Five Antique Japanese Satsuma Hand-Painted Porcelain Vases C1920

Four Antique Japanese Satsuma Porcelain Vases C1920 Measures - 3.5"H x 4.5"diam (2 sm white) 2.75"H x 3.25...

Antique Japanese Satsuma Hand Painted & Gilt Porcelain Double Handled Vase with Garden Scene on Wood Stand C1920 Measures - 11"h x 4.75"diam

Antique Japanese Satsuma Pottery Garden Scene Vase & Lidded Urn, Hand Painted & Gilt, C1920 Measures- Large: 7.25''H x 4.5''W x 4.5''D; Small: 8''H ...

Pair Antique Japanese Satsuma Porcelain Vases wiih Hand Painted Genre & Garden Scenes and Gilt Highlights, C1920 Measures - 7....

An outstanding, fine, antique Japanese Meiji Period (1868-1912) Satsuma Millefleur pottery bowl, by Hakusan, circa 1890. This outstanding Satsuma bowl is very finely handpainted & gi...

Painted with Continuous Scenes From our Japanese collection, we are delighted to offer this Japanese Satsuma Vase Pair by Gyokuzan. The Satsuma vase pair of squat bulbous form with ...

High quality hand painted Satsuma vase / pot with warriors or hunters During the mid-19th century the well-known highly decorated Satsuma ware was created in an appealing oriental...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...