Japanese Large Heavy Banko Ware Ceramic Pottery Stoneware Vase, 19th Century

An absolutely stunning Bizen ware stoneware vase/jar/vessel - produced sometime during the late Momoyama period (1568-1600) / Early Edo Period (1603-1867). Bizen yaki...

A beautiful Japanese Satsuma pottery studio vase featuring multiple kesa-clad enlightened Buddhist monks on each side of the vase. The piece is finely detailed with rich raised gilt highlights throughout and beautifully decorated in gold and various hand painted other colors. From the Meiji period (1868-1912). This piece has the all-important Shimazu Family crest mark (red circle with a cross inside) on the base authenticating the work as an old and original Satsumaware work. The mark shows the pottery was made under the rule of the Shimazu clan. From a Los Angeles Collection...

A wonderfully designed and gorgeously colored coveted square Mingei bottle vase by Japanese National Treasure pottery master Tatsuzo Shimaoka. This vase is an early work of Shimaoka's before he started to use his impressed "Ta" signature. The rich colors are truly amazing and shift in the light. The vase comes with a Shimaoka signed and sealed box. The work is exquisite in every way and has a wonderful feel and heft to it. Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his own studio, has exhibited worldwide including North America, Asia, and Europe. In 1996 he was bestowed the title of Japanese Living Treasure...

A really large and wonderful piece. Clearly, the maker was a fan of Shoji Hamada's work. Could be a Mashiko Ware pottery vase. Signed on the base along with a sticker on the insi...

A large and impressive fine quality 19th century Imari vase, with hand painted classical floral motif and inset panels painting of playful Foo Dogs. Japan, Meiji period, late 19th c...

18th century Japanese Gennai Ware vase, known for its bright coloring, Gennai Ware was produced by Hiraga Gennai (1728-1780), a scientist and intellectual who lived in what is now Shido, Kagawa Prefecture. Gennai Ware is stylistically similar to Kochi Ware which is an early Chinese pottery...

A large heavily glazed stoneware saki jar or pot. This traditional Japanese piece has wonderful colors and a beautiful shape, 19th century.  

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...