Antique 19th C Japanese Satsuma Double Gourd Vase with Landscape Japan

A miniature Japanese Satsuma vase, Meiji Period. Incredible and very detailed piece. Just superb. Marked: ?? "Setsuzan". Condition Neck has been restored. Size 88 x 52mm H ...

Fabulous Japanese vase. The blue enamels are unusual and so nice. Marked at the body; The first two characters indicate a name: Xiang Feng (?) Followed by the character xie, mean...

Description: Fabulous small Japanese. Absolute top quality decoration a pottery. Marked at the base. Condition: Overall condition 1 perfect, 1 with restoration to rim. Size: 90 ...

Fabulous Satsuma vase with a circular mountainious landscape scene with a bridge and ladies in a pagode garden. Condition Overall condition some spots of enamel loss on the body,...

Pair of very fine quality early Meiji period Japanese Satsuma vases, one with its 19th century paper label added by its retailer.

Antique Japanese Satsuma Hand Painted & Gilt Pottery Vase with Pagoda & Landscape C1920 Measures - 12"h x 6.5"diam

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

Japanese Satsuma vase: Ladies of the Court, Kannon and Gilded Dragon. Signed on the bottom.