Antique Japanese Export Lacquer Bamboo Stick Stand

Early 19th century Chinese export lacquer and gilt Davenport desk, the entire finely decorated with the typical figural landscape and foliate gilt decoration, the sloped top opening ...

Antique japanese red and black lacquered Bamboo Food Carrier or Box, front side can be open Dimensions: Height 18'' x width 15.5" x depth 11". ...

Early 19th century Chinese export lacquer and gilt box with a walking stick from the Qing dynasty, bone walking stick in black lacquered wood box, w...

Antique 19th century export Chinese lacquer gaming box with hand painted scenes gilt export black lacquer with 4 pair of two dragons playing a ball, the...

Antique 19th century export Chinese lacquer gaming box with hand painted scenes gilt export black lacquer, there are 7 gaming boxes and 12 trays, 14.5 i...

Antique 18th century export Chinese lacquer gaming box with hand painted scenes gilt export black lacquer, there are 7 gaming boxes and 12 trays, size: ...

A spectacular Japanese lacquer and porcelain inlaid display cabinet on stand, kazaridana, Meiji Period, late 19th century, Japan. The sumptuous kazaridana of traditional display cabinet form, with several shelves and enclosed spaces for display and storage. The cabinet decorated all over in beautiful maki-e lacquer against a dense nashiji ground and inset with blue and white Arita porcelain plaques. The front of the cabinet of asymmetric design, with two open display shelves at staggered heights, and several doors enclosing storage areas of various shapes and sizes, including one hinged corner door, two pairs of sliding doors, and one pair of hinged doors opening to reveal a rounded inset corner shelf. A pair of drawers below complete the cabinet. All supported on a separate tall fitted stand. The corner door decorated with a bold scene of a samurai warrior fighting a demon. This most likely depicts the warrior Watanabe no Tsuna battling the demon Ibaraki-doji at Rashomon gate, in which Watanabe no Tsuna attempts to help a young girl return home, carrying her on his back, only for the girl to turn into a demon, which he then must fight. The top pair of sliding doors with a scene of a man playing the sho, a Japanese mouth organ, along the banks of a river with a waterfall in the background. The bottom pair of sliding doors with a waterfall scene on one side, while a scholar lounges with his attendants on the other. The pair of hinged doors finely decorated with a pair of fully armored samurai. The two drawers wonderfully decorated in the kodaiji style with a stream of rushing water and various plants and grasses. The cabinet is decorated in the round, with the top, sides, and base of the cabinet decorated with various scenes of flowers and birds, and inset with blue and white Arita porcelain plaques in the form of traditional fan. The fans painted...

A exquisite, fine quality Meiji period (1868-1912) Japanese black lacquer cabinet on stand with wonderful scrolling gilded decoration. H...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

This is a beautifully designed and fabricated Japanese pagoda-shaped tall chest of drawers. The chest dates to the late 20th or early 21st century and is in very good to excellent ov...

Antique Chinese mandarin red lacquered console table server with five deep drawers / fine brass hardware. dovetailing at rear of drawers / tenon construction on case. Overall beautif...

An extremely rare, possibly unique, Chinese export lacquer bureau for the Dutch market Canton, circa 1737 H. 118 x W. 102.5 x D. 63 cm Provenance: - Private collection, The Netherlands - J.K. Driessen Antiques, Arnhem (Art Fair Breda, 1989) - Noble collection, Belgium Literature: - C.J.A. Jörg, ’De handel van de V.O.C. in Oosters lakwerk in de 18de eeuw’ in: Nederlands Kunsthistorisch Jaarboek , Jr. 31 (1980), pp. 355-363 (ill.) - Annigje Hofstede, Nederlandse meubelen van Barok tot Biedermeier, 1700-1830, Waanders, Zwolle 2004, pp. 35-37 (ill.) This lacquer bureau is one of the four writing desks purchased in Canton in 1737, and as far as is known, this is the only remaining bureau of its type from the period. As the VOC believed that large pieces of import took up too much valuable space in their trading ships...