Japanese Kyô’yaki Porcelain Gosho’guruma 御所車 Kôro 香炉 'Incense Burner'

Exquisite white glazed porcelain figure (okimono) of a sitting child holding a spray of chrysanthemum flowers with cobalt blue glazed leaves in its hand, by Sakaida Kakiemon XII (1878–1963). The milk white glaze is called nigoshide a type of technique which was not continued at the end of the Edo period, and is the famous rediscovery done by Sakaida Kakiemon XII in 1953. The bottom signed ‘Kakiemon’. Sakaida Kakiemon XII assumed the family title on the death of his father, Sakaida Kakiemon XI, in 1917. Earlier he had graduated from the Arita Apprentice School and then studied ceramics with his father. Initially he worked in the traditional Kakiemon style, echoing the work of his forbears in the 17th and 18th centuries. He began working with his own son in 1924, after the future Kakiemon XIII graduated from the Arita Industrial School. Together in 1953 they succeeded in recreating the classical Kakiemon technique for producing a nigoshide milky-white porcelain body. This technique was designated a national cultural treasure meriting preservation and protection by the Cultural Protection Committee in 1955. That same year he exhibited at the 2nd Japan Traditional Crafts Exhibition (Nihon Dento Kogei-ten) for the first time, winning a prize for his entry. In 1958, he exhibited at the World Exposition...

Very large ovoid shaped porcelain vase with a beautiful blue and white mountainscape design accentuated by a low relief details. The top of the vase ends in an elegant small neck. Y...

A small Japanese black and gold lacquer suzuribako (writing box) with cartwheels in water, by the artist Hattori Toshio (1943). Of rectangular form with rounded corners, bearing a lustrous rôiro ground throughout, the exterior sides of the box and exterior of the cover finely decorated in gold and little silver takamaki-e with cartwheels flowing in a dynamically executed body of water with many swirls and gushes as well as scattered dew drops, the interior tray fitted with a rectangular ink stone and silver suiteki (waterdropper). The underside signed ‘Toshi’. With the original wooden tomobako with hakogaki reading Namikuruma makie suzuribako (The writing box set, with a design of wheels in water), as well as a leaflet written in Japanese with the artist’s biography up to 1987. Hattori Toshio (b. 1943), art name Hattori Shunsho, was first selected for the Nitten exhibition in Showa 38 (1963). Since then, he has exhibited more than twenty times at the Nitten and other exhibitions, winning numerous prestigious awards. In 1995, he had an audience with Pope John Paul II and presented the Pope with a lacquer reading table. In 2004, he created the shelves for the guest room of the Kyoto State Guest House of the Government of Japan. He is a member of the Kyoto Crafts Artists Association, the Kyoto Lacquer...

Important and rare Japanese irregular shaped ceramic Oribe-ware chair with various designs in orange, white and black colours by the famous Japanese ceramist Suzuki Gorô...

Stunning contemporary Japanese Ko-Imari style porcelain koro or incense burner or jewelry box, hand painted on a beautifully shaped round body in cobalt blue, red and green and gener...

Nicely made and large incense burner or Okimono of a turtle. In earthenware with nice patina. Shimane Prefecture Iwayaki (Nagahama Yaki) Turtle figurine. The head and part of the bac...

This is an incense burner which was made in Japan around 1970s in Showa era. This incense burner is made with porcelain. Dimensions: 10 x 10 x H12.5 cm

A fantastic Japanese Satsuma incense burner, koro, with phoenix and brocade designs and a silver lid, Meiji Period, late 19th century, Japan. The cens...