Extremely Rare Tokugawa Clan Kimono Hanger with Maki-e Lacquer. Edo period

A Fine Lacquer Incense Burner with Makie Gold Design. This fine lacquer incense burner is a stunning example of Japanese craftsmanship. It is dated to the Edo-Meiji period, 19th cen...

Edo Period Kyoto Screen Period: Edo period Size: 343 x 176 cm (134.6 x 69 inches) SKU: RJ69 This stunning Edo period screen depicts typical scenes of d...

Edo Period Kyoto Screen Period: Edo period Size: 343 x 176 cm (134.6 x 69 inches) SKU: RJ69/2 This stunning Edo period screen depicts typical scenes of...

Edo Period Seasonal Transition Screen Period: Edo Size: 368 x 153 cm SKU: PTA148 This exquisite six-panel screen, adorned with golden flakes, beautifully portrays the seamles...

Japanese Inro from the Edo period (1615-1868) Beautiful Inro, created in Japan during the Edo (1615-1868) Shogunate period circa Late 18th century. It was carefully crafted in carve...

Elegant and sacred, rare look was its amazing wave textures. This beautiful piece with refined details shows a great stillness, which was made during edo period and executed with Jap...

An early Japanese lacquer Maki-e decorated kobako (small storage box) circa 18th century (Edo period). Based on its form and size, this kobako was possibly used as a Chabako to store the accoutrements for chado (tea ceremony). The lidded box is of rectangular form with bevel design on all edge that softens the appearance. The entire surface was densely covered with a background of nashiji. Elaborate Maki-e techniques were used on each side to showcase a distinct landscape or floral design within a cartouche panel. On the surface of the lid, a mountainous landscape rises from the edge of the water. The poetic composition is akin to a traditional ink scroll...

A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold. Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...