in the United States. Year/Period : 15th century Region : North Vietnam, Vietnam Type : Ewer Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Phoenix Art Museum - OBJECT NUMBER 2000.108.1 2) Asian Art Museum of San Francisco - Annamese Collection 3) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

A fine Chinese shipwreck blue and white decorated large porcelain kendi, or pouring vessel, Transitional Period, late Ming or early Qing Dynasty, mid...

Very nice blue & White Kendi/Ghendi, 200mm high. With a floral landscape scene. Nicely carved also. Beautiful piece! The 'kendi', a drinking water vessel with a spout but no handle,...

20th Century Robin's Egg Blue Vase, Qing Dynasty Style. Vase shape is broad in middle with a gently tapering neck-a classic Chinese form often associated with Qing Dynasty porcelain ...

Annamese Blue and White Ceramic Jar, Chu Dau kiln, Vietnam, circa 1500. A globular form with narrow neck decorated in under glaze cobalt blue of lotus petals, ...