Slate Antiquities

Statues of Chinese horse riders, featuring glazes in green, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glazed Pottery Typ...

Shakyamuni, the original Buddha sculpted in schist stone. Originally from a cave. Sui dynasty '589-618' AD Gautama Buddha, also known as Siddhartha or simply the Buddha. He was an a...

Statues of Chinese horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glaze...

Very rare antique Vietnamese bronze Shiva. 6 inches tall, 7.25 inches on a custom stand. Has many Cham features. While he looks to have significant a...

Antique Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Age: Burma, Shan Period, 16th Century Size: Height 16.3 C.M. / Width 8.6 C.M. ...

A small Khmer bronze figure of the Hindu goddess Uma, Angkor Period, Style of Angkor Wat, circa 12th century, Cambodia. This small Khmer bronze devotiona...

Masterpiece 15th century Northern Thai bronze Buddha. This is the best of the best. Traces of gilding in the crevices of the hair, behind the ears, etcetera. The casting is crisp, the sculpting shows great finesse and depth, the patina is beautiful and complex and desirable, the proportions are classic, and the face as deep and serene and beautiful as any you will find on any Buddha. It is extremely large and is the largest high-end period bronze Buddha from Thailand I have ever had the pleasure of offering at 31 inches tall and in the range of 50 to 60 pounds (most of the clay core scooped out) (Outstanding provenance -from the personal collection of Ali A. Abssi (1934-2020) founder of the Ishtar gate...

Japanese bronze animal rabbit hollow sculpture. Age: Japan, Showa Period, 20th Century Size: Height 18.4 C.M. / Width 13 C.M. / Length 30 C...

Large Thai bronze sitting buddha.

Burmese wood carving panel with flower (found from the city 200 KM away from Pagan or Bagan). Age: Burma, Ava Period, 16th Century Size: Height 104...

China, Ancient Bronze “Money Tree” Yaoqian Shu with original pottery base, Han dynasty (25 BCE – 220 CE) Dimensions: 155cm, 62 inches high A sculpted terracotta pottery base in the form of a tortoise with attendants and inserted with five individual bronze pole segments with twenty four individual hanging bronze open work money “branches” attached in tiers, four per tier and topped with a figure of a bronze phoenix as apex most bearing varying degrees of malachite and azurite encrustation from ancient burial. Important Description Details: Pottery "tortoise" base: 14.5" high and 11" wide Bronze sections: 7pcs pole bronze sections approximately 8" length each 1pc top "phoenix" bronze section approximately 7" high and 6" wide 20 pcs long bronze hanging wings approximately 10" long and 5" wide each 4 pcs short bronze hanging wings (near top) approximately 7" long and 4" wide each Total 32 pcs with ancient green and blue azurite patina. Catalog reference: Schneible Fine arts catalog - 35 Years Collecting Treasures- Number 11p. 28 (see photos) Provenance: Provenance: Private family collection formerly exhibited “Asia Week” New York City, Fuller Building, Zabriskie Gallery, 2008. History of money trees: In the late Han Dynasty tombs...

This Ming Dynasty painted pottery horse is depicted standing on a tiered rectangular pedestal. The horse has a well-proportioned body, with sturdy legs and a slightly arched neck. The eyes and muzzle are subtly outlined and incised. The mane is sculpted with deep, parallel grooves. The tail is long and slightly curved left, extending downward. The saddle is prominently featured at the center of the horse’s back, detailed with a raised, rounded seat and an attached stirrup hanging down one side. The saddlecloth is textured with a crosshatch pattern, bordered by a row of carved fringe-like elements. The horse's legs display subtle musculature, and the hooves are clearly defined, with black pigment accentuating their edges. The original painted pigments, including white, black, and ochre, are still visible, though faded in some areas. The black pigment highlights the mane, tail, and parts of the bridle, while the ochre tones accentuate the saddle and decorative elements. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...