Japanese Ceramic Sake Bottle Chosen Karatsu Ware

A ceramic wide-mouthed bottle vase covered in green celadon glaze from Goryeo dynasty circa 11-12th century. The bottle vase with such a form (mouth with wide rim, long and slender neck, tall body with swelled shoulders that taper down toward the base) is known as "kwanggubyong" in Korean and developed from the prototype of bottles from united Silla kingdom. It was used for holding oil or liquid. Some of this type of vase take a plain form without much decoration other than glaze; Some feature basic geometrical lines, such as this one. Three concentric rings were featured along the neck and on the shoulder. Some with more carving on the body (see a vase in the collection of Brooklyn Musuem, 79.246.3) or a simple paint with iron glaze (See c.16-1930 in Fitzwilliam Musuem, Cambridge, UK). The vase on offer is covered in a lovely green celadon glaze which exhibits fine even crackles throughout the surface. It has a slightly uneven base with the foot ring shaved by the potter. The surface is original with a nice mellow patina. There is a historical kintsugi repair on the mouth rim, with its gold vain...

A heavily potted stoneware vase in cylindrical form, decorated with abstract strokes in iron rust glaze (known as Persimmon Glaze in Japanese) on a black glazed background. The pattern suggests autumn grasses, and it was applied with free hands. The vase is attributed to Japanese potter Hamada Shoji...

A tall ceramic vase made in the tradition of Shigaraki ware by Japanese potter Takahashi Shunsai (1927-2011), the fourth heir of the famed Rakusai lineage of potters. The vase is heavily potted in the reddish sandy Shigaraki clay. It has a Classic vase form made for Ikebana display. The surface is thickly draped with natural ash glaze that deposited onto the body during the firing process in the kiln. It also features decoration of carved lines. Nuggets of feldspar were incorporated in the clay and exposed onto the surface as crystal like jewels. Substantial and archaic looking, the vase also has a strong modern appeal due to its Mingei styling. It was signed on the base with a pressed seal Shunsai as shown. The vase comes with its original wood storage box (tomobako) with bears the title and signature in Kanji and a seal. It also retains a paperwork noting the artist's biography and practice philosophy in Japanese. Born in Shigaraki, Shunsai was the second son of renowned potter Takahashi Rakusai...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

A beautiful, perfectly shaped and balanced antique Bizen ware shibui sake bottle (tokkuri) vase by renowned Japanese master potter/artist Kaneshige Toyo (1896-1967) featuring a unique natural, wonderfully textured organic forming ash glaze. Kaneshige is universally considered to be the founder of modern Bizen pottery. In 1956, Kaneshige was certified as a Living National Treasure (Important Intangible Cultural Heritage) for his work in Bizen Ware pottery/ceramics. Bizen Ware is a type of Japanese pottery traditionally from the Bizen province, presently a part of the Okayama prefecture. It is considered one of the Six Ancient Japanese Kilns (along with Echizen ware, Seto ware, Shigaraki ware, Tamba ware, and Tokoname ware). The piece is signed/ sealed on the base with one of Kaneshige's traditional incised marks. A rather striking and engaging work. One of the best Kaneshige works we have come across. Scarce and hard to find in such an excellent condition. Would be a fantastic addition to any Japanese/Asian pottery or Bizen Ware collection or eye-catching stand-alone work in about any setting. Kaneshige's work can be found in numerous prominent collections and museums including: Aichi Prefectural Ceramic Museum, Seto, Japan Brooklyn Museum, NY Hagi Uragami Museum, Yamaguchi, Japan Honolulu Art Museum, HI Ibaraki Ceramic Art Museum, Kasama, Japan Indiana Art...

A rare and beautiful nearly 300 year old Japanese pottery Mishima Karatsu (三島唐津) sake bottle tokkuri (徳利) circa 1750 Japan, Edo period (1603-1868), Saga prefecture, Karatsu kilns, M...

This ceramic vase was made in Kasama, Japan. Kasama is a traditional and famous pottery producing area. It is very old vase. It has a very beautiful light blue glaze and has a wond...

Japanese Hasami ware kurawanka-type white porcelain tokkuri (sake flask), mid-late Edo period, mid 18th – early 19th century, approx. H 19.7 x D 10.5cm (7.75 x 4.13in). Characteristi...